Unbalanced outputs

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

The Audio-Technica AT-MX381 is an eight-channel mic/line mixer with automatic switching features for conferences, meetings, boardrooms, teleconferencing, TV and radio broadcasts, etc. An internal microprocessor provides automated channel switching for seamless, noise-free operation. Each channel features a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override. The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is a professional, hands-free solution for businesses, houses-of-worship or anyone requiring automated switches during real time discussion and speech. Eight Automated Inputs The eight mic/line switchable inputs seamlessly switch between talkers for hands free automated operation. Automated Threshold Setting An adjustable threshold determines the signal level that triggers channel switching. RS232 and SmartMixer Software An RS232 data port provides a connection point for a PC with included SmartMixer Software. The AT-MX381 is Compatible with Crestron and AMX systems. External control capability enables the SmartMixer to activate other devices. Flexible Output Section The input and output connections feature terminal-block connections and a direct output is available for each input connection. Balanced and unbalanced outputs are provided for convenient integration with professional and consumer equipment. Built In Limiters Each channel features a limiter for controlling signal peaks and distortion. Assignable Priority Switches All channels feature a priority select switch that enables one channel at a time operation, all active, or any mix of moderator override.

Sennheiser SDC 8200 CU-M unité centrale conférence système 500860 d'occasion en excellent état utilisé pendant 6 mois pour une salle de conférence elle est en parfait état de fonctionnement livraison immédiate avec assurance Sennheiser SDC 8200 CU-M central unit conference system 500860 used in excellent condition used for 6 months for a conference room it is in perfect working order immediate delivery with insurance The SDC 8200 CU-M central unit is the heart of Sennheiser’s SDC 8200 digital conference and interpretation system. All settings for the system are made via the central unit’s local configuration menu. Accommodated in a 19” full-metal housing, the SDC 8200 CU-M powers up to 50 conference terminals in six cable lines. The SDC 8200 CU-M can handle up to 4 languages. The central unit features two analog audio inputs, e.g. for wireless microphones, and an analog audio output for recording units or an additional public address system. An IR modulator (4-channel operation) such as the SI 29-5 connects to the special 15-pin Sub-D connector. The central unit is also fitted with RS 232 interfaces for PC, media and camera control. Features: - Built-in power supply unit for up to 50 delegate units - Choice of nine conference modes: Direct Access, Group of 1, Group of 2, - Group of 3, Group of 4 FIFO, Override, Request and Request No Clear - One additional mode with PC control only: No Request - Up to 15 simultaneously live microphones (depending on mode selected) - Four translated languages (interpreter channels) - Camera control interface - Voting functions with automatic tallying (Yes, Abstention, No / +,0,-) - Six RJ 45 sockets for six cable lines with up to 15 terminals each - Two transformer balanced XLR-3F inputs - One transformer balanced XLR-3M output for the floor language (conference channel) - Six unbalanced outputs on 15-pin Sub-D connector for the floor language and five translations - 3.5 mm headphone socket for monitoring - Three RS 232 sockets for PC, media and camera control Specifications: - - Dimensions - 485 x 141 x 265 mm - Connecteur audio XLR - AUX OUT 1; XLR-3-M transformer-balanced - Réponse en fréquence - 100.....14000 Hz - Poids - 6000 - Entrée audio - 2 x AUX IN; XLR-3-F transformer-balanced - Température de service - +5.....+50 °C - Rapport signal/bruit (S/B) - 75 dB(A) - Impédance de sortie - - Consommation électrique - max. 3.5 A (230VAC); max. 7.0 A (115 VAC) - Gamme de tensions d’entrée - +3dBu - Tension de fonctionnement - 48 V (Conference Port 1-6) - Bruit de ventilateur - 48 dBA SPL (1m) - Fusible - 3.15 A (230 VAC); 7 A (115 VAC) - Impédance d'entrée - > 6 kOhm (1kHz) - Tension secteur - 88 - 264 VAC (47-63 Hz) - Niveau de sortie - max. +8 dBu - Interface PC - COM 1-3; RS 232 SUB-D-9

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Seconde main, aucune marque de rackage (voir photos pour les légères traces au-dessous), fonctionne parfaitement sous Mojave mais double emploi et pas le temps de m’en servir donc je m’en sépare à regret. Livrée en boîte avec le CD d’installation, le cable d’origine (Firewire 400), un cable FW400 vers FW800 sera joint en complément. Les drivers sont toujours disponibles sur le site d’Echo même s’ils ont cessé leur production. Frais de port: 13€75 (ou 8€15 Mondial Relay) _______________________________________________________ Second hand, no racking marks (see photos for slight traces below), works perfectly under Mojave (but the latest drivers don’t allow to work in 192khz anymore, PC or MAC). No time to use it so I reluctantly part with it. Delivered in its original box with installation CD, original cable (Firewire 400), an FW400 to FW800 cable will be included in addition. Drivers are still available for their discontinued audio products on the Echo site. Shipping EU: 22€45 ________________________________________________________     •    Sample rates: 44.1, 48, 88, 96, 176 and 192 kHz from internal clock; external clock range 32kHz to 192kHz.     •    Analogue inputs: 12 quarter-inch TRS balanced/unbalanced jack sockets with individually switchable +4dBu/-10dBV sensitivity and 10kΩ impedance.     •    Analogue outputs: 12 balanced/unbalanced TRS quarter-inch jacks with individually switchable +4dBu/-10dBV output level.     •    Digital I/O: word clock and MIDI in and out.     •    Dynamic range: input 113dBA, output 114dBA.     •    Frequency response: 20Hz to 20kHz ±0.1dB.     •    THD + Noise: <0.002 percent.

VP-5040 Specifications System: Video recording system: Rotary two-head helical scan system Luminance: FM recording Colour Signal: Converted subcarrier direct recording Video signal system: CCIR standards PAL or SECAM colour system EIA standard NTSC 4.43 Video: Output: BNC type: 1.0Vp-p +- 0,2V, 75 ohms, unbalanced sync negative TV output: 8-pin x1 Horizontal resolution: 250 lines Signal-to-noise ratio: Better than 45dB Audio: Outputs: LINE: Phonojack CH1/2 -5dBm (47k ohm load), unbalanced TV: 8-pin x1 Signal-to-noise ratio: Better than 48 (at 3% distortion level) Distortion: Less than 2% Frequency response: 50Hz to 15kHz Special Functions: Pause A still picture is obtained, with automatic long pause function Search Approximately 5 times of normal speed in forward and reverse directions Remote Control: Possible with optional wired remote control. RF Output: Possible with optional RFK-660UB adaptor Tape transport: Tape speed: 9,53 cm/sec Playback time: 60 min (with Sony KSP-60 U-matic videocassettes) Fast forward time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Rewind time: Less than 4 min (with Sorry KSP-60 U-matic videocassettes) Useable tapes: BRS,XBR,KSP type tape. General: Power requirements: AC 220 / 24OV, +- 10%, 50/60Hz +- 10% Power consumption: 53W Operating temperature: 5C to 40C (41F to 104F) Dimensions: Approx. 424(W) x 193(H) x 489(D) mm Weight: Approx. 16 kg (35 lb 4 Oz) Supplied accessories: AC cord, Operation manual

Description: The Myryad MA-120 power amplifier has been designed to offer a combination of high quality sound reproduction and simple yet elegant styling. The build and finish have a no-nonsense, quality feel: simple brushed aluminum face with an understated logo; gold connections at the rear. It can be used to provide power for high quality stereo systems when partnered by a suitable preamplifier or a Myryad integrated amplifier in bi-amp or tri-amp systems. It can also be used in combination to power a full-surround music or Home Cinema sound system of the highest quality. The Myryad MA-120 has unbalanced line inputs plus directly linked line outputs, all on RCA phono sockets. It may be controlled remotely via the My-Link communications bus when used with other Myryad M series products. My-Link allows remote control of standby and mute functions. The Myryad MA120 has a smooth range, is airy and transparent, but lacks the body of a more powerful amplifier. Bass is detailed and firm with good resolution. It is easy to hear differences with different bass sounds even if they are of really low frequency (below 50dB). Midrange is airy and excellent with placement of sounds in the stereo perspective. It possesses sparkling and airy treble with no sign of harshness or metallic sound. Perhaps the best that can be said of it is that it does not assert its own personality above the music. A complaint may be that the sound is a little on the bright side. The Myryad MA-120 excels in keeping each sound unaffected by other sound resolutions without losing the overall musical sense. Specifications: Stereo Mode, all channels driven Continuous Power Output.................60W @ 8 ohms At                                      .................85W @ 4 ohms At IHF Dynamic Power.........................80W @ 8 ohms                             .........................120W @ 4 ohms                             .........................160W @ 2 ohms Input Sensitivity...............................775mW for rated power Voltage Gain...................................29dB Input Impedance..............................Unbalanced: 100k ohms / 450pF                         ..............................Balanced: N/A Frequency Response.......................+/- 0.2dB, 20Hz to 20kHz Signal-to-Noise Ratio.......................111dB, A weighted, ref rated power General Voltage...........................................120V or 230V, set by internal wiring Dimensions(w x d x h)......................43.5 x 30 x 9.5cm Weight............................................8kg

For sale Speck Lilo 16 in superb condition! PSU is set up for 220V. Description: "The LiLo is a high-definition desktop analog line mixer for routing and blending your external gear. Short for Line-in/Line-out, the LiLo was designed as a “quiet-transparent” platform that allows you to build a mixing system using the gear you already own. Design Philosophy One glance at the LiLo and you will realize that you are not looking at a conventional mixer. The first thing you will notice is the minimalist layout of the LiLo. This unpretentious design lacks mic preamps, equalizers, and is in short supply of knobs and switches. In their place, we bring you a well-designed 32 input mixer with unmatched signal routing, generous amounts of headroom, and a transparent signal path. The Lilo has been designed with the specific idea that you want to connect and mix your external gear and DAW without the limitations imposed by traditional recording consoles. The In’s & Out’s All audio inputs, outputs, and inserts are fully balanced and available on XLR and TRS connectors. Connect the LiLo to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The LiLo has high headroom that will handle balanced signals up to +28dBu. Balanced transformers are standard on the main feed and are optional on other outputs. The Designer The LiLo is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 25 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the Xtramix rack mixer, the ASC equalizer, and MicPre 5.0 preamp." But best is to go there: http://www.speck.com/lilo/lilo.html Shipping worldwide available (will be super safe in a custom woodbox/pallet) Note: Thanks to contact me for shipping quote! ajaudio.fr

The 105A is a high-performance distribution amplifier for unbalanced stereo audio signals. It takes one stereo input and distributes the signal to five identical stereo outputs. -  Level (Gain) Controls. -  S/N Ratio — 80dB (unweighted). -  Compact Kramer TOOLS™ — 3 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter. -  Video/audio duplication studios -  Retail showrooms, home theater systems -  Any audio system requiring multiple outputs from a single source

-  Excellent Meridian 566 DA Converter Very good condition and works perfectly Performance 24-bit dynamic range Linearity: better than >–96dBFS Jitter for 44.1kHz sampling, typically 1ps rms Inputs and outputs 3 phono digital inputs; 32kHz–48kHz 1 AES/EBU XLR digital input; 32kHz–48kHz (Parallel with D1) 1 Toslink optical input; 32kHz–48kHz All digital inputs accept up to 24-bit precision Audio outputs 4V nominal balanced (XLR) and 2V unbalanced Construction Twin PLL; word-aligned for lowest jitter Absolute Phase control Precision Class A discrete audio amplification Analogue de-emphasis network High quality construction including use of partitioned 4-layer PCB, and precision capacitors. On-board control microprocessor with non-volatile memory. Full 500 Comms for system integration with Meridian components. Rear-panel control for: Power On/Off Front-panel controls and indicators for: Inputs (D1, D2, D3, Optical), Phase, Emphasis Dimensions 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D – Weight 5kg (10lbs) Possibility to connect to 110 volts by changing the fuse (see last photo)

Baladeur Hi-Res Audio FiiO M9 gris, sorties (a)symétrique, en bon état. Il est équipé d’un double DAC. Il prend en charge les fichiers PCM jusqu’à 24 bits/192 kHz et les fichiers DSD (64/128). Il est doté de deux sorties casque: une symétrique (mini-jack 2,5 mm) et une asymétrique (mini-jack 3,5 mm). La coque de protection d'origine a jaunie avec le temps (pas très visible sur la 4ème photo). Attention: Le baladeur tourne sous Android, mais il n'est pas équipé du Google Play Store. Il est possible d'installer des applications, mais il faut le faire manuellement. Des informations à ce sujet sont disponibles sur le site du fabricant. DAC: double Asahi Kasei AK4490 Ecran: tactile 3.2b'"' 480x800 (16:10) Stockage: port micro-SD (jusqu'à 2 To) OS: Android ----------------------------------------------------- FiiO M9 gray Hi-Res Audio walkman, (un)balanced outputs, in good condition. It is equipped with a dual DAC. It supports PCM files up to 24-bit/192kHz and DSD (64/128) files. It has two headphone outputs: one balanced (2.5 mm mini-jack) and one unbalanced (3.5 mm mini-jack). The original protective shell has yellowed over time (not very visible in the 4th photo). Please note: The player runs Android, but it is not equipped with the Google Play Store. It is possible to install applications, but you have to do it manually. Information about this is available on the manufacturer's website. DAC: dual Asahi Kasei AK4490 Screen: 3.2b'"' touchscreen 480x800 (16:10) Storage: micro-SD port (up to 2 TB) OS: Android En savoir plus

à Vendre, un lecteur CD Thule Audio Spirit CD-150B révisé: Certaines soudures retouchées, la lentille nettoyée et les rails du blocs optique nettoyés et lubrifiés. La courroie du tiroir est également neuve. L'ensemble est en super état et la télécommande est présente. Il est également possible d'ajouter le câble secteur. Caractéristiques: Disc format: CD Frequency response: 20Hz to 20kHz Signal to Noise Ratio: 96dB Total harmonic distortion: 0.003% Line output: 2.2V (unbalanced), 4.4V (balanced) Digital outputs: coaxial Dimensions: 420 x 80 x 258mm Weight: 7kg Accessories: remote control Year: 2001

Amplificateur analogique 6 casques L’AMC610 est un boîtier rack amplificateur six casques. Cet équipement permet à partir d’une ou plusieurs modulations lignes stéréophoniques d’alimenter six casques (impédance comprise entre 8 Ohms et 600 Ohms). - Le volume est séparé pour chaque casque. - La sortie casque 1 est ramenée en face avant. - Un synoptique original permet une configuration variable accessible en façade soit: pour chaque amplificateur possibilité de choisir la modulation de la cellule située immédiatement à gauche ou la modulation issue de l’entrée propre à chaque cellule (panneau arrière). Exemples de configuration: - Une modulation vers six casques. - Deux modulations différentes vers deux ensembles de trois casques. - Trois modulations différentes vers trois ensembles de deux casques. - Six modulations différentes vers six casques. - Une modulation vers deux casques plus une modulation vers quatre casques. L’AMC610 possède une entrée d’ordre avec atténuation automatique de la modulation audio diffusée dans les casques. L’envoi d’ordres peut être dirigé soit sur tous les casques, soit sur le casque 1 uniquement (programmation interne). - Entrée stéréophonique générale symétrique sur deux XLR (entrée 1 uniquement) ou asymétrique sur cinchs. - Entrée stéréophonique directe (par canal) asymétrique sur cinchs. - Entrée d’ordres symétrique sur XLR. - Entrée ordres asymétrique sur cinchs. - Sorties casques en jack stéréo 6,35mm. 6 headphone analog amplifier The AMC610 is a six-headphone rack amplifier enclosure. This equipment allows from one or more stereo line modulations to power six headphones (impedance between 8 Ohms and 600 Ohms). The volume is separate for each headset. Headphone output 1 is brought back to the front panel. An original block diagram allows a variable configuration accessible from the front, either: for each amplifier possibility to choose the modulation of the cell located immediately to the left or the modulation from the input specific to each cell (rear panel). Examples of configuration: Modulation to six headsets. Two different modulations to two sets of three headphones. Three different modulations to three sets of two helmets. Six different modulations to six headsets. Modulation to two helmets plus modulation to four helmets. The AMC610 has a command input with automatic attenuation of the audio modulation played in the headphones. The sending of orders can be directed either to all headsets or to headset 1 only (internal programming). General balanced stereo input on two XLRs (input 1 only) or unbalanced on cinchs. Asymmetric direct stereo input (per channel) on cinchs. Balanced XLR command input. Asymmetric order entry on cinchs. Headphone outputs in 6.35mm stereo jack.

Mixeur en rack 19’ MPA Expansion ML620e 6-CH MICROPHONE / LINE MIXER Il s'agit d'une table de mixage pour microphone, c'est pour 12V. La ligne dédiée est perdue, elle est de 500mA pour 12v Gain 1 kz, ±3 dB Frequency Response (ref 1 kz) 20 Hz to 20 kHz, ±2 dB Input Impedance Balanced Lo Mic 2 kΩ / Unbalanced Line 20 kΩ / Aux 47 kΩ Output Impedance Balanced Lo Mic 150 Ω / Aux 2 kΩ Input Clipping Levels (Min.) Balanced Lo Impedance Mic -22 dBV Balanced Impedance Line -3dBV Aux -1 dBV Output Clipping Levels (Min.) Balanced Lo Impedance Mic -20 dBV Aux +9 dBV Distortion Outputs (1 kHz) Balanced Lo Impedance Mic Less than 1%, -34 dBV Aux +6 dBV Phantom Power Voltage 12V or 48V selectable Input Power DC 12V~14V, 300~500mA (Adaptor Included) Dimension (WxHxD) 483 x 44.5 x 130(mm) Weight 1,500g   Le tout en bonne état et fonctionne très bien…Envoi possible Colissimo, Annonce sérieuse donc acheteurs fantômes, à l'étranger ou à contacter que par Gmail !! Passez votre chemin