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A Dozen A Day    PIANO  Book 1 (Blue) By Edna Mae Burnham Piano Sheet Music BooK     Pre-practice technical exercises for the piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practising. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys.

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

Grey Matter E! for DX7II is a circuit board attached to the DX7IIFD, DX7IID  synthesizer main board that turns an otherwise normal DX7II-FD or DX7II-D into a fully featured workstation machine.     Expanded internal Memory   E! enlarges the internal RAM memory of your DX by four times and allows it to hold 256 single sounds (called Voices) and 128 Performance memories (multi-voice combinations).   The total internal memory is divided into 4 Banks. Each Bank holds 64 Voices and 32 Performances    - Bank 1 = 64 Voices/32 Performances  - Bank 2 = 64 Voices/32 Performances  - Bank 3 = 64 Voices/32 Performances  - Bank 4 = 64 Voices/32 Performances   Voices from all four banks can be combined into any of the Performance memories, meaning you're not limited to Voices found in just one Bank when creating a Performance Combination   Octal Mode Octal Mode is one of the most outstanding features of the E! expansion because it turns your DX7II into an 8 channel multitimbral sound module. With this capability, the keyboard can receive MIDI information on 8 separate channels directly from the internal SE!quencer or from an external controller. Each channel can be assigned a different Voice, so now your DX can produce eight different sounds at once.   Splits and Layers With E! you can go far beyond the simple two way split and layer combinations of original DX7II. Youâ??ll find that there are Performance Modes that let you layer 4 voices or create elaborate 8 way splits. There's even a floating split mode, where the split point follows the movements of your right hand up and down the keyboard.   Accompaniment Modes There are two accompaniment modes that let you to trigger preset chords or moving patterns by playing just one key.    - Player Mode - Using this mode you can create elaborate moving accompaniments by triggering a different arpeggio or bass line pattern by playing one key.     - Chord Mode - This mode lets you trigger a different chord voicing (such as major, minor, 7th or 9th chord) when you press a key.    8 Channel Controller With El, your DX is capable of transmitting up to 8 MIDI channels from the keyboard and 16 channels from the sequencer.       Expanded Data Management Functions With the Expanded Memory and increased Performance and Sequencer functions, the Data Management operations are likewise augmented. In transferring data to and from the disk, you now have the option of Saving and Loading a Single Bank of Voices and Performance memories or all 4 at once.      Two Primary Modes All the E! functions are collected under two fundamental menu headings:   - Engine   - SE!quencer   Engine   The heart of the E! system is called the Engine. As the central workhorse menu, it contains most of the new E! functions including all Performance modes, multitimbral and MIDI controller features and the special accompaniment modes. Every parameter within the Engine menu is programmable. This means you can save any multitimbral combination, split or layer combination or sequencer song to one of the 128 Performance memories and call them up with the touch of one button!   Sequencer With E! you now have a 16 track MIDI recorder built into your DX. Eight of these tracks can be assigned to trigger eight internal DX Voices, while the others can be used to trigger external MIDIsound modules.   The recording and editing features compare with some of the best computer software programs available. The SE!quencer is pattern based, meaning you record short segments of data called Patterns and then link them into a complete arrangements called Songs. The Internal memory holds a maximum of 22,000 MIDI events, which can be reserved for 1 Song or divided between up to 10 Songs. The disk on a DX7lI-FD serves to expand the internal memory by 10 times the maximum limit, or 220,000 MIDI events divided

