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EB-2255U: THE BEST OF PRESENTATIONS IS AT YOUR REACH!      Put the odds on your side. The Epson EB-2255U projector has WUXGA resolution accompanied by 3LCD technology and 5000 lumens for the brightness to suit your needs, even in bright rooms. Your presentations will be more alive thanks to the Gesture Presenter function while the Miracast and WiDi technologies will facilitate the distribution of your content. SIMPLE SETUP AND CONTENT SHARING   Adjustment assist, keystone correction and on-screen adjustment functions are designed to ensure easy installation, while versatile connectivity options will make your day-to-day life easier. Finally, in addition to a high resolution image, this professional projector is also characterized by integrated 16W speakers.   With Miracast and WiDi technologies, the EB-2255U projector can also stream content and mirror the screen, from a range of smart devices. Content can be displayed in a split screen, while Multi-PC Projection software supports up to 50 PCs for easy collaboration in large meetings. MAIN FEATURES:   WUXGA 3LCD video projector Resolution: 1920 x 1200 pixels Brightness: 5000 lumens Gesture Presenter: control the projector by gestures Miracast and WiDi technologies Split screen and multi-PC projection WIFI connection Lamp life: 5000 h (normal mode) and 10,000 h (Eco mode) Projecting an image up to 300 " Connections: USB 2.0, HDMI, VGA, Ethernet Dimensions: 377 x 291 x 110 mm Weight: 4.7 kg Manufacturer's warranty 3 years return to workshop / 1 year for the lamp

Grey Matter E! for DX7II is a circuit board attached to the DX7IIFD, DX7IID  synthesizer main board that turns an otherwise normal DX7II-FD or DX7II-D into a fully featured workstation machine.     Expanded internal Memory   E! enlarges the internal RAM memory of your DX by four times and allows it to hold 256 single sounds (called Voices) and 128 Performance memories (multi-voice combinations).   The total internal memory is divided into 4 Banks. Each Bank holds 64 Voices and 32 Performances    - Bank 1 = 64 Voices/32 Performances  - Bank 2 = 64 Voices/32 Performances  - Bank 3 = 64 Voices/32 Performances  - Bank 4 = 64 Voices/32 Performances   Voices from all four banks can be combined into any of the Performance memories, meaning you're not limited to Voices found in just one Bank when creating a Performance Combination   Octal Mode Octal Mode is one of the most outstanding features of the E! expansion because it turns your DX7II into an 8 channel multitimbral sound module. With this capability, the keyboard can receive MIDI information on 8 separate channels directly from the internal SE!quencer or from an external controller. Each channel can be assigned a different Voice, so now your DX can produce eight different sounds at once.   Splits and Layers With E! you can go far beyond the simple two way split and layer combinations of original DX7II. Youâ??ll find that there are Performance Modes that let you layer 4 voices or create elaborate 8 way splits. There's even a floating split mode, where the split point follows the movements of your right hand up and down the keyboard.   Accompaniment Modes There are two accompaniment modes that let you to trigger preset chords or moving patterns by playing just one key.    - Player Mode - Using this mode you can create elaborate moving accompaniments by triggering a different arpeggio or bass line pattern by playing one key.     - Chord Mode - This mode lets you trigger a different chord voicing (such as major, minor, 7th or 9th chord) when you press a key.    8 Channel Controller With El, your DX is capable of transmitting up to 8 MIDI channels from the keyboard and 16 channels from the sequencer.       Expanded Data Management Functions With the Expanded Memory and increased Performance and Sequencer functions, the Data Management operations are likewise augmented. In transferring data to and from the disk, you now have the option of Saving and Loading a Single Bank of Voices and Performance memories or all 4 at once.      Two Primary Modes All the E! functions are collected under two fundamental menu headings:   - Engine   - SE!quencer   Engine   The heart of the E! system is called the Engine. As the central workhorse menu, it contains most of the new E! functions including all Performance modes, multitimbral and MIDI controller features and the special accompaniment modes. Every parameter within the Engine menu is programmable. This means you can save any multitimbral combination, split or layer combination or sequencer song to one of the 128 Performance memories and call them up with the touch of one button!   Sequencer With E! you now have a 16 track MIDI recorder built into your DX. Eight of these tracks can be assigned to trigger eight internal DX Voices, while the others can be used to trigger external MIDIsound modules.   The recording and editing features compare with some of the best computer software programs available. The SE!quencer is pattern based, meaning you record short segments of data called Patterns and then link them into a complete arrangements called Songs. The Internal memory holds a maximum of 22,000 MIDI events, which can be reserved for 1 Song or divided between up to 10 Songs. The disk on a DX7lI-FD serves to expand the internal memory by 10 times the maximum limit, or 220,000 MIDI events divided

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

SAGEM My dual radio 700 (internet radio) FM / Internet wifi and Ethernet / Usb only - no Dab - No Bluetooth Très bon état avec alimentation pour UK et Europe - Very good state like new with psu for UK and continental europe. Genuine remote controle - Télécommande d'origine fournie Fonctionne parfaitement, très bon son - Working perfectely, good sound. All the time the Sagem MyDual Radio700 is powered up even without a station selected the front screen will display a small top line of year, date and day with a large (four time the size) bottom line showing the time in 24 hour format. It is 20x10x14cm maximum, the right side is the larger being circular and the single speaker with a fine silver/grey mesh the rest of the unit is grey. The display is 7.3x3.5cm with white lettering on a blue background. Outputs on the back are for earbuds, liner out, Ethernet, FM aerial (supplied) and the power lead. There is a status LED that glows green but in most cases this will not even be seen and finally a push button on/off switch. Neither side or the bottom have any connections while the front has a USB stick socket between the LCD display and the speaker. This leaves the top this has a total of eight buttons, five arranged in the ubiquitous joystick combination and three others all clearly labelled. There is a 30 key remote control, however for most actions the eight buttons on top of the unit are all you need. The one exception I have found is entering your WEP or WPA code that needs the numeric (mobile phone type) input on the remote. It finds all the wireless networks in range you select the one you want and assuming it is encrypted then you enter your passcode. It remembers this so next time you return power to the unit although you need to move through the same screens and select the wireless network it then shows the passcode, here I think it should not display the actual code maybe just some dots as the passcode is there for anyone to see. Ethernet is simpler as it is just a matter of connecting an Ethernet cable between the unit and a router. There are literally thousands of Internet radio stations are these are split into Genres. On the Station list there are four choices Locations, New Stations, Popular Stations and Genres. There are 56 Genres listed, as regular readers will know jazz is my passion and there are 100 or these. Select what you want and after a few seconds of buffering you will be listening to what you have chosen, it could be in UK or America or New Zealand in fact anywhere in the world. I found the sound quality good. The FM radio was not as brilliant, there are two sensitivities and even with the supplied wire lead extended fully on the lesser setting it found three stations and thirteen in most sensitive so lots of stations are not found. It then lists the frequencies and in some cases the name of the station beside them. The actual reception quality varied. Lack of space prevents me from giving much detail about the other features, the Alarm Clock (choice of two) is easily set as in the Sleep Timer. The MP3 player works without problem and using it as a Media Server is logical. There is a twenty page Installation Guide that should get you going and also covers using Windows Media Player 11 on your PC. My one real gripe is your passcode being displayed anytime power is restored note I mean the back on/off switch and not the power switch on the top that is really only standby mode.

BOLEX PAILLARD D-8L 8mm Camera 1959 #809142 three excellent D-MOUNT (or 4/3 digital) lens: - Schneider-Kreuznach Xenoplan 13mm 1,9. #5455558 with protector - Schneider Kreuznach Xenar 2.8 1:2.8 35mm. #4999186 with protector - Kern-Paillard PIZAR 1:1.9 f=5.5mm AR #697912. Wide angle Schneider-Kreuznach are a high quality standard lens for 8mm movie cameras D-MOUNT (or 4/3 digital) lens.  Made in Germany. All lens in perfect aperture function. Smooth focusing. CAMERA IN PERFECT CONDITIONS The cell, wich is 60 years old, does not appear to be working. Anyway with the current ISO 100 film, it is not useful with original leather case and Declic H grip camera DETAILS: - OVERALL DIMENSIONS: 5" x 3 1/2" x 2" - WEIGHT: Approximately 28 oz. - OUTER CASE: Highly polished duraluminium body, covered in genuine Morocco leather. Metal parts are chrome-plated. - FILM CAPACITY: 25ft daylight loading spools of double run 8mm film. When a roll runs through the camera, only half the width of film is exposed. The spool is then reversed and run through again, exposing the other half. When processed, film is split and spliced together giving 50' for projection. Projection time at 16 fps for 25' roll is 4 minutes. - THREADING: manual, with no loop forming; with the pressure pad opened the film is simply placed over a guide roller, threaded behind the gate, over the bottom guide roller and onto the takeup spool. - TURRET: Accommodates three standard D mount lenses. - VIEWFINDER: optical type; adjustable dial shows the scene as viewed by focal lengths of 12.5mm, 25mm and 36mm. Accessory prism attachments allow for filming with 5.5mm lenses, and for parallax correction while filming at close distances. - VARIABLE SPEED: 12, 16, 18, 24, 32, 48 and 64 frames per second. - RELEASE BUTTON: continuous exposures can be made by a finger tip release button or cable release. Running operation can be locked to prevent accidental exposures, or set for continuous hands-free filming. - VARIABLE SHUTTER: Adjustable dial changes the shutter opening from 0-165 degrees to allow for shortened exposure times and fades. - FOOTAGE COUNTER: Precise reading of exposed film footage. Audible end-of-film signal. Resets to zero upon reloading. - SINGLE FRAME: A cable release socket allows the user to expose single frames for filming animation, titles, etc. - EXPOSURE METER: A photoelectric cell measures light through the lens. Two needle indicators in the viewfinder are then aligned by adjusting the diaphragm on your lens, resulting in proper exposure. - TRIPOD SOCKET: 1/4" thread