Various american

Various Artists "U.S. Metal Vol. III", Compilation, Vinyl 33T LP     ENGLISH BELOW Description: Super compil de Heavy Metal américain des années 80! Je l'avais achetée pour la très bonne chanson de Manilla Road "Flaming Metal Systems".     Site du groupe: site officiel     Site de l'article vendu: Discog     Nombre de chansons: 10.     Maison de disques: Shrapnel Records.     Format: 33T LP.     Date de sortie: 1983. EAN: pas d'EAN.     Condition du disque: Vynile noir, en bonne condition correcte, pas poussiérieux. Quasiment jamais joué dans un tourne disque, car je copiais les vyniles sur cassettes et je n'écoutais que ces cassettes.     Condition de la jaquette intérieure: pochette en papier blanc, en bon état.     Condition de la jaquette extérieure: en couleurs, état pas mal.     Pourquoi je le vends: J'adore! Mais je n'ai plus de tourne disque et je ne compte pas en acheter un!     Various Artists "U.S. Metal Vol. III", Compilation, Vinyl 33T LP     Description: excellent American Heavy Metal compilation from the 80ies. At the time, I bought it for Manilla Road great song "Flaming Metal Systems".     Group's web site: official site Site de l'article vendu: Discog     Number of tracks: 10.     Record label: Shrapnel Records.     Format: 33rpm LP.     Release date: 1983. EAN: none.     Disc condition: black vynil in very good condition, not dusty. It almost never played as I used to copy my LP's on tape to listen to them.     Inner sleeve condition: white sleeve in good condition.     Outer sleeve condition: in color, in fine condition.     Why I sell it: I love it but I don't have any working record player and don't plan to buy one.

Original français sorti sur le label Musidisc (Ref.30 CO 1048) Pochette VG: bon état, tranches en bon état, pochette propre Disque VG+: très bon état, écoute claire et dynamique Tracklist: A1     John Lee Hooker –     Shake It Up And Go     Written By – Bernard Besman, John Lee Hooker     A2     John Lee Hooker –     Lost My Job     Written By – Bernard Besman, John Lee Hooker     A3     Memphis Slim –     Messin Around     Written By – Memphis Slim     A4     Memphis Slim –     Big Town Girl     Written By – Memphis Slim     A5     Sonny Terry & Brownie McGhee –     Hooray Hooray, This Woman Is Killing Me     A6     John Lee Hooker –     Risin' Sun     Written By – Bernard Besman, John Lee Hooker     B1     Jimmy Reed –     Help Yourself     B2     Jimmy Reed –     Little Rain     B3     Sonny Terry & Brownie McGhee –     Sweet Woman Blues     B4     Sonny Terry & Brownie McGhee –     I Got A Little Girl     B5     Lightning Hopkins* –     I Wonder Why     Written By – Lightning Hopkins*     B6     Lightning Hopkins* –     Buck Dance Boogie     Written By – Lightning Hopkins* Toutes autres infos ou photos me contacter Emballage soigné et pochette de protection FRAIS DE PORT: France:              * Lettre Suivie: 5 euros              * Colissimo: 7 euros Europe:              * Prioritaire: 7 euros              * Suivi: 10 euros Worldwilde:              * Prioritaire: 11 euros              * Suivi: 15 euros POUR LA FRANCE MERCI DE PRIVILÉGIER LE PORT EN COLISSIMO AFIN D'OBTENIR UN SUIVI, NOTAMMENT POUR LES LIVRAISONS EN REGION PARISIENNE. DEPUIS QUELQUES TEMPS LES MINI MAX METTENT DAVANTAGE DE TEMPS POUR ETRE ACHEMINER. MERCI POUR VOTRE COMPREHENSION! FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare. NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).

