Unbalanced

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

The Soundweb London Analog Output BluCard is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. This analog card enables Soundweb London devices to send line level signals. The Analog Output Card has two Combicon connectors which are used as follows: Connector 1 Balanced / Unbalanced Audio, Channel 1 - Mic/Line Balanced / Unbalanced Audio, Channel 2 - Mic/Line Connector 2 Balanced / Unbalanced Audio, Channel 3 - Mic/Line Balanced / Unbalanced Audio, Channel 4 - Mic/Line https://bssaudio.com/en/products/analog-output-card Cette carte provient d’une unité BSS neuve. Carte jamais utilisée. Paiement par par Paypal si envoie, en espèce si retrait sur place. International buyers are always welcome, BUT, PLEASE, ASK FOR A SHIPPING QUOTE BEFORE YOU BID!!!! International shipping costs will be adjusted depending on the destination. From 15€ to 32€ En savoir plus

Le MPX 1 est le processeur «multi-effets». Une technologie multiprocesseur FX combinée à un panneau avant interactif. Une complète connectique à l'arrière professionnelle - Détail des caractéristiques: Analog Audio Input XLR and 1/4" balanced (T/R/S)Input Level -2dBu to +20dBu, balanced; -14dBu to +8dBu, unbalanced Input Impedance 100k½, balanced;50k½, unbalanced Analog Audio Output XLR and 1/4"balanced (T/R/S) Output Level +18dBu Output Impedance 600½unbalanced Digital Audio Input Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Digital Audio Output Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Conversion 24-bit A/D;24-bit D/A Internal Audio DSP 20-bit;32-bit Frequency Response 20Hz - 20kHz ±1dB Crosstalk -60dB THD 0.01%, 20Hz - 20kHz Dynamic Range D/A:>95dB typical, 20Hz - 20kHz, unweighted A/D:>90dB typical, 20Hz - 20kHz, unweighted A/A:>95dB typical, 20Hz - 20kHz, unweighted MIDI Interface 7-pin DIN connector for MIDI IN and powered bidirectional remote; 5-pin DIN connectors for MIDI THRU and OUT Footswitch 1/4"T/R/S connector for bypass and tap Footpedal 1/4"T/R/S connector (10k½- 100k½impedance) Power Requirements 100 - 240 volts AC, 50 - 60Hz, 25 watts (3-pin IEC connector) Remote Power In 2.5 mm 9 volts AC (not included) Dimensions 19" W x 1.75" H (1U) x 9" D (483 x 45 x 289 mm), rack mount standard Weight 6.125 lbs.(2.8 kg) Operating Temperature 32¡to 104¡F (0¡to 40¡C) Maximum Humidity 95% without condensation

Denon DN-T625 Le DN-T625 est une combinaison professionnelle de lecteur CD et de lecteur / enregistreur de cassette logé dans un châssis rackable 3U. Les caractéristiques comprennent le contrôle série RS-232C, la lecture de CD-RW, la mémoire de choc, la réduction du bruit Dolby C, le texte CD et la sortie XLR mono à niveau partagé pour l'adaptation du niveau d'entrée aux tables de mixage. Les fonctions du lecteur CD incluent une hauteur variable de ± 12 % de la vitesse de lecture, le mode de répétition A-B, le mode de lecture simple / continue et une fonction de retour arrière. Un bouton de commande rotatif permet un accès rapide aux pistes. La sortie numérique SPDIF est disponible, ainsi que la synchronisation et le contrôle en cascade pour une utilisation avec plusieurs unités DN-T625. L’ajustement numérique des servos pour le lecteur de CD de l'unité a été automatisé de sorte que le réglage optimal soit toujours obtenu pour le type de CD en cours de lecture, compensant les changements survenant dans le capteur au fil des années d'utilisation. Conçu pour les églises, les écoles, les restaurants et une variété d'autres applications de source musicale, le DN-T625 permet aux utilisateurs de créer leurs propres enregistrements d'un disque à une cassette ou de mélanger des sons provenant des deux sources. Lorsqu’il est combiné avec une table de mixage, les sons d'un CD et d'un microphone peuvent être mixés et enregistrés sur la platine cassette. Cette option est parfaite pour la musique de fond personnalisée ou les annonces pré-enregistrées. - Lecteur CD-R / RW professionnel unique avec lecteur / enregistreur de cassettes - Lecteur CD Démarrage instantané et repérage automatique (présélectionnable) - Jeu de mise sous tension Denon DN-T625 Specs Type    Combination CD player and cassette player/recorder Compatible Discs    Red Book CD and CD-R/RW Supported Bit/Sample Rates    16-bit/44.1kHz D to A Converters    8x oversampling digital filter Frequency Response    20Hz to 20kHz (CD section) Dynamic Range    Not specified by manufacturer Signal-to-Noise Ratio    98dB A-weighted (CD section)    70dB, Dolby C on (Cassette Deck) Total Harmonic Distortion (THD)    0.009% or less (CD section) Output Connectors    2 x XLR CD out balanced analog    2 x XLR tape/mix out balanced analog    2 x RCA phono CD out unbalanced analog    2 x RCA phono tape/mix out unbalanced analog    1 x RCA S/PDIF coaxial digital Headphone Connector    Yes Remote Control    Optional (RC-620 wired remote control) RAM Buffer    Yes Dimensions (HxLxP)    13.33 cm x 48.26 cm x 26.21 cm Weight    4kg72 Specialties    Sync and Cascade connectors for use with multiple     DN-T625 units Number of Heads    2 Motor    2 x DC servo Wow and Flutter    0.06% WRMS Speed Adjustment    ±12% or better with center click Lining    2 x XLR balanced analog    2 x RCA phono unbalanced analog FEATURES CD - 99-track programming and random play - ±12 % Variable pitch playback - CD-R/RW playback - Back cue function, single/continuous playback function - CD TEXT - MP3 playback (DN-T645 only) - Instant start playback DECK - Dolby B/C noise reduction system - Dolby HX-Pro headroom extension system (DN-T645 only) - Auto tape selector - Speed control of approximately ±12 % for tape deck - Music search system - Quick auto reverse GENERAL - Serial control port (9P D-sub) - Copy from CD to tape or use independently - Headphones jack with volume control - Relay playback - Cascade playback - Power on playback - XLR input/output SPECS Compatible Discs - Red Book CD and CD-R/RW Supported Bit/Sample Rates - 16-bit/44.1kHz D to

Yamaha MA2030 Lo-Z / Salut-Z commutable compact de classe D amplificateur mélangeur (Lo-Z: 30W x2ch, Salut-Z: 60W x1ch) équipé de 3 entrées stéréo, 2 entrées micro et fonctions DSP puissants pour la musique de haute qualité de lecture et l'utilisation du microphone.   Facile à installer, et une interface conviviale pour un fonctionnement sans effort Flexible 3 entrées stéréo et deux entrées de microphone Fonctions avancée DSP pour la lecture de musique et de l'utilisation du microphone Commutable pour Lo-Z (3O / 4O) ou Salut-Z (70V / 100V) Les systèmes de haut-parleurs Stereo EQ source avec la fonction d'amélioration Built-in EQ pour des performances de haut-parleur / série Yamaha VXS VXC optimale zones de service peuvent être étendues par l'ajout d'un PA2030 Télécommande de volume et un microphone commutation on / off via le panneau de contrôle DCP1V4S option Contrôle de la qualité Yamaha garantit un fonctionnement sûr et fiable Gain d'espace 1U taille demi-ra ck The MA2030 is a power amplifier that is ideal for daily use with a simple user interface and a power-saving ClassD circuit in a compact body. One unit supports both low impedance and high impedance, enabling flexible system construction. In addition to the mixing function, the MA2030 provides high-quality sound with an EQ equipped with a microphone and DSP function that is ideal for music playback, and an enhancer function. ■ Type: Power amplifier, high /low-impedance compatible ■ Rated output: 30Wx2 (3Ω, 4Ω, 8Ω), 60Wx1 (70V /100V) ■ Power consumption: 30W 1/8 output, 3Ω, AC 100V, when driving all channels (pink noise) ■ Dimensions: 215 x 54 x 288 mm ■ Weight: 1.8kg ■ Others: ■ Amplifier circuit: Class D ■ Frequency characteristics 0dB, ​​-2.5dB, + 1.0dB: Stereo input (line input) to line output 20Hz to 20kHz 0dB, ​​-3.0dB, +1.0 dB: Stereo input (line input) to speaker output 50Hz to 20kHz, 1W, 3Ω /4Ω /8Ω 0dB, ​​-3.0dB, + 1.0dB: Stereo input (line input) to speaker output 90Hz to 20kHz, 1W, 70V /100V ■ Connector Microphone input MIC IN 1: XLR combo jack, balanced MIC IN 2: 3.5mm Euro block terminal 3-pin, balanced Line input ST IN 1: Stereo mini phone jack (3.5mm), unbalanced ST IN 2 /ST IN 3: Stereo RCA terminal, unbalanced Speaker output Barrier strip terminals x 2 pairs Line output Stereo RCA terminal, unbalanced ■ Protection circuit Load protection: Power switch ON /OFF: Output mute *, Output overvoltage: Output limit *, DC detection: Shutdown (* with automatic reset function) Amplifier protection: overheating: output limit * → output mute * → shutdown, overcurrent: output mute *, integrated power: output limit * (* with automatic reset function) Power protection: overheating: shutdown, overvoltage: shutdown, overcurrent: shutdown ■ Cooling method: Natural air cooling ■ Power supply voltage: AC 100V; 50Hz /60Hz ■ Operating temperature: 0 ° C ~ + 40 ° C ■ Storage temperature: -20 ° C ~ + 60 ° C Accessories: Power cable, 3.5mm Euroblock plug (3-pin) x 1, Instruction manual, Spec sheet (English) ■ Options sold separately: RKH1 (rack mounting bracket), DCP1V4S-US (digital control panel)

CELLO DUET 350 Stereo Power Amplifier by Mark Levinson Serial number 00006 This amplifier comes from the auction of the equipment of a French audiophile. It is in working condition and appears to be in its original condition. It was used with a YBA preamp and Martin Logan CLS II speakers. I did not have the amplifier serviced. Of course for optimal use, it will probably be necessary to plan to change the capacitors and do a general overhaul. It is sold as is. The amplifier is in good cosmetic condition. There are slight marks on the handles (see photos) It is sold without cables Comes with a copy of the owner's manual Shipping is given as an indication, please ask for a shipping quote Product Specifications: Class of operation: Class AB2 Power Output (single amp): @8 Ohms Rated: 350 Watts @4 Ohms Rated: 600 Watts Power Output (bridged amps): @8 Ohms Rated: 1,200 Watts IMD (SMPTE): 0.3% (60 Hz / 8 Ohms / 52.92 V Output) IMD (CCIF): THD (20 - 20000Hz): Frequency Response: +0/-0.8 dB @ 10 - 20000 Hz Dynamic Headroom: 1.8 dB Channel Separation: 90 dB Signal to Noise: Input Sensitivity: 1.491 V (8 Ohms / 350 Watts / 52.92 Volt Output) Input Impedance: 1 mOhm (Non-Inverting) 5000 Ohm (Inverting) 1 mOhm (Unbalanced) Gain: 31 dB (Unbalanced) 37 dB (Balanced) Dimensions: 19"w / 12.62"h / 23.25"d Shipping Weight: 100 lbs. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

USED - Some buttons may scratch. All keys working but one key is a little bit lower than the others. Sold with KORG soft case. Keyboard: 37 Natural Touch Action Notes Switches: 7; Bank (2 positions), Octave Up and Down (toggle) timbre, Select (2 positions), ARP ON / OFF, Vocoder On / Off, Write, Output / Shift Buttons: 7; Volume, tempo, selection program (genre and category), real time assignment, pitch and modulation controls PROGRAMS 8-voice polyphony (up to 4 when vocoder is selected) Program: 128 Maximum number of stamps 2 (when using Layer, Split or Multi) Synth 2 oscillator + noise generator Oscillator 1 Waveform SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, CFM/DWGS, AUDIO IN WAVEFORM, CROSS, UNISON, VPM modulation Oscillator 2 Waveform SAW, PULSE, TRIANGLE, SINE Modulation RING, SYNC, RING+SYNC Wave shaping WS type DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST Multi-filter mode Filter 1 -24 dB / oct LPF - 12 dB / oct LPF, HPF, BPF, Thru Filter 2 LPF, HPF, GMP - 16-band vocoder, adjustable level and panning for each band tape, the format changeover function, the Hold Formant function (Velocity-sensitive keyboard, no aftertouch) 37-note keyboard Timbre Effects: 2 Band EQ Master: master effects (17 effects algorithms) Arpeggiator UP, DOWN, ALT1 / 2, random, Trigger (6 types), Arpeggiator function step Programmes 128 programmes (banks A / B x 8 x 8 genres categories) CONNECTIONS AUDIO IN [ONLINE], AUDIO IN [MIC] (With AUDIO IN [MIC / XLR] switch) AUDIO IN [LINE] Maximum input +19 dBu level Input sources impedance8 ohms Connector1 / 4 "jack (unbalanced) AUDIO IN [MIC] Maximum input level-11 dBu The input source impedance7 k-ohms XLR connector (balanced) Output L / MONO, R cylinders Max output level +6 dBu @ 10 k-ohms Output source impedance1 k-ohms A button is lightly pressed but works (see picture) 1/4 phone jack connectors "(unbalanced) HEADPHONE Maximum output level of 36 + 36 dBu @ 33 ohm load Output source impedance10 ohms 1/4" stereo jack connector MIDI IN, OUT USB type B connector 21.89 (W) x 9.09 (D) x 2.87 (H) 4.41 kg.DC9V power supply

