Volume knob

Bouton de volume original pour ampli intégré SCOTT A 416 / 426 /436 très bon état Dimensions: 33mm (diamètre) x 23 mm (hauteur) Prix pour une pièce Frais de port: 2,16 € par la poste Envoi protégé Original front volume knob for SCOTT A 416 / 426 / 436 integrated amplifiers In pretty good condition Dimensions: 33 mm (diameter) x 23 mm (length) Price is for one unit Shipping to international: 3,00€ The item will be carefully packed

Envois possible: 1 seul bouton au choix pour ONKYO ampli et home cinéma, et intégra  voir photo: Photo 2: 3 boutons identiques au choix Photo 3 et 4: bouton pour façade aluminium Photo 5 et 6: 4 boutons au choix Dernière photo 6: PIONEER: boutons au choix Pour réparation, pour bricoleur ou projet DIY. Pièces d'origine, pas bricolé, vendu en l'état. -------------------------- Regardez mes autres objets pour limiter les frais de port. Envois possible en lettre  ou colis Mondial-Relay pour 4.55euro ou moins cher pour des achats groupés Règlement chèque ou liquide, si Paypal il faudra prévoir +5% For International Shipping, please ask me Je réponds à toutes vos questions. L'objet étant d'occasion il ne sera ni repris, ni échangé.

A vendre   Mackie Big Knob excellent état peu utilisé (acheté 11/2017) voir photos very good condition (purchased nov. 2017) Livré dans la boite et cables d'origine  Original box and cables provides - Fabricant: Mackie - Modèle: Big Knob - Catégorie: Contrôleurs de monitoring - - 4 sources stéréo différentes dont 1 Phono - 3 paires d'enceintes sélectionnables - 2 sorties casques avec volume indépendant - Micro talkback intégré - Dimensions (L x H x D): 343 x 81 (89 mm avec le bouton) x 150 mm - Poids 1,6 kg Dispo pour toute question feel free to ask anything

Pioneer SM83 amplifier balance / volume control  knob. État : Occasion Service de livraison : Lettre Suivie Nice Original part. Hard to find. Price for one

Accessoire Instruments Code EAN: 0704577493370 Titre: Cream Guitars Knob Set 1 Volume 2 Contrôles de Tonalité pour Guitare électrique Tranche de poids: 0 à 100 g Instrument / Type: Accessoire En-tête / Fabricant: Gazechimp Instrument / Famille: Guitares & Basses

Boutons volume et balance SCOTT 320R 330R / RL knob button set receiver Bon état

Mackie Big Knob - Contrôleur de Monitoring Studio. État : Occasion - Boîtier de contrôle de niveau / sélection de moniteur / sélection de source et talkback. - Gros potentiomètre de volume pour un réglage précis du niveau. - Commutateur pour 3 ensembles de moniteurs studio. - Microphone de Talkback intégré pour une communication facile avec les musiciens. - Contrôle de 3 entrées stéréo indépendantes. - Deux sorties casque avec bus de mix casque indépendant. - Préampli phono pour connexion avec une platine disque.

Mackie BIG KNOB Studio Monitor Controller USB Interface Audio. Contrôleur de moniteur actif Convient pour un maximum de trois couples de moniteurs et quatre sources stéréo Avec interface audio USB 2x 2 canaux de résolution 24 bit / 192 kHz Gros bouton de volume Commutateurs pour Mute, Dim, Mono, Monitor et source de signal Trim pour toutes les sources et sorties de monitoring Fonction Cue Mix Microphone Talkback intégré Affichage du niveau de mesure à 16 segments LED Alimentation Phantom + 48 V Connexions: 2x entrées niveau Micros ou Ligne: combo jack 6,3 mm / XLR 2x entrées niveau ligne jack 6,3 mm symétriques 2-Tracks jack 6,3 mm (L / R) 2x sorties stéréo moniteur jack 6,3 mm 2x sorties casque jack 6,3 mm stéréo 1x entrée ligne stéréo mini-jack 3,5 mm Entrée microphone talkback: XLR avec (interrupteur au pied: entrée jack 6,3 mm) Port USB Connexion pour alimentation Boîtier: acier Convient pour PC et Mac Dimensions: 251 x 163 x 81 mm

Mackie big knob studio control system  Utilisé dans un studio non fumeur. Fonctionne parfaitement. Etat cosmétique exceptionnel Envois par Mondial Relay (Demandez moi avant d'acheter si vous désirez un autre transporter, je modifierais l'annonce. Les frais de port peuvent changer selon votre choix) - Entrées analogiques:DAW, 2-volets A, B 2-piste STAN téléphones Mix (toutes les 6,35 mmTRS, commutable = 4 /-10); Phono (RCA); pédale de discussion (1/4") - Surveiller les sorties: Moniteur A, B moniteur, moniteur C, Studio Out (toutes les 6,35 mmTRS, commutable = 4 /-10) - Sorties casque:Panneau frontal 6,35 mmTRS (2). - Autres sorties analogiques: 2-volets A, B 2-piste, DAW, ampli téléphones (toutes les 6,35 mmTRS) - Commandes:Select source (4), enceinte Select (3), Mono, Mute, Dim, niveau de la Source (4), moniteur niveau (3), casque niveau (2), Studio À niveau, Volume, Talkback niveau, téléphones/Studio Out Source, Studio Out on /, Talkback à 2 voies, Talkback pour téléphones portables Studio, 4 /-10 interrupteurs (pour toutes les sources et mixage I/O) - M: échelle de LED 6 étages (2) - Talkback:Microphone intégré, footswitchable - Niveau de correspondance: Boutons de panneau arrière, pour les sources et les moniteurs - Format:Stéréo - Facteur de forme: Unité de bureau - Réponse en fréquence : 5 Hz à 100 kHz 0 /-3 dB - THD = IMD: > 0,015 % @ 4 dBu - Diaphonie : 90 dB @ 1 kHz - Bruit de fond : -90 dB, bande passante de 20 kHz, 4 dB

Bonjour Je vends ce bouton de potentiomètre de volume ou de tonalité Ibanez SureGrip 2 Pour la couleur, je vous laisse voir sur les photos. C'est un marron / jaune translucide. Ces modèles équipaient les Ibanez de la fin des années 1970 au milieu des années 1980 On les trouve sur les séries: - Artist AR - Studio ST - Musician MC - Roadstar RS - Performer PF Il s'agit d'une pièce originale qui provient d'une Ibanez de la grande période de la marque. Il sera idéal pour restaurer à l'identique un instrument d'époque. Bien vérifier que le modèle correspond à celui qu'il vous faut. J'en ai plusieurs types à vendre. Le bouton est en bon état. Je vous invite à regarder les photos. C'est l'exemplaire que je vends. Envoi rapide et bien protégé par courrier. Si vous en prenez plusieurs, vous ne payez le port qu'une fois.

Bonjour Je vends ce bouton de potentiomètre de volume ou de tonalité Ibanez SureGrip 2 Pour la couleur, je vous laisse voir sur les photos. C'est un marron / jaune / orange translucide. Ces modèles équipaient les Ibanez de la fin des années 1970 au milieu des années 1980 On les trouve sur les séries: - Artist AR - Studio ST - Musician MC - Roadstar RS - Performer PF Il s'agit d'une pièce originale qui provient d'une Ibanez de la grande période de la marque. Il sera idéal pour restaurer à l'identique un instrument d'époque. Bien vérifier que le modèle correspond à celui qu'il vous faut. J'en ai plusieurs types à vendre. Le bouton est en bon état. Je vous invite à regarder les photos. C'est l'exemplaire que je vends. Envoi rapide et bien protégé par courrier. Si vous en prenez plusieurs, vous ne payez le port qu'une fois.

Bonjour Je vends ce bouton de potentiomètre de volume ou de tonalité Ibanez SureGrip 3 couleur noire Numéro de pièce fabricant: 2775BK Ces modèles équipaient les Ibanez de la fin des années 1970 au milieu des années 1980 On les trouve sur les séries: - Artist AR - Studio ST - Musician MC - Roadstar RS - Performer PF Il s'agit d'une pièce originale qui provient d'une Ibanez Performer de 1979 Il sera idéal pour restaurer à l'identique un instrument d'époque. Bien vérifier que le modèle correspond à celui qu'il vous faut. J'en ai plusieurs types à vendre. Le bouton est en bon état. Je vous invite à regarder les photos. C'est l'exemplaire que je vends. Envoi rapide et bien protégé par courrier. Si vous en prenez plusieurs, vous ne payez le port qu'une fois.

Bonjour Je vends ce bouton de potentiomètre de volume ou de tonalité Ibanez SureGrip 2 Couleur noire Ces modèles équipaient les Ibanez de la fin des années 1970 au milieu des années 1980 On les trouve sur les séries: - Artist AR - Studio ST - Musician MC - Roadstar RS - Performer PF Il s'agit d'une pièce originale qui provient d'une Ibanez de la grande période de la marque. Il sera idéal pour restaurer à l'identique un instrument d'époque. Bien vérifier que le modèle correspond à celui qu'il vous faut. J'en ai plusieurs types à vendre. Le bouton est en bon état. Je vous invite à regarder les photos. C'est l'exemplaire que je vends. Envoi rapide et bien protégé par courrier. Si vous en prenez plusieurs, vous ne payez le port qu'une fois.

Original MONARCH Knobs Monarch 5300 vintage receiver Tuner FM Commandes Originales Boutons d'origine 1 big gros / volume 5 medium moyen / set up réglages 1 small / on-off 5 rectangles / others autres Mail pour info frais de port Mail for shipment price

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Je vends une guitare électrique Hagstrom Ultra Swede des années 2000 (je l’ai acheté d’occasion en 2008) avec des upgrades: - micro Seymour Duncan humbucker JB SH4 en chevalet le bouton tone a été enlevé et le bouton de volume a été déplacé en bas. le bouton de volume crachote un peu. Elle est en très bon état général, usure modérée des frettes, il y a un ding sur la tête (voir photo) sinon pas de rayures ou de dings. un étui dur est fourni avec la guitare. Remise en mains propres à 50 minutes de Nantes, 25 minutes de La Roche Sur Yon ou alors envoi si vous payez les frais de port (34 € en colissimo). I am selling a 2000s Hagstrom Ultra Swede electric guitar (I bought it used in 2008) with upgrades: - Seymour Duncan humbucker JB SH4 pickup in bridge the tone knob has been removed and the volume knob has been moved down. the volume knob is a little bit sratchy. It is in very good condition, moderate wear on the frets, there is a ding on the head (see photo) otherwise no scratches or dings. a hard case is supplied with the guitar.

Je vends une guitare électrique Hagstrom Ultra Swede des années 2000 (je l'ai acheté d'occasion en 2008) avec des upgrades: - micro Seymour Duncan humbucker JB SH4 en chevalet le bouton tone a été enlevé et le bouton de volume a été déplacé en bas. le bouton de volume crachote un peu. Elle est en très bon état général, usure modérée des frettes, il y a un ding sur la tête (voir photo) sinon pas de rayures ou de dings. Il y a de l'oxydation sur l'accastillage. un étui dur est fourni avec la guitare. Remise en mains propres à 50 minutes de Nantes, 25 minutes de La Roche Sur Yon ou alors envoi si vous payez les frais de port (34 € en colissimo). I am selling a 2000s Hagstrom Ultra Swede electric guitar (I bought it used in 2008) with upgrades: - Seymour Duncan humbucker JB SH4 pickup in bridge the tone knob has been removed and the volume knob has been moved down. the volume knob sputters a little. It is in very good condition, moderate wear on the frets, there is a ding on the head (see photo) otherwise no scratches or dings. There is oxidation on the bridge and tailpiece. a hard case is supplied with the guitar.

Je vends une guitare électrique Hagstrom Ultra Swede des années 2000 (je l'ai acheté d'occasion en 2008) avec des upgrades: - micro Seymour Duncan humbucker JB SH4 en chevalet le bouton tone a été enlevé et le bouton de volume a été déplacé en bas. Vous pouvez bien sur rajouter un bouton tone. le bouton de volume crachote un peu. Elle est en très bon état général, usure modérée des frettes, il y a un ding sur la tête (voir photo) sinon pas de rayures ou de dings. Il y a de l'oxydation sur l'accastillage. un étui dur est fourni avec la guitare. Remise en mains propres à 50 minutes de Nantes, 25 minutes de La Roche Sur Yon ou alors envoi si vous payez les frais de port (26,40€ en colissimo). prix: 320€ I am selling a Hagstrom Ultra Swede electric guitar from the 2000s (I bought it used in 2008) with upgrades: - Seymour Duncan JB SH4 humbucker pickup in the bridge the tone knob has been removed and the volume knob has been moved in place of the tone. You can of course add a tone button. the volume knob is a bit scratchy. It is in very good overall condition, moderate fret wear, there is a ding on the headstock (see photo) otherwise no scratches or dings. There is oxidation on the hardware. a hard case is supplied with the guitar.

Catalinbread Heliotrope En parfait état ! Pour les expérimentateurs sonores ! Pixeliseur harmonique analogique permettant de soustraire une partie des fréquences du signal en entrée pour en modifier la résolution. Réglages: resolution, sample rate, volume, gain, switch hi/lo. Catalinbread's Heliotrope is one of those pedals that doesn't fall neatly into one category or another. It sounds kind of like a ring mod and an octaver had an illicit pedal child that got really into dubstep. Change up the controls a bit, and it sounds like the alarmed ululations of some kind of alien bird warning its friends that danger lurks nearby. It's all about texture. It has that bizarre, robotic quality of a ring mod with the grit of a fuzz box and the stretchy, squashed sound of a bit crusher. We love finding effects like this because they don't have a clearly defined musical role. It's all about experimentation and innovation. Catalinbread calls it a b'"'harmonic pixelator.b'"' We call it awesome. - Analog Harmonic Pixelator - Designed for All Electric Instruments - Hi/Lo Switch (Switches Frequency Range) - Sample Rate Knob: Adjusts Carrier Frequency within Given Range - Resolution: Determines Duty Cycle or Ratio of On to Off time of Carrier Frequency (Sounds like dark/bright knob) - Gain Knob: Distorts and Compresses Signal with SMooth Fuzz-Like Distortion - Volume Knob - 9V or 18V Negative Tip DC Power En savoir plus

Selling this awesome headphone amp as I don't use headphones that require this type of quality anymore. The unit is in great condition, comes with a remote, a power cable and a USB cable. Specifications are as follows: HIGH PERFORMANCE AUDIO - Discrete Class A Amplifier A Class A amplifier conducts signal over the entire range of the input signal cycle. The output transistors are biased to operate in their most linear range, and there is no crossover distortion caused by switching the signal between two push-pull devices. The HA-1's power amplification circuit for the headphones is Class A built with discrete transistors. The discrete design allows us to hand-pick and match the best parts to build the HA-1. - Toroidal Power Supply A toroidal power transformer offers superior power efficiency and much lower exterior magnetic fields over traditional laminated steel core transformers. The HA-1's toroidal linear power supply provides a very clean and robust power source to the audio components. - Fully Balanced Design The internal analog audio signal path of the HA-1 is fully balanced. For digital audio, the signal runs in balanced mode all the way from the DAC to the output jacks. Balanced analog input is kept intact, and single-ended input is converted to balanced at the input buffer. All single-ended outputs are derived from the balanced signal as well. The balanced design provides better common-mode noise rejection and improves signal quality. The balanced headphone output provides twice the voltage and four times the power of the single-ended output, enabling the HA-1 to drive the most power hungry headphones. It also provides better channel seperation by eliminating the common ground return path. - ESS Sabre32 Reference DAC The DAC is one of the most important components for digital audio playback. The SABRE32 Reference ES9018 from ESS Technology is the world’s best performing 32-bit audio DAC solution targeted for high-end consumer applications and professional studio equipment. With the ESS patented 32-bit Hyperstream™ DAC architecture and Time Domain Jitter Eliminator, the SABRE32 Reference DAC delivers an unprecedented DNR (Dynamic Range) of up to 135dB and THD+N (Total Harmonic Distortion plus Noise) of -120dB, the industry’s highest performance level that will satisfy even the most demanding audio enthusiast. To learn more about the technologies behind the exceptional performance of the SABRE DAC, please read the SABRE Technical White Paper. - Clean Signal Path The HA-1 uses an analog potentiometer (the familar volume knob) to control the volume. By avoiding re-digitizing the audio signal for volume adjustment, the HA-1 provides a clean signal path for the audio. At the same time, the convenience of modern digital volume control is not lost - a remote-controlled motor turns the volume knob and a 10-bit analog-to-digital converter samples the signal to display a numeric dB level. - Made for iPod®, iPhone® and iPad® The HA-1 passes Apple's "MFi" certification and is compatibile with the latest iPod, iPhone and iPad to be used as the digital audio output accessory of these devices. By tapping directly into the digital audio signal of these devices and converting the audio to analog using the high performance SABRE32 Reference DAC, music from your favorite portable device will sound its best. - Wireless Audio via Bluetooth The HA-1 supports Bluetooth Advanced Audio Distribution Profile (A2DP) with both the standard and aptX® high quality codec. Simply pair your phone with the HA-1 and set music free wirelessly from your mobile phone. - Asynchronous USB DAC By bypassing the low fidelity, poor quality DAC of traditional computer soundcards, the HA-1 turns any computer into a high performance multi-media source by converting digital audio to analog through the ESS Sabre32 Reference DAC. The asynchronous transfer mode uses the high

For sale Oppo HA-1 DAC & headphone amplifier. The amplifier has been very well taken care of (still has the original screen protection film) and is in very good condition (minor imperfection in the upper right corner next to potentiometer - hardly visible, check pics). Exquisite build and fantastic quality. Included:  - Oppo HA-1 DAC & headphone amplifier  - Remote control  - Power cord (EU)  - USB cable  - SPDIF coaxial cable The item will be carefully packed and sent via tracked and insured shipping. HIGH PERFORMANCE AUDIO - Discrete Class A Amplifier A Class A amplifier conducts signal over the entire range of the input signal cycle. The output transistors are biased to operate in their most linear range, and there is no crossover distortion caused by switching the signal between two push-pull devices. The HA-1's power amplification circuit for the headphones is Class A built with discrete transistors. The discrete design allows us to hand-pick and match the best parts to build the HA-1. - Toroidal Power Supply A toroidal power transformer offers superior power efficiency and much lower exterior magnetic fields over traditional laminated steel core transformers. The HA-1's toroidal linear power supply provides a very clean and robust power source to the audio components. - Fully Balanced Design The internal analog audio signal path of the HA-1 is fully balanced. For digital audio, the signal runs in balanced mode all the way from the DAC to the output jacks. Balanced analog input is kept intact, and single-ended input is converted to balanced at the input buffer. All single-ended outputs are derived from the balanced signal as well. The balanced design provides better common-mode noise rejection and improves signal quality. The balanced headphone output provides twice the voltage and four times the power of the single-ended output, enabling the HA-1 to drive the most power hungry headphones. It also provides better channel seperation by eliminating the common ground return path. - ESS Sabre32 Reference DAC The DAC is one of the most important components for digital audio playback. The SABRE32 Reference ES9018 from ESS Technology is the world’s best performing 32-bit audio DAC solution targeted for high-end consumer applications and professional studio equipment. With the ESS patented 32-bit Hyperstream™ DAC architecture and Time Domain Jitter Eliminator, the SABRE32 Reference DAC delivers an unprecedented DNR (Dynamic Range) of up to 135dB and THD+N (Total Harmonic Distortion plus Noise) of -120dB, the industry’s highest performance level that will satisfy even the most demanding audio enthusiast. To learn more about the technologies behind the exceptional performance of the SABRE DAC, please read the SABRE Technical White Paper. OPPO HA-1 4.3" information display - Clean Signal Path The HA-1 uses an analog potentiometer (the familar volume knob) to control the volume. By avoiding re-digitizing the audio signal for volume adjustment, the HA-1 provides a clean signal path for the audio. At the same time, the convenience of modern digital volume control is not lost - a remote-controlled motor turns the volume knob and a 10-bit analog-to-digital converter samples the signal to display a numeric dB level. - Made for iPod®, iPhone® and iPad® The HA-1 passes Apple's "MFi" certification and is compatibile with the latest iPod, iPhone and iPad to be used as the digital audio output accessory of these devices. By tapping directly into the digital audio signal of these devices and converting the audio to analog using the high performance SABRE32 Reference DAC, music from your favorite portable device will sound its best. - Wireless Audio via Bluetooth The HA-1 supports Bluetooth Advanced Audio Distribution Profile (A2DP) with both the standard and aptX® high quality codec. Simply pair your phone with the HA-1 and set music free

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

For sale this S6000 in very good condition + 9GB internal SCSI hard disk + extra I could consider shipping to other locations than the ones listed, please do not hesitate to ask and I will revert. If interested in additional items such as USB board, Adat board or SCSI2SD V6 board just let me know so that we can discuss an offer. S6000 bought back in 1999 and progressively expanded over years.  Not needed anymore but I'm sure it will make a new owner very happy. I won't enter into details on this great sampler. If you are reading you probably know how great it is. List of items included in the sale (more details below on different items listed): - Akai S6000 in very good condition, OS V2.14, 128 voices, 256 MB RAM, 16 individual analog outputs - !! NO EB-20 FX board installed !! - Original rack-mounting "ears" - SCSI CD-ROM reader in external case + power supply - SCSI cable, SCSI terminator and power cables - French manual for OS V1.00 - English manual for OS V1.00 - Original 4-floppy disk set - Compaq very high quality Qwerty keyboard for direct edition of samples/programs... names - 10m serial extender for remote display (to avoid noise from main unit) - Internal 9GB SCSI 3.5" hard drive - 6 original samples CD-ROMs (please see pictures) Please see details and condition of main items below S6000 Sampler: - Very good condition, very light use, non smoking studio - Factory protective plastic film still in place but peeling off a bit due to age. You can of course remove it if you want. - The recessed plastic part behind the front detachable LCD panel is a bit yellowish due to age and daylight - Missing black rear lids to cover the slots for the USB and Adat boards (please see pictures). I still have the screws though and will provide them. - Slight scratches on top side of front plate (please see picture) - Screw marks on rack mounting "ears" (please see pictures) - Left clip retaining the front detachable LCD panel has been damaged by first owner but glued back (please see picture). It's any way useless since the front detachable LCD panel can be more solidly attached thanks to the 2 chrome "thumb screws" - The front detachable LCD panel is almost like new and the LCD works great, provided with 10m serial extender for remote display (to avoid noise from main unit) - OS V2.14 - 128 voices - 256 MB RAM installed - 16 individual analog outputs - !! NO EB-20 FX board installed !! - Original manual for OS V1.00 included - Original rack-mounting "ears" included - Floppy disk drive tested, ok - All outputs tested, ok - Inputs tested, ok - Main volume knob and phones knob tested, ok - Original 4-floppy disk set - Compaq very high quality Qwerty keyboard for direct edition of samples/programs... names, good condition - Internal 9GB SCSI 3.5" hard drive - 6 original samples CD-ROMs (please see pictures) - Power cable included SCSI CD-ROM reader - Used - Very good condition considering its age - Can read included CD-ROMs or any other Akai-format CD-ROM  - In external case with power supply - Power cable included - SCSI cable included - SCSI Terminator included

EN 51 years old Sansui on the legendary AU serie, will last 50 years again. Fully refresh Main supply, phono PCB, 2 x pre-amp PCB, power Amp PCB  (electrolytic capacitors and some mica capacitor replaced by Nichicon, Wima, new rectifiers, new small signals transistors) inputs tested and fully working PHONO 1 & 2, Aux 1 & 2, TAPE MON & REC. paint on the "U" of volume knob missing. voltage setting on request with corresponding AC plug (may increase delivery time). Free shipping in Europe ! FR Ampli de Janvier 1969 de la légendaire série AU, bien parti pour 50 ans de plus. Rénovation importante, alimentation (condensateurs, diodes et résistances), de tous les condensateurs électrolytiques et quelques micas par des Nichicon & Wima sur les cartes phono, 2 x pre-amp et celle de puissance, de tous les transistors hormis les 2SD180. Entrées testées PHONO 1 & 2, Aux 1 & 2, TAPE MON & REC. Peinture sur le "U" de volume absente. Prise 230VAC. Livraison gratuite.

EN 51 years old Sansui. Fully refresh Main supply, phono PCB, 2 x pre-amp PCB, power Amp PCB  (electrolytic capacitors and some mica capacitor replaced by Nichicon, Wima, new rectifiers, new small signals transistors) inputs tested and fully working PHONO 1 & 2, Aux 1 & 2, TAPE MON & REC. paint on the "U" of volume knob missing. voltage setting on request with corresponding AC plug (may increase delivery time). Free shipping in Europe ! FR Ampli de Janvier 1969 Rénovation importante, alimentation (condensateurs, diodes et résistances), de tous les condensateurs électrolytiques et quelques micas par des Nichicon & Wima sur les cartes phono, 2 x pre-amp et celle de puissance, de tous les transistors hormis les 2SD180. Entrées testées PHONO 1 & 2, Aux 1 & 2, TAPE MON & REC. Peinture sur le "U" de volume absente. Prise 230VAC. Livraison gratuite.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...        Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: More details at: http://audio.starting-point-systems.com/   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...   Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: USB Audio DAC with jitter killer reclocker crowdfunding pitch - YouTube Video will open in a new window [isdntekvideo]   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

Bonjour, Je vend Presonus Studiolive RM32AI, elle a 3 ans, première main acheté sur Thomann à 2199€, facture disponible si besoin. En parfait état, toujours en rack dans un studio non fumeur et aucun "LIVE" avec! En carton d'origine avec tous les accésoires, prête à l'envoi. Musicalement. 3U rack-mount RM16AI with a remote stage-box for factor provides 16 locking XLR inputs with recallable XMAX™ Class A preamps, 8 XLR line outs, and 3 main outs (left, right, and mono/center); 32 internal channels and 25 buses; a 52x34 FireWire 800 recording interface; 96 kHz operation; and extensive signal processing.  true Active Integration mixers, with Fat Channel signal processing on all input channels and all buses, including a 4-band parametric EQ, compressor, gate, limiter, and more. However, unlike StudioLive AI mixers, the RM series' recallable XMAX preamps mean that every parameter on the mixer can be saved and recalled. The front panel provides input signal-present and clip LEDs (16 for the RM16AI, 32 for the RM32AI) and provides stereo RCA tape inputs, a headphone output with volume knob and source-select buttons, a Mute All button that temporarily mutes all inputs and outputs, and a USB type-A jack that hosts the included Wi-Fi LAN adapter. The rear panel contains an option slot that comes with two FireWire 800 ports, an Ethernet control port, and S/PDIF I/O. The slot also accepts the same option cards as the StudioLive AI-series digital mixers; with Dante, AVB, and Thunderbolt cards coming soon, StudioLive RM-series mixers can easily be updated to keep up with the latest networking technologies.  Also on the rear are a power jack and switch, MIDI I/O, and a mirror of the line outputs on a DB25 connector-perfect for connecting to wireless in-ear systems.  integrated software bundle includes new UC Surface control software for Mac, PC and iOS, PreSonus Capture™ live-recording software with true Virtual Soundcheck and easy-to-use Studio One Artist DAW. StudioLive RM-series mixers also work with PreSonus' free QMix-AI aux-mix control software for iPhone/iPod touch, enabling musicians to control their own monitor mixes.

Excellent and rare GK 2000CPL guitar preamp: THE Alex Lifeson sound ! Great signature clean and distortion tones along with reverb, compressor, noise reduction and LUSH chorus. Don't miss it !!! Master volume knob is not original due to pot shaft break and repaired, but works perfectly. 220v AC operation, Europe plug (I have heard they can be put in 110v with internal switch but not sure) 1001 GUITARES La Boutique VINTAGE du SUD