With cone of shame

Funko Pop Dug exclusivo de la Summer Convention de 2016. (Precio basado en la app oficial de Funko)

BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! EURYTHMICS  Shame 3-track Jewel case MAXI CD RCA 5012394168827 1987 Germany EX/EX   1° Shame (Dance Mix) 5:42 2° I've Got A Lover (Back In Japan) 4:28 3°There Must Be An Angel (Playing With My Heart)  °°°°°°°°°°°°°°°°°°°°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! EURYTHMICS  Shame 3-track Jewel case MAXI CD RCA 5012394168827 1987 Germany EX/EX   1° Shame (Dance Mix) 5:42 2° I've Got A Lover (Back In Japan) 4:28 3°There Must Be An Angel (Playing With My Heart)   °°°°°°°°°°°°°°°°°°°°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound qu)

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&.Winter Ophelie  Shame on U 2 Tracks card sleeve  CDS EW     0630 16034 9  1996 France EX/EX 1) Shame on U 2) Le feu qui m'attise (remix). &&&&&&&&&&&&&&&&&&&&&&&&&&&&& °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.)

.MADNESS Shame and scandal 2 track CARD SLEEVE French sticker CDS Virgin 5033197341088 2005 EU Neuf  1) Scandal in the family 2) So much trouble in the world.  °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Johnny Guitar Watson ‎– Funk Beyond The Call Of Duty Label: DJM Records (2) ‎– DJF 20525 Format: Vinyl, LP, Album Country: UK Sortie: 1977 Genre: Funk / Soul Style: Funk, Disco Tracklist A1 Funk Beyond The Call Of Duty A2 It's About The Dollar Bill A3 Give Me My Love B1 It's A Damn Shame B2 I'm Gonna Get You Baby B3 Barn Door B4 Love That Will Not Die Entreprises, etc. Recorded At – Paramount Recording Studios Published By – Dick James Music Ltd. Phonographic Copyright (p) – Dick James Music, Inc. Copyright (c) – This Record Co. Ltd. Printed By – Robor Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Crédits Art Direction – David Krieger, DFK* Co-producer [Production Assistant], Drums, Bell Tree, Cabasa, Whistle, Siren – Emry Thomas Engineer – Kerry McNabb Lacquer Cut By – Porky (5) Management – Kessler-Grass Photography By [Photo Credit] – Jim McCrary Producer, Arranged By, Written-By, Electric Piano [Fender Rhodes], Synthesizer, Guitar, Organ [Hammond], Bass [Moog], Congas, Percussion [Aguido], Vocals – Johnny Guitar Watson Saxophone – Billy Haley* Sleeve Notes – JGW* Trombone – Tommy Roberson Trumpet – Walt Fowler Notes Recorded At: Paramount Recording Studios, Hollywood, California Also available on Cassette DJH 40525 DJM Records Limited, James House, 71/75 New Oxford Street, London WC1A 1DP © 1977 This Record Co. Ltd Kessler-Grass Management · Direction [logo] Printed in England by Robor Limited ℗ 1977 Dick James Music Inc. Made in England Dick James Music Ltd Code-Barres et Autres Identifiants Matrix / Runout (Label side A): †2SUTB 7132-A† Matrix / Runout (Label side B): †2SUTB 7132-B† Matrix / Runout (Runout side A): 2-SUT-B-7132-A-1 1 5 A PORKY PRIME CUT Λ Matrix / Runout (Runout side B): 2-SUT-B-7132-B-1 A PORKY PRIME CUT 2 B Other (Price indication): FULL PRICE Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

ULTRA RARE 1965 JAPANESE 4-TRACKS SOLID CENTER 7" MONO EP ON THE BLUE AND SILVER LONDON LABEL FEATURES: - HEART OF STONE                         - THE LAST TIME                         - PLAY WITH FIRE                         - WHAT A SHAME ISSUED AS PART OF " SEVENTEEN SERIES" WITH UNIQUE PICTURE INSERT REF.: 17M-100 RECORD IN VERY GOOD+ CONDITION

Artist: The Rolling Stones Title: Heart Of Stone Description: 7" EP from France Decca 457.066 from 1965, back cover dated '3-65' - type I labels [hexagonal Decca logo] - matrices read: 3D65M 1850 P1 / 3D65M 1851 P2 Tracklisting: 1. Heart Of Stone 2. What A Shame 3. The Last Time 4. Play With Fire Condition (cover/record): m-/m- - very light rw on back All pictures are of actual items unless noted. For full info on the Rolling Stones 7"s and EPs worldwide, visit stones7.com Terms / Conditions: Shipping: Combined shipping OK (eg: shipping rates for 2 x 7"s is the same as for 1 x 7"). Registration costs an extra 5 € and is optional [needed for a tracking number]. Payment: Paypal or bank wire in € for European countries. A few reasons why you should consider buying from Nanook: - A veteran seller [100% feedback, on since 2002]. - All pictures are of actual items unless noted. - Shipping is combined. Items are shipped 24 hours upon receiving payment. - All items are packed strong and safe [eg: records sent out of sleeves to avoid seam splits]. - Emails are answered ASAP. - All items are guaranteed and are returnable for a refund (less shipping) if erroneously described. This item is only a sample of what is for sell at Nanook Records.

Disque 45 tours The Rolling Stones ‎- Heart Of Stone - 457.066 DECCA Disque très bon état, pochette état moyen (déchirure) - Very good condition of record, average condition of sleeve (torn). EP 4 titres 1: Heart Of Stone 2: What A Shame 3: The Last Time 4: Play With Fire Merci de bien vouloir vous référer aux photos de l'objet Please look at pics for condition L'envoi s'effectue en lettre suivie affranchie à hauteur de 3,20€ dans une enveloppe raja achetée 1,10€ et le disque est protégé par 2 cartons raja au tarif de 0,10€ pièce soit 4,50€ (prenant une part sur les frais de port, je ne gagne pas d'argent dessus). Je groupe les transactions donc vous ne payez qu'une fois les frais de port, qui sont de fait fixes. En conséquence, les frais de port ne sont pas modifiables. Je réponds à toutes les questions, merci de les poser avant d'effectuer votre achat.

45 tours du groupe THE ROLLING STONES REF; DECCA 457.066  MADE IN FRANCE Pressage original TITRES; VOIR EN TÊTE + What a shame POCHETTE;  VG bon à très bon état général, un tampon au verso  VINYL; VG très bonne écoute avec crépitements en début de face (disque écouté dans son intégralité). Un prénom sur l'un des centreurs. 4 TITRES (Environ 11 minutes) Frais de livraison France; 3,50 euros en lettre suivie. Frais de livraison reste du monde; 10,80 euros (registred letter) until 3 7" Posez vos éventuelles questions.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Artist: THE ROLLING STONES. Title: "THE ROLLING STONES STORY" Label: DECCA 6.30118 HZ GERMANY 1980. Original Release: YES Reissue: NO Condition Cover: EX (DELUXE BOX, ONE CORNER SLIGHTLY DAMAGED, REST IS AS NEW). Condition Record(s): M- (MOST ARE UNPLAYED).  Note: ORIGINAL GERMAN 12 LPs BOXSET, INCLUDE A BOOKLET & FIVE PICTURES. Tracklisting 1. LP: The Rolling Stones1-A1Route 66 1-A2I Just Wanna Make Love To You 1-A3Honest I Do 1-A4Mona 1-A5Now I've Got A Witness 1-A6Little By Little 1-B1I'm A King Bee 1-B2Carol 1-B3Tell Me 1-B4Can I Get A Witness 1-B5You Can Make It If You Try 1-B6Walking The Dog 2. LP: Around And Around2-A1Around And Around 2-A2Good Times, Bad Times 2-A3It's All Over Now 2-A4Empty Heart 2-A5Confessin' The Blues 2-A6Not Fade Away 2-B1Bye Bye Johnny 2-B2You Better Move On 2-B3I Wanna Be Your Man 2-B42120 South Michigan Avenue 2-B5If You Need Me 2-B6Poison Ivy 3. LP: The Rolling Stones No. 23-A1Everybody Needs Somebody To Love 3-A2Down Home Girl 3-A3You Can't Catch Me 3-A4Time Is On My Side 3-A5What A Shame 3-A6Grown Up Wrong 3-B1Down The Road Apiece 3-B2Under The Boardwalk 3-B3I Can't Be Satisfied 3-B4Pain In My Heart 3-B5Off The Hook 3-B6Suzie-Q 4. LP: Out Of Our Heads4-A1She Said Yeah 4-A2Mercy, Mercy 4-A3Hitch Hike 4-A4That's How Strong My Love Is 4-A5Good Times 4-A6Gotta Get Away 4-B1Talkin' Bout You 4-B2Cry To Me 4-B3Oh, Baby 4-B4Heart Of Stone 4-B5The Under Assistant West Coast Promotion Man 4-B6I'm Free 5. LP: After-Math5-A1Mothers Little Helper 5-A2Stupid Girl 5-A3Lady Jane 5-A4Under My Thumb 5-A5Doncha Bother Me 5-A6Goin' Home 5-B1Flight 505 5-B2High And Dry 5-B3Out Of Time 5-B4It's Not Easy 5-B5I Am Waiting 5-B6Take It Or Leave It 5-B7Think 5-B8What To Do 6. LP: Got Live If You Want It!6-A1Under My Thumb 6-A2Get Off Of My Cloud 6-A3Lady Jane 6-A4Not Fade Away 6-A5I've Always Been Loving You 6-A6Fortune Teller 6-B1The Last Time 6-B219th Nervous Breakdown 6-B3Time Is On My Side 6-B4I'm Alright 6-B5Have You Seen Mother, Baby, Standing In The Shadow? 6-B6(I Can't Get No) Satisfaction 7. LP: Between The Buttons7-A1Yesterday's Papers 7-A2My Obsession 7-A3Back Street Girl 7-A4Connection 7-A5She Smiled Sweetly 7-A6Cool Calm And Collected 7-B1All Sold Out 7-B2Please Go Home 7-B3Who's Been Sleeping 7-B4Complicated 7-B5Miss Amanda Jones 7-B6Something Happened To Me 8. LP: Their Satanic Majesties Request8-A1Sing This All Together 8-A2Citadel 8-A3An Another Land 8-A42000 Man 8-A5Sing This All Together 8-B1She's A Rainbow 8-B2The Lantern 8-B3Gomper 8-B42000 Light Years From Home 8-B5On With The Show 9. LP: Beggars Banquet9-A1Sympathy For The Devil 9-A2No Expectations 9-A3Dear Doctor 9-A4Parachute Woman 9-A5Jig-Saw Puzzle 9-B1Street Fighting Man 9-B2Prodigal Son 9-B3Stray Cat Blues 9-B4Factory Girl 9-B5Salt Of The Earth 10. LP: Let It Bleed10-A1Gimme Shelter 10-A2Love In Vain 10-A3Country Honk 10-A4Live With Me 10-A5Let It Bleed 10-B1Midnight Rambler 10-B2You Got The Silver 10-B3Monkey Man 10-B4You Can't Always Get What You Want 11. LP: Get Yer Ya-Ya's Out!11-A1Jumpin' Jack Flash 11-A2Carol 11-A3Stray Cat Blues 11-A4Love In Vain 11-A5Midnight Rambler 11-B1Sympathy For The Devil 11-B2Live With Me 11-B3Little Queenie 11-B4Honky Tonk Woman 11-B5Street Fighting Man 12. LP: Metamorphosis12-A1Out Of Time 12-A2If You Let Me 12-A3Each And Everyday Of The Year 12-A4Heart Of Stone 12-A5I'd Much Rather Be With The Boys 12-A6(Walkin' Thru The) Sleepy City 12-A7We're Wastin' Time 12-A8Try A Little Harder 12-B1I Don't Know Why 12-B2Don't Lie To Me 12-B3Somethings Just Stick In Your Mind 12-B4Jiving Sister Fanny 12-B5Downtown Suzie 12-B6Family 12-B7Memo From Turner 12-B8I'm Going Down frais de port - shipping: FRANCE : 1 LP = 7,00€ ensuite 1€ par disque supplémentaire 1 7" SINGLE/EP = 3,50€ et 0,50€ par disque supplém

CD Cora Vaucaire NEUF sous cellophane Pensez à grouper vos achats pour obtenir une réduction sur les frais de port (voir détail des frais de livraison) ! Remember to group your purchases to get a discount on the shipping cost (see details of shipping) ! Date de sortie: 29/06/2012 Support: CD   Editeur: RDM Edition Présentation: Cora Vaucaire, la chanteuse toujours vêtue de couleurs claires (d'où son surnom de "Dame blanche de Saint-Germain-des-Prés" en contraste avec la silhouette de Juliette Gréco par exemple), aimait chanter des textes d'auteurs de son temps, inconnus alors, mais quels auteurs ! Jacques Prévert, Léo Ferré, Louis Aragon, Barabara, Raymond Levesque... Cora Vaucaire les chantait tout en finesse, s'offrant parfois une petite escapade dans le temps avec des chansons médiévales, comme "Complainte du roy Renaud". Cela donne un disque aux chansons si joliment chantées et aux textes si magnifiques qu'il serait vraiment dommage de passer à côté. Des textes superbes, des mélodies merveilleuses, une interprétation fine et pleine de sentiments, tous les ingrédients sont au rendez-vous.  Cora Vaucaire, the singer always dressed in light colors (hence the nickname "Dame blanche de Saint-Germain-des-Prés" in contrast with the silhouette of Juliette Greco, for example), loved to sing authors of texts of his time unknown then, but what authors! Jacques Prévert, Leo Ferre, Louis Aragon, Barbara Raymond Levesque... Cora Vaucaire sang the finesse, sometimes offering a quick getaway in time with medieval songs, like "Lament Renaud roy". This gives a disc with songs sung so beautifully and so beautiful texts that would be a shame to miss. Beautiful texts, wonderful melodies, fine interpretation and full of feelings, all the ingredients are at the rendezvous. Titres : 1. Complainte du roy Renaud  5:04 2. Complainte de butte  3:18 3. Les feuilles mortes  3:01 4. Frédé  3:51 5. Les petits pavés  3:01 6. Encore un été  2:21 7. Tu n'as jamais le temps  2:53 8. Dis, quand reviendras-tu ?  2:51 9. Attendez que ma joie revienne  2:22 10. Il pleut sur Venise  3:26 11. Le ruban rose  2:07 12. Quand on vous aime comme ça  1:56 13. Démons et merveilles (du film "Les visiteurs du soir")  2:06 14. Le tendre et dangereux visage de l'amour (du film "Les visiteurs du soir")  1:48 15. Noms de rues  2:58 16. La grosse dame chante  1:55 17. La complainte des souvenirs  2:38 18. Ernest, éloignez-vous !  2:54 19. Rose blanche  3:33 20. Les jardins de Paris 3:34 - Satisfaction garantie à 100% remboursement ou échange si l'article est retourné dans son emballage d'origine (cellophane, boitier...) dans les délais spécifiés ci-dessous. - Période de retour: Les retours sont acceptés dans les 14 jours après réception de l'article. - Les frais de retour seront payés par l'acheteur. - Satisfaction Guaranteed 100% refund or exchange if returned item in its original (cellophane, case...) packaging and within the time specified below. - Period of return: return accepted within 14 days of receiving the item. - Return postage will be paid by buyer.

Memphis Slim & Willie Dixon ‎– Aux Trois Mailletz Label: Polydor ‎– 658 148 Série: Polydor Privilege – Format: Vinyl, LP, Album, Reissue Country: France Sortie:   Genre: Blues Style: Chicago Blues TracklistMasquer Crédits A1 Rock And Rolling The House 4:01 A2 Baby Please Come Home 2:43 A3 How Make You Do Me Like You Do 4:52 A4 The Way She Loves A Man 3:17 A5 New Way To Love 5:30 A6 African Hunch With A Boogie Beat 3:38 B1 Shame Pretty Girls 3:22 B2 Baby-Baby-Baby 3:07 B3 Do De Do 2:41 B4 Cool Blooded 5:35 B5 Just You And I 2:56 B6 Pigalle Love 4:00 B7 All By Myself Written-By – Big Bill Broonzy 1:42 Entreprises, etc. Printed By – Glory, Asnières Crédits Artwork [Layout] – Michel Meignen Double Bass – Willie Dixon Drums – Philippe Combelle Photography By – Jean-Pierre Leloir Piano – Memphis Slim Recorded By – Henri Lemel* Supervised By – Bernard De Bosson Vocals – Memphis Slim (tracks: A1 to A3, B6, B7) Vocals, Written-By – Willie Dixon (tracks: A4 to B5) Written-By – Peter Chatman (tracks: A1 to A3, B6) Notes Cet enregistrement a été réalisé les: 15 et 16 Novembre 1962 au Cabaret des "Trois Mailletz" à Paris. Code-Barres et Autres Identifiants Rights Society: SACEM SACD SDRM SGDL Price Code: Ⓣ Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

4 CD ORIGINAUX EN BON ETAT - LE LIVRET A DES PAGES QUI SE SONT DECOLLEES MAIS ELLES SONT EN BON ETAT - 1.1 Give Peace a Chance (Full 1969 single version with count-in intro) 4:54 - 4.0 1.2 Blue Suede Shoes 2:38 - 4.0 1.3 Money 3:25 - 4.0 1.4 Dizzy Miss Lizzy 3:12 - 4.5 1.5 Yer Blues 3:53 - 4.5 1.6 Cold Turkey 5:02 - 5.0 1.7 Instant Karma 3:12 - 4.8 1.8 Mother 5:06 - 4.8 1.9 Hold On 1:52 - 5.0 1.10 I Found Out 3:35 - 5.0 1.11 Working Class Hero 3:49 - 4.0 1.12 Isolation 2:51 - 5.0 1.13 Remember 4:33 - 5.0 1.14 Love 3:21 - 4.5 1.15 Well Well Well 5:58 - 4.5 1.16 Look at Me 2:53 - 5.0 1.17 God 4:09 - 3.5 1.18 My Mummy's Dead 0:50 - 4.5 1.19 Power to the People 3:03 - 4.0 1.20 Well... (Baby Please Don't Go) 3:41 - 4.3 2.1 Imagine 3:01 - 3.0 2.2 Crippled Inside 3:46 - 4.8 2.3 Jealous Guy 4:13 - 4.0 2.4 It's So Hard 2:25 - 5.0 2.5 Give Me Some Truth 3:15 - 5.0 2.6 Oh My Love 2:42 - 4.5 2.7 How Do You Sleep? 5:33 - 4.0 2.8 How? 3:42 - 3.5 2.9 Oh Yoko! 4:18 - 5.0 2.10 Happy Xmas (War Is Over) 3:22 - 3.8 2.11 Woman Is the Nigger of the World 5:14 - 4.0 2.12 New York City 4:29 - 4.5 2.13 John Sinclair 3:28 - 4.5 2.14 Come Together 4:21 - 3.5 2.15 Hound Dog 3:10 - 4.8 2.16 Mind Games 4:11 - 4.0 2.17 Aisumasen (I'm Sorry) 4:43 - 3.5 2.18 One Day (At a Time) 3:07 - 3.5 2.19 Intuition 3:07 - 3.5 2.20 Out the Blue 3:20 - 4.0 3.1 Whatever Gets You Thru the Night 3:25 - 3.5 3.2 Going Down on Love 3:54 - 4.0 3.3 Old Dirt Road 4:09 - 5.0 3.4 Bless You 4:37 - 4.5 3.5 Scared 4:39 - 4.8 3.6 #9 Dream 4:48 - 4.0 3.7 Surprise, Surprise (Sweet Bird of Paradox) 2:55 - 4.0 3.8 Steel and Glass 4:37 - 4.0 3.9 Nobody Loves You (When You're Down and Out) 5:10 - 4.2 3.10 Stand by Me 3:28 - 3.5 3.11 Ain't That a Shame 2:30 - 3.5 3.12 Do You Want to Dance 2:52 - 3.5 3.13 Sweet Little Sixteen 3:00 - 3.5 3.14 Slippin' and Slidin' 2:16 - 3.5 3.15 Angel Baby 3:39 - 3.5 3.16 Just Because 4:25 - 3.5 3.17 Whatever Gets You Through the Night (From the Madison Square Garden concert with Elton John on 28th November 1974) 4:19 - 4.0 3.18 Lucy in the Sky With Diamonds (From the Madison Square Garden concert with Elton John on 28th November 1974) 5:58 - 4.0 3.19 I Saw Her Standing There (From the Madison Square Garden concert with Elton John on 28th November 1974) 3:28 - 4.8 4.1 (Just Like) Starting Over 3:56 - 4.0 4.2 Cleanup Time 2:57 - 4.0 4.3 I'm Losing You 3:56 - 4.0 4.4 Beautiful Boy (Darling Boy) 4:01 - 4.5 4.5 Watching the Wheels 3:31 - 4.5 4.6 Woman 3:32 - 3.5 4.7 Dear Yoko 2:33 - 3.5 4.8 I'm Stepping Out 4:06 - 4.0 4.9 I Don't Wanna Face It 3:21 - 4.8 4.10 Nobody Told Me 3:33 - 3.5 4.11 Borrowed Time 4:28 - 3.5 4.12 (Forgive Me) My Little Flower Princess 2:27 - 4.0 4.13 Every Man Has a Woman Who Loves Him 3:31 - 4.0 4.14 Grow Old With Me 3:07