Unbalanced audio

The Soundweb London Analog Output BluCard is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. This analog card enables Soundweb London devices to send line level signals. The Analog Output Card has two Combicon connectors which are used as follows: Connector 1 Balanced / Unbalanced Audio, Channel 1 - Mic/Line Balanced / Unbalanced Audio, Channel 2 - Mic/Line Connector 2 Balanced / Unbalanced Audio, Channel 3 - Mic/Line Balanced / Unbalanced Audio, Channel 4 - Mic/Line https://bssaudio.com/en/products/analog-output-card Cette carte provient d’une unité BSS neuve. Carte jamais utilisée. Paiement par par Paypal si envoie, en espèce si retrait sur place. International buyers are always welcome, BUT, PLEASE, ASK FOR A SHIPPING QUOTE BEFORE YOU BID!!!! International shipping costs will be adjusted depending on the destination. From 15€ to 32€ En savoir plus

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

Moniteur audio stéréo RTW TM-3 État : Occasion Service de livraison : Colissimo Ecran tactile 4.3'' orientation verticale ou horizontale Affichage paramétrable, instruments configurables Interface d'entrée séparée, I/O, USB, GPI/O Audio: analogique, digital S/PDIF ou AES3 Mesures loudness: EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM Act Mesure loudness mono canal ou sommation Mesure loudness dans le temps Mesure PPm et True Peak, SPL et Dialnorm, phase. -------------------------------------------------------------------------------------------------------------------------------------------- RTW TM-3 Audio monitor 4.3“ Touch screen for vertical or horizontal use Flexible display layout with scalable instruments Separate interface box with audio I/O, USB, GPIO Audio: analog balanced or unbalanced, S/PDIF, AES3 Loudness: EBU R128, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM Act, customer specific  Single channel and summing loudness bargraphs Loudness Test Time Control Loudness range (LRA) with MagicLRA PPM & True Peak SPL & Dialnorm Correlation

A vendre AL Audio Logic MT44, Quad Noise Gate  en rack 1 U Je garantie ce Quad Gates testé, en parfait état de marche et bon état cosmétique Chaque section Gate possède un réglage de Range (0 à 100db) un réglage de Threshold ainsi que de Release. Un switch permet de passer des fonctions Gate, Key, et OFF. Un indicateur Led s'allume quand le Gate est en fonction (Audio Atten.) La fonction Key est très intéressante pour piloter l'ouverture du Gate avec un signal extérieur, ou à l'inverse avec le signal Control Output piloter l'ouverture d'un autre Gate (Effets de son). Les entrées et sorties Audio sont symétriques et se font par Jack 6,35   L'entrée Key et la sortie Control Output sont asymétriques Alimentation du rack en 220V Frais d'expédition  France:  12,50 €           EU: 21,20 € ************************************************************************** For sale AL Audio Logic MT44, Quad Noise Gate in rack 1 U I guarantee this quad gate tested, in perfect working condition and good cosmetic . Each Gate section has a range adjust (0 to 100db) Threshold and Release settings. A switch is used for Gate, Key and OFF functions. A Led indicator lights when the Gate is active (Audio Atten) The Key fonction is very interesting to control the opening of the Gate with an external signal or with the signal Control Output to control another Gate (Sound effects). The audio Input and Output are balanced with stereo Jack 6,35 Key input and Control Output are unbalanced. Main PSU of the unit is 220V AC. Shipping cost  EU: 21,20 €       Maximum: 53 € Ask for country

2x Lundahl LL1517 audio output transformers. These are used some Calrec broadcast consoles and other opamp driven transformer output audio preamp designs. These can also be used for a balanced direct output mod on a handful of consoles. LL1517 is an audio output transformer for balanced or unbalanced drive. The transformer is built from two threesection coils, with primaries and secondaries separated by electrostatic shields, and a audio C-core of our own production. The transformer is housed in a mu-metal housing. The LL1517 has sufficient low copper resistance to meet broadcast specifications in a conventional drive configuration, but is (as all output transformers) ideally used with mixed feedback drive circuits. Those transformers are mounted in a high quality case with RCA plugs ! En savoir plus

The 105A is a high-performance distribution amplifier for unbalanced stereo audio signals. It takes one stereo input and distributes the signal to five identical stereo outputs. -  Level (Gain) Controls. -  S/N Ratio — 80dB (unweighted). -  Compact Kramer TOOLS™ — 3 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter. -  Video/audio duplication studios -  Retail showrooms, home theater systems -  Any audio system requiring multiple outputs from a single source

Baladeur Hi-Res Audio FiiO M9 gris, sorties (a)symétrique, en bon état. Il est équipé d’un double DAC. Il prend en charge les fichiers PCM jusqu’à 24 bits/192 kHz et les fichiers DSD (64/128). Il est doté de deux sorties casque: une symétrique (mini-jack 2,5 mm) et une asymétrique (mini-jack 3,5 mm). La coque de protection d'origine a jaunie avec le temps (pas très visible sur la 4ème photo). Attention: Le baladeur tourne sous Android, mais il n'est pas équipé du Google Play Store. Il est possible d'installer des applications, mais il faut le faire manuellement. Des informations à ce sujet sont disponibles sur le site du fabricant. DAC: double Asahi Kasei AK4490 Ecran: tactile 3.2b'"' 480x800 (16:10) Stockage: port micro-SD (jusqu'à 2 To) OS: Android ----------------------------------------------------- FiiO M9 gray Hi-Res Audio walkman, (un)balanced outputs, in good condition. It is equipped with a dual DAC. It supports PCM files up to 24-bit/192kHz and DSD (64/128) files. It has two headphone outputs: one balanced (2.5 mm mini-jack) and one unbalanced (3.5 mm mini-jack). The original protective shell has yellowed over time (not very visible in the 4th photo). Please note: The player runs Android, but it is not equipped with the Google Play Store. It is possible to install applications, but you have to do it manually. Information about this is available on the manufacturer's website. DAC: dual Asahi Kasei AK4490 Screen: 3.2b'"' touchscreen 480x800 (16:10) Storage: micro-SD port (up to 2 TB) OS: Android En savoir plus

(english below) Voir mes autres annonces pour micro-cravates et système sans fil. - Enregistreur audio compact de qualité professionnelle avec deux microphones omnidirectionnels intégrés, conçu pour une utilisation avec un appareil réflex numérique (DSLR). Utilise comme support d’enregistrement une carte SD/SDHC/SDXC (capacité: jusqu’à 128 Go). - Les 4 entrées sur Combo (XLR/jack) peuvent fournir une tension d’alimentation fantôme (+24 V / +48 V). Entrée asymétrique supplémentaire pour les canaux 1 et 2 (sur mini-jack 3,5 mm), compatible avec les microphones demandant une tension d’alimentation de type « plug-in », ce qui permet d’utiliser des micros vidéo et autres microphones de niveau de sortie élevé. - Enregistrement à une fréquence d’échantillonnage de 44,1/48/96 kHz, résolution numérique 16/24 bits, PCM linéaire (format WAV). En plus de l’enregistrement stéréo ordinaire, il est possible d’enregistrer simultanément quatre canaux. - Entrée « Camera », permettant d’enregistrer le son témoin provenant de l’appareil photo numérique. Décodage MS commutable, pour utilisation avec couple de micros de type Mid-Side. - Alimentation: 4 piles LR06 [AA], adaptateur secteur (Tascam PS-P520E, vendu séparément), pack de piles externe (Tascam BP-6AA, vendu séparément) ou bus USB. ---------- See my other listings for lavalier microphones and wireless systems. Compact professional-quality audio recorder with two built-in omnidirectional microphones, designed for use with a DSLR camera. Uses SD/SDHC/SDXC cards as recording media (capacity: up to 128 GB). The 4 combo inputs (XLR/jack) can provide phantom power (+24 V / +48 V). Additional unbalanced input for channels 1 and 2 (on 3.5mm mini-jack), compatible with microphones that require plug-in power, allowing the use of video mics and other high-output microphones. Recording at 44.1/48/96 kHz sample rates, 16/24-bit digital resolution, linear PCM (WAV format). In addition to regular stereo recording, it is possible to record four channels simultaneously. “Camera” input allows recording of reference sound from the DSLR camera. Switchable MS decoding for use with Mid-Side microphone pairs. Power supply: 4 AA batteries (LR06), AC adapter (Tascam PS-P520E, sold separately), external battery pack (Tascam BP-6AA, sold separately), or USB bus power. En savoir plus Collaboration commerciale.

à Vendre, un lecteur CD Thule Audio Spirit CD-150B révisé: Certaines soudures retouchées, la lentille nettoyée et les rails du blocs optique nettoyés et lubrifiés. La courroie du tiroir est également neuve. L'ensemble est en super état et la télécommande est présente. Il est également possible d'ajouter le câble secteur. Caractéristiques: Disc format: CD Frequency response: 20Hz to 20kHz Signal to Noise Ratio: 96dB Total harmonic distortion: 0.003% Line output: 2.2V (unbalanced), 4.4V (balanced) Digital outputs: coaxial Dimensions: 420 x 80 x 258mm Weight: 7kg Accessories: remote control Year: 2001

Serpent Audio - stereo compressor SB4001 - 500 format. For more informations:  - Quad VCA’s (For Superior Dynamic Range) - Electronically Balanced - True Bypass (Relay Controlled) - Protection From 48V Phantom Power - Ratios – 1.5,2,4,6,8,10 - Attack Times (Stepped) –.1,.3,1,3,5,10,15,20,25,30,40,50 - Release Times (Stepped) –.3,.6,1.2, Classic Auto release (A1), Alternate Auto Release (A2) - Release Times (Variable – Engaged By Last Position On Stepped Switch) – Any Time From.1 Sec to 1.2 Sec - Sidechain Filters – 60Hz, 90Hz, 120Hz, Boost Mode, Slope Mode - Wet/Dry Blend (For Parallel Processing) - “Grind” Mode – Special Valve Style Harmonic Drive Mode, adding vintage color - External/Key Input – Accepts Balanced or Unbalanced Inputs (inserted before sidechain filters) - Gain (-6 to +18) - Premium Grayhill Rotary Switches - Premium Sealed Pots - All Machined Aluminum Knobs

USED - Some buttons may scratch. All keys working but one key is a little bit lower than the others. Sold with KORG soft case. Keyboard: 37 Natural Touch Action Notes Switches: 7; Bank (2 positions), Octave Up and Down (toggle) timbre, Select (2 positions), ARP ON / OFF, Vocoder On / Off, Write, Output / Shift Buttons: 7; Volume, tempo, selection program (genre and category), real time assignment, pitch and modulation controls PROGRAMS 8-voice polyphony (up to 4 when vocoder is selected) Program: 128 Maximum number of stamps 2 (when using Layer, Split or Multi) Synth 2 oscillator + noise generator Oscillator 1 Waveform SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, CFM/DWGS, AUDIO IN WAVEFORM, CROSS, UNISON, VPM modulation Oscillator 2 Waveform SAW, PULSE, TRIANGLE, SINE Modulation RING, SYNC, RING+SYNC Wave shaping WS type DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST Multi-filter mode Filter 1 -24 dB / oct LPF - 12 dB / oct LPF, HPF, BPF, Thru Filter 2 LPF, HPF, GMP - 16-band vocoder, adjustable level and panning for each band tape, the format changeover function, the Hold Formant function (Velocity-sensitive keyboard, no aftertouch) 37-note keyboard Timbre Effects: 2 Band EQ Master: master effects (17 effects algorithms) Arpeggiator UP, DOWN, ALT1 / 2, random, Trigger (6 types), Arpeggiator function step Programmes 128 programmes (banks A / B x 8 x 8 genres categories) CONNECTIONS AUDIO IN [ONLINE], AUDIO IN [MIC] (With AUDIO IN [MIC / XLR] switch) AUDIO IN [LINE] Maximum input +19 dBu level Input sources impedance8 ohms Connector1 / 4 "jack (unbalanced) AUDIO IN [MIC] Maximum input level-11 dBu The input source impedance7 k-ohms XLR connector (balanced) Output L / MONO, R cylinders Max output level +6 dBu @ 10 k-ohms Output source impedance1 k-ohms A button is lightly pressed but works (see picture) 1/4 phone jack connectors "(unbalanced) HEADPHONE Maximum output level of 36 + 36 dBu @ 33 ohm load Output source impedance10 ohms 1/4" stereo jack connector MIDI IN, OUT USB type B connector 21.89 (W) x 9.09 (D) x 2.87 (H) 4.41 kg.DC9V power supply

Le MPX 1 est le processeur «multi-effets». Une technologie multiprocesseur FX combinée à un panneau avant interactif. Une complète connectique à l'arrière professionnelle - Détail des caractéristiques: Analog Audio Input XLR and 1/4" balanced (T/R/S)Input Level -2dBu to +20dBu, balanced; -14dBu to +8dBu, unbalanced Input Impedance 100k½, balanced;50k½, unbalanced Analog Audio Output XLR and 1/4"balanced (T/R/S) Output Level +18dBu Output Impedance 600½unbalanced Digital Audio Input Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Digital Audio Output Coaxial RCA Format 24-bit S/PDIF Sample Rate 44.1kHz Conversion 24-bit A/D;24-bit D/A Internal Audio DSP 20-bit;32-bit Frequency Response 20Hz - 20kHz ±1dB Crosstalk -60dB THD 0.01%, 20Hz - 20kHz Dynamic Range D/A:>95dB typical, 20Hz - 20kHz, unweighted A/D:>90dB typical, 20Hz - 20kHz, unweighted A/A:>95dB typical, 20Hz - 20kHz, unweighted MIDI Interface 7-pin DIN connector for MIDI IN and powered bidirectional remote; 5-pin DIN connectors for MIDI THRU and OUT Footswitch 1/4"T/R/S connector for bypass and tap Footpedal 1/4"T/R/S connector (10k½- 100k½impedance) Power Requirements 100 - 240 volts AC, 50 - 60Hz, 25 watts (3-pin IEC connector) Remote Power In 2.5 mm 9 volts AC (not included) Dimensions 19" W x 1.75" H (1U) x 9" D (483 x 45 x 289 mm), rack mount standard Weight 6.125 lbs.(2.8 kg) Operating Temperature 32¡to 104¡F (0¡to 40¡C) Maximum Humidity 95% without condensation

Item was a gift, installed to test and check it was in perfect working order. The sound is better with it, but this is way too much for my humble set up, and space available, sadly. it will be sent in the special double box original packaging it came in so no worries. Parasound HALO A-52 + A52+ 5 VOIES 180 watts RMS x 5 8 Ω.     180 watts RMS x 5 @ 8 Ω     255 watts RMS x 5 @ 4 Ω     225 watts RMS x 2 @ 8 Ω     350 watts RMS x 2 @ 4 Ω     Class A/AB circuitry designed by legendary John Curl     Direct coupled - no capacitors or inductors in audio path ensures the cleanest signal     Balanced XLR inputs with discrete circuits     Full power is rated all the way down to 5Hz for unrestricted low-end bass     Custom 1.5 kVA encapsulated toroid power transformer with independent secondary windings for each channel     Hand-matched JFETs for input stage     Hand-matched MOSFETs for driver stage     Beta-matched 15 amp, 60 MHz bipolar output transistors (3 pairs per channel)     100,000 µF power supply filter capacitance     DC Servo and relay protection circuits     Auto turn on by audio signal or 12V trigger     Heavy-duty 24k gold-plated, 5-way speaker terminals     3U chassis with updated cosmetics, rack mountable with HRA3 (sold separately) Veuillez n'enchérir que si vous acceptez qu'il s'agit d'une vente privée, sans les garanties habituelles de l'UE et le droit de retour ! En soumettant une offre, vous acceptez cette condition. Power outpout 5 Channels Driven 180 watts x 5, 8 Ω 255 watts x 5, 4 Ω Power Output - 2 Channels Driven 225 watts x 2, 8 Ω 350 watts x 2, 4 Ω Power measurements parameters with 120VAC 0.05% THD, RMS continuous power, full audio band (20 Hz - 20 kHz) Current Capacity: 45 amperes peak, per channel Dynamic Headroom: >1.5dB Slew Rate > 130 volts per microsecond Frequency Response 5 Hz - 100 kHz, +0/-3 dB 20 Hz - 20 kHz, +0/-0.3 dB Total Harmonic Distortion (THD) IM Distortion TIM Unmeasurable Interchannel Crosstalk > 78 dB at 1 kHz > 63 dB at 20 kHz Input Impedance Unbalanced: 47 kΩ Balanced: 94 kΩ, 47 kΩ per leg Input Sensitivity for 28.28 V Output into 8 Ω Unbalanced: 1 V Balanced: 1 V per leg Total Gain: 29 dB S/N Ratio > 112 dB, input shorted, IHF A-weighted > 102 dB, input shorted, unweighted Damping Factor > 1100 at 20 Hz DC Trigger Requirements +9 Vdc to +12 Vdc, 5 mA Audio Trigger Requirements 2 mV - 10 mV XLR Pin Identification 1 = Ground (Shield) 2 = Positive 3 = Negative (Return) Dimensions Width: 17-1/4" (437 mm) Height without feet: 5-1/4" (133 mm) Height with feet: 5-7/8" (149 mm) Depth: 20" (508 mm) Depth with cables: 21-1/4" (540 mm) Net Weight 55 lb. (25 kg) Shipping Weight 69 lb. (31.3 kg) Power Requirement Standby: 1 Watt Idle: 125 Watts Maximum: 1500 Watts

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

A Vendre; ensemble 1x MFJ-993B + 1x MFJ-5124Y + 1x Alimenation 220/12V 2A et tous les cordons, MFJ-993B 1.8-30MHz Automatic Antenna Tuner 300 Watts SSB / 150 Watts CW Comme neuf utilisé moins de 10 fois, doublon ne me sert pas donc je m'en sépare. En parfait état de fonctionnement et cosmétique, juste quelques griffures sur le dessous voir photos. Facture fournie du 19/09/2020. Soit 25% du prix  de l'ensemble neuf. description: Automatically tunes unbalanced/balanced antennas...Ultra fast... New 20,000 memories... Antenna Switch... Efficient L-network... Select 300 Watts (6-1600 Ohms) or 150 Watts (6-3200 Ohms)... 1.8-30 MHz... 4:1 current balun... Cross-Needle and Digital SWR/Wattmeter... Audio SWR meter... Backlit LCD... Remote control port... Radio interface... World's First dual power level 300/150 Watts SSB/CW Tuner Select 300 Watt SSB/CW power level and match 6-1600 Ohm antennas Or... select 150 Watt SSB/CW power level and match extra wide-range 6-3200 Ohms! The MFJ-993B IntelliTuner lets you tune any antenna automatically balanced or unbalanced -- ultra fast. It's a comprehensive automatic antenna tuning center complete with SWR/Wattmeter, antenna switch for two antennas and 4:1 current balun for balanced lines. MFJ's exclusive IntelliTuner, Adaptive Search and InstantRecall algorithms give you ultra fast automatic tuning with over 20,000 VirtualAntenna Memories. You get a highly efficient L-network, 6-1600 ohm matching at 300 Watts SSB/CW or extra-wide 6-3200 Ohm matching at 150Watts SSB/CW, 1.8-30 MHz coverage, Cross-Needle and digital meters, audio SWR meter, backlit LCD, remote control port, radio interface, heavy-duty 16 amp/1000V relays. It learns while you're having fun As you're ragchewing, contesting or DXing, your MFJ-993B is learning! When you transmit, the MFJ-993B automatically tunes for minimum SWR and remembers your frequency and tuner settings. The next time you operate on that frequency and antenna, these tuner settings are instantly restored and you're ready to operate in milliseconds! MFJ new VirtualAntenna Memory system gives you 4 antenna memory banks for each of 2 antenna connectors. Select up to 4 antennas on each antenna connector. Each antenna has 2500 memories, 20,000 total. Intelligent ultra fast tuning MFJ's InstantRecallTM first checks its memory to see if you have operated this frequency before. If so, tuning is instantaneous and you're ready to operate. If not, MFJ's IntelliTuner algorithm - - based on MFJ's famous SWR Analyzer technology - - kicks in. It measures the complex impedance of your antenna. Next, it calculates the components it needs and instantly snaps them in. Then, it fine tunes to minimize SWR -- you're ready to operate. It's all done in a fraction of a second. When the impedance is within its measurement range, the MFJ-993B is the fastest automatic antenna tuner in the world. If it can't accurately determine impedance, MFJ's AdaptiveSearch algorithm goes into action. Frequency is measured and relevant components values are determined. Only those values are searched for ultra-fast tuning. For even faster searches, you can set the target SWR to 2 (settable 1.0-2.0). You can manually tune when you can't transmit (for listening out of ham bands). Cross Needle and Digital SWR/Watt Meters Lighted Cross-Needle and digital meters lets you accurately read SWR, forward and reflected power at a glance. An audio SWR meter lets you hear the tuned SWR when you can't see/read meters. Turn on a highly visible, instant response SWR LCD bargraph when you need it. Backlit LCD Display An easy-to-read backlit LCD displays SWR, forward/reflected power, frequency, antenna 1 or 2, L/C tuner values, on/off indicators and other in

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

VP-5040 Specifications System: Video recording system: Rotary two-head helical scan system Luminance: FM recording Colour Signal: Converted subcarrier direct recording Video signal system: CCIR standards PAL or SECAM colour system EIA standard NTSC 4.43 Video: Output: BNC type: 1.0Vp-p +- 0,2V, 75 ohms, unbalanced sync negative TV output: 8-pin x1 Horizontal resolution: 250 lines Signal-to-noise ratio: Better than 45dB Audio: Outputs: LINE: Phonojack CH1/2 -5dBm (47k ohm load), unbalanced TV: 8-pin x1 Signal-to-noise ratio: Better than 48 (at 3% distortion level) Distortion: Less than 2% Frequency response: 50Hz to 15kHz Special Functions: Pause A still picture is obtained, with automatic long pause function Search Approximately 5 times of normal speed in forward and reverse directions Remote Control: Possible with optional wired remote control. RF Output: Possible with optional RFK-660UB adaptor Tape transport: Tape speed: 9,53 cm/sec Playback time: 60 min (with Sony KSP-60 U-matic videocassettes) Fast forward time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Rewind time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Useable tapes: BRS,XBR,KSP type tape. General: Power requirements: AC 220 / 24OV, +- 10%, 50/60Hz +- 10% Power consumption: 53W Operating temperature: 5C to 40C (41F to 104F) Dimensions: Approx. 424(W) x 193(H) x 489(D) mm Weight: Approx. 16 kg (35 lb 4 Oz) Supplied accessories: AC cord, Operation manual

Sennheiser SDC 8200 CU-M unité centrale conférence système 500860 d'occasion en excellent état utilisé pendant 6 mois pour une salle de conférence elle est en parfait état de fonctionnement livraison immédiate avec assurance Sennheiser SDC 8200 CU-M central unit conference system 500860 used in excellent condition used for 6 months for a conference room it is in perfect working order immediate delivery with insurance The SDC 8200 CU-M central unit is the heart of Sennheiser’s SDC 8200 digital conference and interpretation system. All settings for the system are made via the central unit’s local configuration menu. Accommodated in a 19” full-metal housing, the SDC 8200 CU-M powers up to 50 conference terminals in six cable lines. The SDC 8200 CU-M can handle up to 4 languages. The central unit features two analog audio inputs, e.g. for wireless microphones, and an analog audio output for recording units or an additional public address system. An IR modulator (4-channel operation) such as the SI 29-5 connects to the special 15-pin Sub-D connector. The central unit is also fitted with RS 232 interfaces for PC, media and camera control. Features: - Built-in power supply unit for up to 50 delegate units - Choice of nine conference modes: Direct Access, Group of 1, Group of 2, - Group of 3, Group of 4 FIFO, Override, Request and Request No Clear - One additional mode with PC control only: No Request - Up to 15 simultaneously live microphones (depending on mode selected) - Four translated languages (interpreter channels) - Camera control interface - Voting functions with automatic tallying (Yes, Abstention, No / +,0,-) - Six RJ 45 sockets for six cable lines with up to 15 terminals each - Two transformer balanced XLR-3F inputs - One transformer balanced XLR-3M output for the floor language (conference channel) - Six unbalanced outputs on 15-pin Sub-D connector for the floor language and five translations - 3.5 mm headphone socket for monitoring - Three RS 232 sockets for PC, media and camera control Specifications: - - Dimensions - 485 x 141 x 265 mm - Connecteur audio XLR - AUX OUT 1; XLR-3-M transformer-balanced - Réponse en fréquence - 100.....14000 Hz - Poids - 6000 - Entrée audio - 2 x AUX IN; XLR-3-F transformer-balanced - Température de service - +5.....+50 °C - Rapport signal/bruit (S/B) - 75 dB(A) - Impédance de sortie - - Consommation électrique - max. 3.5 A (230VAC); max. 7.0 A (115 VAC) - Gamme de tensions d’entrée - +3dBu - Tension de fonctionnement - 48 V (Conference Port 1-6) - Bruit de ventilateur - 48 dBA SPL (1m) - Fusible - 3.15 A (230 VAC); 7 A (115 VAC) - Impédance d'entrée - > 6 kOhm (1kHz) - Tension secteur - 88 - 264 VAC (47-63 Hz) - Niveau de sortie - max. +8 dBu - Interface PC - COM 1-3; RS 232 SUB-D-9