Nebula Anker Mars II Pro 500 ANSI Lumen Portable Projecteur, Noir, 720p AVEC SACOCHE POUR PORTABILITÉ COMPLÈTE Etat de fonctionnement comme NEUF. (Description américaine). Copyrighted content from Hulu, Netflix, and similar services CAN NOT be mirrored or screencast. Download and use the apps directly through Mars II Pro to view copyrighted content from these providers. Chromecast is not supported. Three Modes: Auto, Battery Mode, and Standard Mode Auto: Outputs at 200 ANSI lumens when using the battery, and 500 ANSI lumens when connected to a power source. Battery Mode: Outputs at 200 ANSI lumens when using the battery and when connected to a power source. Standard Mode: Outputs at 500 ANSI lumens when battery is above 20%, and 200 ANSI lumens when battery is below 20%. Size Length: 7 in Width: 4.8 in Height: 5.43 in Weight: 3.94 lbs Display Display Technology: 0.3' DLP Native Resolution: 1280 x 720 (HD) Brightness: 500 ANSI lm Lamp Life: 30,000 Hours Aspect Ratio: 16:9 Throw Ratio: 100 in at 10.1 ft; 80 in at 8 ft; 60 in at 5.7 ft; 40 in at 3.8 ft Offset: 100% Focus Adjustment: Automatic Keystone Correction: Horizontal and Vertical 40 Interface HDMI: HDMI 1.4 USB: USB 2.0 DC-IN: 19V, 3A DC-In Control: Physical Buttons Dedicated App: Nebula Connect for Android and iOS Hardware CPU: Quad-Core A7 Battery: 12,500mAh / 3.85V Speaker: Dual 10W Speakers Dual Frequency: 2.4/5GHz Bluetooth: BT4.0 Dual Mode/A2DP Fan: Software OS: Android 7.1 Working Modes: Projector Mode, Bluetooth Speaker Mode OTA: Supported App Store: Supported Movie Playtime: 3 Hours Music Playtime: 30 Hours in Bluetooth Speaker Mode Charging Time: 3 Hours Note: Specifications and design are subject to change without notice. What's In The Box Nebula Mars II Pro, power adapter and power cord, quick start guide, remote control and battery, 12-month warranty, and our friendly customer service. Features: Brighter is Better: DLP IntelliBright technology projects a radiant 500 ANSI lumen image at razor-sharp 720p for breathtaking video clarity. Cinematic Sound: Dual 10W audio drivers work together to deliver sensational surround sound and deep, resonant bass for a truly immersive outdoor projector movie experience. Ideal in the Home: Stay entertained at home with Mars II Pros 150-inch image. Watch movies, take online classes, or keep the kids entertained with hours of cartoons and educational videos. The possibilities are endless. All Your Favorites: Watch YouTube, Netflix, and more with Android 7.1 for hours of awesome content on your portable projector. NOTE: Copyrighted content from Hulu, Netflix, and similar services CAN NOT be mirrored or screencast. Download and use the apps directly through Mars to view copyrighted content from these providers. Chromecast is not supported. *Boîte non disponible car sacoche, mais tous les éléments accessoires et prise adaptateur Américaine-----> France.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   3 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths.. Perfect homogeneity of colorimetry, contrast and resolution.. Intended for high-end film and digital cameras.. Constant diaphragm over the entire zoom stroke (no ramping), no pumping   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   4 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha                         -" ARRI  PL " for ARRIFLEX So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.c

Description PACKAGE: 1 x Sony WF-1000XM5 Earphones with Charging Case (New) or Charging Case Only(Used) The charging case sold separately is used, please pay attention when purchasing!!! Product Description: The WF-1000XM5 features cutting-edge technology to deliver premium sound quality and the best truly wireless noise-cancelling performance on the market1. With a specially designed driver unit, for wide frequency production, deep bass and clear vocals, these headphones are designed to immerse you in a sound so good, it feels like you're in the studio with your favorite artists. Specifications: Noise Cancellation: The WF-1000XM5 reduces external noise over a wide bandwidth, from low to high frequencies. Real-time noise cancelling processing can be optimized to provide the best performance for your environment so you will hear a big difference, especially in airplanes or trains. Astonishing sound quality: Enjoy richer, more detailed vocals thanks to a specially designed driver unit Dynamic Driver X for wide frequency reproduction, you will experience richer vocals and enhanced fine details. Excellent call quality: Mute the outside world with Precise Voice Pickup Technology and advanced audio signal processing. The person on the other end of the call will hear your voice clearly, even when you are in noisy situations. Small and beautifully designed: With an improved glossy texture and a more luxurious feel, these earbuds fit comfortably in your ears while keeping out external sounds. Noise Cancellation technology: Exclusively developed by Sony, the Integrated Processor V2 unlocks the full potential of our HD Noise Cancelling Processor QN2e. The unique combination of technology controls the six microphones, across both ears, to deliver unprecedented noise cancelling quality. Multipoint Connection: For smooth switching, the WF-1000XM5 can be paired with two Bluetooth devices simultaneously so, when a call comes in, your headphones can automatically connect to the right one. Adjusts to the world around you: Adaptive Sound Control senses where you are and what you’re doing, then uses AI to change ambient sound settings for the ideal listening experience. Over time, it will learn your behavior, recognize locations you visit, and tailor the sound to suit your location. Talk and only hear ambient sound: You can set Speak-to-Chat to pause the music as soon as you start speaking to someone, so you can hear just ambient sound and conduct a conversation – handy if you want to keep your headphones on or your hands are full. Water resistant for everyday use: With an IPX4 resistance rating, splashes and sweat won’t stop these headphones – so you can keep moving to the music. Designed with the environment in mind: With Sony’s commitment to achieve a smaller footprint and help you enjoy the music you love, plastics are not used in the WF-1000XM5 packaging material (except for excluding coating and adhesives). Listen all day, charge in minutes: You can enjoy up to 8 hours of charge on your headphones and store another up to 16 hours in the case for a total of up to 24 hours of listening every time you leave the house. And for your convenience, 3-minute quick charge will give you up to 60 minutes of play. Designed for less distortion: Thanks to two new processors, the HD Noise Cancelling Processor QN2e and Integrated Processor V2, the WF-1000XM5 incorporates precision 24-bit audio processing and high- performance analogue amplification. The result is low distortion and crystal clear audio. AI technology for precision sound: Using Edge-AI, DSEE Extreme upscales compressed digital music files in real-time, including those from popular streaming services. Spatial sound with 360 Reality Audio: With 360 Reality Audio headphones and the Sony Headphones Connect app, an advanced personal optimization algorithm gives you an even greater sense of sound space, distance and height, allowing you to become even more immersed in the music. Comfortable and s En savoir plus Collaboration commerciale.

KERN YVAR 1: 2.8 f = 75 mm for BOLEX H 16              or others cameras mount C                      No. 306759                    (traduction en français ci-dessous) Very high quality lens manufactured especially for BOLEX cameras Very good cosmetic The glasses are clear and healthy This lens can also be used on devices digital! - BLACKMAGIC / PANASONIC LUMIX GH.. ("4/3" frame) - SONY Alpha ("NEX" mount) This using suitable adapters (see photos) The photographic results are excellent! When ordering, please specify which of these adapters suits you (only one will be delivered) Warning: not suitable for devices with "Full Frame" sensors (24x 36 cover) Supplied with front cover, sun visor and its leather case Information: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these lenses as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when the optics are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photos 4/5) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! Certainly not ! **** Please read below   Shipping and Sales Specifications *** KERN YVAR 1:2.8 f= 75 mm             n° 306759 Objectif de très grande qualité fabriqué spécialement pour les caméras  BOLEX H ou autres en montures "C"  Très bonne cosmétique  Les verres sont clairs et sains  Cet objectif peut s'utiliser  également sur des appareils photos  numériques ! - BLACKMAGIC / PANASONIC LUMIX GH..(monture " 4/3 ") - SONY Alpha (monture "NEX") Ceci à l 'aide d'adaptateurs appropriés (voir photos) Les résultats photographiques et cinématographiques  sont excellents ! A la commande veuillez me spécifier lequel de ces adaptateur vous convient (un seul sera livré) Attention: ne convient pas aux appareils avec capteurs " Full Frame "  (couverture 24x 36) Livré avec un couvercle frontal, un pare- soleil  et son étui en cuir + éventuellement un adaptateur  Information: La qualité des objectifs "vintage " se dégrade avec l 'âge  (un peu comme nous...)  Des micro-poussières internes sont inhérentes à ces objectifs  ainsi que quelques micros rayures de nettoyage sur le  verre frontal. Défauts qui  sont en règle général sans incidence sur le résultat  photographique  Par contre la présence de moisissures (fungus) sur les verres  internes sont préjudiciables ! C'est le véritable " cancer " des verres minéraux ! Après un certain temps ils s'incrustent dans le verre et il est  souvent très difficile de les extraire !  Ils s'étendent petit à petit et dégradent totalement  les qualités optiques ! Les moisissures sont reconnaissables à ceci: - Filaments blancs  - Aspect " brumeux "  - Incrustations opaques profondes  Ces moisissures apparaissent lo

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good lev

ANGENIEUX f = 12 - 120 mm 1: 2.2                                   n°. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 11) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good

SOM BERTHIOT lens f = 75 mm 1: 2.5 for BOLEX H16 "C" mount                           (traduction en français ci-dessous)                                                   or Digital cameras (mounting with specific adapters): - "MFT" 4/3 LUMIX GH.; BLACKMAGIC; PANASONIC                           - "NEX" for SONY Alpha (photo) Excellent cosmetic condition Fluid adjustment rings Clear glasses without mist and fungus ("endoscopic" control photo n ° 6/7) Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and totally degrade optical qualities! Molds are recognizable by this: - White filaments - "Misty" aspect - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defaults To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this "test" was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! Comes with a cover and a cap MFT 4/3 or Nex adapter on request when ordering (only one adapter will be delivered please tell me which adapter you may be interested in) ** The presentation camera is not part of the offer ***** **** Please read the general sales guidelines before bidding or buying                (below) your submissions constitute acceptance.                            Thanks for your interest ***. §§ Foreign bidders residing outside the European Union. or in the French Overseas Territories Shipping is possible worldwide. But please contact me before you bid to have me communicate the price of the shipment. The price varies considerably from one region to another §§§§ SOM BERTHIOT  = 75  mm 1:2.5 pour BOLEX H16 monture "C"                                                   ou  Appareils photo numérique (montage avec adaptateurs spécifiques): - "MFT" 4/3     LUMIX GH.; BLACKMAGIC;PANASONIC                            - "NEX" pour SONY Alpha  Excellent état cosmétique  Bagues de réglage fluides  Verres clairs sans brume et sans champignon (contrôle " endoscopique "  photo n° 6/7) Information sur la qualité des verres internes: La qualité des objectifs "vintage " se dégrade avec l 'âge  (un peu comme nous...)  Des micro-poussières internes sont inhérentes à ces objectifs  ainsi que quelques micros rayures de nettoyage sur le  verre frontal. Défauts qui  sont en règle général sans incidence sur le résultat  photographique  Par contre la présence de moisissures (fungus) sur les verres  internes sont préjudiciables ! C'est le véritable " cancer " des verres minéraux ! Après un certain temps ils s'incrustent dans le verre et il est  souvent très difficile de les extraire !  Ils s'étendent petit à petit et dégradent totalement  les qualités optiques ! Les moisissure

Sonic Tonic: A Journey Of 10+ years Becomes A Product Born of Experience, Friendships b'&' Love Of MusicBeing in business for nearly 15 years, you get to meet, and share experience/knowledge with some really great people. Some well known, some relatively unknown. This post is about the birth of a product, I call it Sonic Tonic, as a culmination of over 10 years working with Mr. Jack Bybee, and a fellow group of like minded music lovers whom I will call my b'"'Tweak Gurusb'"'. A Bit of Mad Science TooI owe a great deal to these people. Together through our love of music and what we think it should sound like when reproduced, we continue to push the boundaries of what is possible with audio through very unconventional means. We are mad scientists, given completely over to the dark side. The experiences we share are available to you, if you decide to trust our experiences, our anecdotal evidence, and our ears. It's a lot to ask. I know. Hell I'm about as scientific minded as they get when it comes to anything else except audio. That's because my ears and the ears of my colleagues/friends have heard things. Things we can't measure (with conventional tools/methods), things we can't really put into adequate words, but can only hint at with rambling cliches. It's wholly inadequate, but I've found a way to get beyond words, hype, bullshit and the like. I let you put my experiences to the test, try them in your own system on your own time, and see if they are for your ears. It's simple, costs little to do, and cuts through the crap. Everything Makes A DifferenceI have been experimenting with crystals, metals, and other materials in respect to the effect they have on signal transmission and room acoustics. Let me just say that everything, EVERYTHING in your listening room has some effect on the sound of your audio system, and in more ways than you think. Even the air in the room, it all affects performance, and can be altered. You've seen my experimentation with Copper rods (still ongoing, with more blogging to come...) alongside conventional acoustic treatments within a listening space. This is a fantastic, and inexpensive tweak. The copper brings openness, naturalness and enhances dynamics. Even a well acoustically treated room. That was my first unconventional means of attacking a common problem. inexpensive to try, and I make no money from it. It is simply me sharing something that brings more excitement to the listening experience. A 1/2b'"' copper rod suspended from my ceiling. Playing The FieldThen there are the crystal based products. Not necessarily cheap, but that is about to change... For the crystal based products there are of course Jack B's latest inventions: Room Neutralizers, Quantum Signal Enhancers. Let's not forget the Stein Harmonizer system, Synergistic Research HFT, UEF, Audio Magic P.E.A. and PulseGen technology. All of these use crystals, resonance and either are energized by or produce a b'"'fieldb'"' that enhances certain aspects of music reproduction. All do something to the sound, or to the listener perhaps, that enhances or at the very least changes the sonics of a system and/or room. These have all been an inspiration of sorts, and I have listened to them all. I have much respect for these manufacturers. It takes hundreds, even thousands of hours and tens of thousands of dollars to develop a product such as this. That's before one dime is made. Think about that the next time you read or hear someone bashing a manufacturer for egregious pricing in light of parts count and cost. It's the original idea, the research, the time, and money invested beforehand with no guarantee of return. This needs to be calculated into the MSRP in addition to the material cost of production. Then one has to project how many will be sold (good luck with that in the audio industry) and hopefully come up with a number that will produce a reasonable profit. But I digress.... Rolling My OwnMy own experimentation began by placing large crystals of En savoir plus Collaboration commerciale.