Without words

Authentique LIVRET ANGLAIS PICTURE WITHOUT WORDS du début du XX ème siècle. Destiné à l'apprentissage de la langue anglaise à partir d'images de la vie quotidienne. Edition FERNAND NATHAN. Bon état d'usage sans manque, papier légèrement jauni. Format 20 cm x 14,5 cm. Objet authentique vendu en l'état des photos sans aucun nettoyage ni restauration   L'éclairage artificiel de nos prises de vues, peut parfois modifier légèrement les couleurs de l'objet Ref: 11387-00 REGLEMENT:  Chèque personnel sur banque française (Pas de chèque même en Euro  sur banque étrangère,  ni contre remboursement)...  Virement bancaire  (pour devises étrangères frais de change à la charge de l'Acheteur)...  Profils inférieurs à 10,  pour un Règlement par Chèque  le délais d'Expédition est de 15 jours...  Autres Règlements possibles, nous contacter...  FORFAIT EMBALLAGE & EXPEDITION:  4  €  pour la France.  Autres Pays Prix sur demande.  Aucune livraison en main propre ni enlèvement à domicile. SHIPPING WORLDWIDE:   " Please contact me before bidding so that I can accurately quote the cost of shipping to your country"...

Songs Without Words Mendelssohn / Barenboim Merci de cliquer sur toutes les bannieres pour nous aider.

CD Album CD Code EAN: 5099706651123 Rubrique principale CD: CD Album Genre musical: Musique de chambre Titre: Songs without words: Mendelssohn, Schubert, Liszt, Bach, Busoni Référence fabricant CD: SK66511

CD Album CD Code EAN: 0076742204624 Rubrique principale CD: CD Album Genre musical: Pop Titre: Stories Without Words

CD Album CD Code EAN: 0011105966122 Classification Cd Primaire: Jazz Rubrique principale CD: CD Album Genre musical: Musique classique Classification CDMail: Jazz Titre: Songs Without Words

CD Album CD Code EAN: 0019341129721 Rubrique principale CD: CD Album Genre musical: New age Titre: Songs Without Words

CD Album CD Code EAN: 0805553302126 Rubrique principale CD: CD Album Genre musical: Musique classique Titre: Songs without Words

CD Album CD Code EAN: 0074644628623 Genre musical: Musique classique Rubrique principale CD: CD Album Classification CDMail: Musique classique Titre: Wagner Without Words

CD Album CD Code EAN: 0675754686727 Rubrique principale CD: CD Album Genre musical: Musique de chambre Titre: Son 43/Songs Without Words/Maz

CD Album CD Code EAN: 0068381243126 Rubrique principale CD: CD Album Titre: World without words Genre musical: Disco Classification CDMail: Musiques du monde Référence fabricant CD: F32332 Classification Cd Primaire: Musique du monde

CD Album CD Code EAN: 0095115225226 Nouveauté: Nouveauté Titre: Mendelssohn Songs Without Words Vol - CD Album Rubrique principale CD: CD Album Crawler: Spyfind Crawler: Spyfind Image

Words and ways to english. CJ Cook - M. Wambach - A. Campus - JC Vignaud. 6e. Dessins de D. Mallet et P. Neveu. Didier, 1977. 160 pages avec dessins et photos en couleurs - spécimen. Manuel scolaire en très bon état - intérieur frais - plats frais et coins en très bon état. N'hésitez pas à grouper vos achats afin de bénéficier de réductions sur les frais de livraison. Libraire professionnel. Emballage soigné.  Envoi rapide. Avertissement par e-mail de l'envoi du colis. Livraison avec ou sans n° de suivi en France et à l'étranger. Visitez notre boutique pour économiser les frais de livraison en groupant vos achats. Professional bookseller. Neat packaging. Fast sending. E-mail notification of the shipment of the package. Delivery with or without tracking number in France and abroad. Visit our store to save shipping costs by grouping your purchases.

TAUBER • FOUR WORDS • WHEN THE LILAO BLOOMS AGAIN • 78 TOURS • SCHELLAC • SCHELLACK Four Words – Ralph Irwin & Fritz Rotter When The Lilao Blooms Again – Franz Doelle & Fritz Rotter Tenor – Richard Tauber Orchestra – Dajos Bela Orchestra Conductor – Erich Wolfgang Korngold, Ernst Hauke Parlophone 1 disque - 78 tours - 30 cm RO 20143 N° de matrice/Matritze/Matrix: XXB8238 - XXB8255 Bon état Guter Zustand Good condition Les disques sont contrôlés visuellement car je ne possède pas de phonographe ou d’équipement spécifique dédié aux disques 78 tours pour en vérifier l’état Die Platten werden visuell kontrolliert, da ich keinen Phonographen oder kein spezielles Gerät für Schellack habe, um den Zustand zu überprüfen The discs are visually controlled because I do not have a phonograph or a specific equipment dedicated to 78 rpm discs to check the condition Sans garantie ni retour Keine garantie oder Rückgabe Without warrant Expédition internationale Ich verschicke auch weltweit I ship worldwide Livraison regroupée Kombiversand Combined shipping Emballage soigné Sehr gute Verpackung Very good packing Acheteurs étrangers. Attendre l'envoi de la facture. J'essaie de trouver le meilleur prix d'envoi. Auf die Rechnung warten, bevor zu bezahlen. Ich versuche, den besten Versandpreis zu finden. Wait for the invoice before paying. I try to find the best shipping price. --> Consultez mes autres ventes Frais de port: Afin d'éviter les pertes ou vols, tous les envois sont effectués avec numéro de suivi Um einen Verlust oder Diebstahl zu vermeiden, werden alle Sendungen mit Tracking-Nummer ausgeführt In order to avoid losses or theft, all shipments are made with tracking number Les taxes et droits de douane sont à la charge de l'acheteur. Die Steuern und Zollgebühren sind zu Lasten des Käufers. Taxes and customs duties are chargeable to the buyer --> Envoi groupé si plusieurs achats 1 • France métropolitaine, Belgique et Luxembourg Expédition par Mondial Relay, avec suivi, les tarifs sont moindres que ceux de Colissimo Livraison en Point Relais par Mondial Relay Le colis sera à retirer au point le plus proche de chez vous (ou selon votre choix, à préciser lors de votre commande) France, Belgique et Luxembourg Colis à retirer en Point Relais Prix 4,95 € 5,50 € 6,15 € 7,70 € 8,90 € 11,15 € 14,20 € 2 • Allemagne • Autriche • Belgique • Espagne • Italie • Luxembourg • Pays-Bas • Portugal • Royaume-Uni: Livraison à domicile par Mondial Relay Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, United Kingdom, Pays-Bas, Portugal Home Delivery • Livraison à domicile Prix 10,20 € 10,20 € 10,20 € 16,40 € 21,50 € 26,70 € 3 • Deutschland: Deutsche Post oder Hermes oder DHL. Eine Sendung pro Woche Hermes Paketklasse (Registered • 25 kg max.) Hermes Preisliste (deutscher Versand) XS 6,00 € S 6,55 € M 7,85 € L 12,95 € DHL Paketklasse (Registered) DHL Preisliste (deutscher Versand) XS (6,00 € S (8,50 € M (10,50 € L (17,50 € 4 • Shipping rates for European Community:  DHL Paketklasse (Registered) DHL Preisliste bis 0,5 kg 8,40 € bis 1 kg 12,30 € bis 2 kg 16,00 € bis 5 kg 19,00 € bis 10 kg 24,00 € bis 20 kg 34,00 € bis 31 kg 46,00 € 5 • Shipping rates for Europa (out of European Community) DHL Paketklasse (Registered) DHL Preisliste bis 0,5 kg 8,40 € bis 1 kg 12,30 € bis 2 kg 24,20 € bis 5 kg 32,00 € bis 10 kg 40,00 € bis 20 kg 55,00 € bis 31 kg 62,00 € 6 • Shipping rates for Russia DHL Paketklasse (Registered) DHL Preisliste bis 0,5 kg 8,4

Stampin' Ground: Carved From Empty Words Label: Century Media ‎ 77337-2 Format: CD, Album Pays: Europe Date: 17 Jul 2000 1 Officer Down 4:50 2 Outside Looking In 3:26 3 The Symmetry Of Hatred 3:19 4 Bathe My Wounds 4:47 5 Everybody Owes A Death 2:12 6 Fundamental Truth 3:14 7 By Whatever Means Necessary 3:16 8 Nothing Changes Nothing 3:21 9 Mid-Death Crisis 3:43 10 Ultimatum 4:20 - Phonographic Copyright (p) Century Media Records - Copyright (c) Magic Arts Publishing - Pressed By Sonopress  A-37277 + Stampin' Ground: A New Darkness Upon Us Label: Century Media ‎– 77437-2 Format: CD, Album Pays: Germany Date: 27 Oct 2003 1 A New Darkness Upon Us (Intro) 1:49 2 Don't Need A Reason To Hate 4:47 3 Behind The Light 5:03 4 Killer Of Society 4:27 5 Dead From The Neck Up 4:44 6 The Cage 4:46 7 Bear The Scars 3:10 8 Betrayal Has A Face 3:52 9 Pain Is Weakness (Leaving The Body) 3:01 10 Unmarked Grave 4:36 11 Ashes To Scatter 4:11 12 Mantra Of A Dying World (Outro) 2:25 Etat: Comme Neuf  /  Condition: Near Mint France : En envoi Colissimo: 8 € Postage E.E.C. / Rest of the World: without jewel cases: Registred shipment : 11,50 € Available photos on request to nocoma@live.fr Payment due 3 days after invoice received Combined shipment

45 tours EP de  EXTREME  TITRES: MORE THAN WORDS / NICE PLACE TO VISIT 1990 LABEL : A&M REFERENCES: 390 764 7 PRESSAGE: FRANCE ETAT  DISQUE / POCHETTE EX / EX RECORDS / DISQUE: NM near mint  EX The record shows some signs of having been played, but there is very little lessening in sound quality. VG+ The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. VG The record has been played so much that the sound quality has noticably deteriated, perhaps with some distortion and mild scratches. G The record is still just playable but has not been cared for properly and displays considerable surface noise; it may well even jump. Cover  / POCHETTE: NM near mint EX The cover and packaging might have slight wear and / or creasing. VG+ Normal wear and tear on the cover or extra items (without any major defects) is acceptable. VG The cover and contents suffer from folding, scuffing of edges, spine splits, discolourisation. G The cover and contents will be torn, stained and/or defaced

Ken HENSLEY " Prouds Words On A Dusty Shelf   " .                    TRACKLISTING BELOW    Inside cover: Made in England by Robor Limited  but ISLAND label (not BRONZE!!!) nothing written on the pink rim label. LABEL :    ISLAND Records (Gatefold Sleeve). REFERENCE :    ILPS 9223 (matrix ILPS 9223 A(2) / ILPS 9223 B). COUNTRY / PAYS  :    UK. YEAR / ANNEE  :    1973 . COVER/Pochette :   EX. VINYL :     EX. Tracklist A1When Evening Comes4:35A2From Time To Time3:35A3King Without A Throne3:51A4Rain3:14A5Proud Words3:10B1Fortune5:22B2Black-Hearted Lady3:36B3Go Down3:10B4Cold Autumn Sunday5:27B5The Last Time2:48 ATTENDRE MA FACTURE POUR LES ENVOIS GROUPES. COMBINED SHIPPING, PLEASE WAIT FOR MY INVOICE.

CRYME scene of the cryme CD Promo 2004  Painkiller Records ‎– PKR-030 Promo cd / advanced cd in cardboardsleeve  CONDITION:   CD:  mint / near mint                       TOP SURFACE:   mint cardboard sleeve:  mint  / near mint  ----> view pictures *********************************************************************************************** PORT FRANCE   2.3€  pour 1, 2 promo cds WORLDWIDE shipping for  1 or 2 cds*:  2.8€    * promo cd or standard cd without case

The record is in near mint condition, the vinyl have just some light spinddle marks under the light on both sides of the labels, but exceptly that the rest of the vinyl is in shining and stunning near mint condition, it remains unquestionably the best of the series of the year 87! And unfortunately one of the most expansive because it is one of most hard to find, it is one of the biggest pieces of funk and musically one always remains without words after every listening by the two sides

English Eccentrics and Eccentricities, Vol. 1 (Classic Reprint) John Timbs Auteur: John Timbs Editeur: Forgotten Books Broché: 338 pages paperback Publication: 09/08/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Gentle Header, a few words before we introduce you to our Modern Eoobntrios. They may be odd company:yet, how often do we find eccentricity in the minds of person Hof good understanding. Their sayings and doings, it is true, may not rank as high among the delicacies of intellectual epicures as the Strasburg pies among the dishes described in the Almanack dea Oourmands; but they possess attractions in proportion to the degree in which man favours wonders. Swift has remarked, that a little grain I of the romance is no ill ingredient to preserve and exalt the dignity of human nature, without which it is apt to degonej rate into everything that is sordid, vicious, and low. Into I the latter extremes Eccentricity is occasionally apt to run, I somewhat like certain fermenting liquors which cannot be I checked in their acidifying courses. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Gentle Header, a few words before we introduce you to our Modern Eoobntrios. They may be odd company:yet, how often do we find eccentricity in the minds of person Hof good understanding. Their sayings and doings, it is true, may not rank as high among the delicacies of intellectual epicures as the Strasburg pies among the dishes described in the Almanack dea Oourmands; but they possess attractions in proportion to the degree in which man favours wonders. Swift has remarked, that a little grain I of the romance is no ill ingredient to preserve and exalt the dignity of human nature, without which it is apt to degonej rate into everything that is sordid, vicious, and low. Into I the latter extremes Eccentricity is occasionally apt to run, I somewhat like certain fermenting liquors which cannot be I checked in their acidifying courses. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Mot Clef: Nonfiction Education Education Theory

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

AEROSMITH pump CD 1989 Geffen Records ‎– 924 254-2 CONDITION: CD*:    ex+*                       TOP SURFACE:    MINT  BOOKLET*:     near mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping EU: without jewel box:  2e      shipping worlwide: without jewel box:  2.5e     PORT:      sans boitier        2e     avec boitier         3e

- MORTIFICATION triumph of mercy Cd 1998  Nuclear Blast ‎– NB 354-2 CONDITION: CD*:    ex++   a couple of tiny slight surface marks / don t affect playing         top surface:   mint BOOKLET:   near mint BACKCOVER:    MINT          SHIPPING  /  spedizione               WITH OR WITHOUT CASE (please read) / con or senza contenitore di plastica send from France by LA POSTE / inviato da francia con LA POSTE WITHOUT CASE*   *between 2 pieces of strong cardboard (safe delivery) 1 or 2 cds:    2.8€ 3 / 5  cds:          EUROPE*  10             REST OF THE WORLD (include USA):  12        6 / 10 cds:         EUROPE*  14            REST OF THE WORLD (include USA):  16                   *********************************************** If you want the jewel case, please ask and use these costs / se vuoi il contenitore di plastica: WITH JEWELCASE REGISTERED WITH TRACKING NUMBER:  1 or 2 cds:     11    3 / 4  cds:          EUROPE*:  14           REST OF THE WORLD (include USA):  16  5 / 7  cds:          EUROPE*:  18           REST OF THE WORLD (include USA):  22          *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one.

- Paradise Lost ‎– Icon CD 1993 Music For Nations ‎– CDMFN 152 FIRST/ORIGINAL  euro PRESSING / ESRTPRESSUNG         - Barcode: 5 016583 115227 - - Matrix / Runout: CDMFN 152 • ·MASTERED BY MAYKING·     no ifpi -   CONDITION: CD*:  ex+ = a bunch of tiny slight traces         top surface: mint booklet :  mint   back inlay:   mint SHIPPING  /  spedizione               WITH OR WITHOUT CASE (please read) / con or senza contenitore di plastica send from France by LA POSTE / inviato da francia con LA POSTE WITHOUT CASE*  REGISTERED WITH TRACKING NUMBER  *between 2 pieces of strong cardboard (safe delivery) 1 or 2 cds:    5€      italia & france  1 or 2 cds:    7€      rest of the world 3 / 5  cds:          EUROPE*  10             REST OF THE WORLD (include USA):  12        6 / 10 cds:         EUROPE*  14            REST OF THE WORLD (include USA):  16                   *********************************************** If you want the jewel case, please ask and use these costs / se vuoi il contenitore di plastica: WITH JEWELCASE REGISTERED WITH TRACKING NUMBER:  1 or 2 cds:     11    3 / 4  cds:          EUROPE*:  14           REST OF THE WORLD (include USA):  16  5 / 7  cds:          EUROPE*:  18           REST OF THE WORLD (include USA):  22          *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one.

- EXCRUCIATING PAIN thou shall choose CD 1993 Black Dragon Records ‎– BDCD 056         CONDITION: CD*:  mint booklet :  mint  back inlay:     mint                     - cd  top surface: mint SHIPPING  /  spedizione               WITH OR WITHOUT CASE (please read) / con or senza contenitore di plastica send from France by LA POSTE / inviato da francia con LA POSTE WITHOUT CASE*  REGISTERED WITH TRACKING NUMBER  *between 2 pieces of strong cardboard (safe delivery) 1 or 2 cds:    5€  italia & france      1 or 2 cds:    5€  rest of the world 3 / 5  cds:          EUROPE*  10             REST OF THE WORLD (include USA):  12        6 / 10 cds:         EUROPE*  14            REST OF THE WORLD (include USA):  16                   *********************************************** If you want the jewel case, please ask and use these costs / se vuoi il contenitore di plastica: WITH JEWELCASE REGISTERED WITH TRACKING NUMBER:  1 or 2 cds:     11    3 / 4  cds:          EUROPE*:  14           REST OF THE WORLD (include USA):  16  5 / 7  cds:          EUROPE*:  18           REST OF THE WORLD (include USA):  22          *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one.

POUR LES FANS D'ELVIS PRESLEY  JE VOUS PROPOSE CE TRIPLE CD IMPORT : ELVIS AUGUST 1969 EN SON PARFAIT, ELVIS EN 1969, SUR SCÈNE ET EN STUDIO   DISC ONE:- In Memphis Undubbed Repaired Masters   1 Wearin' That Loved On Look 03:03 2 Only The Strong Survive 03:26 3 I'll Hold You In My Heart 04:27 4 Long Black Limousine 04:25 5 It Keeps Right On A-Hurtin' 02:40 6 I'm Movin' On 03:07 7 Power Of My Love 02:51 8 Gentle On My Mind 03:40 9 After Loving You 03:14 10 True Love Travels On A Gravel Road 03:05 11 Any Day Now 03:08 12 In The Ghetto 03:00 13 Inherit The Wind 03:22 14 This Is The Story 03:04 15 Stranger In My Own Home Town 04:53 16 A Little Bit Of Green 03:54 17 And The Grass Won't Pay No Mind 03:30 18 Do You Know Who I Am? 03:12 19 From A Jack To A King 02:27 20 The Fair's Moving On 03:12 21 You'll Think Of Me 04:18 22 Without Love (There Is Nothing) 02:58 23 Suspicious Minds 03:25       DISC TWO:- In Person Live "On Stage" Multi - Track   1 Opening 00:43 2 Blue Suede Shoes 01:46 3 I Got A Woman 02:56 4 All Shook Up 03:17 5 Love Me Tender 03:06 6 Jailhouse Rock / Don’t Be Cruel 02:07 7 Heartbreak Hotel 04:04 8 Hound Dog 01:53 9 I Can’t Stop Loving You* 02:40 10 Johnny B. Goode 02:05 11 Monologue (Life Story)* 07:20 12 Baby What You Want Me To Do 02:18 13 Runaway* 02:15 14 Are You Lonesome Tonight? 02:44 15 Words 02:33 16 Yesterday (with “Hey Jude” Ending) 04:36 17 Band Introductions 02:08 18 In The Ghetto 02:53 19 Suspicious Minds 06:08 20 What’d I Say* 04:23 21 Can’t Help Falling In Love / Outro 02:06       DISC THREE:- Raw Audio Unedited S0UNDB0ARD & Studio Rehearsal   1 Opening 00:42 2 Blue Suede Shoes 01:45 3 I Got A Woman 02:56 4 All Shook Up 03:17 5 Love Me Tender 03:07 6 Jailhouse Rock / Don’t Be Cruel 02:07 7 Heartbreak Hotel 04:06 8 Hound Dog 01:36 9 I Can’t Stop Loving You 02:39 10 Johnny B. Goode 02:07 11 Monologue (Life Story) 08:00 12 Baby What You Want Me To Do 02:25 13 Runaway 02:10 14 Are You Lonesome Tonight? 02:55 15 Words 02:37 16 Yesterday (with “Hey Jude” Ending) 04:36 17 Band Introductions 03:37 18 In The Ghetto 03:04 19 Suspicious Minds (Partially) 03:1120Band Rehearsal and first attempt of "Come Out, Come Out" (Featuring Roy Hamilton) 22:34 SUPERBE PRESENTATION TRIPLE DIGIPACK - NO CDR AVEC UN LIVRET PHOTOS 32 PAGES !!! LABEL GRAVEL ROAD MUSIC - EXCELLENT ÉTAT A NE PAS MANQUER ! FRAIS DE PORT: GRATUITS POUR LA FRANCE METROPOLITAINE DECOUVREZ MA BOUTIQUE DREAMS OF AMERICA !!!!

Childline (Today's Top Artists Unite For Charity) Tracklist Hide Credits 1 Automatic Baby– One (Live) Music By – U2 Performer – Adam Clayton, Larry Mullen, Michael Stipe, Mike Mills Words By – Bono Music By – U2 Performer – Adam Clayton, Larry Mullen, Michael Stipe, Mike Mills Words By – Bono 4:28 2 Paul Weller– Feelin' Alright Engineer – Martin 'Max' Heyes* Engineer, Producer – Brendan Lynch Producer – Paul Weller Written-By – D. Mason* Engineer – Martin 'Max' Heyes* Engineer, Producer – Brendan Lynch Producer – Paul Weller Written-By – D. Mason* 4:01 3 Ocean Colour Scene– Huckleberry Grove Recorded By – John Rivers* Written-By, Recorded By – Ocean Colour Scene Recorded By – John Rivers* Written-By, Recorded By – Ocean Colour Scene 2:59 4 Alisha's Attic– Still Life Co-producer – Alisha's Attic Co-producer, Engineer [Mix] – Nick Addison Co-producer, Programmed By [Programming], Keyboards [Keys] – Andy Wright Engineer [Assistant] – Graham Dominy Executive Producer – Paul White Guitar – Marcus Meyers Written-By – Butler*, Anderson* Co-producer – Alisha's Attic Co-producer, Engineer [Mix] – Nick Addison Co-producer, Programmed By [Programming], Keyboards [Keys] – Andy Wright Engineer [Assistant] – Graham Dominy Executive Producer – Paul White Guitar – Marcus Meyers Written-By – Butler*, Anderson* 3:50 5 Ash– Punk Boy Producer – Marc Waterman Written-By – H. Love* Producer – Marc Waterman Written-By – H. Love* 2:06 6 Mansun– Ski Jump Nose (Cliff Nourell Mix) Engineer – Ian Caple, Ronnie Stone Mixed By – Cliff Nourell* Written-By – P. Draper* Engineer – Ian Caple, Ronnie Stone Mixed By – Cliff Nourell* Written-By – P. Draper* 3:43 7 Suede– Lazy (Original Demo) Engineer – Finn Steele Written-By – Anderson* Engineer – Finn Steele Written-By – Anderson* 3:11 8 Pulp– Whiskey In The Jar Written-By – Downey*, Bell*, Lynott* Written-By – Downey*, Bell*, Lynott* 4:48 9 Cast– Better Man Producer, Mixed By – John Leckie Written-By – Power* Producer, Mixed By – John Leckie Written-By – Power* 3:02 10 Lighthouse Family– Ocean Drive (VH1 Acoustic Mix) Engineer [Sound] – Alistair Taylor (5) Written-By – P. Tucker* Engineer [Sound] – Alistair Taylor (5) Written-By – P. Tucker* 3:22 11 Menswear– Can't Smile Without You Engineer – Lorraine Francis Producer, Engineer – Chris Allison Written-By – Arnold*, Martin*, Morrow* Engineer – Lorraine Francis Producer, Engineer – Chris Allison Written-By – Arnold*, Martin*, Morrow* 3:58 12 Salad– Back Street Luv Producer – Donald Ross Skinner Recorded By, Engineer – Teo Miller Written-By – Way*, Ayre*, Linwood* Producer – Donald Ross Skinner Recorded By, Engineer – Teo Miller Written-By – Way*, Ayre*, Linwood* 3:30 13 These Animal Men– Wichita Lineman Keyboards, Flute – Craig Warnock Producer – These Animal Men Producer, Engineer – Ian Herron Written-By – J. Webb* Keyboards, Flute – Craig Warnock Producer – These Animal Men Producer, Engineer – Ian Herron Written-By – J. Webb* 4:24 14 Booth & The Bad Angel*– Dance Of The Bad Angel (Archive Mix) Producer – Angelo Badalamenti, Tim Booth Remix – Archive Written-By – Badlamenti*, Booth* Producer – Angelo Badalamenti, Tim Booth Remix – Archive Written-By – Badlamenti*, Booth* 5:03 15 Tricky– Chaos Engineer – Carlos Clivilles Performer – Ambersunshower Written-By – A. Smith* Written-By, Producer, Mixed By – Tricky Engineer – Carlos Clivilles Performer – Ambersunshower Written-By – A. Smith* Written-By, Producer, Mixed By – Tricky 2:51 16 Bjork*– Possibly Maybe (LFO Lucy Mix) Producer [Originally] – Bjork*, Nellee Hooper Remix – LFO Remix, Producer [Additional] – Mark Bell Written-By – Gudmu

Adorned Brood - Erdenkraft CD 2002  Moonstorm Records ‎– MOON 045 CONDITION: CD*:    ex++ (a couple of slight marks)                 TOP SURFACE:    MINT  BOOKLET*:   ex++ / near mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box:  2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2 €  lettre verte

Dulce Liquido ‎– Disolución CD 2000  Out Of Line ‎– OUT 048 CONDITION: CD*:   ex++         TOP SURFACE:    MINT  BOOKLET*:  mint BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box: 2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2.16 €  lettre suivie

SU TA GAR Munstro hilak CD 1993 FIRST/ORIGINAL PRESSING / ESRTPRESSUNG         LABEL:   1993   Esan Ozenki          BARCODE:  no MATRIX:  IBERMEMORY EO-042 / CD  # 2           (no ifpi / first pressing) CONDITION: CD*:   ex++       CD shows some minor traces of having been moved into the case            TOP SURFACE:      MINT BOOKLET:    NEAR MINT   BACKCOVER:    MINT             *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. VERSAND / SHIPPING WELTWEIT / WORLDWIDE:    without case (1 or  2 cds) :    7€    (registration & tracking number) france (1 or 2 cds):   5€ avec boitier  (

Gwyn Ashton - Fang It! CD 2000  Riverside Records, New Risin' Blues CONDITION: CD*:   ex/ vg++         TOP SURFACE:    MINT  BOOKLET*:  ex++ BACKCOVER: mint *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. shipping worlwide: without jewel box: 2.6e     PORT FRANCE:       avec boitier   4e   lettre suivie sans boitier   2.16 €  lettre suivie