Thought to have miguel

LdPossibles68 Consulter nos évaluations Ajouter cette boutique à mes favoris The Origins Of Modern African Thought 23,00 € Disponibilité: en stock For the better part of two centuries, racial domination has been the central concern of African social thought. Other questions, among them national identity, the role of chieftaincy, representation, justice, and constitutional design, have often been defined in relation to a preoccupation with racial and colonial forms of domination. This book, by examining the history of African thought, will prove an invaluable tool to those new thinkers who have begun to revisit the intellectual history of Africa at the outset of the twenty-first century. --Ce texte fait référence à l'édition 2004. Aspect: Reliure toilée orange de l'éditeur avec jaquette. Jaquette avec usures d'usage. Date d'édition: 1968 Editeur: Faber and Faber Ltd Edition: 1ère édition. Etat: D'occasion très bon état Format: in-8 Type d'Illustrations: 4 pages recto-verso de reproductions photographiques en noir et carte hors texte Langue: anglais Lieu d'édition: London Nb pages: 512 NB Volume: 1 Nom Auteur: Robert W. July Reliure: relié Sujet: Histoire

Without even realizing it, we all use the fruits of political philosophy. From liberty to democracy to community, the terms and concepts originated by political philosophers are ingrained in our global consciousness. Yet many of us have an incomplete picture of how these ideas developed and, quite possibly, a skewed perception of their intentions and implications. This highly relevant course sheds light on the labyrinth of Western political and social theory, as well as its influence on modern history. Guided by an award-winning professor of philosophy and author, these eye-opening lectures reveal how political philosophers, in responding to the societal problems and changing conditions of their day in revolutionary ways, created virtual blueprints of action for leaders. You'll gain not only the tools to comprehend the omnipresent language of politics, but a thorough understanding of the wellspring of thought that has emerged over centuries of political philosophy and the intellectual origins of major historical movements and events. Throughout, questions of democracy, freedom, and distributive justice are addressed, and revolutionary figures who have left an indelible mark on history - from Niccolo Machiavelli to Ayn Rand - are encountered. By the conclusion of lecture 36, you will have the context necessary to appreciate the evolution of a myriad of political ideas, including hot-button topics of today such as libertarianism, neoconservatism, feminism, and environmentalism.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Julia FORDHAM I thought it was you 3-track digipack    MAXI CD CIRCA     5012985009058 1992   UK     Neuf         1992 UK 4-track CD single, part 1 of a 2 CD single set - includes Love Moves In Mysterious Ways, Melt and Swept; presented in a great digipak picture sleeve. with room for the second part YRCDG90 - NEW NOT SEALED - NEUF NON SCELLE - °°°°°°°°°°°°°°°°°°°°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Miguel BOSE Madrid Madrid 3-track jewel case     MAXI CD Wea     090317566825   1991   France     EX/EX          1) Madrid Madrid 2) Manos Vacias 3) Nena live °°°°°°°°°°°°°°°°°°°°°°  Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&.Bose Miguel Super superman Italie  7" CBS   7374  1979 Italy EX/EX. &&&&&&&&&&&&&&&&&&&&&&&&&&&&& °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les vinyles ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le vinyle a des rayures et marques qui affectent la qualité sonore avec des craquements et sautements. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The record shows some signs of having been played, but there is very lessening in sound quality. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. Most common condition for records. The record has been played few times but displays no major deterioration in sound quality, no wear despite the occasional light marks.The average person would notice anything wrong. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface, there is some noise (pops and crackles) but no skips or major warps F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The record has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&.Bose Miguel Super superman Espagne  7" CBS 7374  1979 Spain EX/VG. &&&&&&&&&&&&&&&&&&&&&&&&&&&&& Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les vinyles ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le vinyle a des rayures et marques qui affectent la qualité sonore avec des craquements et sautements. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The record shows some signs of having been played, but there is very lessening in sound quality. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. Most common condition for records. The record has been played few times but displays no major deterioration in sound quality, no wear despite the occasional light marks.The average person would notice anything wrong. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface, there is some noise (pops and crackles) but no skips or major warps F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The record has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Vendu avec boitier neuf Sold with new jewel case Envoi le lendemain du paiement (sauf Dimanche et jours fériés) Sending the day after payment (except Sunday & Public holidays) Label: Hardback Code: YZ724CD Year: 1992 Format: CD maxi-single Nombre de pistes / Tracks: 4 Pour d’autres informations, voir photo / for more informations, see picture. Etat / Condition  CD : NM: Proche du neuf / Near mint.  Aucune rayure visible sur la partie enregistrée  / No visible scratch on recorded party. La qualité des CD est évaluée uniquement sur la partie enregistrée laquelle, partant du centre vers l’extérieur, ne concerne qu’une petite partie de la surface totale du CD. Les parties non enregistrées, d’un intérêt mineur, ne sont donc pas prises en compte dans cette évaluation. / The CD's condition is evaluated only on the recorded center part, from the inside to the outside and which concerns a small part of the CD’s total area. Unregistered parties which present minor interest are therefore not considered in this evaluation. Micro-rayures sur la partie non enregistrée / Micro-scratches on unrecorded part. Boîtier/Jewel case : M:  Neuf / New. Après votre achat, le boitier sera changé et remplacé par un neuf avant son expédition. Celui figurant sur la photo est le boitier d’origine. Merci de ne pas  tenir compte de la photo pour l’état du boitier / After your purchase, the jewel case will be changed and replaced with a new one before its shipment. The one shown on the photo is the original jewel case. Thanks consider this remark compared to the jewel case’s condition. Jaquette / Cover : VG+: Très bon état / Very good condition. Très bon état, pas de signes d'écriture, présente quelques marques d’utilisation ou de vieillissement.  / Very good condition, no signs of writing, may have few minor signs of use or aging.  Correspondance et Goldmine Grading System M (Mint): Neuf / Brand New  NM (Near mint) : Comme neuf /  Like new VG + (Very good +) : Très bon état / Very good VG (Very good) : Bon état / Good G (good), G+ (good+) : Etat correct / Acceptable Envoi / Sending Le jour suivant le paiement / Day following the payment: - Par La Poste: du Lundi au Samedi / Monday to Saturday - Par Mondial Relay: du Mardi au Samedi / Tuesday to Saturday. Paiement par chèque ou virement, le lendemain de sa réception / If paying by bank transfer, the next day after receipt. Emballage / Packaging Emballage carton spécifiquement adapté au format CD ou boite carton avec calage papier et film bulle. L'emballage carton est plus protecteur qu'une enveloppe bulle. Pour certains envois en France, l'objet pourra être expédié sous enveloppe bulle renforcée pour faire bénéficier l'acheteur d'un tarif postal plus avantageux, notamment ceux d'un poids inférieur à 100 g, emballage compris, et ne présentant aucun risque de dégradation (digipack, boitier carton). Packaging carton specifically adapted to CD or carton box with paper wedging and bubble film. The cardboard packaging is more protective than a bubble envelope. Mode d'expédition / Shipping costs France, Monaco: – 3 cm d’épaisseur: Ecopli, lettre verte, prioritaire ou suivie +3 cm d’épaisseur: Colissimo, Point Relais (Mondial Relay). Belgique, Luxembourg: - 250 g: Lettre prioritaire internationale / International prioritary Letter + 250 g: Lettre prioritaire internationale ou Point Relais (Mondial Relay). Allemagne, Autriche, Royaume-Uni, Italie, Espagne, Portugal: - Lettre prioritaire internationale ou Livraison à domicile par Mondial Relay / International prioritary letter or Home delivery by Mondial Relay. Autres pays/Other countries: - Lettre prioritaire ou suivie internationale (La Poste) / International prioritary or

