What does all mean

CD Album CD Code EAN: 0035627268328 Rubrique principale CD: CD Album Titre: WHAT DOES IT ALL MEAN (COMPILATION) Genre musical: Variétés internationales Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales

Jr. Walker And The All Stars* ‎– Home Cookin' Label: Soul ‎– SS 710, Soul ‎– SS710 Format: Vinyl, LP, Album Pays: US Date: 06 Jan 1969 Genre: Funk / Soul Style: Soul, Funk, Rhythm & Blues Tracklisting Masquer Crédits A1 Come See About Me Written-By – Holland, Dozier, Holland* A2 What Does It Take (To Win Your Love) Written-By – J. Bristol, H. Fuqua*, V. Bullock* A3 Home Cookin' Written-By – E. Willis*, H. Cosby*, M. Moy* A4 Sweet Soul Written-By – H. Fuqua, J. Bristol*, V. Bullock* A5 Hip City (Pt. 1) Written-By – A. Dewalt*, E. Hollis* B1 Hip City (Pt. 2) Written-By – A. Dewalt*, J. Bradford* B2 Sweet Daddy Deacon Written-By – A. Dewalt*, W. Nicks*, V. Thomas* B3 Buster Brown Written-By – Robinson*, Brown* B4 The Things I Do For You Written-By – A. Dewalt*, L. Horn* B5 Baby Ain't You Shame Written-By – A. Dewalt*, L. Horn*, S. Moy* Crédits - Liner Notes – Ed Ochs Notes LP housed in catalog dust sleeve. © 1968 Motown Record Corp.

CHAMBRE JAUNE Better Dead Than Alien Label: Schemer ‎(SCHEMER 8906) Format: Vinyl, LP, Original, Inner Sleeve. Pays: Germany Sortie: 1989 Tracklist A1 Stung Right Thru A2 Dreampalls A3 Beat Metal Harsh A4 Sjoerd A5 Coretled B1 Is There Any You? B2 Lost Ma Teeth In The Bathroom B3 Children Of Rage B4 Dislocation In Time B5 Fat Clumsy Bodys B6 What Does Your Dick Do In My Pudding?

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Louis Armstrong ‎– & The All Stars 33T LP VG++/EX+ Audio fidelity 180.010 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear

.GENESIS Calling All Stations UK 11-track advance promo CD Virgin GENCDP6 1997 UK EX/EX  Calling All Stations  advance promotional CD with introductions to each track by Capital DJ Martin Collins. Includes the singles Congo and Shipwrecked. Custom 'For Instore Play Only' card picture sleeve GENCDP6   ---- 1. Calling All Stations  2. Congo  3. Shipwrecked  4. Alien Afternoon  5. Not About Us  6. If That's What You Need  7.   The Dividing Line  8. Uncertain Weather  9. Small Talk  10. There Must Be Some Other Way  11. One Man's Fool. WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°   Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

.GENESIS Calling All Stations UK 11-track advance promo CD Virgin GENCDP6 1997 UK EX/EX  Calling All Stations  advance promotional CD with introductions to each track by Capital DJ Martin Collins. Includes the singles Congo and Shipwrecked. Custom 'For Instore Play Only' card picture sleeve GENCDP6   ---- 1. Calling All Stations  2. Congo  3. Shipwrecked  4. Alien Afternoon  5. Not About Us  6. If That's What You Need  7.   The Dividing Line  8. Uncertain Weather  9. Small Talk  10. There Must Be Some Other Way  11. One Man's Fool. WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound.G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratchesExemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

GENESIS Calling All Stations Album Sampler 7-track promo MAXI CD Virgin GENCDJ UK EX/EX 7-track promotional sampler CD for the album, includes Congo, Calling All Stations, Shipwrecked, Alien Afternoon, If That's What You Need and The Dividing Line, housed in a custom digipak picture sleeve with brief comments about the album by Mike Rutherford and Tony Banks GENCDJ6. Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! PORT GRATUIT POUR ARTICLES SUPPLEMENTAIRES !  (Vous ne payez le port que pour le premier article acheté) Free shipping for additional items !!  (You will pay postage only for the first item !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

BONJOUR, VOUS ENCHERISSEZ POUR MON LIVRET D'OASIS DU 20eme ANNIVERSAIRE DE "BE HERE NOW" COMPOSÉ DE 3 CD REGARDEZ BIEN TOUTES LES PHOTOS AVANT D'ENCHERIR REGARDEZ MES AUTRES OBJETS CAR IL Y A LA POSSIBILITÉ DE GROUPER LE PORT SI VOUS AVEZ UNE QUESTION MERCI DE LA POSER AVANT D'ENCHERIR OU D'ACHETER MERCI POUR VOTRE INTERET ET BONNE JOURNÉE (-: HELLO,  YOU ARE BIDDING MY OASIS BE HERE NOW 3CD 20th ANNIVERSARY BOOKLET PLEASE BE SURE TO VIEW ALL PHOTOS INCLUDED AS THIS IS EXACTLY WHAT YOU WILL GET IN THE CONDITION YOU SEE IT. CHECK OUT MY OTHER AUCTIONS ASK ABOUT COMBINED SHIPPING IF YOU WIN MORE THAN ONE ITEM ON THE SAME DAY IF YOU HAVE ANY QUESTIONS PLEASE ASK BEFORE BIDDING OR BUYING THANKS FOR LOOKING AND HAVE A GREAT DAY (-: TRACKLISTING CD 1 - Be Here Now D'you Know What I Mean? My Big Mouth Magic Pie Stand By Me I Hope, I Think, I Know The Girl in the Dirty Shirt Fade In-out Don't Go Away Be Here Now All Around the World It's Gettin' Better (Man!!) All Around the World (Reprise) CD 2 - B-Sides & Extras Stay Young The Fame Flashbax (I Got) the Fever My Sister Lover Going Nowhere Stand By Me (Live at Bonehead's, Outtake) Untitled Help! (Live in LA) Setting Sun If We Shadows Don't Go Away My Big Mouth (Live at Knebworth Park) D'you Know What I Mean? (NG's 2016 Rethink) CD 3 - Mustique Demos D'you Know What I Mean? My Big Mouth My Sister Lover Stand By Me I Hope, I Think, I Know The Girl in the Dirty Shirt Don't Go Away Trip Inside (Be Here Now) Fade In-out Stay Young Angel Child The Fame All Around the World It's Gettin' Better (Man!!) ATTENTION AVEC LA CRISE SANITAIRE JE NE GARANTIS AUCUN DÉLAIS DE LIVRAISON BE CAREFUL WITH THE SANITARY CRISIS I DO NOT GUARANTEE NO DELIVERY TIMES

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

PRESSAGE ANGLAISDOUBLE CD de 41 titres1-1 - Pictures of matchstick men1-2 - Ice in the sun1-3 - Down the dustpipe1-4 - In my chair1-5 - Paper plane1-6 - Mean girl1-7 - Caroline1-8 - Break the rules1-9 - Down down1-10 - Roll over lay down1-11 - Rain1-12 - Mystery song1-13 - Wild side of life1-14 - Rockin' all over the world1-15 - Again and again1-16 - Whatever you want1-17 - Living on an island1-18 - What you're proposing1-19 - Lies1-20 - Don't drive my car1-21 - Something about you baby i like2-1 - Rock 'n' roll2-2 - Dear John2-3 - Ol rag blues2-4 - A mess of the blues2-5 - Marguerita time2-6 - Going down town tonight2-7 - The wanderer2-8 - Rollin' home2-9 - Red sky2-10 - In the army now2-11 - Dreamin'2-12 - Ain't complaining2-13 - Burning bridges2-14 - Anniversary waltz (Part 1 medley)2-15 - Anniversary waltz (Part 2 medley)2-16 - I didn't mean it2-17 - When you walk in the room2-18 - Fun fun fun2-19 - Don't stop2-20 - All around my hatRéf: Vertigo ‎553 507-2Etat: M/EXAnnée: 1997

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Pedro Iturralde ‎– Flamenco Jazz 33T LP NM/NM MPS Records ‎– JS-051 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. The Velvet Underground ‎– Squeeze 33T LP EX+/NM Polydor ‎– 2480 159 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Edmond Atlan ‎– Redjle Mchete Bia - 45T VG+/VG+ Dounia ‎– 103 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear