Well adapted

WORKS WELL Focus is smooth and operate well, AF Accurate. CLEAN GLASS No haze, fungus or scratch. SNAPPY APERTURE BLADES LIKE NEW COSMETIC CONDITION No sign of use. See photo. Used only few times since April 2020, still under warranty. Original front / back cap, and box + UV Filter + JJC adapted hood Fast, insured and protected shipping. ------------------------------------------------------------------------ FONCTIONNE BIEN La bague est très fluide et tout fonctionne! AF rapide et précis LENTILLES PROPRES Pas de brouillard, champignon ou rayure. Lentilles très propres. LAMELLES DE DIAPHRAGME RÉACTIVES ETAT EXTERNE COMME NEUF Aucune marque externe d'usure. Voir photo. Utilisé seulement quelques fois depuis Avril 2020, encore sous garantie Bouchon avant et arrière d'origine, et boîte + Filtre UV + Pare-soleil JJC adapté Envoi rapide et soigné avec assurance. Retrait possible à Nice centre.

MMZ 35-KP 140mm F1.8 soviet projection lens adapted to M42. État : Occasion 140mm F1.8 de type Planar, 1.6kg sur la balance, mise au point fluide. L'énorme lentille frontale est propre, pas de griffes, pas de champignons... il peut y avoir quelques petites poussières qui ne gênent pas. Bien entendu à F1.8 le rendu est assez doux, surtout avec des sujets proches compte tenu de la minuscule zone de netteté, il ne faut pas se louper avec la mise au point. (j'ai trouvé qu'il était plus simple à utiliser par temps gris ou à l'ombre, on évite les lumières parasites) Il n'y a pas de diaphragme donc j'ai bricolé un système avec une bague 86-77 fixée à la patafix (+ du gaffer pour éviter que ça colle partout), il suffit d'une bague 77-49mm pour avoir l'équivalent d'un F2.8 et une de 49-26mm pour du F4 (et là il pique autant qu'une optique moderne !) Monture M42, adaptable sur n'importe quel reflex/hybride (canon, sony, nikon, panasonic, olympus, fuji) via une bague d'adaptation. Vendu avec le bouchon avant (95mm) et le bouchon arrière si je le retrouve --------------------------------------------- 35-KP 140mm f1.8 planar version (quite sharper than the petzval but no swirly bokeh) 1.6kg, 95mm front cap Great condition, adapted to M42 by a master (now retired) Can be used with Canon, Nikon, Sony, Olympus, Panasonic, Fuji... Glass is clean: no marks, no fungus maybe a little dust but it didn't affect the quality Focusing is smooth I did some DIY "aperture" with step down ring and it works well. It can be removed without any damage (I used patafix and gaffer). When the 2 rings are used (photo n°2), it's like a F4 aperture and it's very sharp ! I can ship outside Europe but it's very expensive, around 55€ Any question: send a message;)  cherry blossom shot wide open on a 5D Dslr photo at F4 with the DIY aperture thing

Voigtlander Snapshot Skopar 25 mm f 4 LTM testé - belle opportunité Ce grand-angle est bien connu pour sa très bonne résolution, sa distorsion quasi-nulle, sa très grande profondeur de champ parfaite pour le paysage,la photo de rue, mais aussi pour les plans rapprochés. Voyez les exemples joints. Sa très petite taille et les stop-clicks de mise au point sur 1m, 1,50m et 3m sont d'une terrible efficacité pour la prise de vue instantanée, justifiant bien le nom de "Snapshot" donné à cet objectif. Il tient bien la comparaison de f 6.4 à f 11 avec le Leica Elmar 24mm / 3.8 pour dix fois moins cher! Il s'adapte facilement aux capteurs récents des appareils hybrides actuels, via un adaptateur dédié de qualité. Ce Voigtländer Snapshot Skopar 25mm f/4 numéro de série 9941536 est en bon état optique et fonctionnel pour un usage quotidien. Son aspect montre les traces d'usage du pare-soleil, qui est un peu difficile à visser. Il y a aussi des traces externes de resserrage des lentilles lors du réglage de leur alignement. Ces défauts d'apparence n'ont aucune incidence sur la prise de vue. Ces défauts d'apparence sont pris en compte dans le prix proposé ici. Notez aussi le magnifique capuchon arrière Zeiis-Jena qui remplace avantageusement le capuchon arrière en plastique à l'origine. Les lentilles sont propres et très claires, sans rayures, sans poussières ni champignons. Elles sont bien alignées. Les bagues de mise au point et d'ouverture sont précises et bien crantées. Merci d'observer les photos attentivement. Voigtlander Snapshot Skopar 25 mm f 4 LTM tested - nice opportunity This wide-angle lens is well known for its very good resolution, almost no distortion, very large depth of field perfect for landscape, street photography, but also for close-up shots. See the attached examples. Its very small size and the focus stop-clicks on 1m, 1.50m and 3m are terribly efficient for instantaneous shooting, justifying the name "Snapshot" given to this lens. It compares well from f 6.4 to f 11 with the Leica Elmar 24mm / 3.8 for ten times less! It can be easily adapted to the latest sensors of today's hybrid cameras via a high-quality dedicated adapter. This Voigtländer Snapshot Skopar 25mm f/4 serial number 9941536 is in good optical and functional condition for daily use. Its appearance shows traces of use of the sun-hood, which is a bit difficult to screw on. There are also external traces of retightening of the lenses when adjusting their alignment. These appearance defects do not affect the shooting. These appearance defects are taken into account in the price offered here. Also note the beautiful Zeiis-Jena rear cap which advantageously replaces the original plastic rear cap. The lenses are clean and very clear, free of scratches, dust and fungus. They are well aligned. The focusing and aperture rings are precise and well notched. Please pay attention to the pictures. Translated with www.DeepL.com/Translator (free version)

Voigtlander Snapshot Skopar 25 mm f 4 LTM testé - belle opportunité Ce grand-angle est bien connu pour sa très bonne résolution, sa distorsion quasi-nulle, sa très grande profondeur de champ parfaite pour le paysage,la photo de rue, mais aussi pour les plans rapprochés. Voyez les exemples joints. Sa très petite taille et les stop-clicks de mise au point sur 1m, 1,50m et 3m sont d'une terrible efficacité pour la prise de vue instantanée, justifiant bien le nom de "Snapshot" donné à cet objectif. Il tient bien la comparaison de f 6.4 à f 11 avec le Leica Elmar 24mm / 3.8 pour dix fois moins cher!  Voyez s'il vous plait les 2 derniers exemples comparatifs ! Il s'adapte facilement aux capteurs récents des appareils hybrides actuels, via un adaptateur dédié de qualité. Ce Voigtländer Snapshot Skopar 25mm f/4 numéro de série 9941536 est en bon état optique et fonctionnel pour un usage quotidien. Son aspect montre les traces d'usage du pare-soleil, qui est un peu difficile à visser. Ces défauts d'apparence n'ont aucune incidence sur la prise de vue et sont pris en compte dans le prix proposé ici. Notez aussi le magnifique capuchon arrière Zeiis-Jena qui remplace avec classe le capuchon arrière en plastique à l'origine. Les lentilles sont propres et très claires, sans rayures, sans poussières ni champignons. Elles sont bien alignées. Les bagues de mise au point et d'ouverture sont précises et bien crantées. Merci d'observer les photos attentivement. Voigtlander Snapshot Skopar 25 mm f 4 LTM tested - nice opportunity This wide-angle lens is well known for its very good resolution, almost no distortion, very large depth of field perfect for landscape, street photography, but also for close-up shots. See the attached examples. Its very small size and the focus stop-clicks on 1m, 1.50m and 3m are terribly efficient for instantaneous shooting, justifying the name "Snapshot" given to this lens. It compares well from f 6.4 to f 11 with the Leica Elmar 24mm / 3.8 for ten times less! Please see the 2 last samples to compare ! It can be easily adapted to the latest sensors of today's hybrid cameras via a high-quality dedicated adapter. This Voigtländer Snapshot Skopar 25mm f/4 serial number 9941536 is in good optical and functional condition for daily use. Its appearance shows traces of use of the sun-hood, which is a bit difficult to screw on. These appearance defects do not affect the shooting and are taken into account in the price offered here. Also note the beautiful Zeiis-Jena rear cap which replaces with style the original plastic rear cap. The lenses are clean and very clear, free of scratches, dust and fungus. They are well aligned. The focusing and aperture rings are precise and well notched. Please pay attention to the pictures. Translated with www.DeepL.com/Translator (free version)

Voigtlander Snapshot Skopar 25 mm f 4 LTM testé - belle opportunité Ce grand-angle est bien connu pour sa très bonne résolution, sa distorsion quasi-nulle, sa très grande profondeur de champ parfaite pour le paysage,la photo de rue, mais aussi pour les plans rapprochés. Voyez les photos jointes toutes prises avec cet exemplaire. Sa très petite taille et les stop-clicks de mise au point sur 1m, 1,50m et 3m sont d'une terrible efficacité pour la prise de vue instantanée, justifiant bien le nom de "Snapshot" donné à cet objectif. Il tient bien la comparaison de f 6.4 à f 11 avec le Leica Elmar 24mm / 3.8 pour presque dix fois moins cher! Il s'adapte facilement aux capteurs récents des appareils hybrides actuels, via un adaptateur dédié de qualité. Ce Voigtländer Snapshot Skopar 25mm f/4 numéro de série 9941536 est en bon état optique et fonctionnel pour un usage quotidien. Son aspect montre les traces d'usage du pare-soleil, qui est un peu difficile à visser. Il y a aussi des traces externes de resserrage des lentilles lors du réglage de leur alignement. Ces défauts d'apparence n'ont aucune incidence sur la prise de vue. Ces défauts d'apparence sont pris en compte dans le prix proposé ici. Notez aussi le magnifique capuchon arrière Zeiis-Jena qui remplace avantageusement le capuchon arrière en plastique à l'origine. Les lentilles sont propres et claires et bien alignées. Les bagues de mise au point et d'ouverture sont précises et bien crantées. Merci d'observer les photos attentivement. Voigtlander Snapshot Skopar 25 mm f 4 LTM tested - nice opportunity This wide-angle lens is well known for its very good resolution, almost no distortion, very large depth of field perfect for landscape, street photography, but also for close-up shots. See the attached pictures, all taken with this one copy. Its very small size and the focus stop-clicks on 1m, 1.50m and 3m are terribly efficient for instantaneous shooting, justifying the name "Snapshot" given to this lens. It compares well from f 6.4 to f 11 with the Leica Elmar 24mm / 3.8 for almost ten times less! It can be easily adapted to the latest sensors of today's hybrid cameras via a high-quality dedicated adapter. This Voigtländer Snapshot Skopar 25mm f/4 serial number 9941536 is in good optical and functional condition for daily use. Its appearance shows traces of use of the sun-hood, which is a bit difficult to screw on. There are also external traces of retightening of the lenses when adjusting their alignment. These appearance defects do not affect the shooting. These appearance defects are taken into account in the price offered here. Also note the beautiful Zeiis-Jena rear cap which advantageously replaces the original plastic rear cap. The lenses are clean and clear, and they are well aligned. The focusing and aperture rings are precise and well notched. Please pay attention to the pictures. Translated with www.DeepL.com/Translator (free version)

Up for sale is a CANON QL PELLIX with its CANON FL 58mm /1.2 with Filter / Front cap / Rubber lens-hood This set is in working order and in very good cosmetic condition for its age. The light-meter works well. Shutter fires well. Finder is little bit dirty but normal for this kind of vintage camera. Excellent fast quality lense ! Very regarded to be adapted on digital cameras. With this fast lens you will be able to shoot stills and video in low light condition without push the iso and then minimise noise on pictures ! Also gives extra blur effects ! Appreciated lens for its black&white capability ! No scratches. No separation. No hazy lens. After a strict inspection under high light, you can find one or tow tiny spots or dust or haze but nothing that can affect images. Allways protected by its filter. As all old canon lenses, head block can move a little bit. This lens performs very well ! See pictures please ! Worldwide Shipping Trackcing number inclued Safe packaging France = 10 euros UE = 14 euros Out UE = 25 euros

Here is a very rare Sigma 28mm f/2.8 H.L. Wide (NOT the much more common and worse Mini Wide) at an exceptional price + a nice Sigma hard case. The prominent metal cam (as well as a prominent plastic part) that is used to control the aperture from the camera was cut out, to enable mounting on Sigma SA cameras. So this lens won't allow auto-aperture on Pentax cameras. But it has an aperture ring, so it can be adapted, for instance, on a Sony mirrorless camera with a Pentax K to Sony E adapter, and be operated with no issues like any other adapted lens. Apart from that, the lens is mechanically faultless. Optically, there's a little scratch on the front lens, that can't be seen on images. A few painted markings are gone. Otherwise, nothing to report. Please read what Sigma says about this lens. It explains what the difference is vs the previous 28mm f/2.8 versions, like the Mini Wide. And yet, in 1985, SIGMA released a new prime lens. It was a lens that made a unique promise: “zero vignetting.” The lens went on sale as the SIGMA NON VIGNETTING 28mm F2.8. However, the term “vignetting” was not yet in widespread use, and so later versions instead used the name SIGMA H,L (Highlight) WIDE 28mm F2.8. Diminishing brightness towards the edges of the image is an inevitable problem with wide-angle focal lengths such as 28mm, due to the so-called “cosine fourth” law. Additional loss of peripheral brightness due to the large aperture (vignetting) only strengthens the effect. While there is no escaping the merciless “cosine fourth” law, SIGMA managed to erase vignetting through an optimal mutual configuration of each lens group within the retrofocus design. This method also minimized “coma aberration,” a color fringing effect that occurs as the amount of light increases. SIGMA had created a wide-angle lens with very little vignetting and – an additional plus – without the unsightly swirly bokeh pattern caused by vignetting of out-of-focus areas. The lens was the culmination of SIGMA’s research and experience with 28mm F2.8 lenses. Although its price was on the expensive side, the lens became an extremely popular item with lens maniacs and photography enthusiasts. Source: https://www.sigma-sein.com/en/ohsone/28mm_1/

Samyang UMC CS 35mm F/1.2 - Fuji X Mount - Like New. WORKS WELL Focus, and aperture are smooth and operate well! CLEAN GLASS No haze, fungus, dust or scratch, glasses are very clean. CLEAN APERTURE BLADES No oil, snappy. BEAUTIFUL COSMETIC CONDITION MINT. Almost never used. See photo. Originals 2 caps and box. Adapted hood (not the original) Fast protected shipping. FONCTIONNE BIEN Les bagues sont très fluides et tout fonctionne! LENTILLES PROPRES Pas de brouillard, champignon, poussière ou rayure. Lentilles très propres. LAMELLES DE DIAPHRAGME PROPRES Pas d'huile, réactives. BEL ÉTAT! Comme neuf. Quasiment jamais utilisé. Voir photo. 2 bouchons et boîte d'origine + Un pare soleil adapté (non d’origine) Envoi rapide et soigné. Sinon retrait possible gratuitement à Nice centre.

Walimex pro 'mutabilis' Basic-Set 'Portable'  Excellent état Dans sa caisse en bois Quality "Made in Germany" 100 percent developed and manufactured in Germany, this system convinces with outstanding precision and workmanship, exceptional materials and well thought-out engineering skills. Due to the use of particularly light aircraft aluminium, this innovative rig system even withstands highest loads. Mutabilis – Latin for changeable The "Mutabilis" video rig system is, above all, characterized by its modular design. The base unit is the central element, which can be individually extended and adapted for any possible situation. With just a few flicks of the wrist this system can be converted from a tripod mounted unit to a very light shoulder rig. Due to the compatibility of the individual accessory parts, as well as the compliance with all applicable industrial standards, this system offers you full flexibility in use - no matter whether you work on your own, or in a team. Due to the continuous expansion of innovative accessories, this system will be your reliably companion in any possible situation for many years. The Basic-Set "Portable" If you are looking for a very light, but extremely loadable shoulder rig, the walimex pro "Mutabilis" Basic-Set "portable" is your first choice. With the angle piece for the shoulder support, which is included in the scope of delivery, you can change between a setup for Viewfinder or an external monitor with just the flick of a wrist. Due to its versatile and fully compatible accessories, the Basic-Set "portable" can be extended for various applications. The walimex pro "Mutabilis" Basic-Set "Portable" is ideal for mobile use. General information MaterialAviation aluminium, stainless steelProduct ColorBlackCage CompatibilityDSLR, CSC, Video camera, Production camerasWeight1500gHeight150mmWidth260mmLength630mmCompatible with AptarisYes Specifications Max. Capacity12kgRod diameter15mmmodular systemYes Livraison rapide et soignée

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good lev

ANGENIEUX f = 12 - 120 mm 1: 2.2                                   n°. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 11) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good

Moosapotomus recreation of the classic 70's A/DA flanger. It's been sitting in a box a few years, half-built, hopefully someone can use it.. it's a shame for it to go to waste, one of the best flanger designs of all time. I'll never have the time to finish it unfortunately. He adapted this circuit to use the MN3007 chip and has an onboard charge pump to feed it 18V from a standard 9V supply. You would need an MN3007 chip (they are being produced again, or go NOS) and your stompswitch of choice, then just drill the enclosure and wire it up. Everything else is there - all the other IC's, pots, knobs, in/out/pwr and expression jacks, standoffs etc. Only top quality parts - Alpha, Wima, Panasonic, Bourns etc. Hammond 1590DD enclosure. All component level soldering completed and flux has been cleaned. Gold plated sockets for all IC's. This a complex a complex build, well compared to a fuzz or OD anyway. Total parts cost included here was around 70-80 euro after shipping. Build manual available from Moosapotomus site, otherwise I have the PDF file can send by email. Thanks for looking. Let me know if any questions.

Tamron SP 90mm F2.8 Di Macro 1:1 Lens - Pentax Fit The legendary Tamron 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series. This light super performance (SP) macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The Di version was adapted to the demands of digital SLR cameras and characterized by a multi-coating with which the stray-light behavior of the lens was optimized. The Tamron 90mm is often called the "portrait macro", because the focal length is also ideally suited for portraits. Macro 1:1 This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography. Super Performance Only two letters - but what an impact they have on the results. SP stands for Super Performance and represents the high-performance lens class from Tamron. Our engineers were given a free hand in the design of these lenses and left no stone unturned to produce the optimal performance characteristics in each case. Take your camera to new frontiers - and pave the way for Super Performance. Tamron SP 90mm F2.8 Di Macro 1:1 Lens Specifications: Maximum Aperture:F2.8.Minimum Aperture:F32.Minimum Object Distance:29cm.Angle of view:27°.Lens Construction:10 elements in 9 groups.Filter Size:55mm.Weight:400g.Dimensions:71.5mm x 97mm.Included accessories:Lens Hood, Lens Case, Front Cap, Rear Cap. Depuis plus de 30 ans, le légendaire 90 mm f/2,8 a été décliné en différentes versions à chaque fois améliorées et s'inscrit donc dans une longue tradition macro dans la catégorie des objectifs super performants. Cet objectif macro léger Super Performance (SP)* fournit un rapport de grossissement de 1:1 et des photos d'une excellente netteté avec des arrière-plans superbement flous qui mettent le sujet en valeur.   Le Tamron 90mm f/2.8 SP Di Macro est réputé dans le monde de la macro grâce à son piqué exceptionnel mais également pour faire du portrait. La mise au point précise, la bague permettant de passer du mode AF au mode manuel, sa très grande qualité d'image (contraste, piqué exceptionnel, flou de l'arrière plan), son ouverture à F2.8, son rapport 1/1 et surtout son prix très compétitif... bref, on comprend très vite pourquoi il est une référence.   La version Di a été adaptée aux exigences des boîtiers reflex numériques et se caractérise par un nouveau traitement multicouche qui optimise le comportement de l'objectif face à la lumière parasite. Le Tamron 90 mm est souvent baptisé le « macro portrait » car sa longueur focale est aussi idéale pour réaliser des portraits. La nouvelle version peut aussi être montée sur boîtier plein format ou 35 mm.   Caractéristiques: - Référence article: 272E - Groupes-Lentilles: 9-10 - Angle de champ: 27 - Lames Diaphragme: 9 - Ouverture Mini: 32 - Mise au point mini (m): 0.29 - Grossissement maxi: 1:1 - Diamètre filtre (mm): 55 - Poids (g): 405 - Diamètre x Longueur (mm): 71,5 x 97 - Ouverture Maxi: 2,8 - Longueur Focale [mm]: 90   *SP (Super Performance): cet objectif fait partie de la gamme des objectifs Tamron Super Performance (SP) qui se distingue par sa qualité optique et mécanique supérieure.

Up for sale is a rare Ultra fast french lens Sopelem Rank Taylor Hobson Monital 50mm F/0.95 Made in France. # T83631 Original lens-hood included "Som Berthiot was one of the most famous French lens manufacturer in the 20th Century and it competed with Angenieux in making Cine lenses. In 1964, SOM Berthiot merged with OPL and became SOPELEM. The Som Berthiot 50mm F0.95 is one of the most mysterious and anticipated cine lens. They were finished in either Chrome or Black Chrome and produced under series named Cinor, Rank Taylor Hobson and Monital. Som Berthiot named their lens “Cinor” and made the same lens for Taylor Hobson named “Sopelem Monital”  The Som Berthiot 50mm F0.95 produces extremely creamy bokeh when shooting wide open with high sharpness at the same time. The Lens is a myth and a legend, which is extremely rarely seen and fetches astonishing prices at auctions." jerrybei.com Last picture: sample from jerrybei.com Sopelem was the new name of Som Berthiot and OPL (Foca) brand. This lens is very valuable one because it can be adapted on any recent digital by serious workshop. Good condition. Aperture works very well. No scratches, No fungus. Few insignifiant micro-dusts. Barrel is in excellent condition. Only tape stain that can be removed easly. Please serious buyer only for this lens ! Sold at re-seller price ! Free Worldwide Express Shipping Safe Packaging Tracking number

CENTURY HD.3X ULTRAFISHEYE ADAPTER Ø43mm SCHNEIDER OPTICS INC. C153114. Français: Adaptateur fisheye initialement prévu pour les modèles de caméscopes Canon HV20/30/40. Compatible avec tous les caméscopes dont le diamètre est de 43mm. Peut s'adapter sur d'autres caméscopes si vous possédez une bague adaptatrice adéquate. Peut également s'adapter sur des objectifs d'appareils photo, du moment où l'objectif propose un mode macro. L'adaptateur est en parfait état. Assez peu servi. Quelques marques d'usure légères visibles autour du pare-soleil. Le verre est en excellent état. Aucune rayure à signaler. Que ce soit à l'avant ou à l'arrière. À noter que de petites "bulles" se trouvent sous le premier élément à l'avant dû à la fabrication d'une lentille de taille conséquente, c'est parfaitement normal et ne se voit pas sur les images tournées avec. Il est également à préciser que le pare-soleil a toujours eu un tout petit peu de jeu et qu'il ne peut (à ma connaissance) pas s'enlever. Seul le cache avant est fourni. J'ai toujours utilisé une petite serviette en fibres pour protéger l'élément arrière pour éviter toute rayure. J'ai toujours pris grand soin de ce convertisseur optique. Lentille rare, qui n'est plus en production. English: This fisheyes adapter was originally created for the Canon HV20/30/40 series but works on any camcorder with a 43mm diameter. Can also be adapted on other camcorders using a step-up or step-down ring. Might as well be used on a still camera lens as long as it features a macro mode. The adapter is in great condition. Lightly used. Some scuffs and marks can be seen around the lens hood but the glass is perfectly clean. No scratch on none of the ends. There are a few glass bubbles under the front element which is due to the construction of a lens that big. It's absolutely normal and won't show on the footages. The lens hood has always been a little bit loose and (AFAIK) can't be removed. Only the front cap comes with the adapter. I've always protected the rear with a fiber cloth to avoid any scratch. I really took great care of that lens adapter. Rare lens, no longer produced.

Micro testé et marche bien. L'AKG D-109 est un microphone omnidirectionnel de haute qualité qui a été conçu électroacoustiquement pour des performances optimales lorsqu'il est porté monté sur une cravate. Instrument compact et léger, le D-109 associe une reproduction vocale précise à une apparence discrète. Le D-109 est également fortement recommandé pour une utilisation «mains libres» dans les églises, les écoles, les amphithéâtres et les salles de conférence. Contrairement à un microphone conventionnel (qui exagère les basses fréquences et atténue les hautes fréquences lorsqu'il est «adapté» pour une utilisation en cravate). le D-109 a une réponse en fréquence spécialement profilée qui lui permet de fournir une reproduction de la parole naturellement équilibrée lorsqu'il est placé contre la poitrine de l'utilisateur: la réponse est intentionnellement réduite en dessous de 300 Hz pour réduire la coloration tonale causée par la résonance de la cavité thoracique. De plus, avec le clip cravate en forme d'anneau relevé complètement au-dessus du niveau de la grille du microphone, la réponse est amplifiée entre 2 kHz et 6 kHz pour compenser à la fois l'absence de propagation haute fréquence sous le menton et l'effet de filtrage des vêtements qui peut être utilisé pour dissimuler le microphone. (Le pic à 6 k Hz peut être réduit selon les besoins en abaissant le clip cravate, comme indiqué dans les courbes de réponse en fréquence ci-dessous.) La grille en treillis métallique du D-109 et son boîtier en laiton robuste encapsulent efficacement l'élément transducteur contre les particules métalliques et la poussière. Microphone tested and working well. The AKG D-109 is a high-qual ity omnidirectional microphone that has been electroacoustically designed for optimum performance when worn lavalier-mounted. A compact and lightweight instrument, the D-109 combines accurate speech reproduction with unobtrusive appearance. The D-109 is also highly recommended for "hands-free" use in churches, schools, lecture halls, and conference rooms. Unlike a conventional microphone (which exaggerates low frequencies and muffles high frequencies when "adapted" for lavalier use). the D-l09 has a specially contoured frequency response that enables it to provide naturally balanced speech reproduction when placed against the user's chest: Response is intentionalLy rolled off below 300 Hz to reduce tonal coloration caused by chest-cavity resonance. Furthermore, with the ring-shaped lavalier clip raised fully above the level of the microphone grille, response is boosted between 2 kHz and 6 kHz to compensate both for the lack of high-frequency propagation below the chin and for the filtering effect of clothing that may be used to conceal the microphone. (The peak at 6 k Hz may be reduced as required sirnply by lowering the lavalier clip, as shown in the frequency-response curves below.) The D·109's wire-mesh grille and rugged brass case effectively encapsulate the transducer element against metal particles and dust.

Barrière infrarouge Jama BIR2 + câble pour Nikon F Matériel neuf. COMPATIBLE AVEC TOUS LES BOÎTIERS REFLEX  (avec le câble Jama ou la télécommande Nikon/Canon adaptée à votre boîtier argentique ou numérique.) Conçue pour la chasse photo et le piégeage photo en général, cette barrière infrarouge détecte aussi bien le passage d’un insecte ou d’un petit rongeur que celui d’un mammifère. Finesse de détection et délais de déclenchement ajustable (de 0,5 à 10 ms) en fonction du sujet. Système de test à diode pour faire des essais à vide. Trois sensibilités: - La position insecte permet de détecter les sujets les plus fins telle qu'une abeille ou une goutte d'eau. Temps de réponse en position insecte - La position oiseau ne se déclenchera pas sur le passage d'un insecte mais uniquement sur le passage de l'animal de la taille d'une grosse noix. Temps de réponse en position oiseau - La position mammifères vous permettra de déclencher uniquement sur le passage de mammifère tel qu'une souris, un chat ou un écureuil. Temps de réponse en position mammifère Il y a trois prises de sortie disponibles dans le récepteur: - Une connexion à haute vitesse qui n'est pas ralentie par le circuit relais et qui peut être connectée à la caméra. - Une connexion à haute vitesse qui n'est pas ralentie par le circuit relais et qui peut être utilisée pour contrôler un flash à distance. -  Une prise relais qui peut être utilisée pour contrôler toutes sortes d'équipements différents (flash, caméra, motorisation,...) Cette dernière sortie permet l'utilisation du boîtier de détection en croix, ou bien un deuxième boîtier. Distance maximum entre émetteur et récepteur 10 m Alimentation pile 9 V. Possibilité d’alimentation externe. Prises pour appareil, relais, flash, camera, etc.  (Jack 2,5 mm) DÉTAILS TECHNIQUES: Consommation d'énergie par l'émetteur: 0,02 A à 9v Consommation d'énergie par le récepteur: 0,01 A à 9v Il faut un cordon de liaison spécifique entre la barrière et votre appareil photo: voir lien du site du fabriquant; Cordons de télécommande ← (clic / lien). Afin de tenir compte de cette contrainte, le récepteur est doté de prises mini-jacks 2,5 mm qui rendent les adaptation faciles. Barrière fournie avec: émetteur, récepteur, câble de télécommande Nikon, déclencheur manuel, cordon de fixation, notice. Vidéo: https://www.youtube.com/watch?v=n068FuewYcg Si vous avez une question contactez-moi. Remise en main propre possible. Livraison: J’expédie en France, en Union Européenne, Grande Bretagne et en Suisse. J’expédie régulièrement en Grande Bretagne, Allemagne, Italie,... Ce matériel sera expédié en envoi soigné Colissimo avec suivi postal. Ou livraison nationale et internationale standard: Mondial Relay en colis soigné avec suivi postal. - Livraison par Mondial Relay dans un point Relay pour les pays: France; Belgique; Luxembourg, Espagne - Livraison par Mondial Relay à domicile pour les pays:Allemagne, Royaume-Uni, Belgique, Luxembourg, Autriche, Espagne, Portugal et Italie Pas de taxes et frais de douane pour les acheteurs au sein de l'UE et du Royaume-Uni.                                                                           - - - - - - - - - - - - - In English                                                          Jama BIR2 infrared barrier + Cable for Nikon F  New device. Never used. COMPATIBLE WITH ALL CAMERAS. (with the Jama cable or the Nikon/Canon remote control adapted to your analog or digital case.) Designed for photo hunting and photo trapping in general, this infrared barrier detects the passage of an insect or a small rodent as well as that of a mammal. Fine detection and adjustable trip times (from 0.5 to 10 ms) depe

Dallmeyer Super-Six Anastigmat 3" F/1.9   C Mount  (M25) # 168379   You are watching to an extremely rare C mount lens from Dallmeyer Super-Six series witch is very regarded to be used on digital cameras or digital movie cameras. This lens was designed for C mount film movie camera on special order only ! You can notice the matching Focusing Barrel marked  by the same last 3 serial digit numbers of the lens. With meter scale. The removable head can be adapted to larger sensor cameras size as Leica M, Sony,.....by serious workshop. The Super Six consisted of six elements in four groups and was produced with extremely rare and expensive earth glasses. The 75 focal lenght is perfect for portrait and fast F/1.9 aperture offer spacial blur effect. Optic condition is good enough. No sctratches, No separation. Light haze as you can find in very old lenses. Of course i will let the next owner care about cleaning service. Both aperture and focusing work well. Nice cosmetic condition for its age. See pictures please ! This is a very rare gem ! Feel free to make serious offer ! FREE Worldwide shipping Tracking Number Safe packaging

Contax RTS II Quartz Body. FONCTIONNE PARTIELLEMENT (ou pour pièces/réparation). ATTENTION BIEN LIRE !!! Contax RTS Ⅱ Quartz 35mm L'appareil est en très bon état cosmétique. La cellule fonctionne très bien. La batterie est neuve(25mai2021). MAIS FONCTIONNE UNIQUEMENT AVEC LE DÉCLENCHEUR MÉCANIQUE (1/50 ÈME DE SECONDE). LE BOUTON QUARTZ  (déclencheur habituel) PERMET DE VÉRIFIER LA MESURE DU DIAPHRAGME ET DE LA VITESSE MAIS Il NE FONCTIONNE PLUS POUR LE DÉCLENCHEMENT. (C'est assez fréquent sur la série QUARTZ.) LE DÉCLENCHEMENT FONCTIONNE AVEC LE BOUTON SITUÉ EN BAS À DROITE DU BOÎTIER EN POSITION BASSE (voir dernières photos) MAIS LA VITESSE D'OBTURATION EST UNIQUEMENT DE 1/50 ÈME DE SECONDE. IL FAUDRA DONC ADAPTER L'OUVERTURE EN TENANT COMPTE ÉGALEMENT DE LA SENSIBILITÉ DU FILM EN FONCTION DE CETTE UNIQUE VITESSE POUR NE PAS SOUS EXPOSER OU SUREXPOSER L'IMAGE. Donc l'appareil est vendu "dans l'état" et c'est pour cette raison que je le vends à ce prix. Pas de bouchon boîtier. Vendu avec œilleton de visée (penser à l'enlever pour ouvrir le compartiment film). Important: aucun retour ni aucun litige ne sera accepté. Tout est clairement expliqué dans cette vente. Voici le lien vers le mode d'emploi complet (link to full user manual): https://panchromatique.ch/contax/contax-modes-d-emploi/ The camera a in very good  cosmetic condition. The cell is working very well. Battery is brand new (25th of may 202). Shutter release working is the mechanical one only and  at 1/50 second. BECAUSE THE QUARTZ BUTTON (usual trigger) ALLOWS TO CHECK THE DIAPHRAGM AND SPEED MEASUREMENT BUT IT NO LONGER WORKS FOR SHUTTER (This is quite common on the QUARTZ series.) THE TRIGERRING WORKS WITH THE BUTTON LOCATED AT THE BOTTOM RIGHT OF THE BOX IN LOW POSITION BUT THE MECHANICAL SHUTTER RELEASE WILL SHOT AT 1/50' SECOND ONLY (see last pictures). SO APERTURE HAS TO BE ADAPTED TO THIS SPEED NOT TO UNDER OR OVER EXPOSE THE PICTURE AND ACCORDING TO THE FILM SENSITIVITY So the camera is sold "as is" and that is why I am selling it below the usual average price. Can also be used for parts or repair. No camera cap. Sold with eyecup (take it off to open film chamber) No returns or disputes will be accepted, everything is explained very clearly. Envoi rapide et soigné. Paiement immédiat. NO SALE TO UK AND OUTSIDE EUROPEAN UNION. Merci pour votre intérêt.

Fuji X-Fujinon DM 50mm f1.6 manual focus prime lens, boxed with with front and rear caps. This is Fujica-X mount, compatible with Fuji 35mm film SLR cameras with this mount. Please note, this lens is not directly compatible with Fuji digital cameras, but it can easily be adapted to Fuji X-series and most other digital cameras via mount adapters, available cheaply here on and elsewhere. This fast-aperture lens is in superb external condition, with only minor signs of use. The glass is clean, clear and unscratched and free of haze and fungus. As with any used lens, there are some specks of dust internally, but nothing that affects image quality. The aperture blades are excellent, they're clean and free of oil, the iris is snappy, and the aperture ring clicks well through the stops. The focus barrel is smooth through its range. Tested and in full working order, this lens produces sharp and colourful results.  I often have similar or compatible items for sale, see my shop for details. Please contact me via messages if you have any questions, I’m happy to give advice. Livraison en France Cet article sera livré par Relais Mondial Relay ou Colissimo Recommandé, selon votre sélection à la caisse.  International shipping I can ship this item to any location listed in the postage section of this listing. It will be sent tracked by Colissimo, UPS or Relais Mondial Relay depending on the item and destination. International delivery from France will usually take approximately five to seven working days, but it can occasionally be longer, especially at peak times. Please be aware of this before buying. Any import tax/duties in your country must be paid by the buyer. UK delivery/Brexit UK buyers please be aware, due to Brexit there may be delivery delays and import duties payable from now on. Any duties must be paid by the buyer. Items will be sent tracked by UPS or Colissimo, depending on the size/value.  I try to photograph and describe my items as accurately as possible, and I package them very carefully, however in the unlikely event of a problem please let me know immediately and I will resolve it.

Up for sale is a very rare collectible lens for Alpa reflex camera Kern Aarau Switar 50mm F/1.8 AR # 260240 With its original Lens-Hood This lens is known to give better results than the macro switar version. Regarded lens to be adapted on digital cameras or for collection. Can be used on analogic Alpa camera of course ! Focusing and aperture work well. No fungus. No scratches, but may be micro cleaning marks. Oil on blades. Very good condition for its age. See pictures please ! Worldwide Shipping Trackcing number inclued Safe packaging France = 13 euros UE = 17 euros Out UE = 30 euros

Tamron SP 90mm F2.8 Di Macro 1:1 Lens - Pentax Fit Made in JAPAN The legendary Tamron 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series. This light super performance (SP) macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The Di version was adapted to the demands of digital SLR cameras and characterized by a multi-coating with which the stray-light behavior of the lens was optimized. The Tamron 90mm is often called the b'"'portrait macrob'"', because the focal length is also ideally suited for portraits. Macro 1:1 This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography. Super Performance Only two letters - but what an impact they have on the results. SP stands for Super Performance and represents the high-performance lens class from Tamron. Our engineers were given a free hand in the design of these lenses and left no stone unturned to produce the optimal performance characteristics in each case. Take your camera to new frontiers - and pave the way for Super Performance. L'objectif 90mm Macro Tamron universellement réputé a évolué. Il est à présent aux normes Di, le rendant aujourd'hui parfaitement adapté à la photo argentique ou numérique. Il hérite de la même construction optique que son prédécesseur, La version « Di » (Digitally Integrated) reçoit un traitement de surface perfectionné. L'objectif est idéal pour faire du portrait en 24x36, et c'est un petit téléobjectif commode de 140mm (équivalent 24x36) sur un reflex numérique au format APS-C. Description: 90mm f/2.8 SP Di Macro Monture PENTAX fabriqué au JAPON La légendaire focale fixe de chez TAMRON Depuis plus de 30 ans, le légendaire 90 mm f/2,8 a été décliné en différentes versions à chaque fois améliorées et s'inscrit donc dans une longue tradition macro dans la catégorie des objectifs super performants. Cet objectif macro léger Super Performance (SP)* fournit un rapport de grossissement de 1:1 et des photos d'une excellente netteté avec des arrière-plans superbement flous qui mettent le sujet en valeur. Le Tamron 90mm f/2.8 SP Di Macro est réputé dans le monde de la macro grâce à son piqué exceptionnel mais également pour faire du portrait. La mise au point précise, la bague permettant de passer du mode AF au mode manuel, sa très grande qualité d'image (contraste, piqué exceptionnel, flou de l'arrière-plan), son ouverture à F2.8 et son rapport 1/1... bref, on comprend très vite pourquoi il est une référence. La version Di a été adaptée aux exigences des boîtiers reflex numériques et se caractérise par un nouveau traitement multicouche qui optimise le comportement de l'objectif face à la lumière parasite. Le Tamron 90 mm est souvent baptisé le « macro portrait » car sa longueur focale est aussi idéale pour réaliser des portraits. La nouvelle version peut aussi être montée sur boîtier plein format ou 35 mm. Caractéristiques: - Référence article: 272E - Groupes-Lentilles: 9-10 - Angle de champ: 27 - Lames Diaphragme: 9 - Ouverture Mini: 32 - Mise au point mini (m): 0.29 - Grossissement maxi: 1:1 - Diamètre filtre (mm): 55 - Poids (g): 405 - Diamètre x Longueur (mm): 71,5 x 97 - Ouverture Maxi: 2,8 - Longueur Focale [mm]: 90 Compatibilité capteur: APS-C - Plein Format Formats de Monture: Pentax K Ouverture maxi: f/2.8 Diamètre filtre: 55 mm Contenu de l'emballage: Objectif 90mm, bouchon avant, bouchon arrière, pare-soleil. Utilisation: Macro *SP (Super Performance): cet objectif fait partie de la gamme des objectifs Tamron Super Performance (SP) qui se distingue par sa q En savoir plus Collaboration commerciale.

Pontiac Lynx II camera Modified LTM with FOCA 35mm lens. BODY: Pontiac LYNX II For 127 film Curtains are NEW It is modified for leica thread mount Lens. Any LTM lens can be screwed on the camera. No light leaks Film advance OK All speeds OK Clean body LENS: 35mm f 3.5 FOCA OPLAR Aperture OK, no oil on blades (old aperture scale) Smooth focusing Unfortunately a there is a bit of fungus It is a 36mm thread lens, not compatible with LTM this is why a created an adapted ADAPTER: 3D printed FOCA Thread Mount to Leica Thread Mount Some notes: This foca lens with the adapter can be use on Leica I line of camera. (Standard, C, F...) It cannot be used with with Leica M, Leica II of Leica III. This is due to the lens back barel wich is on the way of the ragefinder cam. I have tested some lens on the 3x4 format of this camera: As most of the LTM lens are designed to cover 24x36 negatives and not bigger 3x4 you may wonder what will work and what will not work. Here are my results with the lens I have been able to test: - Jupiter 8 50mm f2 (full coverage, no vignetting) - Jupiter 12 35mm f2.8 (Partial coverage, corner vignetting) - Voitglander color skopar 35mm f2.5 (full coverage, no vignetting) - Foca Oplar 35mm f2.5 (full coverage, no vignetting) the lens that comes with this camera - Industar 69 28mm f2.8 (Only center coverage, very heavy vignetting) Well despite the fact that it is not 100% original, it has some specification to make it shine. It is a LTM mount camera, so more flexible to use with other LTM lenses It comes with a FOCA 35mm lens, wich is not common It come with a FOCA adapter, is you have other foca threaded lenses, it is a chance to also use this range of lenses It is light and compact, no lens to extend. 127 film format is NOT extinct. There are film available out there. (Rollei crossbird, HP5, etc) I have cut a Rollei RPX 400 and made some shots. See the photos made with this camera and this film. En savoir plus Collaboration commerciale.