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ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   3 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths.. Perfect homogeneity of colorimetry, contrast and resolution.. Intended for high-end film and digital cameras.. Constant diaphragm over the entire zoom stroke (no ramping), no pumping   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   4 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha                         -" ARRI  PL " for ARRIFLEX So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.c

SOM BERTHIOT lens f = 75 mm 1: 2.5 for BOLEX H16 "C" mount                           (traduction en français ci-dessous)                                                   or Digital cameras (mounting with specific adapters): - "MFT" 4/3 LUMIX GH.; BLACKMAGIC; PANASONIC                           - "NEX" for SONY Alpha (photo) Excellent cosmetic condition Fluid adjustment rings Clear glasses without mist and fungus ("endoscopic" control photo n ° 6/7) Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and totally degrade optical qualities! Molds are recognizable by this: - White filaments - "Misty" aspect - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defaults To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this "test" was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! Comes with a cover and a cap MFT 4/3 or Nex adapter on request when ordering (only one adapter will be delivered please tell me which adapter you may be interested in) ** The presentation camera is not part of the offer ***** **** Please read the general sales guidelines before bidding or buying                (below) your submissions constitute acceptance.                            Thanks for your interest ***. §§ Foreign bidders residing outside the European Union. or in the French Overseas Territories Shipping is possible worldwide. But please contact me before you bid to have me communicate the price of the shipment. The price varies considerably from one region to another §§§§ SOM BERTHIOT  = 75  mm 1:2.5 pour BOLEX H16 monture "C"                                                   ou  Appareils photo numérique (montage avec adaptateurs spécifiques): - "MFT" 4/3     LUMIX GH.; BLACKMAGIC;PANASONIC                            - "NEX" pour SONY Alpha  Excellent état cosmétique  Bagues de réglage fluides  Verres clairs sans brume et sans champignon (contrôle " endoscopique "  photo n° 6/7) Information sur la qualité des verres internes: La qualité des objectifs "vintage " se dégrade avec l 'âge  (un peu comme nous...)  Des micro-poussières internes sont inhérentes à ces objectifs  ainsi que quelques micros rayures de nettoyage sur le  verre frontal. Défauts qui  sont en règle général sans incidence sur le résultat  photographique  Par contre la présence de moisissures (fungus) sur les verres  internes sont préjudiciables ! C'est le véritable " cancer " des verres minéraux ! Après un certain temps ils s'incrustent dans le verre et il est  souvent très difficile de les extraire !  Ils s'étendent petit à petit et dégradent totalement  les qualités optiques ! Les moisissure

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

KERN YVAR 1: 2.8 f = 75 mm for BOLEX H 16              or others cameras mount C                      No. 306759                    (traduction en français ci-dessous) Very high quality lens manufactured especially for BOLEX cameras Very good cosmetic The glasses are clear and healthy This lens can also be used on devices digital! - BLACKMAGIC / PANASONIC LUMIX GH.. ("4/3" frame) - SONY Alpha ("NEX" mount) This using suitable adapters (see photos) The photographic results are excellent! When ordering, please specify which of these adapters suits you (only one will be delivered) Warning: not suitable for devices with "Full Frame" sensors (24x 36 cover) Supplied with front cover, sun visor and its leather case Information: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these lenses as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when the optics are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photos 4/5) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! Certainly not ! **** Please read below   Shipping and Sales Specifications *** KERN YVAR 1:2.8 f= 75 mm             n° 306759 Objectif de très grande qualité fabriqué spécialement pour les caméras  BOLEX H ou autres en montures "C"  Très bonne cosmétique  Les verres sont clairs et sains  Cet objectif peut s'utiliser  également sur des appareils photos  numériques ! - BLACKMAGIC / PANASONIC LUMIX GH..(monture " 4/3 ") - SONY Alpha (monture "NEX") Ceci à l 'aide d'adaptateurs appropriés (voir photos) Les résultats photographiques et cinématographiques  sont excellents ! A la commande veuillez me spécifier lequel de ces adaptateur vous convient (un seul sera livré) Attention: ne convient pas aux appareils avec capteurs " Full Frame "  (couverture 24x 36) Livré avec un couvercle frontal, un pare- soleil  et son étui en cuir + éventuellement un adaptateur  Information: La qualité des objectifs "vintage " se dégrade avec l 'âge  (un peu comme nous...)  Des micro-poussières internes sont inhérentes à ces objectifs  ainsi que quelques micros rayures de nettoyage sur le  verre frontal. Défauts qui  sont en règle général sans incidence sur le résultat  photographique  Par contre la présence de moisissures (fungus) sur les verres  internes sont préjudiciables ! C'est le véritable " cancer " des verres minéraux ! Après un certain temps ils s'incrustent dans le verre et il est  souvent très difficile de les extraire !  Ils s'étendent petit à petit et dégradent totalement  les qualités optiques ! Les moisissures sont reconnaissables à ceci: - Filaments blancs  - Aspect " brumeux "  - Incrustations opaques profondes  Ces moisissures apparaissent lo