VG++/VG++      POCHETTE ET DISQUE EN TRES BON ETAT - ZENSOR 48033 - 1987 GERMANY ENVOI DANS LE MONDE ENTIER - EXPEDITION SOIGNEE DANS EMBALLAGE RIGIDE - TOUS MES 33 TOURS SONT ENVOYES AVEC UNE POCHETTE DE PROTECTION POLYETHYLENE 100 MICRONS - DISQUE SORTI DE SA POCHETTE POUR NE PAS ENDOMMAGER CELLE CI LORS DU TRANSPORT - POCHETTE INTERIEURE CHANGEE SI BESOIN SHIPPING WORLDWIDE - SHIPPING CAREFUL IN RIGID BOX - ALL MY LP'S ARE SENT WITH A PROTECTIVE COVER POLYETHYLENE 100 MICRON NEW - DISC OUT OF HIS POCKET TO AVOID DAMAGING DURING TRANSPORT N'HESITEZ PAS A GROUPER VOS ACHATS POUR POUVOIR BENEFICIER DE REDUCTIONS SUR LES FRAIS DE PORT DO NOT HESITATE TO COMBINE YOUR PURCHASES  FOR DISCOUNTS ON SHIPPING COSTS PORT GRATUIT (EN FRANCE) A PARTIR DE 70 EUROS D'ACHATS.

Cet album vinyl intitulé «Fiddle Noir» est consacré aux excellents fiddlers (violonistes) afro-américains. Ce disque est composé de morceaux traditionnels blues et folk interprétés par des musiciens tels que Joe Thompson, John Jackson, Tommy Brown, Leroy Jenkins, Dan Phelps, Clarence Ashley, Roscoe Holcomb, etc. Le vinyle est disponible dans le format classique 33 tours avec une quantité d'au moins 1 disque par commande. Ce vinyle est pressé sur du vin 180 grammes assurant ainsi une qualité sonore exceptionnelle. Le disque a été édité par la maison de disques Document Records et possède le code EAN: 0670725500118. Il appartient au genre musical du blues. Les morceaux sont interprétés avec une virtuosité remarquable et offrent aux auditeurs une expérience musicale unique. Les arrangements sont simples mais efficaces, les interprètes maîtrisent leur instrument avec précision et finesse. Les sons des cordes du violon sont netts, les rythmes sont solides et les harmonies sont richement texturées. Si vous aimez le blues traditionnel ou si vous cherchez à découvrir des musiciens talentueux du passé, ce disque «Fiddle Noir» est idéal pour vous. Il s'agit d'une référence essentielle dans l'histoire du blues et offre aux auditeurs une expérience musicale incomparable. Commandez ce disque vinyl «Fiddle Noir» aujourd'hui et découvrez ces excellents fiddlers afro-américains qui ont marqué l'histoire du blues! En savoir plus

Various artists ‎– Shreds Volume 2 - American Underground '94 Label: Shredder ‎– SH-27, Shredder ‎– Shred-27 Série: Shreds – Volume 2 Format: CD, Compilation Country: US Sortie: 1994 Genre: Rock Style: Punk, Pop Punk, Alternative Rock Tracklist: 1–CubYour Bed1:352–The FondledNever Be Your Girl1:433–Sluts For HireWe're In A Band1:384–PlowTimmy Is An Arsonist1:475–Beatnik Termites9:152:056–The Bubble BoysPlastic Earwax2:407–TinselPelican Bay2:268–Atomic BoyTime Bomb3:379–Mark Brodie & The Beaver PatrolSuicide Ride2:3810–Loose Change171:2211–Red Number NineIndifferent2:3312–Coloring BookTime To Grow3:3413–Incredible Force Of JuniorGreatest Thing3:2214–Woolly MammothDog Park3:1515–BlahNot My Friend1:5516–The PhuzzPop Song1:5417–CavityYou Don't Own Me2:2318–Tugboat AnnieJack Knife3:2219–Neighborhood DilemmaGet Away Sometimes4:0220–The Broken ToysProzac Baby3:52 - Distributed By – Mordam Records - Made By – Disctronics USA – 131461 Crédits: - Liner Notes – Mel Shredder Code-Barres: - Barcode: 788468002728 - ÉTAT / CONDITION: EXCELLENT + frais de port

More American Graffiti Various Label: MCA Records MCA 2-11006 Format Disque vinyl (Vinyl record) Taille (Size) : 30 cm (12") Durée (Duration) : LP Vitesse (Speed) : 33 tours (33 rpm) Note: 2 disques, pochette ouvrante (2 records, gatefold sleeve) Etat - Condition Disques (Records): UNPLAYED disque comme neuf, jamais joué record like new, never played Pochette (Sleeve): SEALED pochette scellée, cut en haut à droite sealed cover, upper right cut Details Pressage US, 1979 US pressing, 1979 Contenu - Content - Martha Reeves & The Vandellas - (Love Is Like A) Heat Wave - 2:42 - Andy Williams - Moon River - 2:41 - The Byrds - Mr. Tambourine Man - 2:18 - The Angels - My Boyfriend's Back - 2:36 - Wolfman Jack - Introduction - 0:07 - Simon & Garfunkel - Sound Of Silence - 3:07 - Donovan - Season Of The Witch - 4:58 - Wolfman Jack - Introduction - 0:12 - Wolfman Jack - Introduction - 0:09 - The Supremes - Stop In The Name Of Love - 2:47 - Cream - Strange Brew - 2:45 - Bob Dylan - Just Like A Woman - 4:50 - Wolfman Jack - Introduction - 0:05 - Aretha Franklin - Respect - 2:25 - The Zombies - She's Not There - 2:21 - ? & The Mysterians - 96 Tears - 3:01 - Wolfman Jack - Introduction - 0:20 - The Chantays - Pipeline - 2:18 - Lenny Welch - Since I Fell For You - 2:50 - The Marvelettes - Beechwood 4-5789 - 1:59 - Bobby Vinton - Mister Lonely - 2:39 - Wolfman Jack - Introduction - 0:08 - The Capitols - Cool Jerk - 2:45 - Country Joe And The Fish - I Feel Like I'm Fixin' To Die Rag - 4:12 - Wolfman Jack - Introduction - 0:07 - Barry Sadler - Ballad Of The Green Berets - 2:37 - Wolfman Jack - Introduction - 0:04 - Mary Wells - My Guy - 2:45 - Doug Sahm - I'm A Man - 2:35 - The McCoys - Hang On Sloopy - 3:02 - Percy Sledge - When A Man Loves A Woman - 2:50 - Bob Dylan - Like A Rolling Stone - 6:06 - Wolfman Jack - Closing - 0:20 Informations Les disques sont envoyés en Colissimo pour la France et en Prioritaire Recommandé pour les autres pays. Economisez sur les frais de port: Je combine les achats dans le même envoi, contactez-moi si vous souhaitez une estimation des frais de port pour plusieurs disques. - Les disques sont envoyés dès réception du paiement. - Pour toute question, utiliser la messagerie. The records are shipped to France as Colissimo and for all other countries, the records are shipped as Priority Registered Mail (signed for, delivered against signature). Save on shipping: I combine purchased items in the same parcel, send me a message if you wish to get a shipping quote for more than one record. - The records are shipped as soon as the payment is received. - Use message system for any question. Visitez la Boutique Netvinyls Visit the Netvinyls Store

CD Album CD Code EAN: 0074646632925 Rubrique principale CD: CD Album Titre: Forrest Gump: The Soundtrack - 32 American Classics On 2 CDs by Various Artists (1994) - Soundtrack Genre musical: Rock

cd1 petites traces très légères. cd2 nickel. jaquettes nickels. Boitier en bon état. CD Album CD Auteur: Various Artists Editeur: Mca Rubrique principale CD: CD Album Date: 1993-06-22 00 Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales Support / Quantité fournie: 2 Genre musical: Variétés internationales

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Prince Ultimate mixes  2xLP Near Mint  Beautiful copy!!!  Rare original NPG Records 1995!!! Great condition!! First hand from my own collection !!! Any questions feel free to contact me!!! A1Prince–Little Red Corvette (Dance Remix)A2Prince And The Revolution–Raspberry Beret (12" Version)B1Prince–Let's Work (Dance Remix)B2Prince–U Got The Look (Long Look Version)C1Prince And The Revolution–Pop Life (Fresh Dance Mix)C2Prince And The Revolution–She's Always In My Hair (12" Version)D1Prince–Thieves In The Temple (Remix)D2Prince And The New Power Generation–Cream (NPG Remix) Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, multi-instrumentalist, record producer, actor, and director. Regarded as one of the greatest musicians of his generation, and guitar virtuoso, he worked across multiple genres performing in a flamboyant and androgynous persona, with a wide vocal range which included a far-reaching falsetto and high-pitched screams.[Prince's music integrated a wide variety of styles, including funk, R&B, Latin, rock, new wave, classical, soul, synth-pop, psychedelia, pop, jazz, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media.[He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as "Nothing Compares 2 U" and "Manic Monday". Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. Prince went on to achieve critical success with the innovative albums Dirty Mind (1980), Controversy (1981), and 1999 (1982). His sixth album, Purple Rain (1984), was recorded with his backup band the Revolution, and was the soundtrack to his film acting debut of the same name. Purple Rain spent six consecutive months atop the Billboard 200. Prince won the Academy Award for Best Original Song Score. After disbanding the Revolution, Prince went on to achieve continued critical success with Sign o' the Times (1987). In the midst of a contractual dispute with Warner Bros in 1993, he changed his stage name to the unpronounceable symbol  (known to fans as the "Love Symbol"), and was sometimes referred to as The Artist Formerly Known as Prince or TAFKAP, or simply the Artist. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. After returning to mainstream prominence following a performance at the Grammy Awards ceremony in 2004, he scored six US top ten albums over the following decade. Joni Mitchell said of Prince, "He's driven like an artist. His motivations are growth and experimentation as opposed to formula and hits." In mid-life, Prince reportedly experienced considerable pain from injuries to his body (mainly hips) sustained through his dynamic stage performances (which included leaping off speaker stacks in high heels), and was sometimes seen using a cane. In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. Prince sold over 150 million records worldwide, ranking him among the best-selling music artists of all time. His awards included the Grammy President's Merit Award, the American Music Awards for Achievement and of Merit, the Billboard Icon Award, an Academy Award, and a Golden Globe Award. He was inducted into the Rock and Roll Hall of F

Lot de 25 cds country 20200318 Prénom NOM Titre LAbel Référence BROOKS & DUNN Borderline ARISTA 18810-2 1 Mark COLLIE Mark Collie MCA MCAD 10658 1 Craig COLLINS It's all in your head ROGUE/COMPENDIA 1519-2 1 Shawn COLVIN a FEW SMALL REPAIR COLUMBIA CK 67119 1 Billy Ray CYRUS The best of the millenium collection MERCURY 088 170 165-2 1 Billy DEAN It's what I do CAPITOL 7243--30525-2-3 1 DIAMOND RIO Greatest Hits ARISTA 18844-2 1 Lee GREENWOOD American Patriot CAPITOL 92199-2 1 Faith  HILL Faith WARNER BROS 46790-2 1 Waylon  JENNINGS The early years RCA 1 Lyle LOVETT Joshua judges Ruth CURB 471531-2 1 Reba McENTIRE If you see him MCA MCAD 70019 1 Tim McGRAW Set the circus down CURB 5020662000 1 MONTGOMERY GENTRY Carrying on COLUMBIA CK 62167 1 Gary MORRIS Greatest Hits WARNER BROS 9 25581-2 1 Willie NELSON Willie Nelson/Half Nelson COLUMBIA CK 39990 1 Jimmie ROGERS Best of CURB D2-77442 1 Kenny   ROGERS Kenny Rogers 2CD Set PLAY 247 PLAY-2-050 2 SAWYER BROWN This thing called wantin' and havin' it all CURB 0078152CUR 1 Doug STONE Faith in me, faith in you COLUMBIA 1 Shania  TWAIN Up MERCURY 088 170214-2 2 VARIOUS ARTISTS Nashville Star UNIVERSAL 1 VARIOUS ARTISTS The heart of country DINO MUSIC 1 25

Je recalcule les frais de port pour l'achat de plusieurs objets!! envoi groupé moins chèr see also the other cd's of this collection in my shop voir aussi les autres cds de cette collection dans ma boutique ------------------------------------------------------------------- CD: "Dexter Gordon" Jazz-Masters - 100 ans de jazz   e.f.s.a. collection 1996   e.a. cute lullabye of birdland i should care seven come eleven blues for gates   Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist. He was among the earliest tenor players to adapt the bebop musical language of people such as Charlie Parker, Dizzy Gillespie, and Bud Powell to the instrument. His studio and live performance career spanned over 40 years. Gordon's height was 6 feet 6 inches (198 cm), so he was also known as "Long Tall Dexter" and "Sophisticated Giant". He played a Conn 10M Lady Face until 1964. He lost the instrument in a Paris hotel. He then switched over to a Selmer Mark VI. His saxophone was fitted with an Otto Link metal mouthpiece, which can be seen in various photos. Dexter Gordon was named a member and officer of the French Order of Arts and Letters in 1986 by the Ministry of Culture in France. His performance in Round Midnight (Warner Bros, 1986) was nominated for an Academy Award for Best Leading Role and he won a Grammy for Best Soundtrack. Dexter Gordon died on April 25, 1990, in Philadelphia, Pennsylvania.................... --------- Dexter Gordon (né à Los Angeles le 27 février 1923, mort à Philadelphie le 25 avril 1990) est un saxophoniste ténor de jazz américain.Dexter Keith Gordon, né le 27 février 1923 à Los Angeles, est le fils du docteur Frank Gordon, diplômé de l'université de Howard à Washington D.C. et qui fut aussi l'un des premiers grands médecins afro-américains dans la « Cité des Anges ». Sa mère, Gwendolyn Baker, est la fille d'Edward Baker, capitaine afro-américain dans la troupe des « Buffalo Soldiers », qui fut récompensée de la médaille d'honneur après la guerre hispano-américaine (1898). Son entrée dans le monde de la musique commence à l'âge de 13 ans, où il étudie la clarinette, avant d'opter pour le saxophone alto à 15 ans et, enfin, le ténor à 17 ans. Il est au début suivi par deux professeurs, Lloyd Reese et Sam Browne, et étudie la musique dans l'école Jefferson. Lors de la dernière année de son cursus scolaire, Marshall Royal lui propose de rejoindre le groupe de Lionel Hampton. Gordon accepte et en 1940, il quitte Los Angeles, pour partir avec la troupe de Hampton. Avec celle-ci, il voyage dans le Sud et poursuit son apprentissage auprès de Joe Newman et Illinois Jacquet. Le groupe d'Hampton décroche un contrat de plusieurs mois au « Grand Terrace » de Chicago, en janvier 1941. Quelques enregistrements radio seront réalisés durant ces mois suivants, et deviendront les premiers enregistrements de Dexter...............   mandarin records ltd ireland 1996   CONDITION: VOIR PHOTO   bon état! (carton/box traces d'usage)      N'oubliez pas d'aller voir mes autres objets !! Pour économiser sur les frais de port, pensez à grouper vos commandes. Envoi RAPIDE et SOIGNÉ !! Frais de port = montants arrondis, inclus expedition, emballage bien protégé, transport, etc. Mes livres ou objets sont généralement proposés avec l’envoi le plus économique, comme 'lettre' (ou international par 'livres-brochures'). Dans ce cas les livres/objets voyagent aux risques et périls de l’acheteur. Si vous souhaitez une livraison garantie avec suivi, merci de me contacter, avant paiement, pour opter pour le Colissimo ou le recommandé. Mes objets sont emballés très soigné, protection efficace,(voir mes evaluations) et mon adresse figure systématiquement au dos ét dans le paquet, puor le renvoi, en cas non distribuable. Dans le cas d’une livraison économique: je ne pourrai pas être tenue responsables de détério

DOUBLES CD COMPIL House Classics. État : "Très bon état" cd: VG+  boitier: VG+ tous les cd sont livrès avec pochettes protections plastifiés all cds come with laminated protective pouches Various ‎– House Classics Label: Cloud 9 (2) ‎– CLDM2008014 Format: 2 × CD, Compilation Country: Netherlands Sortie: 15 Aug 2008 Genre: Electronic Style: House, Breaks, Garage House, Deep House, Euro House, Hip-House Tracklist 1-1–Inner CityGood LifeWritten-By – Saunderson*, K. Saunderson*, P. Grey*, Holon*2:591-2–Robin S.Show Me LoveWritten-By – A. George*, F. McFarlane*3:221-3–Kristine WFeel What You WantWritten-By – R. Dougan*, R. Armstrong*4:131-4–Crystal WatersGypsy Woman (La Da Dee La Da Da)Written-By – C. Waters*, N. Brian Conway*3:471-5–RozallaEverybody's Free (To Feel Good)Written-By – N. Swanston*, T. Cox*3:331-6–Roger SanchezAnother ChanceWritten-By – R. Sanchez*, S. Lukather*3:301-7–NightcrawlersPush The Feeling OnWritten-By – G. M. Wilson*, J. Brankin*, J. Robinson Reid*, R. Alexander Campbell*4:041-8–The Good MenGive It UpWritten-By – DJ Zki & Dobre3:301-9–FelixDon't You Want MeWritten-By – Felix3:131-10–Toni Di Bart*The Real ThingWritten-By – Blissett*, Drayton*, Di Bart*3:491-11–BFI*Why Not Jazz?Written-By – L. Pancaldi*, R. Attarantato*3:281-12–Joe SmoothPromised LandWritten-By – J. Smooth*4:371-13–South Street Player(Who?) Keeps Changing Your MindWritten-By – R. Clark*3:101-14–GustoDisco's RevengeWritten-By – E. Greene*, Mason*, Mason*3:111-15–Steve 'Silk' Hurley*Jack Your BodyWritten-By – S. Hurley*6:011-16–DJ Jose vs. G-SpottWrong = RightWritten-By – DJ Jose, G-Spott3:231-17–Harlem Bros.Turn The Beat AroundWritten-By – G. Jackson*, P. Jackson*5:571-18–Josh WinkA Higher State Of ConsciouscenessWritten-By – J. Wink*3:111-19–2 In A RoomWiggle ItWritten-By – G. Morel*, R. Vargas*3:121-20–Ruffneck Feat. YavahnEverybody Be SomebodyWritten-By – B. Blank*, D. Jenkins*, D. Meier*, D. Richardson*, J. Thomas*3:362-1–MolokoSing It BackWritten-By – Moloko3:372-2–Room 5 Feat. Oliver Cheatam*Make LuvWritten-By – Junior Jack, K. Mc Cord*, Oliver Cheatham3:342-3–FaithlessSalva MeaWritten-By – M. Jazz*, Rollo, Sister Bliss4:372-4–Prodigy*Out Of SpaceWritten-By – C. Miller*, K. Thornton*, L. Howlett*, M. Smith*, T. Randolph*3:442-5–Soul II SoulGet A LifeWritten-By – B. Romeo*, H. Browne*3:422-6–Eric PrydzCall On MeWritten-By – E. Prydz*, Winwood*, Jennings*2:502-7–Fedde "F.L.G. Le Grand*Put Your Hands Up 4 DetroitWritten-By – F. Le Grand*2:432-8–DoopDoopWritten-By – Ferry*, Garnefski*3:092-9–Klatsch!Oh BoyWritten-By – DJ Zki & Dobre3:542-10–The OnesFlawlessWritten-By – T. Class*, Nashom, P. Alexander*3:112-11–N.U.K.E.NanaWritten-By – Stenzel*, Jouini*3:492-12–Ultra Nate*FreeWritten-By – J. Ciafone*, L. Springsteen*, U. Nate*3:272-13–Junior JackStupidiscoWritten-By – D. Innis*, S. Lorber*, V. Lucente*3:412-14–StuartFree (Let It Be)Written-By – A. Broekhuyse/R. Nitzan*, S. Wijdoogen*3:182-15–Sonic SurfersBeat Of ZenWritten-By – A. Corneille*, L.J. Hartong*, M. Bakker*3:582-16–RamirezLa Musika TremendaWritten-By – D. Rizzatti*, E. Moratto*, R. Persi*3:022-17–Hardsoul Feat. ForrestWhere Did Our Love GoWritten-By – F. Thomas*, G. Van Bueren*, R. Van Bueren*6:092-18–Dance 2 TrancePower Of American NativesWritten-By – DJ Dag, Jam El Mar, Linda Rocco3:532-19–Jam & SpoonFind MeWritten-By – J.E. Mar/M. Spoon*, N. Katzmann*4:042-20–The Black & White Brothers*Put Your Hands UpWritten-By – Djaimin, Mr. Mike