Their finest

CD Album CD Code EAN: 0030206744682 Rubrique principale CD: CD Album Titre: Their Finest

CD Album CD Code EAN: 0886973368626 Classification Cd Primaire: Rock, Rap, variétés internationales Genre musical: Rock Rubrique principale CD: CD Album Classification CDMail: Variétés internationales Référence fabricant CD: E51191 Titre: Their finest hour + bonus

CD Album CD Code EAN: 0724383565023 Rubrique principale CD: CD Album Titre: Their finest hour Genre musical: Rock Classification CDMail: Rock Référence fabricant CD: 336407 Classification Cd Primaire: Rock, Rap, variétés internationales

COMPIL MICRO 3 FUN RADIO  " THE SECRET OF MONKEY ISLAND.. MIG 29... INDIANA JONES AND THÉ LAST CRUSADE  THEIR FINEST HOUR THE BATTLE OF BRITAIN BATTLE HAWKS 1942 ENVOI RAPIDE ET SÉRIEUX 

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

Auteur Michael Harley and Rob Dickinson Éditeur Stance and Speed Date de parution 2015 Format 31x26 cm ISBN 978-0-9891149-4-3 Nombre de pages 275 Langue Anglais Etat Neuf Reliure Couverture rigide Some call them the best air-cooled Porsches ever, others the best cars in the world. They are the Porsche 911 sports cars that have been restored, reimagined, and reborn by Singer Vehicle Design. Each commission represents a unique collaboration between the customer and Singer, combining bespoke carbon fiber body panels, the finest in optimized mechanical and electrical components, superlative materials and finishes, and the spirit of the golden age of the iconic air-cooled 911. Every Singer-restored car is an incomparable work of impeccable craftsmanship. One More than 10: Singer and the Porsche 911 brings the reader as close to these beautiful machines as one can get, excepting the lucky few who own one. Singer Vehicle Design is driven by the singular vision of Rob Dickinson, an ex-car designer and rock musician who came to be one of the world’s foremost distillers of the essence of air-cooled Porsche. Journalist Michael Harley and Dickinson tell the story, while an all-star cast of automotive writers, journalists, and personalities offer their perspectives on the Singer phenomenon. Throughout the book some of the finest photographers in the automotive world, with unparalleled access to Singer's operations, reveal the sublime beauty of these Porsche 911s as they are restored, and as they play at the track and run the open road. More than that, the book tells the story of how a life-long obsession with the most important sports car on the planet, which began on an autoroute in France in the '70s, came to find a home on the concours lawns and racetracks of the world's most prestigious automotive events. The writers, photographers, and artists who were enlisted to contribute to this unique book include Guy Allen, Antonio Alvendia, Les Bidrawn, Tom Ford, Marino Franchitti, Robert Genat, Ken Gross, Chris Harris, Evan Klein, Jay Leno, Phil McGovern, Chad McQueen, Holly Martin, Richard "Dickie" Meaden, Tiff Needell, Drew Phillips, Matt Stone, Pete Stout, Peter Vincent, G.F. Williams, Renato Zacchia, and Jeff Zwart.

Cast in Bronze - French Sculpture from Renaissance to Revolution 534 pages Color photos Hard cover 31 x 24 cm 3,141 kg English Approximately 125 of the finest statuettes, portrait busts, and monuments reveal the French genius for bronze from the late Renaissance through the times of Louis XIV, Louis XV, and Louis XVI. Jean Goujon, Germain Pilon, Barthélemy Prieur, Pierre I. Biard, Michel Anguier, François Girardon, Antoine Coysevox, Jean-Baptiste Pigalle, and Jean-Antoine Houdon are among the masters featured in the exhibition who lent their prodigious talents to the medium.

DURING THE mid 1970s the popularity of progressive rock was at an all time high with acts such as Yes, Jethro Tull and, especially, ELP enjoying huge album sales and playing to sold out crowds the world over. Of course, shadowing these giants of prog were a number of young upstarts keen to make a challenge for gold and glory, not least of these were American mid-west contenders Starcastle. The band’s carefully executed debut album attracted a number of converts, selling something in the region of a quarter of a million copies, resulting in Epic records taking a keener interest. In an effort to up the ante, so to speak, the band was sent into the studio (Morin Heights, Quebec) to record their next album with flamboyant and creative British producer Roy Thomas Baker (Queen, Journey, Foreigner). ‘Fountains Of Light’ is arguably Starcastle’s finest moment. Baker’s production is meticulous yet forceful, allowing the band to stretch out and take on the competition without sacrificing integrity or a natural melodic song writing ability. Packed out with hooks to die for and submerged in complex yet accessible arrangements, the album oozes charm and class. Housed in one of the most impressively designed album sleeves of the seventies ‘Fountains Of Light’ still presses all the right buttons. 24-bit remastering from original source tapes, 4,000 word essay about the making of the album, new interview with band and additional photos spread out over a 16 page full colour booklet. Track Listing: 1. Fountains 2. Dawning Of The Day 3. Silver Winds 4. True To The Light 5. Portraits 6. Diamond Song (Deep Is The Light)