Electrovoice RE2 Wireless System + ND/767a handheld microphone D Band 798 – 822 MHz RE-2 Receiver Features: • One touch Auto-ClearScan • Programmable in 25kHz steps across 28 MHz operating bandwidth • Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters • Balanced XLR audio output for Microphone or Line level signals and a 1/4 inch line level jack • Fourth generation Secure-phaseTM diversity and advanced audio circuits • Unique “Guitar” setting • Detachable 1/4 wave antennas RE-2 UHF HandheldUFeatures: • NDYM® 767a Dynamic premium vocal microphone with VOBTM (Vocal-Optimized-Bass) • Internal 1/2 wave antenna Detailed specifications: RE-2 RECEIVER RECEIVER Receiver Type Synthesized PLL Frequency Range (RF) D Band 798 – 822 MHz Number of Channels 1112 possible channels Programmable in 25 kHz steps Power Requirements 12 V AC/DC 300 mA Antennas Detachable 1/4 wave Dimensions (H x W x D) 1.72” x 7.50” x 5.90” 43.7 mm x 190 mm x 150 mm Audio parameters: Frequency Response 50 – 15 kHz +/- 2 dB Balanced Output (max @ 40 kHz deviation) Mic Position -10 dBV Line Position Adjustable 10 mV-2V RMS Unbalanced Output Adjustable 10 mV-1V RMS Distortion b' '100 dB A Weighted Signal-to-Noise Ratio b'>'100 dB HANDHELD Radiated Output 30 mW typical Microphone Head Electro-Voice 767a N/D 767a Supercardioid N/DYM Dynamic Power Requirements 9 Volt Alkaline Battery Battery Life (Typical) b'>' 8 hours with 9-Volt Alkaline Typical Handheld (L) Dimensions 9.4” (240 mm) long Delivered in its original case. Warning: This system uses D Band 798 – 822 MHz. Please check in your country if this frequency range is free to use. Please contact me first to adjust delivery cost to your country. En savoir plus Collaboration commerciale.

M-AUDIO Delta 44 24-bit 96KHz PCI/Break Out Port Interface Professional 4-In-4-Out Audio Card carte son m-audio delta series 4 entrées,format PCI Features 4 x 4 24-bit/96kHz full-duplex audio interface 4 x 4 analog I/O Software controlled 36-bit internal DSP digital mixing/routing Software configurable for +4dBu and -10dBV signal levels Zero-latency monitoring Balanced/unbalanced outputs / inputs Audio Chipset: VIA ENVY24 Sample Rate: 96KHz Digital Audio: 24-bit SNR: 103dB (A-weighted) (D/A) / 99dB (A-weighted) (A/D) Le tout en bonne état et fonctionne très bien… Envoi possible Colissimo, Annonce sérieuse donc acheteurs fantômes, à l'étranger ou à contacter que par Gmail !! Passez votre chemin 100€ En savoir plus Collaboration commerciale.

(english below) Attention: sans micro. Voir mes autres annonces, j'ai deux micro-cravates à vendre (si vous achetez les deux, le port sera le même que pour le pack sans fil). Sennheiser EW 112-P G3 / Bande B, Système Sans Fil UHF - Émetteur de poche SK100 G3, récepteur de poche EK100 G3 avec 1680x fréquences réglables, 20x banques (jusqu'à 12 préréglages chacune), réponse en fréquence audio de 25Hz à 18kHz, transmission de fréquence par infra-rouge, émetteur et récepteur de poche équipés de contacts pour la recharge avec le pack batterie NiMH BA 2015 en option, auto-syntonisation pour trouver des fréquences libres, gain audio (plage de 60dB), affichage de l'autonomie de la batterie sur le récepteur et l'émetteur, plage de fréquences Bande B 626 - 668 MHz, écran LCD avec NF et canal, puissance HF de 30mW, 2x connexions d'antenne BNC, connexions XLR mâle (équilibrée) et jack (déséquilibrée). Inclus: 1x câble XLR CL100, 1x câble jack CL1, 1x adaptateur pour caméra CA2. Note: En raison des réglementations différentes selon les pays, vous devrez peut-être contacter les autorités locales de gestion des licences avant d'utiliser un système sans fil. Cela dit j'avais vérifié la fréquence à l'époque de l'achat, et j'ai utilisé celui-ci sans difficultés en France. ---------- Note: No microphone included. See my other listings, I have two lavalier microphones for sale (if you buy both, shipping will be the same as for the wireless pack). Sennheiser EW 112-P G3 / B-Band, UHF Wireless System - SK100 G3 bodypack, EK100 G3 pocket receiver with 1680x adjustable frequencies, 20x banks (up to 12 presets each), 25Hz-18kHz audio frequency response, infra-red frequency transmission, pocket transmitter and receiver feature charger contacts for optional BA 2015 NiMH battery pack, auto-tune to find free frequencies, audio gain (60dB range), battery power display on receiver and transmitter, frequency range B-Band 626 - 668 MHz, LCD display with NF and channel, 30mW HF power, 2x BNC antenna connections, male XLR (balanced) and jack (unbalanced) connections. Includes 1x CL100 XLR cable, 1x CL1 jack cable, 1x CA2 camera adapter. Please note: Due to every country having different regulations, you may need to contact your local licensing authorities before using a wireless system. En savoir plus Collaboration commerciale.

For sale Speck Lilo 16 in superb condition! PSU is set up for 220V. Description: "The LiLo is a high-definition desktop analog line mixer for routing and blending your external gear. Short for Line-in/Line-out, the LiLo was designed as a “quiet-transparent” platform that allows you to build a mixing system using the gear you already own. Design Philosophy One glance at the LiLo and you will realize that you are not looking at a conventional mixer. The first thing you will notice is the minimalist layout of the LiLo. This unpretentious design lacks mic preamps, equalizers, and is in short supply of knobs and switches. In their place, we bring you a well-designed 32 input mixer with unmatched signal routing, generous amounts of headroom, and a transparent signal path. The Lilo has been designed with the specific idea that you want to connect and mix your external gear and DAW without the limitations imposed by traditional recording consoles. The In’s & Out’s All audio inputs, outputs, and inserts are fully balanced and available on XLR and TRS connectors. Connect the LiLo to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The LiLo has high headroom that will handle balanced signals up to +28dBu. Balanced transformers are standard on the main feed and are optional on other outputs. The Designer The LiLo is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 25 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the Xtramix rack mixer, the ASC equalizer, and MicPre 5.0 preamp." But best is to go there: http://www.speck.com/lilo/lilo.html Shipping worldwide available (will be super safe in a custom woodbox/pallet) Note: Thanks to contact me for shipping quote! ajaudio.fr

SAMSON S.com plus Samson S-Com Plus Compresseur/limiteur + Expandeur/Gâte + Enhanceur + Dé-esseur 2 canaux Compresseur/Limiteur, Expander/Gate, De-Esser avec Peak Limiter Expander/Gate avec contrôle de déclenchement variable et libération rapide/lente commutable Limiteur de crête avec contrôle de seuil indépendant et LED de crête De-Esser réglable avec compteur LED indépendant pour réduire les sifflements Conception de circuit avancée utilisant un fonctionnement à faible bruit Amplificateurs et VCA de haute qualité Entrées et sorties servo symétriques sur connecteurs XLR et 1/4" Le circuit SKD (Smart Knee Detector) passe de Soft Knee à Hard Knee en fonction du niveau de signal d'entrée appliqué Le mode AEG (générateur d'enveloppe automatique) ajuste en permanence les temps d'attaque et de relâchement des compresseurs Expander/gate avec seuil et release réglables, diode-témoin open/closed pour le gate, • Compresseur/limiter avec seuil, taux, attack, release et niveau, • Key input et Key listen pour déclenchement externe ou insertion, • Enhancer par canal avec niveau réglable, • De-esseur par canal avec niveau réglable et vu-mètre 5 segments, • Limiteur par canal avec seuil et diode-témoin, • Vu-mètres de réduction de gain et niveau d'entrée/sortie, • Entrées-sorties XLR et jack symétrique, • Dimensions mm: 45 x 483 x 197, poids: 2,3 kg. Le S-com plus est un compresseur/limiteur stéréo hautement adaptable dans une conception efficace à un seul rack. Il est destiné aux situations où une flexibilité supplémentaire est requise pour optimiser les niveaux de signal en offrant un contrôle essentiel ainsi qu'une simplicité de fonctionnement. Les commandes complètes et étendues de S-com plus permettent une manipulation étendue de la dynamique audio, même dans les situations les plus complexes. Chaque canal dispose d'une large gamme de commandes variables. Une section Compressor riche en fonctionnalités comprend des commandes variables de seuil, de rapport, d'attaque et de relâchement.SamsonLe circuit SKD (Smart Knee Detector) ajuste dynamiquement la courbe de compression pour assurer un résultat musical. Notre fonction exclusive AEG (Auto Envelope Generator) simplifie les réglages optimaux en analysant constamment l'entrée audio et en ajustant automatiquement les paramètres d'attaque et de relâchement en fonction du niveau changeant. Les entrées et sorties clés sont incluses pour le traitement externe de la tension de commande. L'Expander/Gate dispose d'un niveau de seuil variable et d'un temps de relâchement commutable (rapide ou lent). Le commutateur Gate modifie le rapport d'expansion vers le bas de "léger" à "dur" pour un contrôle allant d'un effet subtil à un effet évident. Un Peak/Limiter dédié avec contrôle variable offre une protection contre les pics et les surcharges indépendamment du compresseur. Lorsqu'il est utilisé en combinaison avec le compresseur, le Peak/Limiter offre un contrôle encore plus précis sur les niveaux dynamiques. Un De-esser fonctionnel améliore la qualité audio en supprimant le "S" des voix et les sifflements des sources de signaux trop lumineuses telles que les cymbales. Le commutateur Enhancer active le circuit EFR (Enhanced Frequency Recovery), qui restaure les hautes fréquences qui sont parfois diminuées par une forte compression. La mesure étendue comprend l'entrée/la sortie, la réduction de gain, MPA Expansion ML620e 6-CH MICROPHONE / LINE MIXER Il s'agit d'une table de mixage pour microphone, c'est pour 12V. La ligne dédiée est perdue, elle est de 500mA pour 12v Gain 1 kz, ±3 dB Frequency Response (ref 1 kz) 20 Hz to 20 kHz, ±2 dB Input Impedance Balanced Lo Mic 2 kΩ / Unbalanced Line 20 kΩ / Aux 47 kΩ Output Impedance Balanced Lo Mic 150 Ω / Aux 2 kΩ Input Clipping Levels (Min.) Balanced Lo Impedance Mic -22 dBV Balanced Impedance Line -3dBV Aux -1 dBV Output Clipping Levels (Min.) Balanced Lo Impeda

La pédale elle-même suit le format Boss habituel, avec deux commutateurs au pied qui contrôlent l'essentiel de l'action en direct. Deux autres pédales (dont l'une peut être une double pédale haut/bas) peuvent être connectées via les jacks du panneau arrière pour contrôler Phrase Shift, dont je parlerai un peu plus loin, et Reverse, qui fait exactement ce qu'il dit - jouer la boucle enregistrée à l'envers. Bien que cet appareil soit conçu pour être utilisé principalement avec la guitare, il dispose également d'une entrée micro jack asymétrique, que je ne recommanderais pas pour un travail d'enregistrement sérieux. Cependant, elle est utile pour les sessions de busking dans les rues avec un digeridoo (ou autre) et vous pouvez même utiliser les entrées micro et instrument en même temps si nécessaire. La sortie de l'appareil est strictement mono et l'alimentation peut provenir d'un bloc d'alimentation optionnel ou de six piles AA. Les appareils numériques de ce type ont tendance à être assez gourmands en piles, c'est pourquoi l'adaptateur secteur est une bonne idée - à moins que vous ne fassiez la manche dans la rue en utilisant un amplificateur à piles ! Travailler avec des boucles peut être un problème, car si vous vous trompez lors d'un overdub, vous devez généralement revenir à la case départ. Cependant, ce n'est pas un problème ici, car il y a un bouton Undo/Redo très apprécié. Pour faciliter le chronométrage, vous disposez également d'un métronome utile et d'une fonction permettant de terminer l'enregistrement de la boucle précisément sur un rythme plutôt qu'à l'endroit exact où vous avez appuyé sur la pédale. Cette fonction est très utile pour créer des sons serrés........The pedal itself follows a familiar Boss format with two footswitches controlling most of the live action. Two further footswitches (one of which can be a dual up/down pedal) can be connected via rear-panel jacks to control Phrase Shift, which I'll talk about a little later, and Reverse, which does just what it says — plays the recorded loop backwards. Although this unit is designed for use mainly with guitar, there's also an unbalanced jack mic input, though I wouldn't recommend this for serious recording work. However, it is useful for those high-street busking sessions with a digeridoo (or whatever) and you can even use the mic and instrument inputs at the same time if need be. The output of the unit is strictly mono and power can come from an optional PSU or from six AA batteries. Digital units like this tend to be fairly hungry on batteries, so the mains adaptor is a good idea — unless you're busking in the high street using a battery amplifier! Working with loops can be a problem, because if you get an overdub wrong, you generally have to go back to square one. However, that's no problem here, as there's a very welcome Undo/Redo button. To help timing, there's also a useful metronome and a facility for having the loop recording end precisely on a beat rather than exactly where you hit the pedal. This is really helpful in creating tight-sounding loops. Once a loop has been recorded, its tempo can be changed without altering its pitch, though as with most time/pitch manipulation there's only so far you can go before the processing artefacts start to show. Other live performance niceties include the ability to store multiple Phrases, then decide whether each should play back as a 'one shot' performance or loop continuously. Because this pedal can store multiple Phrases, and store them after power down, you could load up a few backing tracks into it (from CD, your computer or any other suitable audio source) ready to perform. There's no way to back up loops other than to record the audio output, though, and from my own perspective the ability to dump and load audio files via USB would have made a lot of sense. En savoir plus Collaboration commerciale.

The TP-121  are a twisted pair transmitter and receiver for computer graphics video, stereo and S/PDIF audio signals.   The TP-121 transmitter converts computer graphics video and unbalanced stereo audio inputs into a twisted pair signal HDTV Compatible.  Max. Resolution - WUXGA & 1080p. Twisted Pair Connectors - RJ−45 connectors.   System Range - Up to 100m (320ft). Cable - UTP (unshielded twisted pair) or STP (shielded twisted pair) such as CAT 5. Power Connect™ System - Only one unit in a system, the transmitter or the receiver needs to be connected to a power source when the devices are within 50m (150ft) of each other. Shipping Worldwide (not included). Ask first for shipping cost!!

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €