Were original

Magnifique  LP              WANDA JACKSON       "  I've Gotta Sing "  Original 1971    CAPITOL Records    made in US   ST-669 Proche du neuf. Pochette extérieur comme neuve sous cellophane d'origine . Pochette inter comme neuve. Vinyle état neuf. Tracklist I've Gotta SingHello Darlin'Everything Is BeautifulWonder Could I Live There AnymoreBridge Over Troubled WaterFancy Satin PillowsBreak My MindI'm Gonna Walk Out Of Your LifeThose Were The DaysLove Of The Common People VOIR MES AUTRES VENTES  Pour achat groupé attendre l'envoi de la facture groupée  Merci

Original UK sorti en 1980 sur le label Burlington (Ref. BURL 005) Pochette VG+: très bon état, tranches en bon état, pochette propre Disque VG: bon état, quelques grésillements perceptibles, l'écoute demeure claire et dynamique Great Folk Singer Female with Superb voice. Tracklist: A1         Boy Jan          A2         Humphrey Davy          A3         The Mermaid          A4         Abel George          A5         Tishomingo Blues          A6         Kerra Kernow          B1         Five Threes          B2         Allan Apple          B3         Loving Eyes          B4         James Ruse          B5         Charlie Bate          B6         I Wish That I Were Crossing Now          B7         Pensevyk Byghan Toutes autres infos ou photos me contacter Emballage soigné et pochette de protection    FRAIS DE PORT: France:              * Mini Max: 4,5euros              * Colissimo: 7 euros Europe:              * Prioritaire: 7 euros              * Suivi: 10 euros Worldwilde:              * Prioritaire: 11 euros              * Suivi: 15 euros FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les sign

THIS IS A RARE COLOR GUIDE.....the page is done by the colorist..... What is a color guide? A color guide is a one of a kind original hand painted piece of production art used in the creation of a color comic book. It is a reduced letter size copy on watercolor paper of the original black and white inked artwork that is then hand colored/painted by the colorist using watercolors. Color codes and notes are added by the colorist to guide the printer. Nowadays comics are colored digitally via computer and color guides are no longer used. Color guides are rare because at the time they were used they were not appreciated as collectible art and were often discarded or broken up

Minolta Disc-7 Camera Great Condition! The original selfie camera ! Main features: -     Type: compact camera -     Manufacturer: Minolta -     Year of release: 1983 -     Films: disc film with speed 200 ASA -     Lens: 1:2.8/12.5mm -     Shutter: speeds 1/100 and 1/200 sec. -     Aperture: CdS-controlled -     Self-timer: with control LED -     Flash: guide number 9   -     Power: lithium batteries which have to be replaced by the manufacturer -     Weight: 200g -     dimensions: 129.5×78×21mm "The Minolta Disc 5 and 7 were the first Minolta cameras that use the film disc launched by Kodak in 1982. They both have automatic exposure by Selenium cell, with automatic flash, advances automatic film, and are powered by a long life lithium batteries that at that time were replaced by the manufacturer but the internal OEM lithium batteries can be replaced with two common 123A batteries with a soldering iron and some difficulty (not worth it). The camera is provided with an f2.8 12.5mm lens, consisting of 4 elements in 4 groups. The optical glass is treated. The focusing is fixed to 1.2 meter to infinity, with a sliding lens position of closer focusing from 0.4 to 1.2 meter. The viewfinder has luminous framework with correction of parallax and indications of the symbols of focusing. The shutter speeds are 1/100 to 1/200 of a second and the aperture CDS controlled. The Disc 7 was introduced and sold by Minolta in 1983. The Disc 7 had one remarkable feature which stood it apart from other disc cameras. In the center of the front plate was a small convex mirror, which could be used by the photographer to compose a self-portrait. It also has a pivot arm with a carry strap hard point, shutter release socket, and a ¼” 20 thread tripod mount. The pivoting arm allows you to set the camera on a flat surface for a timed photo. The timer is set with a slide switch next to the mirror that has a LED that flashes when engaged. " The camera retailed for $122.50 when new.   PLEASE SEE PICTURES FOR CONDITION * No Original Box

CD Album CD Code EAN: 0074645738123 Classification Cd Primaire: Musique de films Genre musical: Musique vocale Rubrique principale CD: CD Album Classification CDMail: Musique de film Référence fabricant CD: #3311 Titre: the way we were - original soundtrack recording

1 / Those Were The Days / Odeon ‎– FO 129 / 1968 POCHETTE  EN BON ETAT AVEV UNE LEGERE USURE SUR LES TRANCHES ET LES ANGLES (VG+)  ET VINYLE EN BON ETAT AVEC QUELQUES MICRORAYURES OCCASIONNANT (VG++) /   2 / Goodbye / Apple Records ‎– 2C 006 - 90.099 / 1969  POCHETTE EN BON ETAT AVEC UNE LEGERE USURE AUX ANGLES (VG++) ET VINYLE EN TRES BON ETAT AVEC QUELQUES  MICRORAYURES SUPERFICIELLES (VG++) /      Etat général: original occasion  / Format: 45T (2 titres) / 7 inch (SP) / Pressage: FRANCE /   A LIRE AVANT D'ENCHERIR OU D'ACHETER: READ BEFORE BIDDING OR BUYING: SI TOUTEFOIS VOUS CONSTATEZ UN PROBLEME AVEC MES OBJETS, NE METTEZ PAS DES EVALUATIONS FANTAISISTES : CONTACTEZ MOI !!!! IL Y A DES SOLUTIONS (REMBOURSSEMENT, ECHANGE...) HOWEVER IF YOU SEE ANY PROBLEM WITH MY ITEMS, DON'T PUT A BAD FEEDBACK: CONTACT ME !!!! THERE IS MANY SOLUTIONS (REFUND, CHANGE...)     VINYLE:   EX    :   Pas de rayure et brillance d'origine du vinyle VG+ :  Rayures visibles mais peu audibles (rayure d'usage) VG   :    Rayures perceptibles à l'écoute G   :     Disque rayé (il peut sauté, avec des craquements importants)   POCHETTE / COVER :   EX    :   Excellent (ou bien "comme neuf") VG+ :  état d'usage (bien pour l'age), usure des tranches VG :    Marque du disque ou / et petites écritures voire petites déchirures sur pochette G :   grosse écriture visible sur pochette ou / et pochette très abîmées ATTENTION ! Seuls les paquets recommandés ou colissimo ou suivis pourront faire l'objet de remboursement en cas de perte ou dégradation. Le prix de la livraison comprend:  tarif lettre + enveloppe à bulles renforcée avec du carton. Livraison lettre non garantie par La Poste. Pour un achat au-delà de 10 euros, envoi systématique en envoi suivi garanti. livraison Mondial relay joindre N° de Tel POSSIBILITE DE REMISE EN MAIN PROPRE BANLIEUE (EST) ET MARNE LA VALLEE. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Artist: Velvet Underground & Nico Produced by Andy Warhol. Label: Verve V6-5008 Stereo USA 1967 Original Release. This is an original 1967 east coast stereo press with the unaltered "Emerson torso" image on the sleeve. This version, with the picture of Eric Emerson on the back of the sleeve, is VERY RARE as not many copies of this version were sold to the public. The reason for this is that shortly after it went on sale, Eric Emerson sued Verve records for using his image without his consent. As a result, Verve records recalled all the copies of the album which had not yet sold and re-released it with a modified sleeve, at first with the big black sticker covering the Emerson image, then with a modified version of the sleeve with Emerson airbrushed out of the photo. Most versions of this album that you see on sale, from late 1967 onwards, have the modified sleeve without Emerson's torso on the back. That's what makes this version so rare. Sleeve Condition: Very Good Plus (VG+) Record Condition: Very Good Plus (VG+)

Pressage original France 1975. Avec carte postale mais pas le film plastique noir. Pochette en bel état, propre et sans écritures, petite usure des tranches. Sous-pochette comme neuve. Disque: des micro-rayures superficielles, dont une plus visible en face A, mais rien de méchant, très bonne écoute avec un minime crépitement sur les parties calmes. Original pressing France 1975. With postcard but not the black plastic bag. Sleeve in nice condition, clean and without writing, small wear on the edges. Inner sleeve is like new. Record: superficial hairlines, one of which is more visible on side A, but nothing serious, very good listening with a minimal crackling on the quiet parts. N'hésitez pas à regrouper vos achats pour limiter les frais de port. Dans ce cas, demandez une nouvelle facture au moment de finaliser votre achat (attendre cette nouvelle facture AVANT de payer!). Pour la France, 4,65€ en Mondial Relay de 0 à 2kg (emballage compris). Belgique, Luxembourg, Pays-Bas, Espagne, Portugal, Allemagne, Italie et Autriche: possibilité d'envoi en Mondial Relay (moins cher), me contacter AVANT de payer, merci. ATTENTION: Depuis juillet 2021, la législation concernant les douanes, la TVA et les frais d'importation a évolué. Si vous commandez depuis un pays hors Union Européenne, vous pouvez être amené à payer une taxe supplémentaire, soit directement facturée par, soit à la réception du colis. Do not hesitate to group your purchases to limit the shipping costs. In this case, ask for a new invoice when finalizing your purchase (wait for this new invoice BEFORE paying!). Belgium, Luxembourg, Netherlands, Spain, Portugal, Germany, Italy and Austria: possibility of shipping by Mondial Relay (cheaper), contact me BEFORE paying, thank you. PLEASE NOTE: Since July 2021, the legislation concerning customs, VAT and import costs has changed. If you order from a country outside the European Union, you may have to pay an additional tax, either directly invoiced by, or upon receipt of the package.

‎ RARE ORIGINAL 1st USA Edit Jimi HENDRIX Single 7’’ REPRISE Records Single REPRISE Records 0572 (01/05/1967) légèrement ébréché voir photo sans conséquence pour l'écoute. Never sold and promo copies without Pic Sleeve are quite common.... However stock copies with picture sleeve are very scarce due to a lack of sales 1967 as the EXPERIENCE were virtually unknown in the USA... Having gone to the UK to make it comercially... Pour la petite histoire le succès de Jimi démarre très fort en Europe...Reprise Usa rééditera le sìngle Hey Joe mais sans pochette référence: Reprise 0641 (27/11/1967)

Jacek Kaczmarski - Strącanie Aniołów - Vinyl LP Original, Sweden, 1982 VG+. "The Downfall Of Angels" Rare live folk record from Polish singer and poet Jacek Kaczmarski. Only a few copies were ever made, some with a picture sleeve like this example. --------------------------------------------------------------- Goldmine grading: (conservative) Record: VG Record has some marks especially on side A, they do not really affect the sound, as some pops are audible here and there at times only. If not for these, the record would be a nice VG+ SOUND CLIP:  https://audio.discogs.com/sell/audio/1044462762.mp3 Sleeve: VG+ The sleeve looks mostly intact, with only small signs of use. No sticker, tear, split seams. Readable spine and clean labels. only very slight yellowing mostly visible on the back. ---------------------------------------------------------------- Matrix: - SAF-7820-A TK - SAF-7820-B3 TK The record will be sent tracked. New buyers: contact me before ordering.

DESCRIPTION Various ‎– Damn Yankees (An Original Cast Recording)  1955 RCA Victor ‎– LOC-1021 Tracklist  A1 Overture: Six Months Out Of Every Year  A2 Goodbye, Old Girl A3 You've Got To Have Heart  A4 Shoeless Joe From Hannibal, Mo.  A5 A Little Brains - A Little Talent  A6 A Man Doesn't Know  B1 Whatever Lola Wants  B2 You've Got To Have Heart (Reprise)  B3 Who's Got The Pain?  B4 The Game  B5 Near To You  B6 Those Were The Good Old Days  B7 Two Lost Souls  B8 A Man Doesn't Know (Reprise)  B9 Finale SLEEVE: VG RECORDS: VG ++ Pochette: VG Disque: VG++ C8 IMPORTANT je ne pourrais faire aucun envoi de colis avant la fin des mesures de confinements et des blocages éventuels qu'elles peuvent entraîner  IMPORTANT I could not send any packages before the end of the containment measures and any blockages they may cause

CD 12 Titres - FLEETWOOD MAC - Mirage - Original GERMANY 1982 - Très bon état -  envoi protégé sous pochette a bulles Paiement PAYPAL préféré chèques acceptés DETAIL CD: Tracklist Love In Store3:14Can't Go Back2:42That's Alright3:09Book Of Love3:21Gypsy4:24Only Over You4:08Empire State2:51Straight Back4:17Hold Me3:44Oh Diane2:33Eyes Of The World3:44Wish You Were Here4:45

Etat Pochette: M (comme neuf).  Etat face A: M (comme neuf). Etat face B: M (comme neuf).  Original de 1974. WARNER. US.  Envoi sous emballage cartonné.

G.B.H.: Oh No It's G.B.H. Again! Label: Rough Justice ‎ 12 KORE 101 Format: Vinyl  12"  EP  45 RPM Country: UK     Sortie: Sep 1986 A1 Malice In Wonderland 3:38 A2 Lost In The Fog 3:03 B1 Get Out Of The City 3:21 B2 Company Of Wolves 3:20 - Published By Complete Music Ltd. - Pressed By Adrenalin All tracks were recorded during the 'Midnight Madness And Beyond...' sessions. État Vinyl: Comme NEUF .  Vinyl Condition: Near Mint     Pas de Pochette  /  No Sleeve France :  Envoi recommandé: 9 € Postage E.E.C. :  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 17 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment

Shadows* ‎– Simply... Shadows Label: Polydor ‎– SHAD 1, Polydor ‎– 833 682-1 Format: Vinyl, LP, Album  Pays: UK Date: 1987 Genre: Pop Style: Ballad Tracklisting A1 I Knew You Were Waiting For Me A2 We Don't Need Another Hero A3 Walking In The Air A4 Careless Whisper A5 Don't Give Up A6 I Guess That's Why They Call It The Blues A7 A Heart Will Break Tonight A8 The Lady In Red B1 Pulaski B2 Take My Breath Away B3 The Music Of The Night (From The Phantom Of The Opera) B4 The Themes From East Enders & Howard's Way B5 I Want To Know What Love Is B6 The Skye Boat Song B7 Jealous Guy B8 Chain Reaction

Recorded Live on 9/9/88 at 229 Queensberry St,Carlton, Victoria. Pressage Original Australie - Au Go Go ANDA 94. Pochette NM. Vinyle de couleur rouge NM. Achat groupé 1 € de transport pour chaque disque supplémentaire.

Depeche Mode - UK 12” Vinyl - 2 X A Question Of Time Limited Edition. You are viewing the Depeche Mode 2 x UK Vinyl 12” Singles for “A Question of Time” These were original UK releases with details as follows; 1. A Question of Time - 12Bong12 2. A Question of Time - L12Bong12 - LIMITED EDITION Please see photos for Tracks & Condition Item is sent tracked & recorded Please note the following in addition to delivery notes; 1. Russia - for logistical reasons I cannot send items to Russia 2. UK - Delivery to the UK will incur an additional 5euros charge due to the high postage cost currently in place post Brexit. You may also incur additional customs charges which is the responsibility of the Buyer. Note: I have been a serious DM Collector & fan since 1982 so you are assured that all items sold from my collection have been well stored & very well looked after. I also send items secure & protected as I would expect a fellow fan/ collector to receive.

GODFLESH: Streetcleaner Label: Earache ‎ MOSH015CDX Format: 2 × CD Album  Remastered  Limited Edition  Digipak Country: UK   Sortie: 21 Jun 2010 1-1 Like Rats 4:29 1-2 Christbait Rising 7:00 1-3 Pulp 4:16 1-4 Dream Long Dead 5:19 1-5 Head Dirt 6:10 1-6 Devastator / Mighty Trust Krusher 8:50 1-7 Life Is Easy 4:51 1-8 Streetcleaner 6:43 1-9 Locust Furnace 4:45 1-10 Tiny Tears 3:25 1-11 Wound 3:06 1-12 Dead Head 4:10 1-13 Suction 3:23 2-1 Like Rats (Original Unreleased Mix) 4:22 2-2 Christbait Rising (Original Unreleased Mix) 6:50 2-3 Pulp (Original Unreleased Mix) 4:07 2-4 Dream Long Dead (Original Unreleased Mix) 5:09 2-5 Head Dirt (Original Unreleased Mix) 6:02 2-6 Streetcleaner (Live Geneva Early 1990) 5:47 2-7 Head Dirt (Live Geneva Early 1990) 6:00 2-8 Pulp (Rehearsal May 1989) 12:21 2-9 Dream Long Dead (Rehearsal April 1989) 5:30 2-10 Christbait Rising (Rehearsal April 1989) 6:35 2-11 Deadhead (Original Demo Guitar & Machine 1988) 4:01 2-12 Suction (Original Demo Guitar & Machine 1988) 3:11 - Bass G. Christian Green - Guitar Paul Neville (tracks: 1-6 to 1-9) - Liner Notes Jonathan Selzer, Justin Broadrick - Vocals, Guitar Justin Broadrick Newly remastered reissue including a bonus disc with demos, unreleased mixes, rehearsal versions and live tracks Packaged in a multi-panel digipak. Total time CD1: 66:26 | CD2: 69:54 Tracks 1 to 5 on both CD's were recorded at Soundcheck in Birmingham, May-August 1989. Tracks 6 to 9 on CD1 were recorded at Square Dance in Derby, May 1989. Tracks 6 to 7 on CD2 were recorded live at L'Usine, Geneva, Switzerland early 1990. Track 8 on CD2 was recorded May 1989. Tracks 9 & 10 on CD2 were recorded April 1989. État Jackette: Comme Neuf  /  Jacket Condition: Near Mint État CD: VG+ /  Condition CD: VG+ France : En envoi Colissimo: 8 € Postage E.E.C. / Rest of the World: Registred shipment: 12 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment

The Paston Letters D: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 1 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 350 pages paperback Publication: 11/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

*** 4 Classic GOON SHOWs from BBC Transcription Service *** Talking about the influence of The Goon Shows on the British comedy that followed it, The Wikipedia entry states: - Eddie Izzard notes that the Goons and Milligan in particular b'"'influenced a new generation of comedians who came to be known as 'alternative'.b'"' John Cleese [of Monty Python fame] notes that b'"'In comedy, there are a very small number of defining moments when somebody comes along and genuinely creates a breakthrough, takes us into territory where nobody has been before. The only experiences to which I can compare my own discovery of the Goons are going to see N. F. Simpson's play One Way Pendulum... or, later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else.b'"' These four vintage episodes come from the middle of the show's life run and were recorded in November and December 1956. BBC Transcription Service disks of the shows were distributed throughout the Commonwealth the follow year and were later released in the USA. In all there were over 240 Goon Shows, most written entirely by Spike Milligan, an amazing output. These two disks are not in the best condition and do have some surface noise, Nonetheless, a lot of pleasure and fun can be had from listening to them and what Goon Fan wouldn't want to own them? (NOTE: These disks have been spot-checked for condition.) The Episode titles are: - 99 - The Jet-Propelled Guided Naafi (27' 41b'"') - 100 - The Nadger Plague (28' 27b'"') - 101 - The Great Bank Robbery (28' 03b'"') - 102 - What's My Line? (28' 02b'"') The BBC Transcription Service pioneered full-range high fidelity recording in the BBC and was the first to regularly record in stereo and quadraphonically; it pioneered using Dolby A noise reduction. BBC Transcription Service records had short print runs, usually around 100 discs, and most copies were destroyed after broadcasting rights expired. This rare example was obtained directly from the BBC TS's own undistributed stock. These limited edition LPs include the original BBC TS cover. All items from Verity Vinyls are part of a personal collection of records, musical manuscripts and books, started in 1953 when the collector, then aged 12 years, bought his first LP - a symphony by Mahler. He is now disposing of a selection of items from his collection. Unless otherwise stated, all disks are tested before despatch, and are shipped in professional box mailers with additional stiffening pads, specifically designed for vinyl records. En savoir plus

Bonjour, je suis heureux de vous présenter cet objet.  Tous les billets, jetons et monnaies que je vous propose sont authentiques. J'essaie de faire des descriptions précises et de vous envoyer rapidement votre achat. Si toutefois vous n'étiez pas satisfait, je m'engage à vous rembourser rapidement. Bourgogne - Maires de DIJON Epoque Louis XIII Jeton frappé en pour Jean Tisserand, maire de Dijon. Légendes I TISSERAND C D R LIEUT EN LA CHANC VIC M DE DIION QUAE PONDERA SUSTINET AEQUAT Métal: laiton    Diamètre: 27 mm      Référence: Feuardent   Etat de conservation: TB, petits défauts de métal à l'avers. Original jeton struck in for J. Tisserand, mayor of Dijon (Burgundy). Brass, condition: Fine, small metal flaw on obverse. About french jetons: Historically, a jeton -  or jetton - was at first just a counter, then some sort of small medal and finally more like a token. At the beginning, during the Middle Ages, jetons were only used for calculations which were otherwise a difficult matter using roman numerals (remember : NO zeros !..). Since the Renaissance and especially during Louis XIV reign, jetons were meant as small medals depicting great events of the year. Every administration, big city or nobleman struck jetons which were all the rage during 17th and 18th centuries ! Later, during 19th and early 20th centuries, jetons were mostly struck in solid silver for companies which give them as annual reward to their shareholders or members. 18th century and earlier jetons are often found today in very used condition because of their extensive use as counters. Faites des économies sur les frais de livraison ! En achetant en même temps plusieurs objets, dans les annonces ou dans ma boutique, vous ne payez qu'une seule fois les frais de livraison. N’oubliez pas de m’ajouter à votre liste de favoris ! Consultez mes autres objets ! Pensez à consulter les conditions générales de vente, figurant dans ma boutique. En particulier, merci de noter que les envois non recommandés ne peuvent être remboursés en cas de perte ou vol.   Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Boite de remplacement pour le jeu Nintendo: "Final Fantasy"   Protégez vos jeux avec une boite reproduite afin de les conserver le plus longtemps possible ! Version(s) disponible(s): NTSC - [USA-A]: Américaine (Etats-Unis) - [CAN-A]: Américaine (Canada, Québec) PAL - [FRA]: Française (Custom) Si vous souhaitez une autre version ou dans une autre langue, merci de me contacter. Impression professionnelle haute qualité sur du papier épais avec l'aspect intérieur gris cartonné proche de l'original. La boite est découpée et pliée, prête à l'emploi. Tous les visuels d'origine ont été retravaillés minutieusement. En plus de la retouche de l'image, tous les textes, logos, et éléments graphiques ont été recomposés, tandis que les nuances ont été optimisées pour l'impression. Cependant, la perfection n'est qu'approchable, les couleurs de sortie, certains effets de brillance tel que les teintes dorées et enfin l'aspect du support peuvent différer du jeu original. Cartouche de jeu non incluse. Envoi protégé sous enveloppe à bulles. Cumulez vos frais de ports en commandant plusieurs articles. Merci de me contacter avant le paiement afin de recalculer les frais d'envois. Nintendo box replacement: "Final Fantasy" Protect your games with a reproduction box to keep them as long as possible! Availible version(s): NTSC - [USA-A]: American (United Stats) - [CAN-A]: American (Canada, Quebec) PAL - [FRA]: French (Custom) If you want another version or in another language, please contact me. Professional high-quality printing on thick paper with a gray interior look close to the original. The box is cut and folded, ready for use. All original visuals have been reworked. In addition to retouching the image, all text, logos, and graphics were recomposed, while the shades were optimized for printing. However, the perfection is only approachable, the rendering of the colors, certain effects of brilliance such as the golden hues and finally the aspect of the support can differ from the original game. Game cartridge not included. Protected shipment in bubble envelope. Cumulate your shipping costs by ordering multiple items. Please contact me before payment to recalculate shipping costs.

Cette semaine je vends une très importante collection de disques classiques provenant en très grande partie d'un appartement (fermé pendant plus de 30 ans) ayant appartenu à un critique musical. Une majorité de ces disques figurent des interprétations des plus grands solistes, notamment de violonistes. Une partie importante concerne des disques soviétiques (SOV DISC) dont les pressages ont été réalisés en ex-URSS avec des pochettes françaises. Ces disques, dans leur immense majorité, n'ont jamais été joués ! Ceux qui ont été écoutés l'ont été 2/3 fois au maximum. Ayant séjourné dans un endroit sec mais non dépourvu de poussière, les disques n'ont été nettoyés que superficiellement avant que je ne les prenne en photo. Chaque collectionneur ayant sa propre méthode de nettoyage, je laisse le soin de cette délicate opération à leurs futurs propriétaires. Vous retrouverez d'autres disques classiques rares dans les "autres objets du vendeur" Frais d'envoi groupés en cas d'achats multiples. Expédition uniquement en colissimo pour la France. This week I am selling a very large collection of classical records, mostly from an apartment (closed for more than 30 years) that belonged to a classical music critic. A majority of these records include performances by the greatest soloists, including violinists. An important part concerns Soviet records (SOV DISC) whose pressing were made in the former USSR with French covers. These records, in their vast majority, have never been played ! Those who were listened to it were 2/3 times at most. Having stayed in a dry place but not free of dust, the records were cleaned only superficially before I took the pictures. Each collector has his own method of cleaning, I leave the care of this delicate operation to their future owners. You will find other rare classic records in "seller's other items" I ship worldwide. I combine shipping fees for multiple purchases. Shipping only by tracking parcel. Shipments over 2 kilos are done by Colissimo International, you can have a look on the rates on this link: https://www.tarifs-de-la-poste.fr/tarifs-colis.html Pochette / Cover: X+ Disque / Record: NMINT Unplayed Jamais joué Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but sti

LED ZEPPELIN "HOUSES OF THE HOLY" 100% 1st PRESS VINYL LP - K50014 "HOUSES OF THE HOLY"   100% GENUINE ORIGINAL UK  1st PRESSING 1973 VINYL LP HOUSED IN A SUPERB MATT GATEFOLD PICTURE SLEEVE THERE IS NO SASH BAND WITH THIS ONE. NOT ALL OF THE ORIGINAL 1st PRESSING WERE SENT FROM THE PRESSING PLANT WITH THE SASH BAND. THEY TENDED TO BE SENT TO THE RECORD STORES TO COVER THE BOTTOMS OF THE TWO LOWER CHILDREN ON THE SLEEVE. MOST SASH BANDS WERE BROKEN WHEN THE ORIGINAL OWNER WANTED TO GET INTO THE RECORD. IT IS COMPLETE WITH IT'S TEXTURED 1st PRESS INNER SLEEVE THIS RECORD IS IN TRULY VERY GOOD CONDITION WITH VINYL PLAYED TEN TIMES MYBE LESS IN MY OPINION. THERE ARE NO BAD SCRATCHES OR SCUFFS ANYWHERE. JUST A COUPLE OF HAIRLINES. RELEASED ON THE ATLANTIC RECORDS LABEL IN 1973 CAT NUMBER - K 50014 MATRIX NUMBERS:- SIDE ONE) K50014 A SIDE TWO) K50014 B IT WAS MADE IN GT. BRITAIN Some little scratches on cover (this LP is 60 years old!!!) Little handwritten inscription on top left of inner sleeve.

Étiquette de remplacement pour le jeu Super Nintendo: "Street Fighter Alpha 2" Restaurez vos cartouches abîmées ou délavées avec cette nouvelle étiquette neuve auto-adhésive ! Version(s) disponible(s): - [PAL-EUR]: Européenne (Royaume-Uni, Allemagne, France, Pays-Bas, Espagne, Italie) Si vous souhaitez une autre version ou dans une autre langue, merci de me contacter. Impression professionnelle haute qualité avec un pelliculage d'aspect brillant qui protège contre les traces de doigts et l'humidité. L'étiquette est prédécoupée et prête à l'emploi. La surface à coller doit être parfaitement sèche, propre et dégraissée. Tous les visuels d'origine ont été retravaillés minutieusement. En plus de la retouche de l'image, tous les textes, logos, et éléments graphiques ont été recomposés, tandis que les nuances ont été optimisées pour l'impression. Cependant, la perfection n'est qu'approchable, les couleurs de sortie, certains effets de brillance tel que les teintes dorées et enfin l'aspect du support peuvent différer du jeu original. Cartouche de jeu non incluse. Envoi protégé sous enveloppe à bulles avec suivi. Cumulez vos frais de ports en commandant plusieurs articles. Merci de me contacter avant le paiement afin de recalculer les frais d'envois. Promotion spéciale: - Pour 5 étiquettes SNES, NES, N64 achetées sur ma boutique, la 6ème vous est offerte.   Super Nintendo cartridge label replacement: "Street Fighter Alpha 2" Restore your damaged or faded cartridge labels with this new self-adhesive label! Availible(s) version(s): - [PAL-EUR]: European (United Kingdom, Germany, France, Netherlands, Spain, Italy) If you want another version or in another language, please contact me. Professional high-quality printing with glossy film, protecting against fingerprints and moisture. The label is pre-cut and ready for use. The surface to be bonded must be perfectly dry, clean and degreased. All original visuals have been reworked. In addition to retouching the image, all text, logos, and graphics were recomposed, while the shades were optimized for printing. However, the perfection is only approachable, the rendering of the colors, certain effects of brilliance such as the golden hues and finally the aspect of the support can differ from the original game. Game cartridge not included. Protected shipment in bubble envelope with tracking. Cumulate your shipping costs by ordering multiple items. Please contact me before payment to recalculate shipping costs Special promotion: - 5 SNES, NES, N64 labels purchased on my store, the 6th is free.

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

Oscar Wilde and Myself, With Photogravure Portrait of the Author and Thirteen Other Portraits and Illustrations, Also Fac-Simile Letters (Classic Reprint) Alfred Bruce Douglas Auteur: Alfred Bruce Douglas Editeur: Forgotten Books Broché: 344 pages paperback Publication: 09/07/2012 Dimensions: 22,61 x 15,19 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Preface THE manuscript of this book was completed by me and handed over to the pub Hshers as long ago as last July. Certain persons thereupon deemed it advisable to apply to the Court for an injunction restraining me from including in my book any of the letters from Oscar Wilde which were in my possession, and they further applied for an injunction restraining me from quoting from the unpublished portion of the DeP rofundis manuscript which is now sealed up at the British Museum and which was used against me in open Court as part of the justification in the defence to a libel action brought by me in A pril, 1913. The application for these injunctions was made in the Vacation Court before Mr. Justice A stbury, the most recent recruit to the Judicial Bench. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Preface THE manuscript of this book was completed by me and handed over to the pub Hshers as long ago as last July. Certain persons thereupon deemed it advisable to apply to the Court for an injunction restraining me from including in my book any of the letters from Oscar Wilde which were in my possession, and they further applied for an injunction restraining me from quoting from the unpublished portion of the DeP rofundis manuscript which is now sealed up at the British Museum and which was used against me in open Court as part of the justification in the defence to a libel action brought by me in A pril, 1913. The application for these injunctions was made in the Vacation Court before Mr. Justice A stbury, the most recent recruit to the Judicial Bench. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Terrible Reprint All of the "books" sold by this publisher are reprints--which would not be a problem, but for the fact that there are random spacing and spelling errors, the font is miniscule--and that they may (as the pub says) also be missing some text. For the cost, this is unacceptable. Mot Clef: Nonfiction Education Education Theory

Depeche Mode ‎– Love In Itself ∙ 2∙3 And Live Tracks cd. État : "Bon état" Depeche Mode ‎– Love In Itself ∙ 2∙3 And Live Tracks Label: Virgin ‎– 30142, Mute ‎– 30142 Format: CD, Mini-Album Country: France Sortie: 1987 Genre: Electronic Style: Synth-pop Tracklist 1Love In Itself (Original 7 Inch Mix)Engineer – Gareth JonesProducer – Daniel Miller, Depeche Mode4:182Just Can't Get Enough (Live)5:313A Photograph Of You (Live)3:354Shout (Live)4:335Photographic (Live)3:566Love In Itself (Original 12 Inch Mix)Engineer – Gareth JonesProducer – Daniel Miller, Depeche Mode7:15 Sociétés, etc. - Distributed By – Virgin France S.A. - Phonographic Copyright (p) – Mute Records Ltd. - Copyright (c) – Mute Records Ltd. - Made By – MPO Crédits - Artwork – David A. Jones, Martyn Atkins - Engineer [Front Of House] – Jon Botting (tracks: 2 to 5) - Mixed By – Depeche Mode (tracks: 2 to 5), John Fryer (tracks: 2 to 5) - Written-By – M.L. Gore* (tracks: 1, 3, 6), V. Clarke* (tracks: 2, 4, 5) Notes French editions of this release: 1) Jewel case 30055 2) Special Numbered Limited Edition in cardboard sleeve 30056 with paper inner sleeve 3) J-card case 30142 made by PDO 4) J-card case 30142 made by MPO (this one) The Studio Tracks were recorded at the Garden Studio, London & mixed in Hansa Mischraum, Berlin. The Live Tracks were recorded at Hammersmith Odeon on the 25th of October 1982 by Mobile One. The mixing was performed at Blackwing. ℗ 1983 Mute Records Ltd. © 1987 Mute Records Ltd. Diffusion exclusive Virgin France S.A. Made in France Code-Barres et Autres Identifiants - Barcode (Text): 3 268440 301423 - Barcode (Scanned): 3268440301423 - Matrix / Runout: V 30055 MPO 01 @ - Price Code: PM 506

No Mercy - Widespread Bloodshed Love Runs Red - RARE - 1st pressing of 1987 with Mike Muir of Suicidal Tendencies. État: Record: NM / Sleeve VG+ / Service de livraison: Colissimo Record With Original insert with Lyrics and original flyer from Suicidal Records Widespread Bloodshed Love Runs Red is the only studio album by American thrash metal band No Mercy, released in 1987 by Suicidal Records. In 1989 "Master of No Mercy", "Controlled by Hatred", "My Own Way of Life", and "Waking the Dead" were re-recorded by Suicidal Tendencies for their Controlled by Hatred/Feel Like Shit...Déjà Vu album, after Mike Clark had joined their band. "We're Evil", "Crazy But Proud", "I'm Your Nightmare", and "Widespread Bloodshed - Love Runs Red" were later re-recorded by Suicidal Tendencies for their No Mercy Fool!/The Suicidal Family album. Mike Muir – vocals Mike Clark – Guitar Ric Clayton – Bass Sal Troy – drums Produced by Mike Muir *** If outside the European Union contact me to know the exact postage fees ***