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

A Vendre; ensemble 1x MFJ-993B + 1x MFJ-5124Y + 1x Alimenation 220/12V 2A et tous les cordons, MFJ-993B 1.8-30MHz Automatic Antenna Tuner 300 Watts SSB / 150 Watts CW Comme neuf utilisé moins de 10 fois, doublon ne me sert pas donc je m'en sépare. En parfait état de fonctionnement et cosmétique, juste quelques griffures sur le dessous voir photos. Facture fournie du 19/09/2020. Soit 25% du prix  de l'ensemble neuf. description: Automatically tunes unbalanced/balanced antennas...Ultra fast... New 20,000 memories... Antenna Switch... Efficient L-network... Select 300 Watts (6-1600 Ohms) or 150 Watts (6-3200 Ohms)... 1.8-30 MHz... 4:1 current balun... Cross-Needle and Digital SWR/Wattmeter... Audio SWR meter... Backlit LCD... Remote control port... Radio interface... World's First dual power level 300/150 Watts SSB/CW Tuner Select 300 Watt SSB/CW power level and match 6-1600 Ohm antennas Or... select 150 Watt SSB/CW power level and match extra wide-range 6-3200 Ohms! The MFJ-993B IntelliTuner lets you tune any antenna automatically balanced or unbalanced -- ultra fast. It's a comprehensive automatic antenna tuning center complete with SWR/Wattmeter, antenna switch for two antennas and 4:1 current balun for balanced lines. MFJ's exclusive IntelliTuner, Adaptive Search and InstantRecall algorithms give you ultra fast automatic tuning with over 20,000 VirtualAntenna Memories. You get a highly efficient L-network, 6-1600 ohm matching at 300 Watts SSB/CW or extra-wide 6-3200 Ohm matching at 150Watts SSB/CW, 1.8-30 MHz coverage, Cross-Needle and digital meters, audio SWR meter, backlit LCD, remote control port, radio interface, heavy-duty 16 amp/1000V relays. It learns while you're having fun As you're ragchewing, contesting or DXing, your MFJ-993B is learning! When you transmit, the MFJ-993B automatically tunes for minimum SWR and remembers your frequency and tuner settings. The next time you operate on that frequency and antenna, these tuner settings are instantly restored and you're ready to operate in milliseconds! MFJ new VirtualAntenna Memory system gives you 4 antenna memory banks for each of 2 antenna connectors. Select up to 4 antennas on each antenna connector. Each antenna has 2500 memories, 20,000 total. Intelligent ultra fast tuning MFJ's InstantRecallTM first checks its memory to see if you have operated this frequency before. If so, tuning is instantaneous and you're ready to operate. If not, MFJ's IntelliTuner algorithm - - based on MFJ's famous SWR Analyzer technology - - kicks in. It measures the complex impedance of your antenna. Next, it calculates the components it needs and instantly snaps them in. Then, it fine tunes to minimize SWR -- you're ready to operate. It's all done in a fraction of a second. When the impedance is within its measurement range, the MFJ-993B is the fastest automatic antenna tuner in the world. If it can't accurately determine impedance, MFJ's AdaptiveSearch algorithm goes into action. Frequency is measured and relevant components values are determined. Only those values are searched for ultra-fast tuning. For even faster searches, you can set the target SWR to 2 (settable 1.0-2.0). You can manually tune when you can't transmit (for listening out of ham bands). Cross Needle and Digital SWR/Watt Meters Lighted Cross-Needle and digital meters lets you accurately read SWR, forward and reflected power at a glance. An audio SWR meter lets you hear the tuned SWR when you can't see/read meters. Turn on a highly visible, instant response SWR LCD bargraph when you need it. Backlit LCD Display An easy-to-read backlit LCD displays SWR, forward/reflected power, frequency, antenna 1 or 2, L/C tuner values, on/off indicators and other in

The Audio-Technica AT-MX381 is an eight-channel mic/line mixer with automatic switching features for conferences, meetings, boardrooms, teleconferencing, TV and radio broadcasts, etc. An internal microprocessor provides automated channel switching for seamless, noise-free operation. Each channel features a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override. The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is a professional, hands-free solution for businesses, houses-of-worship or anyone requiring automated switches during real time discussion and speech. Eight Automated Inputs The eight mic/line switchable inputs seamlessly switch between talkers for hands free automated operation. Automated Threshold Setting An adjustable threshold determines the signal level that triggers channel switching. RS232 and SmartMixer Software An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is Compatible with Crestron and AMX systems. External control capability enables the SmartMixer to activate other devices. Flexible Output Section The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. Built In Limiters Each channel features a limiter for controlling signal peaks and distortion. Assignable Priority Switches All channels feature a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override.

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

VP-5040 Specifications System: Video recording system: Rotary two-head helical scan system Luminance: FM recording Colour Signal: Converted subcarrier direct recording Video signal system: CCIR standards PAL or SECAM colour system EIA standard NTSC 4.43 Video: Output: BNC type: 1.0Vp-p +- 0,2V, 75 ohms, unbalanced sync negative TV output: 8-pin x1 Horizontal resolution: 250 lines Signal-to-noise ratio: Better than 45dB Audio: Outputs: LINE: Phonojack CH1/2 -5dBm (47k ohm load), unbalanced TV: 8-pin x1 Signal-to-noise ratio: Better than 48 (at 3% distortion level) Distortion: Less than 2% Frequency response: 50Hz to 15kHz Special Functions: Pause A still picture is obtained, with automatic long pause function Search Approximately 5 times of normal speed in forward and reverse directions Remote Control: Possible with optional wired remote control. RF Output: Possible with optional RFK-660UB adaptor Tape transport: Tape speed: 9,53 cm/sec Playback time: 60 min (with Sony KSP-60 U-matic videocassettes) Fast forward time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Rewind time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Useable tapes: BRS,XBR,KSP type tape. General: Power requirements: AC 220 / 24OV, +- 10%, 50/60Hz +- 10% Power consumption: 53W Operating temperature: 5C to 40C (41F to 104F) Dimensions: Approx. 424(W) x 193(H) x 489(D) mm Weight: Approx. 16 kg (35 lb 4 Oz) Supplied accessories: AC cord, Operation manual

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

Item was a gift, installed to test and check it was in perfect working order. The sound is better with it, but this is way too much for my humble set up, and space available, sadly. it will be sent in the special double box original packaging it came in so no worries. Parasound HALO A-52 + A52+ 5 VOIES 180 watts RMS x 5 8 Ω.     180 watts RMS x 5 @ 8 Ω     255 watts RMS x 5 @ 4 Ω     225 watts RMS x 2 @ 8 Ω     350 watts RMS x 2 @ 4 Ω     Class A/AB circuitry designed by legendary John Curl     Direct coupled - no capacitors or inductors in audio path ensures the cleanest signal     Balanced XLR inputs with discrete circuits     Full power is rated all the way down to 5Hz for unrestricted low-end bass     Custom 1.5 kVA encapsulated toroid power transformer with independent secondary windings for each channel     Hand-matched JFETs for input stage     Hand-matched MOSFETs for driver stage     Beta-matched 15 amp, 60 MHz bipolar output transistors (3 pairs per channel)     100,000 µF power supply filter capacitance     DC Servo and relay protection circuits     Auto turn on by audio signal or 12V trigger     Heavy-duty 24k gold-plated, 5-way speaker terminals     3U chassis with updated cosmetics, rack mountable with HRA3 (sold separately) Veuillez n'enchérir que si vous acceptez qu'il s'agit d'une vente privée, sans les garanties habituelles de l'UE et le droit de retour ! En soumettant une offre, vous acceptez cette condition. Power outpout 5 Channels Driven 180 watts x 5, 8 Ω 255 watts x 5, 4 Ω Power Output - 2 Channels Driven 225 watts x 2, 8 Ω 350 watts x 2, 4 Ω Power measurements parameters with 120VAC 0.05% THD, RMS continuous power, full audio band (20 Hz - 20 kHz) Current Capacity: 45 amperes peak, per channel Dynamic Headroom: >1.5dB Slew Rate > 130 volts per microsecond Frequency Response 5 Hz - 100 kHz, +0/-3 dB 20 Hz - 20 kHz, +0/-0.3 dB Total Harmonic Distortion (THD) IM Distortion TIM Unmeasurable Interchannel Crosstalk > 78 dB at 1 kHz > 63 dB at 20 kHz Input Impedance Unbalanced: 47 kΩ Balanced: 94 kΩ, 47 kΩ per leg Input Sensitivity for 28.28 V Output into 8 Ω Unbalanced: 1 V Balanced: 1 V per leg Total Gain: 29 dB S/N Ratio > 112 dB, input shorted, IHF A-weighted > 102 dB, input shorted, unweighted Damping Factor > 1100 at 20 Hz DC Trigger Requirements +9 Vdc to +12 Vdc, 5 mA Audio Trigger Requirements 2 mV - 10 mV XLR Pin Identification 1 = Ground (Shield) 2 = Positive 3 = Negative (Return) Dimensions Width: 17-1/4" (437 mm) Height without feet: 5-1/4" (133 mm) Height with feet: 5-7/8" (149 mm) Depth: 20" (508 mm) Depth with cables: 21-1/4" (540 mm) Net Weight 55 lb. (25 kg) Shipping Weight 69 lb. (31.3 kg) Power Requirement Standby: 1 Watt Idle: 125 Watts Maximum: 1500 Watts

Ampzilla 2000 very good condition •   POWER OUTPUT 16 Ohms - minimum 100 watts 20Hz to 20kHz 8 Ohms - minimum 200 watts 20Hz to 20kHz (more like 350 watts) 4 Ohms - minimum 400 watts 20Hz to 20kHz •   Total T.H.D. & I.M. Distortion 4 to 16 Ohms less than.05% at any power level up to rated at any frequency or combination of frequencies between 20Hz and 20kHz. •   Input Impedance and Sensitivity 1 volt R.M.S. across 50kohms for 200 watts into 8 ohms on the unbalanced input. +/- 1 volt R.M.S. across +/- 70kohms for 200 watts into 8 ohms on the balanced input. Input selector switch for balanced or unbalanced •   Frequency response and power bandwidth at rated power 8 ohms - better than +/-.2 dB 20Hz to 20kHz 4 ohms - better than +/-.3 dB 20Hz to 20kHz •    Greater than 250 at 20Hz •   Noise Better than -120dB relative to full rated power Protection Power switch/circuit breaker 4 DC power supply fuses with indicators. Gold plated input and output jacks All steel 14 ga. Chassis, powder coat finish Peak clipping indicator LED, thermal LED.

Description: The Myryad MA-120 power amplifier has been designed to offer a combination of high quality sound reproduction and simple yet elegant styling. The build and finish have a no-nonsense, quality feel: simple brushed aluminum face with an understated logo; gold connections at the rear. It can be used to provide power for high quality stereo systems when partnered by a suitable preamplifier or a Myryad integrated amplifier in bi-amp or tri-amp systems. It can also be used in combination to power a full-surround music or Home Cinema sound system of the highest quality. The Myryad MA-120 has unbalanced line inputs plus directly linked line outputs, all on RCA phono sockets. It may be controlled remotely via the My-Link communications bus when used with other Myryad M series products. My-Link allows remote control of standby and mute functions. The Myryad MA120 has a smooth range, is airy and transparent, but lacks the body of a more powerful amplifier. Bass is detailed and firm with good resolution. It is easy to hear differences with different bass sounds even if they are of really low frequency (below 50dB). Midrange is airy and excellent with placement of sounds in the stereo perspective. It possesses sparkling and airy treble with no sign of harshness or metallic sound. Perhaps the best that can be said of it is that it does not assert its own personality above the music. A complaint may be that the sound is a little on the bright side. The Myryad MA-120 excels in keeping each sound unaffected by other sound resolutions without losing the overall musical sense. Specifications: Stereo Mode, all channels driven Continuous Power Output.................60W @ 8 ohms At                                      .................85W @ 4 ohms At IHF Dynamic Power.........................80W @ 8 ohms                             .........................120W @ 4 ohms                             .........................160W @ 2 ohms Input Sensitivity...............................775mW for rated power Voltage Gain...................................29dB Input Impedance..............................Unbalanced: 100k ohms / 450pF                         ..............................Balanced: N/A Frequency Response.......................+/- 0.2dB, 20Hz to 20kHz Signal-to-Noise Ratio.......................111dB, A weighted, ref rated power General Voltage...........................................120V or 230V, set by internal wiring Dimensions(w x d x h)......................43.5 x 30 x 9.5cm Weight............................................8kg

TUNER MERIDIAN 504 EXCELLENT ETAT. État : Occasion Excellent Tuner FM MERIDIAN 504, écoute ample, riche et incarnée A noter, le nom des stations est paramétrable et l'affichage est désactivable (se rallume qq instants lors des changements de stations) Caractéristiques Technical Specification Input: One 87.0–08 MHz FM 75 unbalanced antenna input Sensitivity: 1.5µV Output: One analogue output 2V rms Distortion: Less than 0.2% mono, 0.4% stereo, noise below –70dB Comms: Two 5-pin 240° DIN sockets Construction: Black textured enamel and glass f inish Dimensions: 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D. Weight 6.4kg (14lbs) Controls: Front-panel controls for Up/Down keys, Mono, Store, Display, Previous/Next keys, Off Front Display: 8-character alphanumeric for showing s tation name, frequency, preset number, signal strength and tuning accuracy, or blank SHIPPING EUROPA

Pair of 30 kOhms to 150 + 150 Ohms (600 Ohms unbalanced) Bartolucci line output transformers. They are ideal for tube preamplifier but could also be used as low output impedance interstage (as example, for 805 tube that needs huge grid current). These are made of potted double C cores. Primary resistance: 1260 Ohms Each secondary's resistance: 44 Ohms Specs mention 240 H primary inductance and 15 mA DC current. I measured 372 H on 50 Hz line voltage. Dimensions: 103 x 89 x 92 mm height Weight of each: 2050 g They were used and have some minor scratches that you can see on pictures but condition is very good. Outside Europe: 54,65 Euros (with tracking). Please contact me for express shipping / insurance.   Pour la France, jusqu'au 11 mai, envoi standard par UPS (livraison estimée: 24h).

Ampli DAC Onkyo DP-X1A 64go. État: Occasion grade A+ DSD 11.2 MHz 384 kHz / 24 bit 64 go Micro SD x 2 2.5mm 4 pole balanced phone 3.5mm 3 pole unbalanced phone 4,7’’ (1280x720) Android 1630 mAh 3.8 V 16h autonomie

Lot of studio cables Various brands, Neutrik and Amphenol plugs 2 x 3m XLR cables 2 x 6m XLR cables 2 x 10m XLR cables 2 x 2.5m TRS - XLR male 1 x unbalanced instrument cable All tested good.

bon état manuel fourni Specifications General Frequency range T: TX144~147.995MHz * 144~147.995MHz RX130~173.995MHz * 144~147.995MHz E: TX144~145.995MHz * 144~145.995MHz RX144~145.995MHz * 144~145.995MHz TFH/R:TX130~173.995MHz * 150~173.995MHz RX130~173.995MHz * 150~173.995MHz * Guaranteed range Modulation: F3E (FM) Frequency step: 5, 10, 12.5, 15, 20, 25, 30kHz step Memory channel: 200 channels + 1 call channel + 1 Repeater-Access function memory Ant. impedance: 50 Ω unbalanced Frequency stability: ±5ppm Mic. impedance: 2k Ω Supply voltage: DC 7.0~16.0V (EXT DC-IN) Current consumption: 1.4A (typical) Transmit high at 5W 250mA (typical) Receive at 500mW 70mA (typical) Standby 25mA (typical) Battery save on Temperature range: External DC: -10°C~+60°C (+14°F~+140°F) Battery packs: -10°C~+45°C (+14°F~+113°F) Ground: Negative ground Dimension: 58(W)x110(H)x36.4(D)mm (2.28"(W)x4.33"(H)x1.43"(D)) (with EBP-65N) Weight: Approx. 280g (9.9oz) (with EBP-65N) DTMF: 16 Buttons Keypad Sub audible Tone (CTCSS): encoder/decoder installed (39 tones) Sub audible Tone (DCS): encoder/decoder installed (104 codes) ■ 11.Specifications 11 64 Transmitter Power output: Approx. 5W (with EBP-65N) Approx. 5W (with DC 13.8V) Approx. 0.8W (LOW output) Modulation: Variable reactance Spurious emission: -60dB or less Max. deviation: ±5kHz Mic. impedance: 2k Ω Receiver System: Double-conversion super heterodyne Sensitivity: -14.0dBµ (0.2µV) or less Intermediate frequency: 1st IF 21.7MHz 2nd IF 450kHz Sensitivity: -6dB: 12kHz or more -60dB: 26kHz or less AF output: 500mW (MAX) 400mW (8 Ω, 10% distortion)

Here's for sale 10 X TBG E601 in original rack My favorite german preamp, incredible sound. This mic pre have been built since the 60's until mid 90's, these are the late ones (was originally built by EAB, then rebranded Systronic and finally TBG) They got the needed and rare output amp / xformer as used on the master of TBG consoles on each preamp card, which is missing on the "most known" unbalanced modules took out of consoles Incredible Haufe transformers!!! A little reading on gearslutz about this brand: EAB/Geiling console Shipping worlwide, pro packing

Visiter notre Boutique: YATOOTOOTOO-Guitare-Basse-Musique Expédié de France en 24h chrono Enregistreur numérique ROLAND VSR-880 matériel pro 8 pistes réel mais 128 pistes virtuelles numériques Notices PDF en français et anglais Enregistreur à disque dur monté en rack avec 8 pistes et 128 pistes virtuelles · Convertisseurs A / D-D / A 24 bits pour une marge de sécurité et une plage dynamique incroyables · Disque dur de 6 Go pour plus de 2 400 minutes d’enregistrement sur piste · LCD rétro-éclairé, édition non destructive avec 999 niveaux d'annulation · Port SCSI intégré pour la connexion de disques durs externes ou du système d’enregistrement de CD VS-CDRII en option · Le mode d'écriture rapide de CD enregistre au format d'image de CD audio · 8 entrées / sorties analogiques (type RCA), 2 entrées micro / ligne TRS 1/4-inch, plus entrée / sortie numérique via une interface S / PDIF et R-BUS Connectors SCSI Connector (DB-25 type), R-BUS (DB-25 type), MIDI Connectors (IN, OUT/THRU), Input jack A, B (1/4 inch phone type, TRS balanced) / Input jack 1-8 (RCA type, unbalanced), Digital In Connectors (Coaxial type, Optical type), Digital Out Connectors (Coaxial type, Optical type) Headphones jack (Stereo 1/4 inch phone type), Master Out L, R jack (RCA type), AUX A, B jack (RCA type), FX1 L, R jack (RCA type) / FX2 L, R jack (RCA type)/ Matériel pro d'occasion en parfait état de fonctionnement Visiter notre Boutique: YATOOTOOTOO-Guitare-Basse-Musique

