Versatile tone

La pédale Heavy Tone de Heptode, inspirée du canal overdrive du célèbre amplificateur Soldano SLO100, offre un grain typique des pré-amplis high gain à lampes des années 80, avec une précision et une dynamique étonnantes. Très versatile, HEAVY TONE peut être utilisée: - en pré-ampli, branchée sur l'entrée "ampli de puissance" ou "retour d'effets" d'un amplificateur - en pédale d'overdrive/distorsion, branchée sur l'entrée guitare d'un amplificateur - en mode console, branchée directement sur une console ou une carte audio L'envoi se fait par colis protégé partout en France. Pour l'étranger et les DOM TOM nous contacter pour le montant des frais de port. Possibilité de récupérer l'article sur place dans l'un de nos 2 magasins sur Strasbourg, nous contacter également pour cela. Pour toute question complémentaire nous restons à votre disposition, n'hésitez pas à nous contacter. Pour plus de photos de l'article, faîtes-nous en la demande par message tout simplement. conditions de règlement: * Paypal: l'envoi se fera dans les 2 ou 3 jours suivants la date du paiement * Virement bancaire: l'envoi se fera dans les 2 ou 3 jours suivants l'apparition du virement sur le compte bancaire (comptez 2 à 3 jours pour la date valeur) * Chèque: l'envoi se fera dans les 2 ou 3 jours suivants l'apparition du règlement sur le compte bancaire (comptez de 3 à 10 jours pour la date valeur d'un chèque hors-département) * Autres moyens de paiement: nous consulter au préalable conditions de ventes: Retour possible sous 14 jours ouvrés à partir de la réception de la marchandise. Les frais de port retour seront à la charge du client. Toute marchandise retournée sera remboursée intégralement sauf les frais de port aller. D'autre part, une somme forfaitaire de 19€ TTC sera facturée et déduite du remboursement pour vérification et conformité de la marchandise retournée. N'hésitez pas à ouvrir votre colis en présence de votre livreur, émettez des réserves avant tout déballage. Seuls les envois en lettre max, recommandé ou colissimo permettront une indemnisation en cas de perte ou d'avarie. N'hésitez-pas à refuser un colis qui présente des endommagements, n'acceptez surtout pas un produit cassé, prévenez-nous au préalable.

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

BOSS BCB-60 Si vous cherchez un pedalboard léger et très protecteur, optez pour le BCB-60, inconditionnel ou pas des pédales Boss. si bien des petites pédales d’effets que des Twin Pedals de BOSS, une PW-10 V-Wah et un accordeur. Tout peut rester câblé pendant le transport et un adaptateur assure l’alimentation de tous les éléments. Les possibilités de combinaisons d’effets sont infinies. Grâce aux trois tapis en mousse prédécoupés assurant le maintien des éléments, vous pouvez arranger vos pédales comme bon vous semble. C’est le pédalier le plus pratique et polyvalent du monde. __________________________________________________________ BOSS TREMOLO TR-2 Recrée les effets de trémolo des am plis des années 1960 via un oscillateur basse fréquence (LFO). Les formes d’onde du LFO vont des ondes triangulaires aux ondes carrées et offrent donc une grande diversité sonore. ___________________________________________________________ BOSS OD-3 OVERDRIVE Effet Overdrive classique reposant sur une conception à deux étages et produisant un son plus gros. Les commandes Drive et Tone permettent d’obtenir une saturation qui va du subtil à l’extrême – avec un sustain quasi infini.. -Type de support: Pédalier -Effet(s) inclu(s): Distortion, Overdrive, Sustain _____________________________________________________________________________________ BOSS NS-2 NOISE SUPPRESSOR Elimine les bruits et bourdonnements indésirables sans dégradation so nore. Un circuit unique de détection de bruit préserve l’attaque et l’enveloppe naturelles, conservant ainsi votre dynamique et vos finesses techniques. ________________________________________________________________________________________ laurent au o665oo5297 sur PARIS 12e au métro PICPUS ou sur JOINVILLE LE PONT (94) RER A Regardez toutes mes autres annonces directement ici _______________________________________________________________ Boss BCB-60 pedal board - lightweight, padded interior __________________________________________________________ BOSS TREMOLO TR-2 The BOSS TR-2 Tremolo is designed to provide guitarists with classic tremolo effects in an easy-to-use compact pedal. Dedicated "Wave," "Rate," and "Depth" knobs provide a multitude of effect possibilities. ___________________________________________________________ BOSS OD-3 OVERDRIVE The OD-3 OverDrive gives guitarists a greatly expanded range of smooth overdriven tones, making it one of BOSS' most versatile overdrives ever.-- Dual-Stage Overdrive Circuit offers a level of sustain and compression unmatched by any overdrive pedal in history-- Dramatcially increased full bass response and improved dynamics yield a "bigger" sound than any previous BOSS overdrive pedal-- Dynamic, non-muffled tones reminiscent of classic overdriven "stack" amps-- Straightforward Drive, Tone and Level controls _____________________________________________________________________________________ BOSS NS-2 NOISE SUPPRESSOR The NS-2 Noise Suppressor eliminates unwanted noise and hum without altering an instrument's natural tone. It's the perfect pedal to quiet down any pedalboard or effects setup.*Compact noise suppression pedal for eliminating noise and hum in guitar and bass effects and amplifier setups*Unique noise detection circuit preserves the natural attack and envelope of an instrument's sound*Threshold and Decay knobs allow for shaping the elimination/suppression ________________________________________________________________________________________ Any questions, let me know thanks for watching !! PLEASE CHECK MY OTHER AUCTIONS DIRECTLY here

IBANEZ 540S de , entièrement d'origine. Guitare haut de gamme MADE IN JAPAN de l'usine FujiGen (connue pour avoir été le meilleur fabricant pour Ibanez) bien meilleur que la série Prestige actuelle. Utilisée par beaucoup de guitare-héros dans les 90´s (ex. Frank Gambale, Jennifer Batten, Scott Henderson, Alex Skolnick...) - Toutes les pièces sont d'origines (je suis le 1er propriétaire, import direct du Japon en 91)  - Vibrato Lo-Pro Edge, sous licence Floyd-Rose - Manche Wizard Prestige, large et plat avec des frettes jumbo (très proche du manche Jem Steve Vaï) - Dents de requin en nacre sur la touche (rare, généralement simplement des points ronds) - Très puissants et précis micros DI-MARZIO developpés pour Ibanez - FLIGHTCASE en dur inclus Fonctionne parfaitement, reglée par un luthier professionel il y a quelques mois. - Un seul accroc sur la tranche au-dessus du micro manche (voir photos) "la guitare est en très bon état pour ses 24 ans" Pickups: IBZ/USA F2 (Bridge) "Like the IBZ F1 (Neck) (Responsive, versatile humbucker with warm, classic tone and output. Works well in neck or bridge positions) but with more output, enhanced midrange punch and rich harmonics. Recommended for bridge position. Made by DiMarzio for Ibanez." (Ibanez Wiki) Specifications for 540S Name: 540S (: PRO540S) Years: Areas: Worldwide Made in: Japan Finishes: AB (Atlantic Blue) Body Body material: Mahogany Neck joint: Bolt-on Bridge: : Lo Pro Edge Hardware color: : Cosmo Black Neck Neck type: Wizard Neck material: 1-Piece Maple Fingerboard: Rosewood Inlays: Shark Tooths (: 'Custom Made' inlay on 21st fret) Frets: 22 / Jumbo Electronics PU Config: SSH/HSH Neck PU: IBZ/USA C2 Mid PU: IBZ/USA C2 Bridge PU: IBZ/USA F2 Controls: volume / 1 Tone / 5-Way Lever Some famous 540S players: Feel free to contact me in English, French or German.

** JMUSIQUE FRENCH SHOP ** Free World Shipping with Tracking & Insurance. Note: The parcel is send from France (Europe) and the customs clearance can take 5 to 20 days but most the time 5/6 Days. 2nd Note: According to your country, a tax of customs or VAT can be charged to you. We have no power on this kind of situation. It is necessarily important to inform you about the laws of customs in your country. Thank you for taking note there.   ** Way Huge FAT SANDWICH **   ** MADE IN USA ** The pedal is in excellent conditon.  It works perfectly. No Box & Manual.                                                       YOU BUY WHAT YOU SEE! SPECIFICATIONS: The Fat Sandwich Distortion represents a new era in pedal design for Way Huge. In addition to carrying on the Way Huge tradition of amazing tone, rugged construction and cool names, the Fat Sandwich Distortion delivers heaps of crunchy distortion goodness via its innovative multi-stage clipping circuit.  Meticulously designed from the ground up, the passive tone stack was tuned to bring out the sweet spot with any guitar and amp combination.  The Volume control produces tons of output, making it ideal for driving the headroom out of the most powerful tube amps.  Additionally, the Fat Sandwich Distortion has two internal mini controls: the Curve knob lets the user fine-tune the corner frequency of the overdrive filtering and the Sustain control adjusts the gain of the final distortion stage.  The Fat Sandwich Distortion is versatile and over the top-the consummate distortion pedal for any genre or playing style.

Up for sale is a Selmer Chorus 80J Trumpet in Lacquer Finish. These aren't made anymore and don't come up for sale often. Rare ocasion to own a piece of history and one of the greatest trumpets ever made. Selmer quit making these fine horns in 2011. So you can't get these anymore. These are terrific horns. Spectacular tone. Serial number is around 91XXX. So it's one of the last ones Selmer made. Very warm, beautiful sounding horn with smooth and very fast valves. Very good compression. The trumpet is in remarkable condition. Lacquer is 100% and not a dent, ding. One little scratch on the valves casing. Slightly traces of playing. Look at picture N°2. 80J Leadpipe designed specifically for lead jazz playing Chorus taper gives great focus and projection Bore: 11,75mm (.461") Bell diameter: 124mm The Selmer Chorus 80 J trumpet has been developed in conjunction with international artist Guy Touvron It has an easy and centered tone production, a good general open feeling, especially in the high register Designed particularly for jazz and light music, it is also versatile enough for classical trumpet players. No case is included. Sold with an « Henri Selmer Paris » N°2 trumpet mouthpiece.

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Selmer Chorus 90J, Bb Trumpet Made In France Awesome Tone- Very Good Condition. A medium bore trumpet that combines sonic power, projection and timbre finesse. Very flexible, it can be used in a variety of situations; it will particularly reveal its qualities in the classical repertoire and in brass ensembles. A particularly well-balanced grip and a good mechanical response of the valves add to the general comfort of the instrument and the pleasure of playing. "Chorus 90", a versatile trumpet for orchestra and large ensembles. the backstage: a choice of two brackets, delivered with the the instrument, allows to create two variations of sound and response. the pistons: the pumps are made of high precision monel for exceptional durability and reliability. the bell: made of traditional brass (70/30), it is hand-cast in one piece. Thanks to this manufacturing technique, the bell is physically more homogeneous and the acoustic response is improved. Technical data: - Tone: Bb. - Bore: Ø 11,75 mm (medium bore). - Brass bell with 124 mm rim. - Stems: delivered with two types of tuning stems (choice of tone). - Piston pumps made of monel, high precision. - Piston springs at the top of the pumps. - Nylon piston stars. - Two water keys. - Weight: 1,040 kg. Trumpet sold without case. Professional and secure packaging. SHIPPING: Buyers who are members of the Europeen community.Ask me for shipping price for your country.

ampli en parfait etat utilisé trois fois en petite scene. aucun dommage house fournie. Utilisé avec multi-effet externe korg  tone works acoustique pour plus de versatilé vendu seul ou avec le multi-effet parfait etat aussi boite d'origine  mode d'emploi en français.  ajouter alors 50€

In good condition with original bag and power supply.  The MixPre-D Compact Field Mixer from Sound Devices is a versatile audio mixer built for the digital age. Based on the popular MixPre, the "D" in the name indicates the extensive digital technology that's been incorporated into the mixer. The MixPre-D features a pair of studio-grade mic/line XLR inputs with limiters, high-pass filters, and phantom power. The inputs can be linked in standard or MS mode for stereo recordings. These options are configured via easy-to-use front panel controls. - Compact and lightweight design with a high-strength extruded aluminum chassis and metal connectors for professional field use - Based on the popular MixPre mixer, with additional digital technology to meet the changing needs of the current production landscape - Studio-grade transformer-balanced mic/line XLR inputs with unclippable peak limiters, 80/160Hz high-pass filters, and 48V or 12V phantom power allow you to connect a variety of input devices - The inputs can be linked in standard or mid-side stereo matrix mode with width control and front-panel channel flip for stereo recordings - Input panning is provided for left, center, or right to the outputs - Pair of XLR mic/line outputs, one of which can also be switched to digital AES output with a sample rate of 44.1/48/96kHz - The 3.5mm return jack can be used as channel 3/4 aux level inputs with selectable pan and level control - A TA3 consumer mic level output provides ideal connection for DSLR-type inputs - A 3.5mm aux output allows you to connect additional equipment - A 1/4" stereo headphone jack provides monitoring of program audio or external return audio - A 24-bit class-compliant USB streaming output provides interconnection with Mac, Windows, and Linux computers, plus select iOS devices. No drivers are required - Sunlight viewable 16-segment GaN LED output meter with adjustable brightness provides convenient visual monitoring of audio levels - A slate microphone and tone oscillator make it easy to label takes - The mixer can operate on a pair of AA batteries, or via 5-18VDC power from an external input.

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !

STRAT CUSTOM haut de gamme ultra personnalisée. Assemblée chez Bauer Rea Bill aux états Unis.  Voici les spécifications: - Manche en érable flammé torréfié:GRADE AAAAA - Frettes jumbo moyennes - Mécaniques à blocage - Chevalet Wilkinson  - Corps en aulne sélectionné  - Micro  Lanz Cotagent custom single coil 2x made in USA  - Micro chevalet Dimarzio Tone zone avec split - Pickguard sur mesure en bakélite USA - Manche profil Great ConfortSon superbe - très versatile Etat exceptionnel. Juste un petit accroc du un mauvais geste en réglage. Sinon comme neuf.... Couleur Or. Livrée en hard flycase d'origine.Envoi bien protégé

Bill Lawrence Microcoils Strat Set Neodymium Pickups. Cream Color (but not yellowish, fits very well vintage pickguards and even parchment) New, never used or soldered. Incredible pickups, I sell them because I already have sets installed in my #1 & #2 guitars. Not enough guitars:) Needs very low capacitance cable and specific capacitor(s) installed on your tone pots (but not mandatory, just for maximal, awesome versatile performance). I'll guide you on the installation free of charge, they worth it because I want to share what's the best kept secret in guitar pickups today...

BIAMP SYSTEMS 301 Envois gratuit mondial relay The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: three electronic balanced mic/line input channels 30db rear panel Pad switch on each input channel 40dB screwdriver-adjust Trim on each input channel +10dB Peak LED indicator on each input channel rotary level control on each input channel auto-muting of one channel for “talk-over” applications +24 volt Phantom Power assign switch on each input electronic balanced main output with rotary level control remote control of mail level from up to 2000 feet away main patch insert point for external processing devices main stacking input accepts signals from other mixers screwdriver-adjust tone controls & limiter on main output -20dB Signal Present LED indicator for main output all input/output/control on plug-in barrier strip connectors RoHS compliance and AES grounding practices CE marked and UL listed power source !!Avec alimentation!! !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !!

TITAN Bb trumpet, ML Bellflex, silver bell The TITAN trumpet from STOMVI is totally innovative! With two sizes of bells available in Bellflex (yellow copper annealed at high temperature) or in red copper, its yellow copper branch, its piston body in nickel silver/titanium alloy, it provides a very homogeneous sound with a very bright tone and a very intense sound development! Of an irreproachable accuracy, it is especially fantastic for its ease of play. A superb instrument! Made in Spain ML body in nickel silver Yellow copper neck Medium Large or Large BELLFLEX (brass boiled and baked at high temperature) or Red Copper Bells Black anodized Titanium piston tops and bottoms. Gold plated on request 2 tuning slides: one round (more flexible) and one square (ideal for clean and precise attacks) 1000/1000th silver finish Advantages: A very nice sound power with a minimal effort! Extremely versatile: jazz, variety, classical... An All Terrain trumpet Superb construction, beautiful finish: it's serious Easy to play: in all situations the Titan will satisfy you CONDITION: Excellent The trumpet works perfectly. Its condition is exceptional except for a small ding on the elbow of the bell. Difficult to photograph. I could have had my technician remove it. It's so ridiculous that..... Price new: 2640€ Trumpet sold without case. Professional and secure packaging. Buy safely, seriously and reliably. My “158” 100% positive votes and blue star support me…!!!! Buyers who are members of the Européen community.Ask me for shipping price for your country.

SKP 2000-DW-X Practically any wired microphone can be a player in Sennheiser's 2000 ensemble. This plug-on transmitter makes it possible. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for all components in the 2000 series. The transmitter settings on SKP 2000 can also be synchronized quickly and easily using infrared technology. Equipped with triple switchable transmission power and phantom powering, SKP 2000 is incredibly versatile. - Rugged metal housing - Up to 75 MHz switching bandwidth - 20 fixed frequency bands with up to 64 compatible presets - 6 banks each with up to 64 tunable channels - Frequency setting in 25 kHz steps - Pilot tone squelch for interference-free operation - 48 V switchable phantom powering - Backlit display on transmitter (keystroke activation) - Auto-lock feature to prevent buttons from accidently being pressed - Audio and RF MUTE feature for muting the transmitter - Can be synchronized with the receiver using infrared interface - Wide range of accessories for virtually any use - Transmitters can be configured from the receiver menu