Turbulence no matter

TURBULENCE "No Matter How Far"/HIGHER TROD FAMILY "Often Wonder" - Label Home Run - 2003 Pressage JA original Etat EX-/EX (face B) En écoute ici: https://www.cjoint.com/c/JHAoM73hbV6 (Les écoutes sont celles des disques mis en vente, et réalisées "à plat": sans équalisation ni effet d'aucune sorte pour améliorer la qualité.) Regardez mes autres articles !   Les envois à destination de la France métropolitaine sont faits en lettre suivie. À cause des tarifs postaux exorbitants, pas d'envoi vers les DOM-TOM. Désolé. Les envois à destination de l'étranger sont faits en lettre prioritaire internationale. Pour avoir le suivi de l'envoi, prévoir un supplément de 2,50 €. Quantité maximale de disques pour tout envoi : 8. Le paiement doit être effectué dans les 48h après la vente. A défaut, la vente sera annulée.

CD Album CD Code EAN: 0889466219528 Rubrique principale CD: CD Album Genre musical: Métal Titre: No Matter What - Revisiting The Hits

CD Album CD Code EAN: 0889466219528 Rubrique principale CD: CD Album Titre: No Matter What - Revisiting The Hits Genre musical: Métal

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°  Olivia NEWTON-JOHN No matter what you do 3-track CARD SLEEVE CDSINGLE EW 3218030953648 1995 France NEW 1) No matter what you do (Smash radio edit) 2) No matter what you do (Smash extended version) 3) No matter what you do (Original version) ++ RARE FRENCH CD SINGLE ++ °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

Diana Ross And The Supremes – No Matter What Sign You Are The Young Folks Motw. Label:Motown Cat N°: M-1148 État média: Near Mint (NM or M-) A nearly perfect record. The record should show no obvious signs of wear. État pochette: Generic Emplacement: fill 70 Sortie: 1969 Genre: Funk / Soul Style: Soul Tracklist PositionTitle/CreditsDurationANo Matter What Sign You Are BThe Young Folks En savoir plus

ROCKY WEST AND THE HUMBUGGERS NO MATTER WHAT YOU DO MAC RECORD 45 T ROCKABILLY / 45 TOURS ROCK N ROLL disque bon etat, pochette bon etat voir photo ENVOI GROUPEE POSSIBLE - I COMBINE POSTAGE VOIR MES AUTRES VENTES DE DISQUES ROCK N ROLL / ROCKABILLY / TEDDY BOYS

maxi 3 titres/ref.8159/à noter petite fente sur jaquette/legeres microrayures sur cd et boitier CD Maxi CD Auteur: BOX OF LACES Editeur: ZYX Support / Quantité fournie: 1 Rubrique principale CD: CD Maxi Date: 1998-01-01 00 Genre musical: Dance

ISLAND 405259 1983 Excellent condition, See Pictures Box may have some very few usage wear, due to its age Others tapes in sell, see my active sellings (search "cassette" in my objects) Buy Several - Reduce your postage (ask for total once finished) Postage worldwide is 4,50€, no matter how much cassette you buy (2, 3, 4.. is ok same price) - beware no tracking, no insurance Postage with tracking and insurance is 5,30€ for one - 9,50€ for 3 - 13€50 for 6 Livraison France: lettre verte suivie 2,50€     +1€ par cassette supplèmentaire

CD Album CD Code EAN: 4935228132492 Rubrique principale CD: CD Album Genre musical: Musique de film Titre: Watashi Ga Motenai No Wa Do Kangaetemo Omaera Ga Warui (No Matter How I Look At It, It's You Guys' Fault I'm Not Popular / Wata Mote Intro Theme) [IMPORT JAPONAIS]

IQ (7) – Dark Matter Label: Giant Electric Pea – GEPCD 1034 Format: CD, Album Pays: UK Sortie: 2004 Genre: Rock Style: Prog Rock Tracklist 1Sacred Sound11:402Red Dust Shadow5:533You Never Will4:544Born Brilliant5:20Harvest Of Souls(24:29)5.1i. First Of The Last5.2ii. The Wrong Host5.3iii. Nocturne5.4iv. Frame And Form5.5v. Mortal Procession5.6vi. Ghosts Of Days DISQUE EN TRES BON ETAT. PAS DE RAYURES   PAS DE CHEVEUX     NO SCRATCHES   NO HAIRLINES VOIR MES AUTRES VENTES MÊME SUJET. EN CAS D'ACHATS MULTIPLES LES FRAIS DE LIVRAISON SERONT CALCULES AU PLUS JUSTE. Vous pouvez me poser des questions et me demander d'autres photos pour plus de détails ou pour juger de l'état.. Je ne suis pas infaillible et en cas de litige je serais heureux de résoudre tout problème avec vous, aussi n'hésitez pas à me contacter. Merci d'utiliser les évaluations avec recul et discernement. PAYPAL OU CHÈQUE..

Barbra Streisand ‎– Yentl - Original Motion Picture Soundtrack Genre: Pop, Stage & Screen Style: Soundtrack, Ballad, Vocal Année: 1983 Tracklisting  Where Is It Written? Papa, Can You Hear Me? This Is One Of Those Moments No Wonder The Way He Makes Me Feel No Wonder (Part Two) Tomorrow Night Will Someone Ever Look At Me That Way? No Matter What Happens No Wonder (Reprise) A Piece Of Sky The Way He Makes Me Feel (Studio Version) No Matter What Happens (Studio Version)

Amanda Lear ‎– Sweet Revenge Label: Ariola ‎– 25 900 OT Format: Vinyl, LP, Album, Partially Mixed, Gatefold  Pays: Germany Date: 1978 Genre: Electronic Style: Disco Tracklisting Masquer Crédits A.1Follow Me A.2Gold A.3Mother, Look What They've Done To Me A.4Run Baby Run A.5Follow Me (Reprise) B1Comics B2Enigma (Give A Bit Of Mmh To Me)Arranged By – Rainer Pietsch B3The StudArranged By – Rainer Pietsch B4Hollywood Flashback No Matter What Happens No Wonder (Reprise) A Piece Of Sky The Way He Makes Me Feel (Studio Version) No Matter What Happens (Studio Version)

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Vend nombreuses cartes, autocollants, codes de la série Skylanders Spyro's Adventure  Sélectionnez simplement le modèle voulu en utilisant le menu ascenseur. Consultez mes autres annonces pour d'autres figurines et jeux des différentes éditions. Tarif des envois pour la France métropolitaine:    - envoi par lettre sans suivi gratuit (envoi suivi à partir de 3 cartes et/ou autocollants achetés) Je décline toute responsabilité en cas de problème lié au transporteur. International shipping:    - protected letter (no track ID to keep low shipping cost) 1,90€ no matter how much cards you buy En cas de doute ou pour toute demande de précisions, n'hésitez surtout pas à me contacter !