AMPLI  ALESIS RA 150  DE STUDIO (home studio écoute en monitoring ou HIFI)   - en bon état de marche   - avec cordon secteur et notice d'utilisation en anglais    - état: Occasion   - j'ai remplacé: le relais de temporisation HP à l'allumage (une panne classique sur ce type d'ampli, provoque des coupures de son aléatoire)                                  les deux embases jacks des entrées symétriques   - Pour une livraison par mondial Relay, vérifiez si il y a un point relais dans votre région, avant de payer   - indiquez-moi le point relais que vous préférez   - Pour un paiement par chèque l'envoi du colis,après encaissement du chèque    CARACTÉRISTIQUE du CONSTRUCTEUR Size 18.9" W x 3.9" H x 10.25" D         (480mm x 99 mm x 260 mm) Rack units 2RU height Weight 15lbs = 6.8Kg Rated output, per channel 4 ohms @ 1kHz,.02% THD+N 75 watts RMS per channel 8 ohms @ 1kHz,.05% THD+N 45 watts RMS per channel 8 ohms, bridged mono mode 150 watts RMS Signal to Noise Ratio >105dB, 22Hz-22kHz bandwidth referenced to rated output Frequency Response 10Hz – 70kHz +0, -3dB Damping Factor 200 Slew Rate 60 V/μs (two channel), 120 V/μs (bridged mono) Input Sensitivity +4dBu (1.23 V) for rated output with input control at maximum Maximum input level +26 dBu Input impedance 20k Ω, balanced, 10 kΩ unbalanced Crosstalk -85dB, 1kHz Output offset +/- 50 mV, Servo controlled

AMPLI  ALESIS RA 500  DE STUDIO (home studio écoute en monitoring ou HIFI)   - en bon état de marche   - avec cordon secteur et notice d'utilisation en anglais    - état: Occasion   - j'ai remplacé: les bornes HP  avec des  fixations renforcées                               les boutons de volume en plastique                              le relais de temporisation HP à l'allumage (une panne classique sur ce type d'ampli, provoque des coupures de son aléatoire)                              les deux chimiques de filtrage 10000 µF 80V   - Pour une livraison par mondial Relay, vérifiez si il y a un point relais dans votre région, avant de payer   - indiquez-moi le point relais que vous préférez   - Pour un paiement par chèque l'envoi du colis,après encaissement du chèque            CARACTÉRISTIQUE du CONSTRUCTEUR Size 18.9" W x 5.63" H x 10.71" D          (480mm x 143 mm x 272 mm) Rack units 3 RU height Weight 28.5lbs = 13.0Kg Rated output, per channel 4 ohms @ 1kHz,.02% THD+N 250 watts RMS per channel 8 ohms @ 1kHz,.05% THD+N 150 watts RMS per channel 8 ohms, bridged mono mode 500 watts RMS Signal to Noise Ratio 105dB, 22Hz-22kHz bandwidth referenced to rated output Frequency Response 10Hz – 70kHz +0, -3dB Damping Factor 200 Slew Rate 60 V/μs (two channel), 120 V/μs (bridged mono) Input Sensitivity +4dBu (1.23 V) for rated output with input control at maximum Maximum input level +26 dBu Input impedance 20k Ω, balanced, 10 kΩ unbalanced Crosstalk -85dB, 1kHz All measurements done over a 20Hz-22,000Hz range with 1KHz sine wave at Full Scale, except for the dynamic range which was done with a -60dBFS 1KHz sine wave.

TABLE EN SUPER ETAT  Caractristiques - Console de mixage professionnelle compact SoundCraft MFXI 20 - Haute performance audio - 20 voies d’entre  Fiche technique Soundcraft MFXi 20 - Fabricant:Soundcraft - Modèle:MFXi 20 - Série:MFXi - Catégorie:Consoles analogiques - Fiche créée le:19/10/2010 Frequency Response - Mic / Line Input to any Output+/-1.5dB, 20Hz – 20kHzT.H.D. - Mic Sensitivity -30dBu, +14dBu @ Mix output 96dBCrosstalk (@ 1kHz) - Aux Send Pots Offness> 86dBEQ (Mono Inputs) - HF12kHz, +/-15dBEQ (Mono Inputs) - MF (swept)150Hz – 3.5kHz, +/-15dBEQ (Mono Inputs) - LF80Hz, +/-15dBEQ (Mono Inputs) - Q1.5EQ (Stereo Inputs) - HF12kHz, +/-15dBEQ (Stereo Inputs) - MF720Hz, +/-15dBEQ (Stereo Inputs) - LF80Hz, +/-15dBPower ConsumptionLess than 40WTemperature Range5°C to +40°CInput & Output Levels - Mic Inputs+15dBu max.Input & Output Levels - Line Inputs+30dBu max.Input & Output Levels - Stereo Input+30dBu max.Input & Output Levels - Mix Output+20dBu max.Input & Output Levels - Headphones (@1500)300mWInput & Output Levels - Recommended headphones impedance32 - 200OInput & Output Impedances - Mic Inputs2kOInput & Output Impedances - Line Input10kOInput & Output Impedances - Stereo Input45kOInput & Output Impedances - Outputs150kO (balanced), 75O (unbalanced)