Who put

CD Album CD Code EAN: 5050159115020 Rubrique principale CD: CD Album Genre musical: Rock & Roll Titre: Who put the bomp

CD Album CD Code EAN: 5020145801305 Rubrique principale CD: CD Album Titre: Who Put the Voodoo Pon Raggae Genre musical: Reggae Référence fabricant CD: ARICD130

Sympathique vinyle 33t d' ALAN PRICE SET Album ALAN PRICE SET - BEST SELLERS Album édité en Belgique chez DECCA en 1968 Ex-Organiste du groupe The ANIMALS aux côtés d'Eric BURDON de 1963 à 1965 il crée le groupe ALAN PRICE SET L'album ici proposé recouvre la période 65/68 sur lequel figurent les principaux titres de la formation dont ?I PUT A SPELL ON YOU? et ?Hi-LILI, HI-LO? Réf.: DECCA - XBL 646 027 Pressage: Made in Belgium - BIEM / Francis DAY / SOGEDI Edité en 1968 Imp.: OFFSET VAN NUFFEL - 1.5.68 12 titres: A1) THE HOUSE THAT JACK BUILT A2) I PUT A SPELL ON YOU A3) IECHYD-DA - (instr.) A4) HI-LILI, HI-LO A5) WILLOW WEEP FOR ME A6) WHO CARES B1) SIMON SMITH AND THE AMAZING DANCING BEAR B2) YOURS UNTIL TOMORROW B3) TICKLE ME B4) TAKE ME HOME B5) ANY DAY NOW B6) NEVER BE SICK ON SUNDAY - (instr.) Pochette en exc. état - ni écriture, ni déchirure - mini-pliures vers arêtes + quelques légères pliures peu marquées - légère usure long des arêtes - léger marquage à l'emplacement du vinyle - petites salissures au verso Disque en exc. état - pratiquement sans griffures - légères traces en face 2 d'origine inconnue matifiant un peu l'aspect du vinyle sans conséquence sur l'écoute de quasi parfaite qualité, rares craquements ponctuels peu marqués 7 € + frais d'envoi ou à retirer à Tourcoing Vinyle occasion à vendre à Tourcoing (59200): cd et vinyles à acheter dans le Nord (59)

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Dionne WARWICK - Burt Bacharach Anyone Who Had A Heart - Mini LP 12-TRACK CARD SLEEVE CD Rhino 081227983741 EU   NEW NOT SEALED - NEUF NON SCELLE 1. "Anyone Who Had a Heart" 2. "Shall I Tell Her" 3. "Don't Make Me Over" 4. "I Cry Alone" 5. "Getting Ready for the Heartbreak" 6. "Oh Lord, What Are You Doing to Me 7. "Any Old Time of Day" 8. "Mr. Heartbreak 9. "Put Yourself in My Place" 10. "I Could Make You Mine" 11. "This Empty Place" 12. "Please Make Him Love me °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

A LIRE AVANT D'ENCHERIR OU D'ACHETER: READ BEFORE BIDDING OR BUYING: SI TOUTEFOIS VOUS CONSTATEZ UN PROBLEME AVEC MES OBJETS, NE METTEZ PAS DES EVALUATIONS FANTAISISTES : CONTACTEZ MOI !!!! IL Y A DES SOLUTIONS (REMBOURSSEMENT, ECHANGE...) HOWEVER IF YOU SEE ANY PROBLEM WITH MY ITEMS, DON'T PUT A BAD FEEDBACK: CONTACT ME !!!! THERE IS MANY SOLUTIONS (REFUND, CHANGE...)     MAXI 12'  TONY BAXTER       SCREAMIN (JAMES WHO ?)     GENRE:        ELECTRO DISCO      PRESSAGE BELGIQUE                        VITAL BMC 2009       POCHETTE / SLEEVE =    VG++   DISQUE / RECORDS =    VG++EX      N HESITEZ PAS A VOIR MES AUTRES VENTES ET A VISITER MA BOUTIQUE: Mega vinyle GROUPER VOS ACHAT AFIN DE REDUIRE LES FRAIS DE PORT   TARIFS DE LIVRAISON Les disques sont envoyés dans de super pochette de protection FRAIS DE PORT ACHAT GROUPES: CONTACTEZ MOI COMBINATED SHIPPING: CONTACT ME Frais de port pour la FRANCE: pour 1 SP ou EP 45T = 3.00 Euros pour 1 LP 33t = 7.00 Euros Shipping for EUROPE : For 1 SP or EP 7' = 4,50 Euros For 1 LP 12' =  8,50 Euros Shipping rest of the WORLD For 1 SP or EP 7' = 5,90 Euros For 1 LP 12' = 10.00 Euros.   PAIEMENT POUR LA FRANCE paypal ou cheque francais FOR OTHER COUNTRY ONLY PAYPAL

VOIR 11 PHOTOS DANS LE DEROULANT CI-DESSUS Vinyle LP 33 tours 12"  -  Original    UK                               THE WHO Odds & Sods Label:      Track Record ‎– 2406 116 Format:   Vinyl, LP, Album, Die Cut Sleeve  Pays:      UK Date:       28 Sep 1974 Genre:    Rock Style:      Hard Rock, Classic Rock Tracklisting A1 Postcard A2 Now I'm A Farmer A3 Put The Money Down A4 Little Billy A5 Too Much Of Anything A6 Glow Girl B1 Pure And Easy B2 Faith In Something Bigger B3 I'm The Face B4 Naked Eye B5 Long Live Rock Etat Pochette:      VG+ Pas d'usure des tranches Vinyle     :      EX J'ai écouté les 2 faces  Cet album sera protégé dans une pochette plastifiée transparente Ce qu'il faut savoir avant d'enchérir Envoi soigné. Le ou les disques sera ou seront parfaitement  protégé(s). Chaque disque est mis sous pochette plastifiée transparente Paiement par Paypal de préférence ou par chèque (France) à l'exclusion de tout aitre moyen. Pas de remise en main propre - Pas d'envoi par Mondial Relay 1 LPS = 1 LP simple. Un album double équivaut à 2 LPS. Exemple 2 LPS + 1 album double = 4 LPS Jusqu'à 3 LPS, les disques sont envoyés en lettre verte pour la France et en lettre prioritaire pour l'étranger. Au delà, l'envoi se fait en colissimo ou en colissimo international. Attention, il n'y a pas de suivi pour les envois fait au tarif lettre Frais de port et d'emballage France métropolitaine 1 45 tours 7": 4 € - 1 LPS 12": 6,00 € - 1 double LPS ou 2 LPS 12": 8,00 € - 3 LPS 12": 8,00 € - 4 à 7 L¨S: 14,00 € - 8 à 15 20,05 € Pays de l'Union Européenne 1 45 tours 7": 7,50 € - 1 LPS 12": 11,70 € - 1 double LPS ou 2 LPS 12": 19,80 € - 3 LPS 12": 19,80 € - 4 à 7 LS: 22,80 € - + de 8 LPS:37,50 € Reste du mone 1 45 tours 7": 7,50 € - 1 LPS 12": 11,70 € - 1 double LPS ou 2 LPS 12": 19,80 € - 3 LPS 12": 22,50 € - 4 à 7 LS:47,500 €.

Sinead O' Connor - She Who Dwells... | 2 CD | Live 2003. Rare !! Collector !!!! Vintage ! French edition. Year: 2003. Country: France. EAN: 3353570014623. Ref: KMCD146. In perfect condition. 32 recorded live in Dublin, 2003. Tracks: 1 - 01 Regina Caeli 1:03 1 - 02 O Filii Et Filiae 3:12 1 - 03 My Love I Bring 3:53 1 - 04 Do Right Woman 3:53 1 - 05 Love Hurts 4:01 1 - 06 Ain't It A Shame 4:29 1 - 07 Chiquitita 3:49 1 - 08 Brigidine Diana 4:12 1 - 09 It's All Good 5:07 1 - 10 Love Is Ours (Demo) 4:43 1 - 11 A Hundred Thousand Angels 3:12 1 - 12 You Put Your Arms Around Me (Demo) 4:58 1 - 13 Emma's Song 4:20 1 - 14 No Matter How Hard I Try (Demo) 4:22 1 - 15 Dense Water Deeper Down 3:32 1 - 16 This Is A Rebel Song 3:47 1 - 17 1000 Mirrors 4:51 1 - 18 Big Bunch Of Junkie Lies 4:01 1 - 19 Song Of Jerusalem 5:52 2 - 01 Molly Malone 3:56 2 - 02 Oro Se Do Bheatha 'Bhaile 3:07 2 - 03 The Singing Bird 4:26 2 - 04 My Lagan Love 5:13 2 - 05 I Am Stretched On Your Grave 4:44 2 - 06 Nothing Compares 2 U 5:41 2 - 07 John I Love You 5:31 2 - 08 The Moorlough Shore 5:42 2 - 09 You Made Me The Thief Of Your Heart 4:39 2 - 10 Paddy's Lament 5:37 2 - 11 Thank You For Hearing Me 5:12 2 - 12 Fire On Babylon 7:32 2 - 13 The Last Day Of Our Acquaintance 5:58 Envoi rapide et soigné de France par la Poste ou Mondial Relay. Fast shipping from France. Foreign bidders welcome ! Please don't hesitate to ask if you have any questions. Have a look at my other sales ! Will combine shipping on multiple items.

Various ‎– Grease (The Original Soundtrack From The Motion Picture) Label: Polydor ‎– 817 998-2 Format: CD, Album,  Country: UK & Europe Sortie: Feb 1991 Genre: Pop   TracklistMasquer Crédits 1–Frankie ValliGreaseWritten-By, Producer – Barry Gibb2–John Travolta / Olivia Newton-John & Unknown ArtistSummer Nights3–Olivia Newton-JohnHopelessly Devoted To You4–John Travolta / Olivia Newton-JohnYou're The One That I Want5–John TravoltaSandy6–Frankie AvalonBeauty School Dropout7–Stockard ChanningLook At Me, I'm Sandra Dee8–John TravoltaGreased Lightning9–Cindy BullensIt's Raining On Prom Night10–Unknown ArtistAlone At The Drive-In-Movie11–Sha-Na-Na*Blue Moon12–Sha-Na-Na*Rock 'N' Roll Is Here To Stay13–Sha-Na-Na*Those Magic Changes14–Sha-Na-Na*Hound Dog15–Sha-Na-Na*Born To Hand Jive16–Sha-Na-Na*Tears On My Pillow17–Louis St. Louis & Cindy BullensMooning18–Cindy BullensFreddy My Love19–Louis St. LouisRock 'N' Roll Party Queen20–Stockard ChanningThere Are Worse Things I Could Do21–Olivia Newton-JohnLook At Me, I'm Sandra Dee (Reprise)–John Travolta / Olivia Newton-John & Unknown ArtistWe Go Together22a–Witch Doctor22b–Who Put The Bomp (In The Bomp, Bomp, Bomp)23–John Travolta / Olivia Newton-John & Unknown ArtistLove Is A Many Splendored Thing24–Frankie ValliGrease (Reprise)Written-By, Producer – Barry Gibb   CD ET BOITIER TRES BON ETAT - ENVOI RAPIDE ET SOIGNE - CONFIRMATION DE L'ENVOI PAR MAIL

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

DOUBLES CD COMPIL House Classics. État : "Très bon état" cd: VG+  boitier: VG+ tous les cd sont livrès avec pochettes protections plastifiés all cds come with laminated protective pouches Various ‎– House Classics Label: Cloud 9 (2) ‎– CLDM2008014 Format: 2 × CD, Compilation Country: Netherlands Sortie: 15 Aug 2008 Genre: Electronic Style: House, Breaks, Garage House, Deep House, Euro House, Hip-House Tracklist 1-1–Inner CityGood LifeWritten-By – Saunderson*, K. Saunderson*, P. Grey*, Holon*2:591-2–Robin S.Show Me LoveWritten-By – A. George*, F. McFarlane*3:221-3–Kristine WFeel What You WantWritten-By – R. Dougan*, R. Armstrong*4:131-4–Crystal WatersGypsy Woman (La Da Dee La Da Da)Written-By – C. Waters*, N. Brian Conway*3:471-5–RozallaEverybody's Free (To Feel Good)Written-By – N. Swanston*, T. Cox*3:331-6–Roger SanchezAnother ChanceWritten-By – R. Sanchez*, S. Lukather*3:301-7–NightcrawlersPush The Feeling OnWritten-By – G. M. Wilson*, J. Brankin*, J. Robinson Reid*, R. Alexander Campbell*4:041-8–The Good MenGive It UpWritten-By – DJ Zki & Dobre3:301-9–FelixDon't You Want MeWritten-By – Felix3:131-10–Toni Di Bart*The Real ThingWritten-By – Blissett*, Drayton*, Di Bart*3:491-11–BFI*Why Not Jazz?Written-By – L. Pancaldi*, R. Attarantato*3:281-12–Joe SmoothPromised LandWritten-By – J. Smooth*4:371-13–South Street Player(Who?) Keeps Changing Your MindWritten-By – R. Clark*3:101-14–GustoDisco's RevengeWritten-By – E. Greene*, Mason*, Mason*3:111-15–Steve 'Silk' Hurley*Jack Your BodyWritten-By – S. Hurley*6:011-16–DJ Jose vs. G-SpottWrong = RightWritten-By – DJ Jose, G-Spott3:231-17–Harlem Bros.Turn The Beat AroundWritten-By – G. Jackson*, P. Jackson*5:571-18–Josh WinkA Higher State Of ConsciouscenessWritten-By – J. Wink*3:111-19–2 In A RoomWiggle ItWritten-By – G. Morel*, R. Vargas*3:121-20–Ruffneck Feat. YavahnEverybody Be SomebodyWritten-By – B. Blank*, D. Jenkins*, D. Meier*, D. Richardson*, J. Thomas*3:362-1–MolokoSing It BackWritten-By – Moloko3:372-2–Room 5 Feat. Oliver Cheatam*Make LuvWritten-By – Junior Jack, K. Mc Cord*, Oliver Cheatham3:342-3–FaithlessSalva MeaWritten-By – M. Jazz*, Rollo, Sister Bliss4:372-4–Prodigy*Out Of SpaceWritten-By – C. Miller*, K. Thornton*, L. Howlett*, M. Smith*, T. Randolph*3:442-5–Soul II SoulGet A LifeWritten-By – B. Romeo*, H. Browne*3:422-6–Eric PrydzCall On MeWritten-By – E. Prydz*, Winwood*, Jennings*2:502-7–Fedde "F.L.G. Le Grand*Put Your Hands Up 4 DetroitWritten-By – F. Le Grand*2:432-8–DoopDoopWritten-By – Ferry*, Garnefski*3:092-9–Klatsch!Oh BoyWritten-By – DJ Zki & Dobre3:542-10–The OnesFlawlessWritten-By – T. Class*, Nashom, P. Alexander*3:112-11–N.U.K.E.NanaWritten-By – Stenzel*, Jouini*3:492-12–Ultra Nate*FreeWritten-By – J. Ciafone*, L. Springsteen*, U. Nate*3:272-13–Junior JackStupidiscoWritten-By – D. Innis*, S. Lorber*, V. Lucente*3:412-14–StuartFree (Let It Be)Written-By – A. Broekhuyse/R. Nitzan*, S. Wijdoogen*3:182-15–Sonic SurfersBeat Of ZenWritten-By – A. Corneille*, L.J. Hartong*, M. Bakker*3:582-16–RamirezLa Musika TremendaWritten-By – D. Rizzatti*, E. Moratto*, R. Persi*3:022-17–Hardsoul Feat. ForrestWhere Did Our Love GoWritten-By – F. Thomas*, G. Van Bueren*, R. Van Bueren*6:092-18–Dance 2 TrancePower Of American NativesWritten-By – DJ Dag, Jam El Mar, Linda Rocco3:532-19–Jam & SpoonFind MeWritten-By – J.E. Mar/M. Spoon*, N. Katzmann*4:042-20–The Black & White Brothers*Put Your Hands UpWritten-By – Djaimin, Mr. Mike

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

Bonjour, L'essentiel est dans le titre, mais le détail des vinyles en vente est ici: -Michel Delpech (Wight is Wight) -Christophe (Les marionnettes, Je suis parti, Tu n'es plus comme avant, Noël) -Alain Barrière (Attends, Les sabots, Mais je vous dis, L'aveugle du Pont au Change) -Nana Mouskouri (L'enfant au tambour, Remets mon coeur à l'endroit, Le temps du chagrin, Les enfants qui pleurent) -Mireille Mathieu (Paris en colère, Soldats sans armes) -Gloria Lasso (Bonjour Chéri, A jamais, Sois pas fâché, Du moment qu'on s'aime) -Georges Moustaki (Le Métèque, Voyage) -David Bowie (Sound and Vision, A new career in a new town) -Sacha Distel (L'incendie à Rio, Y en a qui font ça, Mon petit bout d'chou, Rebecca et moi) -Rika Zaraï (Balapapa, Mille violons) -Christophe (Aline, Je t'ai retrouvée, Je ne t'aime plus, La fille aux yeux bleus) -Sheila (Vous les copains..., Oui il faut croire, A la fin de la soirée, Ecoute ce disque) -Jacques Dutronc (Les play-boys, Sur une nappe de restaurant, On nous cache tout on nous dit rien, La fille du Père Noël) -Les Surfs (Chaque nuit, Tu n'iras pas au ciel, Un toit ne suffit pas, Sacré Josh) -Michel Polnareff (Allo Georgina, Comme Juliette et Roméo) -Sonny & Cher (Petit homme, Tell him, Little man, Summertime) -Marc Hamilton (Comme j'ai toujours envie d'aimer, Tapis magique) -David Alexandre Winter (A quel printemps viendras-tu ma belle ?, Petite fille que j'aime, Mademoiselle je t'aime, Je t'ai connue en septembre) -Joe Dassin (La fleur aux dents, La luzerne) -Crocodile Haris (Give me the good news, Night-Life letters) -Dimitri Dourakine (Casatschok, Toï toï toï) -The bee gees (Massachussetts, Barker of the U.F.O) -Question mark & the mysterians (96 tears, Midnight hour, I need somebody, 8 teen) -Nana Mouskouri (Je n'ai pas peur de mourir avec toi, Oublie que j'ai de la peine) -Mungo Jerry (In the summertime, Mighty man) -Trini Lopez (If I had a hammer, Elenore) -Aphrodite's child (It's five o'clock, Funky Mary) -Procol Harum (A whiter shade of pale, Lime street blues) -The Equals (Baby come back, Hold me loser) -The Osmonds (Movie Man, Traffic on my mind) -Aphrodite's child (I want to live, Magic Mirror) -Rose Royce (Car wash, Put your money where your mouth is) -Rotation (Ra-ta-ta, Rotation) -Jona Lewie (Stop the cavalry, Laughing tonight) -Blondie (The tide is high, Susie and Jeffrey) -Manfred Mann (Mighty Quinn, By request - Edwin Garvey) -Tom Jones (Delilah, Smile) -Hugues Auffray (Dès que le printemps revient, Allez allez mon troupeau) -David Alexandre Winter (Oh lady Mary, La prière, Ne ferme pas tes yeux..., Qu'est-ce que j'ai dansé) -Irene Cara (Fame, Never alone) -Stevie Wonder (Superstition, You've got it bad girl) -Afric Simone (Ramaya, Piranha) -Elisabeth Jerome (Maladie d'amour, L'été bientôt l'été) -Ringo (Elle je ne veux qu'elle, Juges) -Jean-Claude Borrely (Dolannes Mélodie) -Sylvester (I need somebody to love tonight, I who have nothing) Envoi en point relai Mondial Relay...

CD : Call The Rag  Voir la liste des titres 1997 Liste des titres :   01 _ Some Like It Hot                                 M. Malneck / I. Diamond 02 _ Call One 03 _ Light My Fire                                       Morrison / Manzarek / Krieger / Densmore 04 _ Fire                                                       B. Springsteen 05 _ Call Two 06 _ Great Balls Of Fire                             Blackwell / Hammer 07 _ Ring Of Fire                                        J. Carter / M. Kilgor 08 _ Call Three 09 _ Kiss Of Fire                                         L. Allen / R.B. Hill 10 _ Smoke Gets In Your  Eyes               Kern / Harbach 11 _ Call Four 12 _ The Heat Is On                                   K. Forsey / H. Faltermeyer 13 _ Jump Into Fire                                    J. Cobb / J. King 14 _ Call Five 15 _ A Fire I Can’T Put Out                      D. Staedtler 16 _ Who By Fire                                        L. Cohen 17 _ Call Six 18 _ Call The Rag                                      C. Hakios-Mac Callum   Mise en vente : Sans prix de réserve Envoi protégé « La Poste » Paiement par chèque ou virement bancaire Merci de votre visite et bonne chance dans votre recherche N’hésitez pas à aller voire mes autres objets

OLD CHINESE BRONZE STATUE OF LU XING ? GOD OF PROSPERITY ?. NOT SURE WHO HE HIS BUT SOMEONE WILL PUT ME RIGHT. SIZE IS 7 INCH HIGH BY 3 1/2 INCH. ITS MADE OF BRONZE OR BRASS NOT SU A NEW COPY. FRRE. PACKEWEIGHT IS 1400kg UNORIGINAL OLD ITEM NOTOM A HOUSE CLEARANCE ANY QUESTIONS PLEASE ASKD

1-1 I've Been Loving You1-2 Here's to the Next Time1-3 Lady Samantha1-4 All Across The Havens1-5 It's Me That You Need1-6 Just Like Strange Rain1-7 Bad Side of the Moon1-8 Rock and Roll Madonna1-9 Grey Seal1-10 Friends/Friends1-11 Michelle's Song1-12 Seasons1-13 Variation On Michelle's Song1-14 Can I Put You On1-15 Honey Roll1-16 Variation On Friends1-17 I Meant to Do My Work Today1-18 Four Moods1-19 Seasons Reprise2-1 Madman Across the Water2-2 Into the Old Man's Shoes2-3 Rock Me When He's Gone2-4 Slave2-5 Skyline Pigeon2-6 Jack Rabbit2-7 Whenever You're Ready2-8 Let Me Be Your Car2-9 Screw You2-10 Step Into Christmas2-11 Ho! Ho! Ho! Who'd Be A Turkey At Christmas2-12 Sick City2-13 Cold Highway2-14 One Day at a Time2-15 I Saw Her Standing There2-16 House of Cards2-17 Planes2-18 Sugar On the Floor

The EVERLY BROTHERS Original Hits 1957 - 1960 Edition Française publier en 1976. Disque FESTIVAL 256 Double album 30 Cm pochette double. A1 Wake Up Little Susie Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A2 Claudette Written-By – Roy Orbison Written-By – Roy Orbison A3 Keep A Knockin' Written-By – Penniman* Written-By – Penniman* A4 Problems Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A5 Oh, What A Feeling Written-By – Don Everly Written-By – Don Everly A6 Take A Message To Mary Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A7 Devoted To You Written-By – B. Bryant* Written-By – B. Bryant* A8 Be-Bop-A-Lula Written-By – G. Vincent*, T. Davis* Written-By – G. Vincent*, T. Davis* A9 Hey, Doll Baby Written-By – Traditional Written-By – Traditional 2:03A10When Will I Be Loved Written-By – Phil Everly Written-By – Phil Everly A11 Let It Be Me Written-By – G. Bécaud*, M. Curtis* Written-By – G. Bécaud*, M. Curtis* B1 Bird Dog Written-By – B. Bryant* Written-By – B. Bryant* B2 (Till) I Kissed You Written-By – Don Everly Written-By – Don Everly B3 All I Have To Do Is Dream Written-By – B. Bryant* Written-By – B. Bryant* B4 Like Strangers Written-By – B. Bryant* Written-By – B. Bryant* B5 Rip It Up Written-By – J. Marascalco*, R. Blackwell* Written-By – J. Marascalco*, R. Blackwell* B6 Leave My Woman Alone Written-By – R. Charles* Written-By – R. Charles* B7 This Little Girl Of Mine Written-By – R. Charles* Written-By – R. Charles* B8 Poor Jenny Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* B9 I Wonder If I Care As Much Written-By – D. & P. Everly* Written-By – D. & P. Everly* B10 Maybe Tomorrow Written-By – D. & P. Everly* Written-By – D. & P. Everly* B11 Bye Bye Love Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C1 Love Of My Life Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C2 Brand New Heartache Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C3 Since You Broke My Heart Written-By – Don Everly Written-By – Don Everly C4 Should We Tell Him Written-By – D. & P. Everly* Written-By – D. & P. Everly* C5 I'm Here To Get My Baby Out Of Jail Written-By – Harty*, Karl* Written-By – Harty*, Karl* C6 Down In The Willow Garden Written-By – C. Monroe* Written-By – C. Monroe* C7 Barbara Allen Written-By – Traditional Written-By – Traditional C8 Kentucky Written-By – H. Prichard* Written-By – H. Prichard* D1 Lightning Express Written-By – B. Kincaid* Written-By – B. Kincaid* D2 Roving Gambler Arranged By – Pete Daley* Arranged By – Pete Daley* D3 Who's Gonna Shoe Your Pretty Little Feet Arranged By – Ike Everly Arranged By – Ike Everly D4 That Silver-Haired Daddy Of Mine Written-By – Autry*, Long* Written-By – Autry*, Long* D5 Rockin' Alone In My Old Rockin' Chair Written-By – B. Miller* Written-By – B. Miller* D6 Put My Little Shoes Away Arranged By – Ike Everly Arranged By – Ike EverlyD7Long Time Gone Written-By – Mattie O'Neal* Written-By – Mattie D8Oh, So Many Years Written-By – Bailes* D7 Long Time Gone Written-By – Mattie O'Neal* Written-By – Mattie O'Neal* D8 Oh, So Many Years Written-By – Bailes* Written-By – Bailes* ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// État: Pochette recto-verso: Excellent           Intérieur pochette: Bon ++           Disques 33T: Excellent Expédition pour la France: 7,50 €