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Kemp Elektroniks MAXiiMUS P40 b'"'AUDIOPHILEb'"' Ultimate Standalone Version with RHODIUM plugs, in and out (not cheaper gold, check pics) PUBLIC PRICE: € 3,490 The electromagnetic field of planet earth Leaving aside the religious and spiritual beliefs, we can still see that every living is an energetic life form absorbing energy from the electromagnetic field surrounding the Earth. This field works in concordance with the Law of Nature. Through research we are aware of the Earths electromagnetic field and its measurement of approximately 200’000 Volt which exists between the Earth's surface and the ionosphere. This electric energy consists of an electron stream which continuously supplies us with energy from the ionosphere. The electrons spin in a counter clockwise direction and contain biological information which ensures that life is possible. The electrons have their own spin, moving in a counter clockwise direction. Through the constant inflow over the line of electric flux, a reaction is formed as a constant magnetic field (vertical magnetic flux) which moves from earth to the ionosphere in its own clockwise direction. If biological systems are being permeated with electromagnetic energy in accordance to the above mentioned facts, we stay healthy. It is important to mention that the spin of the electrons depend on the information which is contained in the electron. Predominantly biologically positive information leads to the electrons spinning in an anticlockwise direction. Unfortunately the electromagnetic fields created by technical systems work/operate in exactly the opposite way. The electrons spin in a clock wise manner around their own axis, the magnetic lines of flux rotate in a counter clock wise direction. This is against the b'"'Law of Natureb'"'! Exactly these described facts are the cause of electro smog. The body is being permeated in a converse way; instead of development and support degeneration is produced. What are the causes of Electrosmog? The most well known causes at the moment are mobile phone antennas. Further sources of interferences that radiate from outside into living spaces (depending on the distance to the building) are transformer stations, short-wave antennas, radar, Radio/TV antennas, power lines, train-, bus and tramlines. Sources of interferences inside living areas are electrical wiring, electrical appliances, mobile phones, wireless phones and baby monitors. The base station of wireless phones acts like a small mobile phone antenna. Electrosmog is harmful for human beings and animals The effects of electrosmog/Electrosmog-symptoms present themselves in humans and animals in their weakest point. Generally known symptoms or effects caused by electromagnetic radiation are: - poor/interrupted sleep patterns, fatigue even after adequate sleep - Tendency to nervousness and irritation, lack of concentration - Tumours, leukaemia - Altered blood structure, persistent headaches Why is UMTS so harmful? UMTS is a pulsed high-frequency micro-wave radiation. This itself is already alarming for the health even in the smallest quantities of exposure. Hundreds of scientific reports that have been published about this subject speak for themselves. In addition this technology transmits a high density of data volume, a process which biological systems can’t cope with. With the technology in the past it was possible to transmit approx. 14 Kilobytes data/second. With UMTS at the present state of the technology (November 2005) it is already possible to transmit 121 megabytes/second. This means depending on the level of development a quantity 200-1500 fold. After completion UMTS is expected to transmit 1 Gigabyte/second. As a result the collapse of biological systems is inevitable/pre-programmed. Effective and proven solutions Studying these processes enabled FOSTAC AG in Bichwil to develop a technology which En savoir plus

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes. Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to. K-field (Simulation mathematics), an undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours. The water is shallow on this side of the pool. Do not dive and you will not drown. En savoir plus Collaboration commerciale.

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good lev

ANGENIEUX f = 12 - 120 mm 1: 2.2                                   n°. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 11) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good

PLATINE VINYLE / DISQUE DUAL CS-5000 + CELLULE ET STYLUS NEUFS: ORTOFON OMB 5 en boîte d'origine Une des meilleures platine jamais produite ! TRÈS BEL ETAT / VERY GOOD CONDITION Des traces d'usage apparaissent, quelques traces sur le plexi, et le bois mériterait d'être ciré pour une belle finition, voir photos  traces of use appear, few on perpex and the wood should be waxed for a good finish, please see photos DESIGN INTEMPORELLE / TIMELESS DESIGN  PARFAIT FONCTIONNEMENT / FULLY WORKING  ENTIÈREMENT RÉVISÉE / FULLY SERVICED COURROIE NEUVE / NEW BELT Regardez mes videos sur Youtube / Please watch my videos on Youtube: https://www.youtube.com/watch?v=K1To_nZRAoc following a request, NEW VIDEO WITH AUTOMATIC STOP https://www.youtube.com/watch?v=PXQluaHc42E UN AFFINAGE DES RÉGLAGES PEUT ETRE NÉCESSAIRE LORS DE SA MISE EN ROUTE (stabilisation des pieds,...) LE FLEURON DE LA GAMME DUAL QUALITE MUSICALE EXCEPTIONNELLE !!! Une platine réellement AUDIOPHILE !!! et si CLASSE, si BELLE,....   A UTILISER QUOTIDIENNEMENT OU COLLECTIONNER WORLWIDE DELIVERY Will be sent in safe package Sera livré en colis protégé BEST REGARDS, The three-speed Dual CS 5000 is a semi-automatic turntable that starts rotating when the arm is moved from its rest and stops when the arm is returned. At the end of a record's side (which is sensed optically), the arm lifts and returns to its rest and the motor shuts off. The platter, which weighs 3-3/4 pounds including its thick rubber mat, is belt-driven from a tiny, flat, disc-shaped motor. The motor's speed is electronically controlled by a quartz-crystal reference oscillator and a microprocessor. In addition, a second control loop measures the platter's speed with an optical sensor and corrects the motor speed as required to maintain the correct playing speed. Unlike almost all other currently available record players, the Dual CS 5000 operates at 78 rpm as well as 33% and 45 rpm. The tonearm of the CS 5000 is designed to minimize many of the recognized weaknesses of typical pivoted tonearms. It is supported by gimbal pivots for both axes of motion and operates at all times in a fully balanced state (the downward tracking force is supplied by a coiled spring). Dual points out that the arm-support system eliminates any need for critical leveling of the turntable, which can in theory be operated at almost any angle to the horizontal. Another potential problem, warp wow, is a common result of playing a warped record with a tonearm whose vertical pivot is located above the record's plane. The combination causes a periodic fore-to-aft shift of the stylus as the arm travels over the warp and superimposes a frequency modulation (wow) on the program. The Dual CS 5000's tonearm has its vertical pivot in the plane of the record, which reduces warp wow to its lowest possible level. The slim, tubular-aluminum tonearm has a removeable head-shell featuring Dual's adjustable vertical tracking angle (VTA). The cartridge can be tilted by a knob on top of the shell, varying the VTA over a ± 5-degree range. A critical listener can do this by ear, and Dual also recommends VTA settings for a number of popular cartridges. The tracking-force and antiskating controls are on the tonearm's pivot structure, near the arm rest and cueing-lift lever. Most turntables, including the CS 5000, have platters that are designed to concentrate their mass around the outer edge, where it contributes the most to the inertia of the system. These platters resemble a shallow bell, and they usually ring like one when struck or otherwise excited mechanically, a characteristic that can color or muddy the reproduced sound. The platter of the CS 5000 features a unique damping system to eliminate such resonance. Inside the outer rim of the cast aluminum-alloy platter is a heavy metal ring covered by a plastic hose that acoustically couples it to the platter an

Neumann KM 84 Small Diaphragm Cardioid Condenser Microphone. The Neumann KM 84 i and KM 84, a classic small diaphragm FET condenser microphone, is the result of a visit to Norwegian State Television by Neumann engineers in the mid-1960s. NST wanted smaller, transistor-based microphones for a new studio but needed these microphones to run off of their central 48V DC power system rather than 12V T-Power. Neumann's engineers devised a plan for powering a microphone in this way and a major innovation, which we now know as phantom power, was born. The KM 84 i and KM 84 uses the KK 64 capsule from the tube-amplified KM 64 microphone. This capsule produces a near-perfect cardioid pattern which maintains frequency response even 130-degrees off-axis and yields a very natural sound without comb-filtered artifacts due to bleed from other instruments. The FET and transformer-output amplifier of the KM 84 i offers very high headroom, which makes the microphone widely used as a close microphone for drums, particularly snare drum. A -10dB pad is switchable on the body of the mic for recording especially hot signal sources. As is the case with all Neumann products, the b'"'ib'"' designation is for microphones that shipped with an XLR output connector for export to the US. KM 84 (no i) is electrically the same, but has a din-type Tuchel connector for the output. This one is in perfect state. Neumann KM 84, Microphone à condensateur cardioïde à petit diaphragme. Le Neumann KM 84 i et KM 84, un microphone à condensateur FET à petit diaphragme classique, est le résultat d'une visite à la télévision d'État norvégienne des ingénieurs de Neumann au milieu des années 1960. NST souhaitait des microphones plus petits à transistors pour un nouveau studio, mais avait besoin que ces microphones fonctionnent sur leur système d'alimentation central de 48 V CC plutôt que sur une alimentation T de 12 V. Les ingénieurs de Neumann ont conçu un plan pour alimenter un microphone de cette manière et une innovation majeure, que nous connaissons aujourd'hui sous le nom d'alimentation fantôme, est née. Le KM 84 i et KM 84 utilise la capsule KK 64 du microphone KM 64 amplifié à tube. Cette capsule produit une directivité cardioïde presque parfaite qui maintient la réponse en fréquence même à 130 degrés hors axe et produit un son très naturel sans artefact et sans filtrage. Le FET et l'amplificateur de sortie du transformateur du KM 84 i offrent une réserve très élevée, ce qui rend le microphone largement utilisé comme microphone de proximité pour les batteries, en particulier la caisse claire. Un atténuateur de -10 dB est commutable sur le corps du micro pour enregistrer des sources de signaux particulièrement chaudes. Comme c'est le cas pour tous les produits Neumann, la désignation « i » concerne les microphones livrés avec un connecteur de sortie XLR pour l'exportation aux États-Unis. Le KM 84 (non i) est électriquement le même, mais dispose d'un connecteur Tuchel de type DIN pour la sortie. Celui-ci est en parfait état. En savoir plus

Energy veritas v2.0r (Neuf).   The intriguing V2.0R ($1,000/pair) makes use of a 6.5-inch composite woofer and a 1-inch aluminum-dome tweeter on its front face, plus two side-firing 3-inch drivers. The V2.0R is switchable between dipolar and bipolar radiation, plus it offers a unique (as far as I know) twist with a third position called "corner." As you might anticipate, Energy designed this setting for setups in which the surrounds have to be placed in or near corners. To compensate for corner placement, this setting deactivates the side driver firing toward the rear wall, which eliminates the anomalies that result from a driver firing in such close proximity to a boundary. The hook is a level control that adjusts the output of the side drivers relative to those on the front baffle. At its highest setting, the side drivers are 1 decibel lower than the front drivers, while, at the lowest setting, the side drivers are completely off. Essentially, this means that you can run the V2.0R as a monopole, as well. To me, this is highly important for multichannel-music playback and cements this surround as one of the more-innovative ones I've ever come across. The V2.0R's dimensions are 14.5 inches high by 13 wide by 7.125 deep, with a weight of 38 pounds." SHIP WORLDWIDE. ASK FOR PRICE

Main Features： *Portable & Simple, 3 steps to set up and use   *Quick and Smart, Powered by Android TV 9.0   *Google assistant, Voice control   *Smart Cast, built-in Chromecast   *Preinstall Netflix and Prime video, one button quick access   *Premium audio, DOLBY+DTS                                       Tips: Original Offical GLOBAL VERSION Xiaomi Mi TV Stick (EU & US Ver. packaging send randomly. It just the different of Adapter, and there is a USB charging cable available, but we will add a correct adapter plug which suitable for your country if you need. And both of the them with multi-language)       Xiaomi Mi TV Stick Stream Anywhere Portable Streaming Media Player | Powered by Android TV 9.0 Google Assistant & Smart Cast | Dolby & DTS surround sound Light and Portable At less than 30g the TV stick weighs less than a lightbulb and is small enough to easily fit in your pocket. Forget about cables, plug the stick into any TV with an HDMI port to turn it into a smart TV. Easy to set up Set up your Mi TV Stick in an instant. Three easy steps to get going and you can start enjoying everything the Mi TV stick has to offer in no time! Limitless Entertainment Use Google Play Store to download your favorite streaming and gaming apps and stay entertained for hours. Preinstall Netflix and Prime video for one button quick access. Smarter Experience with Android 9.0 Mi TV Stick is powered by Android TV 9.0 which supports voice search and Chromecast and connects you to a world of content. Catch up on your favorite TV shows, play games,watch the news or switch to radio. Mi TV Stick also recommends videos based on your personal Youtube and Google Play preferences! Bluetooth remote with Google Assistant No more typing. Press the mic button on your remote to quickly find what you're looking for, whether you're searching for your favorite show, song or asking about the weather. One click access with dedicated Netflix and Prime Video buttons. You can use voice commands to control other smart devices in your home. Smart Cast With built-in Chromecast you can easily cast videos and other content from your phone, tablet or laptop directly to your TV screen in 1080p. Premium Surround Sound Mi TV Stick supports both DTS multichannel HD audio encoding. The result is a smoother, dynamic, immersive and more realistic stereo surround sound during ultra HD Blu/ray video playback Bring it everywhere Never miss an episode when you’re away from home. Bring the TV stick with you wherever you go. Le 05-oct.-20 à 07:33:06 Paris, le vendeur a ajouté les informations suivantes:

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

Le Fujinon 50mm f/1.4 est un standard lumineux produit au Japon au milieu des années 1970. Il est réputé pour sa colorimétrie riche, ses contrastes assez élevés en fermant un peu. À pleine ouverture, le rendu est un peu plus doux, mais le piqué est suffisant pour du portrait. Le bokeh est généralement doux, avec un peu de caractère, jusqu'à f4. C'est un bel objectif polyvalent, qui fonctionne également sur les appareils photos modernes. La couche supérieure EBC garantit une meilleure protection contre les reflets. L'objectif a une monture M42, ce qui le rend très facile à adapter sur un appareil photo numérique (en particulier hybride), en achetant une bague à petit prix sur internet. L'objectif est globalement en bon état. Il y a des signes d'usure évidents à l'extérieur. Il fonctionne normalement, mais la bague de mise au point est devenue un peu dure. Les optiques sont assez claires, sans rayures, brume ni champignons. On voit quelques poussières et un peu de saleté et de micros dépôts uniquement sur les bords. Rien n'affecte le rendu normal de l'objectif. L'objectif est livré (avec un capuchon) monté sur le boitier Fujica ST801. Il est à noter que je n'ai jamais utilisé l'appareil et que je ne peux pas garantir son fonctionnement. Par conséquent le prix et l'offre ne concernent que l'objectif et il faut considérer l'appareil comme un bonus. Extérieurement, on voit quelques signes d'usage, mais il semble en bon état. Le déclencheur fonctionne et le rideau se ferme normalement. Le viseur contient quelques poussières, mais l'appareil semble normalement utilisable, compte tenu de son âge. --------------- The Fujinon 50mm f/1.4 is a luminous standard produced in Japan in the mid-1970s. It is renowned for its rich colourimetry and fairly high contrast when closed a little. At full aperture, the rendering is a little softer, but the sharpness is sufficient for portraiture. Bokeh is generally soft, with a little character, up to f4. This is a fine all-round lens, which also works on modern cameras. The EBC coating ensures better protection against reflections. The lens has an M42 mount, which makes it very easy to adapt to a digital camera (especially a mirrorless), by buying a low-cost adapter ring on internet. The lens is in generally good condition. There are obvious signs of wear on the outside. It works normally, but the focus ring has become a little hard. The optics are fairly clear, with no scratches, haze or fungus. There is some dust and a little dirt and micro deposits only around the edges. Nothing affects the normal rendering of the lens. The lens is supplied (with a cap) mounted on the Fujica ST801 body. It should be noted that I have never used the camera and cannot guarantee that it will work. As a result, the price and offer only apply to the lens and the camera should be considered as a bonus. Externally, there are a few signs of use, but it appears to be in good condition. The shutter release works and the shutter curtain closes normally. There is some dust in the viewfinder, but the camera seems normally usable, given its age. En savoir plus Collaboration commerciale.

Kimber Kable AGDL Silver Digital Cable, 0.5 Meter. 0.5M cable in perfect cosmetic and working condition. Kimber Ultraplate RCA type connector for digital and analog connections (75 ohms up to 400 MHz). The brass sleeve connected to the minus contact provides optimum shielding. Contacts utilize pure passivated fine silver. Silver conductors and advanced design give AGDL the performance edge over other digital cables. Highly recommended Kimber AGDL braided digital cable features silver conductors in a unique coaxial design. AGDL earns a nod from Stereophile's "Recommended Components" listing, which reports that AGDL excels "in the retrieval of detail" and offers "extended and powerful bass." AGDL's advanced construction features proven tri-braid field geometry, Varistrand conductor design, Teflon dielectric, and Hyper-pure silver conductors for maximum signal transfer. The result is exceptionally accurate, detailed and dynamic performance. This premium S/PDIF cable is terminated with Ultraplate RCA-type connectors. Silver Yields Sterling Performance (Cp) parallel capacitance: 37.10 pF @ 20kHz (Cs) series capacitance: 37.0 pF @ 20kHz (Lp) parallel inductance: 1.90 µH @ 20kHz (Ls) series inductance: 1.05 µH @ 20kHz (Rdc) dc resistance: 0.119Ω (Xt) total reactance: 0.132Ω @ 20kHz Frequency response ±0.5db dc-10Mhz

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig

Tamron SP 90mm F2.8 Di Macro 1:1 Lens - Pentax Fit The legendary Tamron 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series. This light super performance (SP) macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The Di version was adapted to the demands of digital SLR cameras and characterized by a multi-coating with which the stray-light behavior of the lens was optimized. The Tamron 90mm is often called the "portrait macro", because the focal length is also ideally suited for portraits. Macro 1:1 This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography. Super Performance Only two letters - but what an impact they have on the results. SP stands for Super Performance and represents the high-performance lens class from Tamron. Our engineers were given a free hand in the design of these lenses and left no stone unturned to produce the optimal performance characteristics in each case. Take your camera to new frontiers - and pave the way for Super Performance. Tamron SP 90mm F2.8 Di Macro 1:1 Lens Specifications: Maximum Aperture:F2.8.Minimum Aperture:F32.Minimum Object Distance:29cm.Angle of view:27°.Lens Construction:10 elements in 9 groups.Filter Size:55mm.Weight:400g.Dimensions:71.5mm x 97mm.Included accessories:Lens Hood, Lens Case, Front Cap, Rear Cap. Depuis plus de 30 ans, le légendaire 90 mm f/2,8 a été décliné en différentes versions à chaque fois améliorées et s'inscrit donc dans une longue tradition macro dans la catégorie des objectifs super performants. Cet objectif macro léger Super Performance (SP)* fournit un rapport de grossissement de 1:1 et des photos d'une excellente netteté avec des arrière-plans superbement flous qui mettent le sujet en valeur.   Le Tamron 90mm f/2.8 SP Di Macro est réputé dans le monde de la macro grâce à son piqué exceptionnel mais également pour faire du portrait. La mise au point précise, la bague permettant de passer du mode AF au mode manuel, sa très grande qualité d'image (contraste, piqué exceptionnel, flou de l'arrière plan), son ouverture à F2.8, son rapport 1/1 et surtout son prix très compétitif... bref, on comprend très vite pourquoi il est une référence.   La version Di a été adaptée aux exigences des boîtiers reflex numériques et se caractérise par un nouveau traitement multicouche qui optimise le comportement de l'objectif face à la lumière parasite. Le Tamron 90 mm est souvent baptisé le « macro portrait » car sa longueur focale est aussi idéale pour réaliser des portraits. La nouvelle version peut aussi être montée sur boîtier plein format ou 35 mm.   Caractéristiques: - Référence article: 272E - Groupes-Lentilles: 9-10 - Angle de champ: 27 - Lames Diaphragme: 9 - Ouverture Mini: 32 - Mise au point mini (m): 0.29 - Grossissement maxi: 1:1 - Diamètre filtre (mm): 55 - Poids (g): 405 - Diamètre x Longueur (mm): 71,5 x 97 - Ouverture Maxi: 2,8 - Longueur Focale [mm]: 90   *SP (Super Performance): cet objectif fait partie de la gamme des objectifs Tamron Super Performance (SP) qui se distingue par sa qualité optique et mécanique supérieure.

Shipping: 1. Where is product ship from ： France,the product is in stock now. 2. Shipping time: Within 24 hours(One working day) after payment confirmed and the address is the same as paypal address.   Product Features: CPU: Quad-core Cortex-A53 2.0GHZ GPU: Mali 450 RAM: 1GB ROM: 8GB System: Android TV 9.0 Bluetooth: bluetooth 4.2 Networks: 802.11a/b/g/n/ac 2.G+5G Output Resolution: 2K FHD + HDR Video decoder: VP8, VP9, VC-1, H263, H.264, H.265, MPEG1/2/4 Supports Dolby and DTS surround sound Built in Google assistant Pre-installed and quick access button to Netflix Come with bluetooth voice remote controller Product Specification: Brand: Xiaomi Type ：TV Dongle GPU ：Mali 450 CPU ：Quad-core Cortex-A53 2.0GHZ RAM ：1GB ROM: 2GB operation system ：Android TV 9.0 Output Resolution ：2K (1080P) Video decoder ：VP8, VP9, VC-1, H263, H.264, H.265, MPEG1/2/4 Video format ：RMOV, AVI, MKV, TS, Mp4 Audio decoder ：DOLBY, DTS Audio format ：MP3, AAC, Flac, OGG Photo Format ：JPG, BMP, GIF, PNG, TIF Others ：Support 5.1 Surround Sound Output: Yes WiFi ：2.4GHz + 5GHz dual-band WiFi 802.11 a/b/g/n/ac bluetooth ：bluetooth 4.2 Power Supply ：USB 2.0 Port x1 Interface ：HDMI, OTG, Type-C, USB3.0 Languages ： Multi-language HDMI： HDMI2.0a HDMI Function ：HDCP Contents ：Google Play, Netflix, YouTube, Prime video, etc. RemoteRemote ： bluetooth remote with voice google assistant Power Consumption： 5W Power Requirement： Power Type: Digital Power Supply Power Input Vol: 5V Power Adapter Input: 100-240V / 50-60Hz Product weight ： 0.0850 kg Product size： 9.50 x 3.50 x 2.00 cm / 3.74 x 1.38 x 0.79 inch Packaging List: Xiaomi Mi TV Stick * 1 EU Power Plug * 1 HDMI Cable * 1 Voice Remote Control * 1 English Manual * 1 XIAOMI Mi TV Stick Global Version Portable Streaming Media Player | Powered by Android TV Google Assistant & Smart Cast | Dolby & DTS surround sound Light and Portable At less than 30g the TV stick weighs no more than a cherry tomato and is small enough to easily fit in your pocket. Forget about cables, plug the stick into any TV, monitor or projector with an HDMI port to turn it into a smart TV! Limitless Entertainment Use Google Play Store to download your favorite streaming and gaming apps and stay entertained for hours. Easy to set up Set up your Mi TV Stick in an instant. Just three easy steps to get going and you can start enjoying everything the Mi TV stick has to offer in no time! Smarter Experience with Android TV Mi TV Stick is powered by Android TV 9.0 which supports voice search and Chromecast connecting you to a world of content. Catch up on your favorite TV shows, play games, watch the news or turn on the radio. Mi TV Stick also recommends videos based on your personal Youtube and Google Play preferences! 1. Plug into TV 2. Connect to WiFi 3. Start exploring Bluetooth remote with Google Assistant No more typing. Press the mic button on your remote to quickly find what you're looking for, whether you're searching for your favorite show, song or asking about the weather. Premium Surround Sound Mi TV Stick supports both DTS and Dolby multichannel HD audio decoding. The result is a smoother, dynamic, immersive and more realistic stereo surround sound during ultra HD Blu-ray video playback Smart Cast With built-in Chromecast you can easily cast videos and other content from your phone, tablet or laptop directly to your TV screen in 1080p. Le 30-juil.-20 à 09:43:21 Paris, le vendeur a ajouté les informations suivantes:

Product Features: CPU: Quad-core Cortex-A53 2.0GHZ GPU: Mali 450 RAM: 1GB ROM: 8GB System: Android TV 9.0 Bluetooth: bluetooth 4.2 Networks: 802.11a/b/g/n/ac 2.G+5G Output Resolution: 2K FHD + HDR Video decoder: VP8, VP9, VC-1, H263, H.264, H.265, MPEG1/2/4 Supports Dolby and DTS surround sound Built in Google assistant Pre-installed and quick access button to Netflix Come with bluetooth voice remote controller Product Specification: Brand: Xiaomi Type ：TV Dongle GPU ：Mali 450 CPU ：Quad-core Cortex-A53 2.0GHZ RAM ：1GB ROM: 2GB operation system ：Android TV 9.0 Output Resolution ：2K (1080P) Video decoder ：VP8, VP9, VC-1, H263, H.264, H.265, MPEG1/2/4 Video format ：RMOV, AVI, MKV, TS, Mp4 Audio decoder ：DOLBY, DTS Audio format ：MP3, AAC, Flac, OGG Photo Format ：JPG, BMP, GIF, PNG, TIF Others ：Support 5.1 Surround Sound Output: Yes WiFi ：2.4GHz + 5GHz dual-band WiFi 802.11 a/b/g/n/ac bluetooth ：bluetooth 4.2 Power Supply ：USB 2.0 Port x1 Interface ：HDMI, OTG, Type-C, USB3.0 Languages ： Multi-language HDMI： HDMI2.0a HDMI Function ：HDCP Contents ：Google Play, Netflix, YouTube, Prime video, etc. RemoteRemote ： bluetooth remote with voice google assistant Power Consumption： 5W Power Requirement： Power Type: Digital Power Supply Power Input Vol: 5V Power Adapter Input: 100-240V / 50-60Hz Product weight ： 0.0850 kg Product size： 9.50 x 3.50 x 2.00 cm / 3.74 x 1.38 x 0.79 inch Packaging List: Xiaomi Mi TV Stick * 1 EU Power Plug * 1 HDMI Cable * 1 Voice Remote Control * 1 English Manual * 1 XIAOMI Mi TV Stick Global Version Portable Streaming Media Player | Powered by Android TV Google Assistant & Smart Cast | Dolby & DTS surround sound Light and Portable At less than 30g the TV stick weighs no more than a cherry tomato and is small enough to easily fit in your pocket. Forget about cables, plug the stick into any TV, monitor or projector with an HDMI port to turn it into a smart TV! Limitless Entertainment Use Google Play Store to download your favorite streaming and gaming apps and stay entertained for hours. Easy to set up Set up your Mi TV Stick in an instant. Just three easy steps to get going and you can start enjoying everything the Mi TV stick has to offer in no time! Smarter Experience with Android TV Mi TV Stick is powered by Android TV 9.0 which supports voice search and Chromecast connecting you to a world of content. Catch up on your favorite TV shows, play games, watch the news or turn on the radio. Mi TV Stick also recommends videos based on your personal Youtube and Google Play preferences! 1. Plug into TV 2. Connect to WiFi 3. Start exploring Bluetooth remote with Google Assistant No more typing. Press the mic button on your remote to quickly find what you're looking for, whether you're searching for your favorite show, song or asking about the weather. Premium Surround Sound Mi TV Stick supports both DTS and Dolby multichannel HD audio decoding. The result is a smoother, dynamic, immersive and more realistic stereo surround sound during ultra HD Blu-ray video playback Smart Cast With built-in Chromecast you can easily cast videos and other content from your phone, tablet or laptop directly to your TV screen in 1080p. Le 18-août-20 à 10:52:20 Paris, le vendeur a ajouté les informations suivantes:

Pentax K20d (boitier seulement) en excellent état. Peu utilisé, seulement 6899 clichés. Vendu avec 1 batterie et son chargeur (Pentax). Excellent condition. The EXIF data shows 6900 actuations. Good sensor and screen.Includes body cap and strap, 1 batterie and charger. Product Information: The Pentax 14.6 MP camera is a professional portable body only and is created for those who want to learn about photography. You will be able to share pictures with ease since this Pentax K20D digital camera comes with a 2.7-inch LCD monitor. This Pentax digital SLR camera is excellent for displaying high-definition images, with an HDMI plug, so that you will be able to capture the magical moments of your life in amazing clarity. A greater number of megapixels means enlarging and cropping won't result in pixelated pictures. In addition, the Pentax 14.6 MP camera is perfect for creating wonderful prints, with its 14.6 megapixel sensor, which allows you to create 11x16 inch prints of the moments of your life to proudly display. With the waterproof 14.6 MP digital sensor housing on this Pentax K20D digital camera, you can handle action at the beach. Be the envy of your friends with this Pentax digital SLR camera and its stylish black body. Premium picture quality and superb performance are yours with the Pentax 14.6 MP camera. This Pentax K20D digital camera is just right for snapping and storing large numbers of action shots, featuring a flash storage slot, so you can extend the storage size of the camera. This Pentax digital SLR camera features batteries enabling you to remain ready to shoot photographs. The Pentax 14.6 MP camera comes with only the body and no lens. Picking and choosing the interchangeable lens or lenses based on your photography needs is one upside to buying the camera body separately. Die Kamera hat 6899 Auslösungen und befindet sich in einem sehr guten Zustand mit minimalen Gebrauchsspuren Lieferumfang: - PENTAX K20D Body  - Original Ladegerät - Original Akku - Tragriemen - Augenmuschel Produktinformation: Pentax K20D – Kamerabody inklusive Akku und Ladegerät. Die Pentax K20D ist eine 14,6 Megapixel Spiegelreflexkamera mit einer Empfindlichkeit bis ISO 6400. Um Verwacklungen zur vermeiden und dadurch leichtere Freihandaufnahmen zu ermöglichen, wurde ein Verwacklungsschutz eingebaut, das Pentax-eigene Shake Reduction-System. Die Kamera verfügt des Weiteren über einen 2,7 Zoll TFT LCD Monitor mit 230.000 Pixel. Das Gerät besitzt ein Spritzwasser- und staubgeschütztes Gehäuse, das auch bei Regen, Schnee und Staub besonderen Schutz bietet.

Celestion DITTON 150 Two Way Loudspeaker System Haut-parleurs. Classic Vintage La description Le secret des performances du Ditton 150 est le radiateur passif, une conception originale de Celestion. De haut en bas: le Ditton 150 dispose d'un tweeter à dôme HF 1001, d'un réalisme étonnant du haut-parleur de graves / médium de 175 mm (fréquences critiques pour un haut-parleur bidirectionnel), et enfin d'un ABR (Auxiliary Bass Radiator) de 205 mm qui élargit la réponse en la basse. Le résultat? Un son riche qui était autrefois réservé aux enceintes à trois voies. Caractéristiques Type: 2 voies, système de haut-parleurs à 3 pilotes Réponse en fréquence: 53 Hz à 20 kHz Amplificateur recommandé: 10 à 60 W Fréquence de coupure: 2700Hz Impédance: 8Ω Sensibilité: 87dB Radiateur de basse: 1 x 205 mm Basse: 1 x 175 mm Tweeter: 1 x dôme 25 mm HF 1001 Dimensions: 545 x 280 x 240 mm Description The secret to the performance of the Ditton 150 is the passive radiator, an original Celestion design. From top to bottom: the Ditton 150 features an HF 1001 dome tweeter, astonishing realism from the 175mm bass/midrange driver (critical frequencies for a two-way speaker), and finally a 205mm ABR (Auxiliary Bass Radiator) which broadens the response in the bass. The result? A rich sound that was once thought reserved for three-way loudspeakers. Specifications Type: 2 way, 3 driver loudspeaker system Frequency Response: 53Hz to 20kHz Recommended Amplifier: 10 to 60W Crossover Frequency: 2700Hz Impedance: 8Ω Sensitivity: 87dB Bass Radiator: 1 x 205mm Bass: 1 x 175mm Tweeter: 1 x 25mm dome HF 1001 Dimensions: 545 x 280 x 240mm Les photos sont la partie de la description. Vous achetez ce que vous voyez. Pour toutes questions ou photos supplémentaires, n'hésitez pas à me contacter. Attention! Le prix de la livraison varie en fonction du pays.  Demandez-moi le prix de la livraison, s'il vous plaît. Ask for shipping costs. Shipping to the islands is more expensive.

Bonjour, il s'agit la du premier intégré a transistors de la marque de 1967 avec un son tel un ampli a tube, il est dans un état exceptionnel ésthetiquement et parfaitement fonctionnel. Des fonctions unique comme la position Null est un mode de test, et est utilisée pour établir l'équilibre électrique exact entre les deux canaux stéréo. Contrairement au mode Mono, qui ajoute les signaux d'entrée (A + B) en les combinant en phase, le mode Null les combine hors phase pour faire soustraire les signaux les uns des autres (A – B). Ainsi, lorsque les signaux vers les deux canaux stéréo sont identiques et ont exactement le même volume, le résultat est une annulation presque parfaite, ou un "nul". Mais aussi une seule entrée phono à aimant mobile et de commandes de réglage de niveau. Ainsi, non seulement une large gamme de micros peut être adaptée, mais ils peuvent également être adaptés en niveau aux entrées de haut niveau de l'amplificateur, de sorte que le sélecteur d'entrée peut être commuté de source à source sans changement radical de volume. Et avec un jeu de niveau séparé pour chaque canal phono, les sorties de lecture peuvent être parfaitement égales. Une perle rare dans son carton d'origine avec tous ses documents et manuel schéma.  Hello, this is the first transistor integrated of the brand from 1967 with a sound like a tube amp, it is in exceptional condition aesthetically and perfectly functional. Unique functions like the Null position is a test mode, and is used to establish the exact electrical balance between the two stereo channels. Unlike Mono mode, which adds input signals (A + B) by combining them in phase, Null mode combines them out of phase to subtract the signals from each other (A - B). So when the signals to the two stereo channels are identical and have exactly the same volume, the result is almost perfect cancellation, or "zero". But also a single moving magnet phono input and level adjustment controls. So not only can a wide range of mics be matched, but they can also be level matched to high level amplifier inputs, so that the input selector can be switched from source to source without drastic change in volume. And with a separate level set for each phono channel, the playback outputs can be perfectly equal. A rare find in its original box with all its documents and diagram manual. Specifications: Power output: 50 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.25% Damping factor: 40 Input sensitivity: 2mV (MM), 200mV (line) Signal to noise ratio: 57dB (MM), 75dB (line)

Precision by Acer Versatile, the Acer BS-312P projector is the perfect partner for your entertainment or presentations. With its WXGA resolution and 3D support, it will live up to your requirements. Discover a quick and easy handling, an optimized installation as well as an essential connection to integrate naturally into your daily environment. DLP PROJECTION With a maximum resolution of 1920 x 1200 pixels, this versatile DLP projector provides the optimal viewing experience for your everyday needs. Enjoy a beautiful brightness of 4000 lumens and a contrast ratio of 20,000: 1. The Acer BS-312P incorporates LumiSense technology which analyzes the content projected frame by frame to adjust visibility for the best possible result. Also find ColorSafe II technologies to fight against color degradation, ColorBoost 3D and BlueLightShield. The latter will protect your eyes against the harmful effects of blue light. AT THE HEART OF YOUR EVERYDAY For ease of installation, the BS-312P projector features Auto Keystone correction. What to use your device in the best conditions for your various meetings or your daily entertainment. At the back, full connectivity awaits you including 1 HDMI port, a VGA input and a serial port. You even have the option of adding a wireless function by opting for a wireless HDMI dongle (optional). MAIN FEATURES: DLP 3D ready projector Native resolution: WXGA (1280 x 800) Maximum resolution: WUXGA (1920 x 1200) Brightness: 4000 lumens Dynamic Black: 20,000: 1 Acer BlueLight Shield technology: lower blue light levels Acer LumiSense, ColorBoost3D and ColorSafe II technologies Built-in speaker 3W Ease of installation: Auto Keystone +/- 40 ° Acer EcoProjection Lamp life: up to 10,000 hours in ExtremeEco mode 1 HDMI port + 1 VGA port Wireless projection available via optional adapter

Tamron AF 18-200mm 3.5-6.3 (IF) Macro LD XR DiII - Pentax PK Lentille Zoom Lens Très bon état. Avec filtre UV et bouchon avant Fonctionnement complet avec une utilisation minimale. L'objectif Tamron AF pour les reflex numériques avec un petit capteur d'image se caractérise avant tout par sa grande distance focale de 18-200 mm. Les zones grand-angle et téléobjectif sont couvertes de manière optimale avec un seul objectif. À l'intérieur, 15 lunettes XR de haute qualité et innovantes travaillent pour obtenir le meilleur résultat d'image possible. Grâce à la disposition intelligente des lunettes, la lentille Tamron permet une répartition optimale de la performance optique sur toute la plage de longueur focale. Cela réduit les erreurs d'imagerie à un minimum absolu et garantit en même temps une structure de lentille extrêmement compacte. Avec un rapport de reproduction allant jusqu'à 1:3,7, le Tamron AF 18-200mm f / 3,5-6 est adapté. 3 LD Di-II XR Objectif IF asphérique Pour Pentax également pour les prises de vue macro avec une limite de mise au point rapprochée de seulement 45 cm. Malgré ses caractéristiques techniques exigeantes, l'objectif, conçu comme un zoom rotatif, impressionne par sa conception compacte avec un diamètre de 73,8 mm sur une longueur de 83,7 mm et son faible poids de seulement 398 grammes. Afin d'exclure tout vignettage sur les bords de l'image, l'objectif Tamron ne doit pas être utilisé pour les appareils SLR numériques dont le capteur a une taille supérieure à 16x24 mm et non pour les capteurs plein cadre ou les appareils SLR 35 mm. Tamron AF 18-200mm 3.5-6.3 (IF) Macro LD XR DiII - Pentax PK Lentille Zoom Lens Very good condition. With UV filter and front cap Fully working with minimal use. Product information The Tamron AF lens for digital SLR cameras with a small image sensor is characterized above all by its large focal length of 18-200 mm. Wide-angle and telephoto areas are optimally covered with just one lens. Inside, 15 high-quality and innovative XR glasses work for the best possible image result. Thanks to the intelligent arrangement of the glasses, the Tamron lens achieves an optimal distribution of the optical performance over the entire focal length range. This reduces imaging errors to an absolute minimum and at the same time ensures an extremely compact lens structure. With a reproduction ratio of up to 1: 3.7, the Tamron AF 18-200mm f / 3.5-6 is suitable. 3 LD Di-II XR Aspherical IF lens For Pentax also for macro shots with a close focus limit of only 45cm. In spite of its demanding technical data, the lens, which is designed as a rotary zoom, impresses with its compact design with a diameter of 73.8 mm over a length of 83.7 mm and its low weight of just 398 grams. In order to rule out vignetting at the edges of the image, the Tamron lens should not be used for digital SLR cameras with a sensor size of more than 16x24mm and not with full-frame sensors or 35mm SLR cameras

Tiffen Soft fx 1/2 82mm  Filtre qui diffuse légèrement les hautes lumières, pour un rendu plus cinématographique en video, sans diminuer la netteté.  Soft fx 1/2 a un effet plus léger qu'un Black Pro Mist 1/4. Il peut être utiliser de manière courante sur des objectifs trop "sharp" (type sigma art) sans créer un "dreamy effect" marqué. Une alternative au Black Pro Mist 1/8. The Tiffen Soft/FX Filter can be applied to purposely reduce the appearance of blemishes and wrinkles in portraits or to apply a general soft-focus effect while maintaining overall sharpness. An array of small lenses distributed within the surface of this filter smooths fine lines and textures, which can be useful for creating a more flattering result of a subject. This filter is constructed from optical glass for clarity as well as color fidelity. It is made using ColorCore technology, a process that involves laminating the filter substrate between two pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch. - General soft-focus effect while maintaining overall sharpness - Reduces the appearance of blemishes and wrinkles - Provides a smoother appearance of fine lines and textures - Constructed from optical glass for clarity and color fidelity - Padded pouch included for storage and transport

4 Enceintes Satellites Jamo A305 Système 5.1 Comme Neuves / JAMO AS NEW. État: "Occasion" 2 voies Basse/médium: 51mm Aigu: 19mm Puissance: 50W (70W en crête) Sensibilité: 86 dB/1W/1m Bande passante: 150 - 20 000 Hz Fréquence de coupure: 3000 Hz Impédance: 6 ohms Dimensions: 176x88x48 mm - poids: 0,4 kg Ces enceintes compactes et discrètes disposent d’une incroyable qualité sonore et reprennent le design utilisé pour les écrans plats et amplificateurs actuels. En enlevant la grille en façade, elles ont une expression moderne, en la repositionnant, elles sont plus classiques et discrètes. Elles sont équipées d’un système deux voies, un haut-parleur de grave (51 mm) et un d’aigu (19 mm), qui restituent les fréquences médiums et aiguës avec la plus haute fidélité. Résultat: une qualité de reproduction des voix vraiment très naturelle. These compact and discreet speakers have an incredible sound quality and take up the design used for current flat screens and amplifiers. By removing the grid on the facade, they have a modern expression, by repositioning it, they are more classic and discreet. They are equipped with a two-way system, a bass speaker (51 mm) and a treble speaker (19 mm), which restore the medium and treble frequencies with the highest fidelity. Result: a quality of reproduction of voices really very natural.