CD GRUPO CORPO de 11 tracks RECORDING:            2011 DUREE TOTALE:             MUSICIENS:          Voix: JM Wisnik, Milton Nascimento, Elomar, Xiradela, Enoque de Meneses, Maria Bardanca, Dulce Pontes                                    Paulo Freire (viola), Adriano Busko (percussao), Marimba, guitarra, viola caipira, etc), Joao Omar (violao romantico), Luciano Perez Diaz (organistrum), Marie Le Cam (gaita escocesa), Dimitri Boekhoorn ((harpa), Alan Sousa (pandeiro), Carlos Nunez (gaitas galega, irlanda e escocesa, flautas, ocarinas, birimbao galego, organistrum) TRÈS BON ÉTAT / VERY GOOD CONDITION    TOUS MES CDs EN VENTE EN OCCASION ONT ETE ECOUTE AU MOINS UNE FOIS AFIN DE GARANTIR UNE LECTURE PARFAITE ALL THE CDs, IN ANY SHAPE, HAVE BEEN CHECKED AND ARE PERFECTLY LISTENABLE COMME NEUF: état absolument parfait, meme a la loupe (pour les maniaques) / Perfect, like new.  EXCELLENT ETAT: aucune trace visible sur le cd, sans toutefois y regarder a la loupe / No scratches or scuffs easily visible, at first glance. TRES BON ETAT: 1 à 3 petites rayure légère / 1 to 3 small light scratches. BON ETAT:  quelques rayures (superficielles) ou traces sur le cd /  few scratches. ETAT USAGE: nombreuses rayures (superficielles) ou traces sur le cd / Many scratches but still listenable. SAUF PRECISION SUPPLEMENTAIRE, LES POCHETTES SONT EN PARFAIT ETAT. LES BOITIERS CORRESPONDENT A L'ETAT GENERAL DU CD (SANS FENTE) VENEZ VOIR MA BOUTIQUE CDsmile SUR: DES CENTAINES DE CDs EN VENTE DONT UN GRAND NOMBRE DE COLLECTORS. HAVE A LOOK TO MY STORE CDsmile AND FIND MANY COLLECTORS.

RARE Sun Ra And His Arkestra Featuring Stuff Smith ‎"Deep Purple" (Saturn 485). NM vinyl generic cover version with tracklisting and credits written by hand on an insert (photocopied)   Sun Ra And His Arkestra Featuring Stuff Smith ‎– Deep Purple Label: El Saturn Records ‎– 485 Country: US Sortie: 1973 Genre: Jazz Style: Avant-garde Jazz, Big Band Tracklist A1Deep PurpleViolin – S. Smith*Written-By – P. DeRose*A2Piano InterludeWritten-By – Sun RaA3Can This Be Love?Written-By – K. Smith*, P. James*A4Dreams Come TrueVocals – C. Williams*Written-By – Sun RaA5Don't Blame MeVocals – H. Randolph*Written-By – D. Fields*, J. McHugg*A6'S WonderfulVocals – H. Randolph*Written-By – G. Gershwin*, I. Gershwin*A7Love Come Back To MeVocals – H. Randolph*Written-By – O. Hammerstein*, S. Romberg*B1The World Of The InvisibleComposed By, Arranged By – Sun RaB2The Order Of The Pharaonic JestersComposed By, Arranged By – Sun RaB3The Land Of The Day StarComposed By, Arranged By – Sun Ra Notes This LP was also released under the title 'Dreams Come True' generic cover version with tracklisting and credits written by hand on an insert recorded between 1953 and 1955 in Chicago Saturn P.O. Box 7124 Chicago, Ill. 60607 Track A1-A7 are Sun Ra's earliest known recordings, first released in 1973 as the A-side of "Deep Purple" (El Saturn 485). Recording dates and personnel for these tracks are speculative. Track A1 was recorded between 1953 and 1954. Tracks A2 to A7 are thought to have been recorded in 1955. Code-Barres et Autres Identifiants - Rights Society: BMI - Rights Society: ASCAP - Matrix / Runout (Side A Runout etched): 485-A QR - Matrix / Runout (Side B Runout etched): 485-B QR

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

Negation in English and Other Languages (Classic Reprint) Otto Jespersen Auteur: Otto Jespersen Editeur: Forgotten Books Broché: 156 pages paperback Publication: 25/06/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? The nucleus of the following disquisition is the material collected during many years for the chapter on Negatives in vol. Ill or IV of my Modern English Grammar (abbreviated MEG), of which the first two volumes appeared in 1909 and 1914 respectively (W inter, Heidelberg). But as the war has prevented me (provisionally, I hope) from printing the continuation of my book, I have thought fit to enlarge the scope of this paper by including remarks on other languages so as to deal with the question of Negation in general as expressed in language. Though I am painfully conscious of the inadequacy of my studies, it is my hope that the following pages may be of some interest to the student of linguistic history, and that even a few of my paragraphs may be of some use to the logician. My work in some respects continues what DELBR tJCK has written on negation in I ndo-E uropean languages (V ergl. Syntax 2. 519 if.), but while he was more interested in tracing things back to the ursprache,I have taken more interest in recent developments and in questions of general psychology and logic. With regard to the older stages of Teutonic or Germanic languages I have learned much from B. Delbruck, Germanische Syntax I. Zu den negativen Satzen (S achs. Gesellsch. d. Wissensch. Leipzig 1910), supplemented by G. Neckel, Zu den germanischen Negationen (in Kuhn s Zeitschr. 45, 1912). Of much less value are the treatments of the specially Old English negatives in M. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format o The nucleus of the following disquisition is the material collected during many years for the chapter on Negatives in vol. Ill or IV of my Modern English Grammar (abbreviated MEG), of which the first two volumes appeared in 1909 and 1914 respectively (W inter, Heidelberg). But as the war has prevented me (provisionally, I hope) from printing the continuation of my book, I have thought fit to enlarge the scope of this paper by including remarks on other languages so as to deal with the question of Negation in general as expressed in language. Though I am painfully conscious of the inadequacy of my studies, it is my hope that the following pages may be of some interest to the student of linguistic history, and that even a few of my paragraphs may be of some use to the logician. My work in some respects continues what DELBR tJCK has written on negation in I ndo-E uropean languages (V ergl. Syntax 2. 519 if.), but while he was more interested in tracing things back to the ursprache,I have taken more interest in recent developments and in questions of general psychology and logic. With regard to the older stages of Teutonic or Germanic languages I have learned much from B. Delbruck, Germanische Syntax I. Zu den negativen Satzen (S achs. Gesellsch. d. Wissensch. Leipzig 1910), supplemented by G. Neckel, Zu den germanischen Negationen (in Kuhn s Zeitschr. 45, 1912). Of much less value are the treatments of the specially Old English negatives in M. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format o D'autre ouvrages de Otto Jespersen Mot Clef: Reference Words & Language

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

ART BLAKEY’S JAZZ MESSENGERS AVEC BARNEY WILEN Les Liaisons Dangereuses 1960 (Fontana 460.660 ME) - FACE A ART BLAKEY’S JAZZ MESSENGERS No problem (1re version) ART BLAKEY ET BARNEY WILEN Quartet prelude in blue (à l’esquinade») - FACE B ART BLAKEY ET LES AFROCUBAN Boys no hay problema ART BLAKEY’S JAZZ MESSENGERS Prelude in blue (chez Miguel) Pressage original français sorti en 1960. Très BO bonne jazz. Écoutez le fichier son enregistré à partir du disque en vente. Original french pressing issued in 1960. Great French 60s jazz soundtrack. Hear clip sound recorded from actual record Record condition: SLEEVE (pochette) VG / RECORD (disque) VG J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute e