Thanks to their case that

More magical than ever. The new AirPods reinvent wireless earbuds. Take them out of their charging case, and they work right away with your iPhone, Apple Watch, iPad, or Mac. After a one-tap setup, the magic of AirPods happens. They turn on automatically and always stay connected. They even detect when you put them to your ear and pause what you're listening to as soon as you take them out. To adjust the volume, change songs, make a call, or even get directions, just say b'"'Hey Sirib'"' and make your request. You can wear both AirPods or just one. And when you're listening to music or podcasts, a double tap is all it takes to start playback or skip to the next track. AirPods give you 5 hours of listening time and 3 hours of talk time on a single charge. And they can go with you anywhere, thanks to their case that allows multiple recharges and delivers more than 24 hours of battery life. Need fast charging? By placing your AirPods in their case for 15 short minutes, you will get 3 hours of listening time or 2 hours of talk time. Featuring Apple's new H1 headphone chip, AirPods use optical sensors and motion accelerometers to detect when you're wearing them. Whether you're using both AirPods or just one, the H1 chip automatically routes audio and activates the mic. And when you're on the phone or talking to Siri, another voice-sensing accelerometer works in tandem with beamforming mics to filter out background noise and focus on your voice. En savoir plus

Walimex Pro Aptaris Universal XL MK II cage system to DSLM and DSLR Caméras Excellent état, comme neuf Dans sa boite d'origine avec sa documentation - innovative cage system that makes system and DSLR cameras suitable for accessories - height adjustable and therefore suitable for all common cameras such as Panasonic GH-4, Nikon D800, Canon 5D Mark III, etc. - new and larger handle with additional 1/4 inch and 3/8 inch tapped holes - Eight new 1/4 inch tapped holes on the TopPlate for added convenience - A variety of mounting options around the rig - Height adjustable between 81mm and 133mm inside dimensions - Many expansion and combination options - Made in Germany - Made of extremely light and stable aerospace aluminum PRODUCT INFORMATION Aptaris - makes system and DSLR cameras suitable for accessories The "Made in Germany" Cage-System Aptaris makes your system or DSLR camera suitable for accessories and thus enables professional results when filming and photographing. Suitable for all common cameras The walimex Pro Aptaris Universal XL Mark II Cage opens up even more possibilities. With its additional 1/4 inch and 3/8 inch threaded holes, accessories such as microphone or film light can be attached even more flexibly. The new and larger handle ensures even more wearing comfort. It also has two 1/4 inch and four 3/6 inch tapped holes. The Universal XL Mk II is suitable for all common cameras such as the Panasonic GH-4, Nikon D800 or Canon 5D Mark III. In short, for those whose hot shoe and tripod threads lie on one axis and do not exceed or fall short of the inside dimensions of the cage. Aptaris is simply attached to the camera via the hot shoe of the camera and the camera screw (1/4 inch thread). An absolute highlight is the height adjustment of the cage, which is done with four Allen screws. This fits the version for a lot of cameras. In addition, two small hooks on the camera plate, which can be individually adjusted depending on the camera, ensure an absolutely non-slip grip. Greatest flexibility in use Thanks to a large number of 1/4 inch threads on all sides and a 3/8 inch thread on the underside, a lot of accessories such as microphones or LED lights can be attached as desired. Additional flexibility in use is provided by the adjustable, supplied handle, which can be mounted at the top, bottom or side as needed. This is also the shooting near the ground possible. With the Manfrotto PL 501 standard adapter plate, Aptaris can also be mounted on a Manfrotto tripod. In any case, access to the battery compartment, memory card etc. remains unrestricted. Many expansion and combination options Aptaris is a system. That's why you can extend the cage with any number of accessories such as the Aptaris rod module or the shoulder rest module. The Rod Module gives you plenty of room to attach additional accessories such as a Follow Focus and a Mattebox. With a diameter of 15mm, the rods comply with the industry standard, so that the combination with all common accessories is possible. Thanks to the included Rodmodulplatte the rod module can easily be attached via a sliding mechanism on the Aptaris system. With the Aptaris shoulder rest module, you can cast a complete rig out of the cage with just a few simple steps - for even more flexibility, especially in mobile use. Of course, you can also extend Aptaris at any time eg with additional hot shoe adapters or a separate L-bracket. Livraison rapide et soignée

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

Tubes NOS very musical, energetic and playful hits RCA: Same code, made for Sperry, on board the B52s (navigators) US air force - logo Eagle-With-Arrows - 1955 Sold in their original box Lamps purchased new and paired. I used them for 243 hours Quick and neat delivery Regarding transport and returns: My lamps have always been listened to and necessarily have a very clean sound if they are available for sale. The package is robust and very well made for the most optimal transport possible. It is true that these are fragile objects and that transport can be rough. Therefore, if despite everything, the lamps suffer damage during transport, there will be no return or refund possible. Indeed, it is necessary to have an invoice so that compensation from " expedition" can be made. I am not a professional, but an avid hifi enthusiast and for vintage hits, providing a purchase invoice is most of the time impossible.Thanks for your understanding.

For sale used Fiio X7 Hi-Res digital audio player (including AM1 amplifier module), with original box and accessories + Dignis leather case (hand-made in Korea out of genuine Italian leather - retail value 50 EUR). The player has rather limited use, has been well taken care of and is in impeccable condition (almost as new). Player will be carefully packed and tracking number will be provided. Note to potential UK buyers January 1st 2021 brought significant changes to the the way cross-border parcels are dealt with. VAT can be levied on goods imported in UK from within EU, depending on their nature, value and country of origin. Disruptions and delays at UK borders are a reality for the time being. Many shipping companies in EU have increased charges at best, at worst they have temporarily stopped accepting parcels with UK as a destination. Should you be interested in buying this item, please contact me first so that I can check and confirm the shipping options.

99% neuf avec toutes les fonctions et accessories. L'emballage d'origine n'est pas inclus! Top features: - Wireless design that automatically connects when near your Apple devices - Optimised audio design that brings you great-sounding music - Comfortable and practical design - Always ready to go with the Apple W1 chip Wireless design The Beatsx Headphones are light and compact, offering hassle-free wireless connection to your devices. Simply turn the power on and hold them near your iPhone - they can also sync with your Apple Watch, iPad and Mac. Bluetooth Class 1 technology provides a clear and reliable connection. Optimised audio design Listen to your favourite songs clearly with Beatsx Headphones, which provide immersive sound. They deliver clean treble and distortion-free bass, so all your music sounds natural no matter what you're listening to. Comfortable and practical design The Flex-Form cable fits around the back of your neck comfortably, with a variety of eartips to find the most comfortable fit for your ears. When you're not wearing your headphones, coil them tangle-free thanks to their magnetic earbuds. A compact design means they're easy to take anywhere. Package Includes: 1 x Écouteurs 4 x pairs of ear tips 1 x Charging Cable 1 x carrying bag En savoir plus Collaboration commerciale.

ORIGINAL MATCHED PAIR " NEUMANN KMi 85 ", vintage (1970s). COLLECTOR CONDITION! Like new condition in the original packaging with two kv58 capsule extension tubes and one Neumann DS100 and two sg21 clips. black finish (for broadcast). i = xlr connector. Fantastic and very hard to find "close miking" stereo set (for acoustic guitar, speech, classical music ("tenor" singer (according to me, this stereo set is way better ("more musical") than the "Schoeps Pavarotti stand"), drum...). Very close serial numbers (45508 and 45511). The capsules are (of course) from the same batch with very close serial numbers too. LIKE NEW CONDITION (very hard to find, almost impossible! You can find for sale one good km i 85 from time to time, but the kmi 85 matched pair is almost impossible to buy. This stereo set is a "secret weapon" of the best sound engineers).  Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

NEUMANN KMi 85 vintage 1980s LIKE NEW CONDITION!  (very hard to find, almost impossible!). Neumann KM85i (...) A long-time staple for orchestral and acoustic recordings thanks to their clear and natural sound, the Neumann KM8x series of microphones can be found in just about every major studio and scoring stage -­­ often half a dozen or more of them under one roof. Essentially, the KM85i (“i” designation simply means it has an XLR connector, typically for export to North America) is the same microphone as the widely ­loved and more expensive KM84i, but with a built-­in bass rolloff. While this makes the microphone less useful in distant applications, the KM85i’s integral high­pass filter actually comes in handy as you move the microphone closer to an instrument or voice. Proximity effect is an acoustical bass­ boost inherent to directional microphones as they move closer to the signal source, which makes the cardioid-patterned KM84i a bit too bottom­-heavy when used as a close mic. The KM85i, however, sounds clear as a bell at closer distances, arguably making it a better choice for snare drums (engage the ­10dB pad to avoid ugly distortion - or don’t), acoustic guitars, and any other sound that benefits from having a microphone within spitting distance. (...) Source: Reverb (a Guide to Hidden Gem Vintage Microphones)

SENNHEISER PXC 450 HEADPHONES - REDUCED TO CLEAR The PXC 450 is a circumaural high-end travel headphone set with NoiseGard™ 2.0 technology and TalkThrough function for the best possible attenuation of ambient noise. The PXC 450 enables an unprecedented sound experience for people on the move, thanks to its adaptive baffle damping in combination with the patented Duofol diaphragms, which prevent unwanted partial oscillation and thus guarantee a highly natural, lifelike sound quality. NoiseGard™ is an active noise compensation system which Sennheiser originally developed for use by pilots, who have to rely on good sound quality and efficient protection against ambient noise even in high-noise environments. NoiseGard™ actively compensates the noise, based on the physics principle of sound and counter-sound. NoiseGard™ 2.0 has perfected the NoiseGard™ principle thanks to the use of optimised circuitry design and even more efficient processors. It also uses better quality microphones, which enable more sophisticated pick-up of unwanted noise. Specially developed filter algorithms enable improved active noise compensation of up to 90% (23 dB). It is of course also possible to use these headphones passively, i.e. without NoiseGard™ and without batteries.  Users of a PXC 450 who wish to communicate with their neighbours can do so without taking off the headphones: when the TalkThrough function is activated, professional quality microphones mounted on the outside of the headphones pick up all acoustic signals in the immediate vicinity. Unwanted background noise, such as the sound of the engines on a plane, is filtered out electronically to a great extent, so that only the neighbour’s voice is passed on through the headphones into the user’s ear in top audio quality. The PXC 450 is foldable and is supplied complete with practical transport case, 2 AAA batteries and audio adaptors (double mono and 6.3mm). Volume control integrated in the headphones and a single-sided detachable and replaceable cable ensure maximum convenience for the user. SPECIFICATIONS: Colour: Silver Wearing Style: Headband Impedance: 150/750 ohms Connector: 3.5mm right-angled Frequency Response: 8 - 2800 Hz Sound Pressure Level: 108 dB Total Harmonic Distortion: Ear Coupling: Circumaural Cable Length: 1.4m single-sided, replaceable Transducer Principle: Dynamic Weight: 240g Attenuation: Passive - 32 dB Operating Time: > 21h Battery Specification: 1 x AAA Battery NoiseGard Noise Compensation: Up to 23dB (NG 2.0) 

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Up for sale is a near mint example of the famous Brinkmann Fein Phono Stage. A stunning sounding unit that will accommodate any MM or MC cartridge. Adjustable load at the back, adjustable volume control at front which even enables straight connection to a power amp for an all-analogue purist system - but will easily work and sound equally stunning with line preamps or integrated amps. Amazing transparency and level of detail, with a very slight touch of harmonic warmth and unbelievable dynamics / soundstage. Only selling as part of funding the upgrade to its MUCH more expensive bigger brother Marconi. Complete with external power supply, granite slab and original power cables. Wherever still available, the Fein retails for 2990.00 EUR (recommended list price), and is worth every cent of that.  From the Brinkmann website: Phono stage »Fein« (discontinued)   The black finish hides yet another«Golden Oldie». Even though the »Fein« has been in production since 1985, it is anything but an oldie. Continued refinements have pushed this phono stage well ahead of its class. It features a single input, a volume control, and low output impedance; vinyl purists can thus drive an amplifier directly with their »Fein« should they so chose to.     Sonically, »Fein« (engl. fine) lives up to its name.Amongst the reasons is because it runs in pure Class-A with all operating points referenced to a single and temperature-compensated voltage source; the power transformer will never run into magnetic saturation thanks to ultrafast diodes and non inductive resistors; and last, but certainly not least, because the power consumption is so low that we decided to omit a power switch. (We recommend instead to leave the »Fein« powered up continuously because it sounds even better that way.)     Brinkmann Fein Specifications THD/IM distortion0,01%/0,05%S/N ratio MM/MC80/78 dBAFrequency response20 Hz-50 kHzGainadjustable, max. 55 dBOutput voltagemaximum 4 VOutput impedance200 OhmInput impedance MC600 OhmInput capacitance MM50 pFInput sensitivityswitchable 1 mV/47 kOhm (MM),0.5 mV/600 Ohm and 0.2 mV/600 Ohm (MC)Dimensions (WxHxD)120 x 80 x 160 mm (with granite base);power supply 105 x 60 x 100 mmWeight1.5 kg; granite base 2.8 kg;power supply 1.2 kgIncluded in deliveryphono preamplifier, power supply, power cord, granite base The unit will come professionally packaged, although without original box or manual. Any questions please ask. Thanks for looking !

Good day,  For sale here,  a Forza AudioWorks Hybrid IEM Cable,  good used condition,  with 2-pin/0,78 L-shaped connectors to your IEM (in-ear-monitor earphone headphone)  and 3,5mm stereo jack-plug.  Very good quality cable, a real upgrade, adds more to your sound,  especially when compared to a stock cable.  Here's a review of it:  - https://www.head-fi.org/showcase/forza-audioworks-hybrid-iem-cable.20111/reviews  Official RSP is €149,  make it yours for much less that price.  About:  The Hybrid Series IEM cables share Forza AudioWorks’ hybrid signature sound – natural tonal balance,  with well extended highs and full bodied lows, with couple of user friendly design features.  All Hybrid Series IEM cables come with ergonomic L-shaped IEM connectors, combined with excellent flexibility of the wire,  just wear it and forget it and simply enjoy the music.  With the bombproof build quality, it is probably the last IEM cable you will buy for a long time…  Specifications:  - High purity, 4 strands of 26AWG cryo 7N UPOCC copper + UPOCC silver in semi-Litz geometry and PE insulation (no more green copper oxide on your wire!).  Blend of the best materials available for superior sound experience and ergonomics. - Highly flexible thanks to custom formulated PE insulation, 56 individual strands in 7 groups and semi-Litz geometry.  With addition of 4x1 braid it is the most flexible Forza AudioWorks cable. - L-shaped plugs: no matter if it is for Shure, Westone or your favorite CIEM – the Hybrid Series IEM comes  with ergonomic connectors for pure pleasure of use. - 4x1 braid for EMI reduction without the need of bulky metal screening braid. - Eye-catching transparent, braided cable design, finished with carbon fiber splitter with Hybrid Series logo.  - Built like a tank, 100% handmade in Poland with meticulous care  Compatible with any monitor that has 2-pin/0,78 connectors.  - Plug Type: 3.5mm stereo jack  - Connector Type: 2-Pin / 0.78  - Cable Length: Around 1.2 m  Condition:  Good used condition, perfectly working.  You'll receive:  - 1x cable  (only the cable, no IEM comes with it).  If you don't know what this lens is about, please ask before your purchase. All sales are final.  Please check my other sales.  Thanks for your time!  ----------  Sale's Conditions  (please read before buying, by placing an order, means you have accepted the followings):  You're buying from a distributor based in EU.  Some sellers saying that they ship from Europe, while they don't. And then unpleasant surprises  from your customs asking 20% or more for import taxes (and big shipping/delivery delays), will appear...  On the rare occasion that something will goes wrong with the item  (in case of warranty for example, if/when this is offered),  you'll contact me and I’ll be there for you to offer you the best and quickest solution.   If you don't know what this item is about, please ask before your purchase.  Be sure of what you're about to purchase, that you have made your research,  you have read reviews about it online, so you're sure you like its character etc....  Otherwise just do not buy from here, as I will definitely NOT accept returns  or any kind of refunds after sale is ended, as item is well described.  Payment:   PayPal is accepted. Immediate payment is required.  Shipping:  Worldwide shipping is available.  Fully insured & signed-for shipping is provided! These options are included in shipping price!  No taxes within EU (European Union)!  Import taxes & fees (if any) are buyers resp

For sale Speck Lilo 16 in superb condition! PSU is set up for 220V. Description: "The LiLo is a high-definition desktop analog line mixer for routing and blending your external gear. Short for Line-in/Line-out, the LiLo was designed as a “quiet-transparent” platform that allows you to build a mixing system using the gear you already own. Design Philosophy One glance at the LiLo and you will realize that you are not looking at a conventional mixer. The first thing you will notice is the minimalist layout of the LiLo. This unpretentious design lacks mic preamps, equalizers, and is in short supply of knobs and switches. In their place, we bring you a well-designed 32 input mixer with unmatched signal routing, generous amounts of headroom, and a transparent signal path. The Lilo has been designed with the specific idea that you want to connect and mix your external gear and DAW without the limitations imposed by traditional recording consoles. The In’s & Out’s All audio inputs, outputs, and inserts are fully balanced and available on XLR and TRS connectors. Connect the LiLo to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The LiLo has high headroom that will handle balanced signals up to +28dBu. Balanced transformers are standard on the main feed and are optional on other outputs. The Designer The LiLo is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 25 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the Xtramix rack mixer, the ASC equalizer, and MicPre 5.0 preamp." But best is to go there: http://www.speck.com/lilo/lilo.html Shipping worldwide available (will be super safe in a custom woodbox/pallet) Note: Thanks to contact me for shipping quote! ajaudio.fr

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus