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BW Broadcast DSPXmini-Hd. Missing logo  Some impacts in the frame due transport (Check pictures) Operational Technical data http://broadcaststoreeurope.com/upload_dir/docs/BW-Broadcast-DSPXmini-ST-Datasheet.pdf OVERVIEWSPECIFICATIONAnalogue and Digital (AES/EBU) inputsAnalogue and Digital (AES/EBU) outputsStereo or mono (L+R, L or R) mode selection4-Band Gated AGC4-Band program dependent limitingPre/de-emphasis and FM style clippingUltra-low 4ms latencySwitchable input fallback with adjustable timerRS232 and TCP/IP interfaces for remote controlReal time clock for preset schedulingPreset trigger portSecurity (password) ControlSoftware 'FLASH' Upgradable-12 to +12dBu+24dBuXLR floating,EMI suppressed24 bit 48 Khz 128x oversampled-12 to +24dBuXLR floating,EMI suppressed24 bit 48 Khz 128x oversampled32-96 KHzConnector XLR floating,EMI suppressed32, 44.1, 48 KHzXLR floating,EMI suppressed32-96 KHzXLR floating,EMI suppressDB9RJ45 EMI shieldedOther4ms85-265 VAC 50-60Hz44mm x 482mm x 200mm1.6 KgAnalog inputNom. input levelMax input levelConnectorsA/D conversionAnalog outputAnalog outputConnectorsD/A conversionDigital input (AES/EBU)Sampling rateConnectorDigital output (AES/EBU)Sampling rateConnectorDigital sync input (AES/EBU)Sampling rateConnectorRemote interfaceRS232NET/LANOtherProcessor LatencyPowerSizeWeight.............Modern digital FM audio processing has allowed stations to sound louder and cleaner than ever before, but with one bigsacrifice - delay. Whilst your listeners don’t notice your talent certainly does when trying to monitor on-air. No presenter orguest likes having to listen to a flat unprocessed feed, and finding an analogue FM processor can be expensive andunreliable. The answer is a low delay processor designed specifically for this purpose.Thanks to pre/de-emphasis and FM style clipping your talent gets the loud processed signal they are used to but an ultra-lowdelay of 4ms means no complaints of an echo in their headphones. As with all BW Broadcast processors, the DSPXmini-ST hasa real-time clock for preset scheduling, preset A/B switching, graphic LCD display, serial and TCP/IP remote control interfaces,and both analogue and AES/EBU digital inputs.

OTARI UFC-24 Universal Format Converter with addition of optional 24 channels of AES/EBU capability providing uncompromised conversion of all formats. This 2U rack-mount unit allows up to 24 tracks of digital audio to be transferred simultaneously from the source-format to all of the most-common formats used in the industry today. A single UFC-24 will convert up to 24 channels at a time from any one to all of the following: • PD • SDIF-2 • ADAT • TDIF-1 • AES/EBU • Multiple units may be linked to provide sample- accurate transfer of more than 24 channels. The input source-format outputs to all other formats at the same time. MIDI Input, Output & Throughput connectors are provided for patch-change control of Routing-Presets & Input-Format. All parameters of the UFC-24 may be stored as System-Exclusive Data to a MIDI storage device and later recalled. 1:1 Track-Mapping & user-selectable Routing of Input-channels to Output-channels is provided by buttons on the front panel. Up to 6 user-configurable Routing-Presets allow Channel Routing Maps to be recalled at any time. LEDs indicate status of Source-Clock lock and Channel Assignments. Frank Wells, Masterfonics, Nashville, TN: "We heard about the UFC-24 from OTARI when it was first coming out and it met a need that had been in the market for a long time. All of these digital formats are 16-bit and are all storing the same words at the same sampling rates but you couldn't get information from one of them to the other one without going out into the analog world. Now the UFC-24 is able to address the pro formats (PD and DASH), plus the ADAT and DA-88 that many producers are using to work in home studios. It seems to meet all those needs in one relatively inexpensive box. Being able to re-route channels in the box is also a big plus. We use the phrase 'digital everything -- all at once' around here...and this box applies that on a multi-track 'digital everywhere -- from anywhere' basis. That sums it up pretty well." Rudy Van Gelder, Rudy Van Gelder Studio, NJ: "We needed the capability of transferring digitally between PCM-3324 (DASH) to PCM-800 (DA-88 format) and I wanted to transfer 24 tracks digitally. The UFC-24 is very stable, very reliable and it performs what it's supposed to do perfectly. The additional thing about it that I like is the routing flexibility within the unit. This is a feature that I wasn't originally aware of, but I use it all the time...I'm really pleased with the UFC-24." Tva RECUPERABLE........E SHIPPING WORLDWIDE: CONTACT ME FOR THE PRICE OF SHIPPING

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Motu - HDX-SDI Tower. État : "Occasion"  Interface vidéo Motu HDX-SDI version Tower - Support logiciel multi-plateforme - ProRes et autres codecs populaires - Supporte les fichiers workflows - Qualité broadcast - Classement couleur ASC CDL - Capture et monitoring HDMI - Synchronisation et commande de machine - Section audio complète: capturer ou écouter jusqu'à 16 canaux audio par l'intermédiaire des 2 banques de 8 canaux TRS analogiques, numériques AES / EBU ou (SDI ou HDMI) à des t aux d'échantillonnage jusqu'à 96 kHz - Alimentation à découpage interne avec mode économie d'énergie - Carte PCIe fournie - Dimensions: format rack 19'' - 1U ou 44 x 483 x 197 mm - Poids: 3,5 kg - 1 entrée / sortie HD/SD-SDI (4:2:2 10 bit) sur connecteur BNC. - 1 sortie supplémentaire en HD/SD-SDI sur connecteur BNC. - 1 entrée et sortie HDMI® (4:2:2 10 bit, YCbCr ou RGB). - Sortie DVI via un adaptateur HDMI vers DVI (vendu séparément). - 1 entrée et sortie HD/SD component (10 bit, YPbPr ou RGB) en BNC. - 1 entrée composite (10 bit) en RCA. - 1 entrée S-Vidéo (10 bit) en prise mini DIN 4 broches. - 1 entrée et sortie composite (10 bit CVBS) sur BNC partagé. - 1 entrée et sortie S-Vidéo (10 bit Y/C) sur BNC partagé.

AETA HIFISCOOP 3 Technical Specifications Audio • Full Duplex • Audio Interfaces • Analog - Symetrical, transformer isolated - Maximum level: 21 dBu/dBm - Input impedance: 600 ½ or 10 k ½ - Output impedance: • Digital - AES/EBU format - Impendance: 110 ½ - Sampling frequency: 32, 48 KHz or synchronized on AES input • Headphone - 1/4" jack, adjustable output, 25 ½ • Audio Performances • Bandwidth - From 20 Hz to 7 kHz (FS=16 kHz) (FS=24 kHz), 15 kHz (FS=32 kHz), 20 kHz (FS=48 kHz) • THD + N • Stereo - Channel separation > 80 dB1 - Gain difference - Phase difference Notes: 1 over the full 20 Hz to 20 kHz bandwidth 2 direct connection from the A/D-D/A converter 3 input/output 1 dB below clipping level What is J52? Normally, if a field codec attempts to communicate via MPEG Layer II with a station codec set for Layer III, the algorithms are incompatible and there will be no connection. However, thanks to J52 - a mode that only AETA Audio includes as standard on all of its products - the station codec set for Layer III will recognize the incoming algorithm and automatically default back to Layer II operation in order to communicate. The beauty of J52 is that it requires absolutely no operator intervention. No longer do you have to manually change the algorithm, and never again will you miss an incoming signal because of an incompatibility. Operational Information • Dialing - Built-in keypad - Automatic answering • User Interface - Backlit LCD display: 2 x 16 characters - Dust/breakage-free Lexan® keypad • LEDs - Audio input level, 18 LEDs for: 0 to -27 db (referenced to the clipping level = 16 dBu) - Int voltage alarm: 12v & 5v - Ext test alarm - Ext clock alarm • Network interface - ISDN: U, S/T single basic rate interface (RJ45) - V24 (sub D-9) • General - Loopback mode for network testing - Universal power supply: 85 to 260 VAC - Dimensions: 3.75 x 19 x 12.5 in. (H x W x D) - Weight: - Operating temp range: 32°F to 113°F 95% humidity RACK 19 POUCES 2 U FRAIS DE PORT 23 EUROS EN SUS POUR LA FRANCE  TVA RECUPERABLE WELCOME,BIENVENUE ACHAT.VENTE.NEGOCE NOUS SOMMES UN MAGASIN SPECIALISE DANS L'ACHAT, LA VENTE ET LE DEPOT-VENTE DE MATERIEL AUDIOVISUEL   OCCASION / NEUF A PRIX DISCOUNT   SON / VIDEO BROADCAST / STUDIO / HIFI / SONO / VINTAGE        91 AVENUE EMILE ZOLA  75015 PARIS    FRANCE (métro: charles michels)    TEL:  01.45.75.46.13 CONDITIONS DE VENTE SUR MA PAGE PERSO  TVA RECUPERABLE

Nous vendons notre matériel suite à un changement d'activité. Parfait état bon matériel. Coté 446 € d'occasion à l'argus. Carte digitale offerte ! ---- Features: 24-bit A/D and D/A converters yield over 110dB dynamic rangeInstant recall of all major mixer settings (EQ, dynamics, snapshots, etc.) via 200 memory locationsAnalog-style 1-step functionality (common mixer functions are only 1 step away, so you don't have to page through menus)38 channels (32 analog or digital inputs plus 6 aux returns) plus 8 busesSurround Sound: 5.1 mixing is built-in4-band parametric EQ on each channel (a total of 48 EQs)Dynamics section on every channel, including compressor/limiter, gate, expander and delayAutomation: both dynamic and snapshot automation for all mixer parameters is built-in, with an optional automation expansion software package availableMultiple interfaces: 3 rear panel expansion slots for up to 24 channels of ADAT, TDIF or AES/EBU connections are availableOther option cards allow SMPTE and video sync, tandem connection of 2 DA7s and analog A/D and D/A connections4 fader layers: 21 high quality moving faders do triple duty as level controls for channels 1?16 (layer 1), 7?32 (layer 2), or aux sends 1?6, aux returns 1?6, and buses 1?8 (layer 3); the fourth layer allows you to customize your work surface by reassigning any of the audio faders Instruments de musique occasion à vendre à Paris (75116)