Which also works on modern cameras

Le Fujinon 50mm f/1.4 est un standard lumineux produit au Japon au milieu des années 1970. Il est réputé pour sa colorimétrie riche, ses contrastes assez élevés en fermant un peu. À pleine ouverture, le rendu est un peu plus doux, mais le piqué est suffisant pour du portrait. Le bokeh est généralement doux, avec un peu de caractère, jusqu'à f4. C'est un bel objectif polyvalent, qui fonctionne également sur les appareils photos modernes. La couche supérieure EBC garantit une meilleure protection contre les reflets. L'objectif a une monture M42, ce qui le rend très facile à adapter sur un appareil photo numérique (en particulier hybride), en achetant une bague à petit prix sur internet. L'objectif est globalement en bon état. Il y a des signes d'usure évidents à l'extérieur. Il fonctionne normalement, mais la bague de mise au point est devenue un peu dure. Les optiques sont assez claires, sans rayures, brume ni champignons. On voit quelques poussières et un peu de saleté et de micros dépôts uniquement sur les bords. Rien n'affecte le rendu normal de l'objectif. L'objectif est livré (avec un capuchon) monté sur le boitier Fujica ST801. Il est à noter que je n'ai jamais utilisé l'appareil et que je ne peux pas garantir son fonctionnement. Par conséquent le prix et l'offre ne concernent que l'objectif et il faut considérer l'appareil comme un bonus. Extérieurement, on voit quelques signes d'usage, mais il semble en bon état. Le déclencheur fonctionne et le rideau se ferme normalement. Le viseur contient quelques poussières, mais l'appareil semble normalement utilisable, compte tenu de son âge. --------------- The Fujinon 50mm f/1.4 is a luminous standard produced in Japan in the mid-1970s. It is renowned for its rich colourimetry and fairly high contrast when closed a little. At full aperture, the rendering is a little softer, but the sharpness is sufficient for portraiture. Bokeh is generally soft, with a little character, up to f4. This is a fine all-round lens, which also works on modern cameras. The EBC coating ensures better protection against reflections. The lens has an M42 mount, which makes it very easy to adapt to a digital camera (especially a mirrorless), by buying a low-cost adapter ring on internet. The lens is in generally good condition. There are obvious signs of wear on the outside. It works normally, but the focus ring has become a little hard. The optics are fairly clear, with no scratches, haze or fungus. There is some dust and a little dirt and micro deposits only around the edges. Nothing affects the normal rendering of the lens. The lens is supplied (with a cap) mounted on the Fujica ST801 body. It should be noted that I have never used the camera and cannot guarantee that it will work. As a result, the price and offer only apply to the lens and the camera should be considered as a bonus. Externally, there are a few signs of use, but it appears to be in good condition. The shutter release works and the shutter curtain closes normally. There is some dust in the viewfinder, but the camera seems normally usable, given its age. En savoir plus Collaboration commerciale.

b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' The Kowa SER 35mm f2.8 (built from the late 1960s to the early 1970s) were something very special even at the time they were built, because they were the last central shutter cameras ever built in the world. This lens was the moderate wide-angle analogic lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. Here it impresses with good sharpness from open aperture, and the background behavior is really b'"'specialb'"' (whether particularly beautiful is in the eye of the beholder - it really depends on whether you like it particularly soft or rather b'"'busyb'"'). In order to give a direct feeling for the performance and the bokeh behavior, I would like to start with a small aperture row in the close range. The overall images nicely show the changes in bokeh behavior. The Kowa SER 35mm f2.8 was the moderate wide-angle lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. The Kowa lenses are a pleasure to feel, and the clickless aperture ring (on the adapter) is of course an advantage for filmmakers. The Kowa SER 35mm f2.8 gave many beautiful shots! Like all Kowa lenses, this one is particularly suitable for close-up images where you are close to the subject. In the tradition of the large German manufacturers such as Zeiss (Contaflex) and Voigtländer (Bessamatic and Ultramatic), Kowa also built three interchangeable lens cameras with central shutters in Japan (based on viewfinder cameras with the same principle). The Kowa SER was replaced after a few years by the Kowa Set-R and the Set-R2. What is remarkable here is the persistence with which Kowa transported the central locking system into the 1970s. This system, which was outdated by the mid-1960s at the latest due to its technical limitations, led directly to the decline of the major German manufacturers and was one of the b'"'nailsb'"' in the coffin of the German camera industry, which ended in Zeiss ceasing camera production in 1972. The big difference to the last German central shutter cameras is the shape and design of the Kowa SER/Set-R cameras. At the time, they were optically absolutely contemporary, comparable to the Pentax Spotmatic and the other Japanese SLR cameras in terms of form factor. In addition to the great advantage of the central shutter that flash can be used at all exposure times, it also leads to extremely difficult lens designs and major reliability problems due to the complexity of the control. These days it's hard to find a Kowa camera that even works, let alone someone who can repair it. Some technical information about the lens: Weight: 172g Length: 53mm Diameter 59mm Optical design: 6 lens elements Aperture: from f2.8 to f16 Aperture design: 5 aperture blades Filter holder diameter: 49mm Closest focusing distance: 40cm Serial number: 940388 Built from the late 1960s to the early 1970s Made in Japan by Kowa b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' _________________________________________ tags: telemetric film camera analogic film is not dead! leica carl zeiss tessar voigtlander olympus canon kodak fujifilm ilford En savoir plus Collaboration commerciale.

Tower 32B, copie du Mamiya Prismat NP, le premier appareil 35mm Mamiya conçu, avec une monture de type Exakta. http://herron.50megs.com/prismat.htm L'appareil photo est en bon état général et fonctionne normalement.  Il est équipé du Mamiya-Sekor F.C 58mm f1.7, un superbe standard. Cet objectif est réputé pour son bokeh tournant à pleine ouverture, et assez rond (10 lamelles). Les couleurs sont en général saturées et le piqué très bon au centre dès la pleine ouverture ou en proxy, mais aussi en fermant (f8/f11 pour du paysage). Conçu pour les appareils photos argentiques Mamiya Prismat NP (ou leurs copies), il s'adapte sur des appareils numériques avec une bague Exakta (que l'on trouve à petit prix sur internet). Je l'ai utilisé sans problème sur mon Sony A7RII. Objectif plein format, entièrement manuel. https://www.pentaxforums.com/userreviews/mamiya-sekor-58mm-f-1-7.html L'objectif est en très bon état. Il fonctionne normalement mais il y a un peu de jeu dans la bague de diaphragme et une petite résistance dans la bague de mise au point. Optiques claires sans rayures ni champignons, quelques poussières. ---------------------- Tower 32B, copy of the Mamiya Prismat NP, the first 35mm Mamiya camera, with an Exakta type mount. http://herron.50megs.com/prismat.htm The camera is in good condition and is working normally.  It is equipped with the Mamiya-Sekor F.C 58mm f1.7, a superb standard. This lens is famous for its swirly bokeh wide open, and quite round (10 blades). The colors are generally saturated and the sharpness is very good in the center wide open or in proxy, but also stopping down (f8/f11 for landscape). Designed for Mamiya Prismat NP film cameras (or their copies), it fits on digital cameras with an Exakta adapter (which can be found at a low price on the internet). I used it without any problem on my Sony A7RII. Full frame lens, fully manual. https://www.pentaxforums.com/userreviews/mamiya-sekor-58mm-f-1-7.html The lens is in very good condition. It works normally but there is some play in the aperture ring and a little resistance in the focusing ring. Clear optics without scratches or fungus, some dust.

SCHNEIDER SUPER-SYMMAR XL 4,5/80mm MC ASPHERIC - En Etat proche du NEUF / In near MINT condition  - Lentilles propres, claires, sans champignon, traces ni rayure / Lens clean, clear, without fungus, without scratch or cleaning marks. - Obturateur copal 0, fonctionne à toutes les vitesses / Copal 0 shutter, works at all speeds.  - Made in Germany - Pour chambre 4x5, 5x7 / For 4x5 and 5x 7 Large Format Cameras - Objectif grand angle équivalent 21 mm en 4x5 / Wide angle lens: 21mm equivalent in 4 x 5 Large format. - Piqué exceptionnel, larges possibilités de mouvement, lumineux / Tack Sharp lens, wide movement possibilities, luminous lens. - Avec bouchons d'objectif avant et arrière / Comes with front and rear genuine lens caps. - Avec Pare soleil grand angle 67mm / Comes with a 67mm filter thread wide angle lens hood - n° de l'objectif: 14992344 / Serial number of the lens: 14992344            SCHNEIDER Center-Filter IIIb (+ 400 € quand neuf/ when new) - En excellent Etat / In excellent condition  - Valeur: plus de 400 € quand neuf / More than 400 € when New. - Pare soleil grand angle 86mm / Comes with a 86mm filter thread wide angle lens hood Excellent +++ condition for the the Schneider Super-Symmar 80mm XL lens. Comes with the Schneider Center-Filter IIIb. The Schneider 80mm f/4.5 Super-Symmar XL Lens is a professional wide angle lens for the 4x5 format, which provides an angle of view on 4x5 which is similar to a 21mm lens in the 35mm format. The Super-Symmar XL lenses are the world's first aspherical lens design for large format, producing incredible peak sharpness with excellent correction for distortion and a small overall size. The 80mm f/4.5's large image circle allows plenty of creative control for the photographer-in fact, it has the largest image circle of any 80mm large format lens. Beyond the coverage, the lens' large f/4.5 maximum aperture helps to ease the difficulty of focusing the camera in poor light. The 80mm Super-Symmar XL's 105° angle of coverage permits a generous 34mm of all-direction shift on the 4x5 format, which is particularly beneficial when capturing a building from ground level. It can be mounted upon any view or field camera, thanks to its tiny 43mm diameter rear barrel which only extends 14.8mm behind the mount, allowing plenty of space between the rear of the barrel and the image plane for tilts and swings. The 80mm Super-Symmar XL uses 67mm filters, and for critical work with transparency film it is strongly recommended to use the dedicated #3b center filter. Extremely sharp ultra wide lens for professional results in the 4x5 format (can also be used upon 5x7 cameras). World's first aspherical lens design series for large format. Excellent correction of perspective distortion. Increased coverage to an extreme 105°. Bright f/4.5 maximum aperture allows easier focusing in subdued light. Largest image circle of any 80mm large format lens. Maximum image circle of 211mm allows ±34mm of rise/fall/shift (in both vertical/horizontal composition) for 4x5 format. Accepts 67mm filters. Standard-style Copal #0 shutter with calibrated aperture scale and maximum 1/500th speed Schneider Filter IIIb INCLUDED !!!(+ 400 € New) Schneider IIIb center filter for critical correction of light falloff + Lens hood for a wide angle with filter (86mm)

Panasonic Lumix G VARIO 100 – 300mm F4.0-5.6 MEGA 0IS top in box! International bidders are welcome: English version of the announcement and German lower.. I note that the shipping costs are exactly what I pay, I do not take commission. Je vends mon zoom Panasonic 100 – 300mm micro 4/3 soit l’équivalent en full frame ou reflex 24x36 d’un 200 à 600 mm ! L’optique est en superbe état les photos en attestent. Il fonctionne parfaitement la bague de zoom est fluide; c’est la première version de cette optique qui a l’avantage d’être une version « Made in Japan ». Il est très bien stabilisé et ce stabilisateur est débrayable et se combine également à celui du boitier. Il est compatible avec les boitiers micro 4/3 Panasonic ou Olympus. Les lentilles sont indemnes de tout défaut car je l’ai toujours utilisé avec un filtre de protection (non vendu avec); il sera livré avec ses bouchons avant et arrière dans son emballage original et avec son parasoleil spécifique. Seul fait défaut la proche de protection que j’ai égarée mais qui de toute façon était trop souple et légère pour le protéger efficacement. Je l’ai peu utilisée et toujours avec soin. Expédition: Pour les frais de port sur une base Colissimo recommandé et assuré le prix sera de 12 € si je paye moins cher je rembourserais la différence par PayPal. Pour l’envoi pour l’international (monde entier), le prix sera de 20 € (Europe, inclus la Suisse) affinés selon sa destination au moment de la finalisation de la vente si je paye moins je rembourserai par PayPal la différence car je ne gagne pas d’argent sur les frais d’envoi. Me contacter avant d’enchérir si vous résidez en Grande Bretagne car les envois sont très compliqués depuis le Brexit et les frais de douane s’appliquent. Pour le reste du monde me contacter également car le port sera élevé. I am selling my Panasonic 100 – 300mm micro 4/3 zoom, the full frame or 24x36 reflex equivalent of a 200 to 600 mm! The optics are in superb condition, the photos attest to this. It works perfectly, the zoom ring is fluid; it is the first version of this optic which has the advantage of being a “Made in Japan” version. It is very well stabilized and this stabilizer is detachable and also combines with that of the case. It is compatible with Panasonic or Olympus micro 4/3 cameras. The lenses are free from any defects because I have always used them with a protective filter (not sold with); it will be delivered with its front and rear caps in its original packaging and with its specific lens hood. The only thing missing is the protective cover which I misplaced but which was anyway too flexible and light to protect it effectively. I used it little and always with care. Shipping: For shipping costs on a registered and insured Colissimo basis the price will be €12 if I pay less I will reimburse the difference by PayPal. For international shipping (worldwide), the price will be €20 (Europe, including Switzerland) refined according to its destination at the time of finalization of the sale if I pay less I will reimburse the difference by PayPal because I does not make money on shipping costs. Contact me before bidding if you live in Great Britain because shipping is very complicated since Brexit and customs fees apply. For the rest of the world also contact me because the shipping will be high. Ich verkaufe mein Panasonic 100 – 300 mm Micro 4/3 Zoom, das Vollformat oder 24x36 Reflex-Äquivalent eines 200 bis 600 mm! Die Optik ist in einem hervorragenden Zustand, die Fotos belegen dies. Es funktioniert einwandfrei, der Zoomring ist flüssig; Es ist die erste Version dieser Optik, die den Vorteil hat, eine „Made in Japan“-Version zu sein. Es ist sehr gut stabilisiert und dieser Stabilisator ist abnehmbar und lässt sich auch mit dem des Gehäuses kombinieren. Es ist kompatibel mit Panasonic- oder Olympus-Micro-4/3-Kameras. Die Objektive sind frei von Mängeln, da ich sie immer mit einem Schutzfilter (nicht im Lieferumfang enthalten) verwendet habe; Di En savoir plus Collaboration commerciale.

BOLEX H16 RX with KERN VARIO SWITAR EE 1:2.5 f 18/86 mm   Functional integrated automatic exposure meter and diaphragm !!                                       n ° 135905                           (traduction en français ci-dessous) Condition  of conservation and excellent cosmetic! The drive motor turns freely without problem. This set is fully functional and can be used for filming in 16 mm !! *** Please note that this camera has undergone a revision reflex sight system level! The lenses and prisms have been removed, checked and cleaned! Over time (often several decades) without maintenance the eyepieces and aiming prisms eventually become opaque. The aim becomes blurred and unspecified! (photo 12) Also check and clean the film presser. As well as the feed dog A film test (unimpressed) was performed to verify the correct unfolding of the film. And the absence of scratches! On the other hand, the motor drive system has been lubricated and tested! The brushed and shiny metal parts! These maintenance operations are rarely or even never offered by the sellers of BOLEX cameras! Ask them! You will be surprised ! Their cameras are sold as they are, directly taken from the attic with their dust and their dysfunctions..! No wonder these operations require experience technical and know-how! This camera is equipped with a handle and a lens: KERN VARIO SWITAR 1: 2.5 f 18/86 mm EE for BOLEX H16 RX                                       n ° 1056895 This fabulous lens specially designed for BOLEX H16 cameras is in a very good state of conservation The glasses are clear with no scratches or visible presence of mold The zoom control works perfectly A lever  allows it to be operated  This lens was designed specifically for H-16 and SLR cameras features a fully automatic iris control with a photo-resistance (exposure meter) to cadmium sulfide sensitive to values of films from 10-400 ASA. ******* Please note that most KERN lenses of this type offered for sale on this site have an integrated light meter which does not does not work ! (Cadminium sulfide, an essential element of the light meter, degrades with  time, especially in a humid atmosphere and eventually does not work anymore) ******* Whoever is integrated into this objective is in working order: the diaphragm opens and closes depending on the brightness! (photos 9) You can therefore use it automatically to film in 16 mm !! The diaphragm will react to the next closing or opening the lighting!.photo 9 No need to burden yourself with an auxiliary light meter! And correct manually the diaphragm permanently! The filmed scenes will be perfectly exposed! New mercury-free batteries are now available for supply the light meter. (photo 10) They are perfectly compatible! This is the type of battery: brand EPX625G 1.5 volt "Energizer" or others that you can get on or anywhere in the world! An original KERN metal sun visor is delivered with this zoom The "altuglass" presentation base is not part of the offer ******                                              **** Please read the general sales instructions before bidding or buying                (below) your submissions are worth acceptance.                            Thanks for your interest *** *********** Foreign Buyer (Outside the European Union) contact me before bidding. To determine the shipping costs (depending on the country) For buyers outside Europe the payment is made only by PayPal. The delivery address is exclusively the address "confirmed" by PayPal. **************  Failure to comply with these clauses cancels the order! Thank you for your understanding **********************

This Rolleiflex T is in very good condition and appears to be fully functional. Glass is clean and clear, with no haze, no fungus. There is a small scratch on the viewing lens but no marks that I can see on the taking lens. Shutter fires on all speeds, sounds good. Focus is smooth throughout the range. Viewing screen (split prism) is in good condition. Viewing hood pops up and folds down neatly as it should, magnifying loupe works. Back fits nicely, locks properly.  This is one of the later Ts, which supports shooting 16 6x4.5 cm frames on a roll of 120 film, as well as the more typical 6x6 12 exposure configuration. The mask for shooting 6x4.5 is included and installed in the camera -- be sure to pop it out if you want to shoot 6x6! Removing the mask automatically sets the frame counter to 12 mode. The sport finder mask for shooting reduced frames (actually 5.5x4) is also included, but not pictured. Be sure to check out my other sales. I can combine shipping to reduce your costs. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Camera Sanctuary: Like you, I love cameras. I bring all manner of equipment into the Camera Sanctuary in the hope that I can place it in a new home. I handle everything from collector’s pieces to total beaters, Leica to Lomo, Alpa to Argus. You can buy from me secure in the following: - My descriptions are honest. Some cameras have been babied, and some have been brutalized. There’s room in the world for both, but I won't try to sell one as the other. - I won’t pretend I don’t know things. - I’ll take back anything that doesn’t meet your expectations. -------------------------------------------------------------------------------------------------------------------- Please note that orders shipped outside the EU may be subject to fees and duties that are your responsibility. From January 1, 2021, will collect VAT from buyers in the United Kingdom.

PENTAX 645Z Moyen Format - Excellent état - première main. Je me sépare à regret de mon Pentax 645z car l’arthrose quej’ai dans les poignets m’oblige à m’orienter vers des appareils photos ultra légers… A l’exception du Leica S3 je trouve qu’il s’agit du meilleurreflex numérique moyen format jamais construit, par la finesse et le rendu deson capteur, son viseur XXL, et sa simplicité d’utilisation. De mon point devue il est encore largement compétitif en studio comme en extérieur face au derniersmoyens format hybrides FUJI qui à mon gout font un peu trop pléthore de pixels.Un moyen format permet justement aux pixels de « respirer » alorspourquoi vouloir toujours en rajouter encore et encore ? Je vais aussiregretter la gamme d’objectifs stabilisés ou non qui vont avec et que je vendsaussi de par ailleurs. (Zoom 28-45mm, 90mm macro, 80- 160mm) Sans compter lesobjectifs de la gamme Pentax 67 que l’on peut installer avec un adaptateur. Ce boitier présente des traces d’usure superficielles commevous pouvez le voir sur les photos mais il fonctionne aussi bien que quand ilétait neuf et j’en ai pris grand soin. Il n’est jamais tombé. Le capteur a été nettoyéet les écrans ne présentent aucune rayure. Je le livre avec tous les documents et la boite d’origineainsi que tous les accessoires. J’offre une deuxième batterie, deux cartes mémoirespro 32GB, un intervallomètre - déclencheur radio (300m), un déclencheur filaireainsi qu’un sac Lovepro permettant son transport avec un zoom ou un des grosobjectifs stabilisés. ENGLISH: I am reluctantly parting with my Pentax 645z because the osteoarthritis in my wrists forces me to switch to ultra-light cameras... With the exception of the Leica S3 I find it to be the best medium formatdigital SLR ever built, thanks to the finesse and rendering of its sensor, itsXXL viewfinder, and its ease of use. From my point of view, it is still largelycompetitive in the studio as well as outdoors against the latest FUJI hybridmedium format, which for my taste is a little too plethora of pixels. A mediumformat allows pixels to "breathe" so why always want to add more andmore? I'm also going to regret the range of stabilized and unstable lenses thatcome with it, which I also sell elsewhere. (Zoom 28-45mm, 90mm macro, 80-160mm)Not to mention the lenses of the Pentax 67 range that can be installed with anadapter. This case has some superficial signs of wear as you can see in the photosbut it works as well as when it was new and I have taken great care of it. Henever fell. The sensor has been cleaned and the screens show no scratches. I deliver it with all the documents and the original box as well as all theaccessories. I am offering a second battery, two pro 32GB memory cards, anintervalometer - radio trigger (300m), a wired trigger and a Lovepro bagallowing it to be transported with a zoom or one of the large stabilizedlenses.   Caractéristiques : ·   Capteur CMOS 51,4 MP (43.8x32.8mm) ·   Nouveau module AF avec 27 collimateurs ·   Cellule d'exposition RVB 86K pixels ·   Cadence rafale 3 images par seconde ·   Vidéo en Full HD ·   Boîtier, optiques et flashes tropicalisés ·   Ecran LCD inclinable 3.2’’ 1037K points

MAMIYA AUTO EXTENSION TUBE NA403   FEATURES The NA403 is the longest (approximately 35 mm) of three separately available NA tubes, these tubes are meter coupled but DO NOT couple with the auto focus system. It can be mounted on to the 645-series cameras from Mamiya / Phase one (AF, DF, DF+ & XF) It attaches between the camera body and lens and allows your lens to focus closer than its normal minimum focus distance. By placing distance between your camera body and lens, focusing distance is shortened and the effect of magnifying your subject is created. Extension tubes enable macro performance for lenses not otherwise able to focus that close, and are also suited for close-up portraiture. - Shortens minimum focus distance - Supports automatic exposure - Can be used individually or combined - Metal mount INCLUDED Box & user notice front & rear caps CONDITION Mint   FUNCTION Tested, works flawlessly   NOTE All pictures included in this ad are of the actual item If you have any questions, I'll be happy to answer them   European Economic Community buyers:  no customs clearance is levied on goods travelling within the customs union, which means you will not have to pay any fees or export duties if you are a EEC resident.