Xlr right

Câbles Sono & Matériel de studio Code EAN: 0889028047545 En-tête / Fabricant: Monoprice Type de Produit: Câbles Titre: Câble XLR Mâle vers XLR Femelle de 0,91 m calibre 16 AWG (plaqué or) [Microphone et interconnexion]Stage Right by Monoprice [Microphone & Interconnexion]

Le Core 47 Right, enceinte droite de la série Core, est une pièce maîtresse de la qualité sonore. Son design compact et élégant s'intègre parfaitement dans n'importe quel espace intérieur. Conçue pour une utilisation professionnelle, cette enceinte offre un son exceptionnellement vif et clair, rendant chaque détail audible avec une précision remarquable. La technologie de l'enceinte active MTM (Midrange-Tweeter-Midrange) assure une répartition harmonique des fréquences entre les différents capteurs, ce qui permet d'obtenir un son naturel et équilibré. De plus, les enceintes Core 47 sont équipées de transducteurs de haute qualité, fabriqués en Allemagne, qui offrent une large plage dynamique et une réponse fréquentielle exceptionnelle. Elles sont également pourvues de ports basses efficaces, qui permettent de reproduire les basses avec une profondeur et une précision remarquable. Les enceintes Core 47 sont idéales pour les studios de enregistrement, les salles de mixage et les studios de mastering, où la perfection sonore est indispensable. Elles sont également parfaites pour les audiphiles exigeants qui recherchent un son de haute qualité et une conception élégante. Avec une puissance nominale de 75 watts par canale, les enceintes Core 47 offrent une puissance suffisante pour être utilisées en solo ou en paire. Elles sont également équipées de connecteurs XLR et RCA, ce qui permet de les connecter à n'importe quel équipement audio. Les enceintes Core 47 sont livrées avec une poignée de roulettes, ce qui facilite leur déplacement et leur installation. Elles sont également fournies avec des grilles réglables, ce qui permet de les protéger lorsqu'elles ne sont pas en usage, tout en laissant apparaître leur élégant design. Enfin, les enceintes Core 47 sont couvertes par une garantie de 5 ans sur les transducteurs et une garantie de 2 ans sur le reste du produit. Avec leurs performances exceptionnelles et leur conception élégante, les enceintes Core 47 sont une excellente investment pour tous ceux qui recherchent un son de haute qualité et une conception élégante. En savoir plus

Pour connaisseurs.   Analog and Digital preamp with surround processor  5.1 analog bypass unit  7.1 channel RCA outputs for Dolby Digital EX and DTS ES modes  96kHz digital input sample rates DTS NEO 6 Matrix decoding THX™ Surround EX decoding  Dolby Pro Logic II decoding  Additional 2-channel music and surround modes. SP1.7 SPECIFICATIONS Inputs Analog Audio: Six stereo (RCA) pairs, One 5.1 channel (RCA) input Digital: 4 coaxial (RCA) 75 Ohms, 2 Optical (TOSLINK?), conforms to S/PDIF standard. Pro version 1 AES/EBU input (XLR) 110 Ohms Infrared: 1 mini phone jack RS-232: D9 connector (bidirectional) Outputs Analog Outputs: Left, Centre, Right, Right Surround, Left Surround, and Subwoofer on 6 unbalanced (RCA) and 6 balanced (XLR). 2 stereo (RCA) pairs of Record Outputs. 1 pair (RCA) Surround Back outputs Trigger: One 12V on/off trigger, One 12V programmable trigger, to source 80mA total. Remote 30 button, Hand-Held, Infrared remote control unit operates with two AAA batteries (included). Performance Specifications  A/D Conversion: 24-Bit, 48kHz Delta-Sigma D/A Conversion: 24-Bit, 96kHz Delta-Sigma DSP Engine: Motorola 56367 Power Supply: Dual, Linear, Toroidal Frequency Response: 20Hz to 20kHz +/- 0.25 dB THD+Noise:Less than 0.006% in DSP modes; Less than 0.0025% in Bypass mode 20Hz to 20kHz at maximum output level. Signal-to-Noise Ratio:105dB in DSP Modes; 110dB in 2ch Bypass Mode; 22kHz bandwidth, Ref. 1kHz at maximum output level Input Level:2 Vrms in DSP modes; 4 Vrms in Bypass Mode Input Impedance: 50kOhms Output Level: 8 Vrms (16 Vrms Balanced) in DSP Modes; 10 Vrms (20 Vrms Balanced) in Bypass Mode. Output Impedance:110 Ohms Bass Management:2nd Order HPF(x5), 4th Order LPF; 60 – 220 Hz Crossover Freq. Envoi soigné dans toute la france métropolitaine.

AMBIENT HBS302Y7- 35 - Bon État - Câble Mixette - Caméra - Coiled mixer / Camera loom Breakaway Cable: dual 3-pin XLR female and 3.5mm TRS mini right angle on coiled cord to 7-pin XLR male. Y-Cable: 7-pin XLR female to dual 3-pin XLR male and return via 7-pin XLR female to dual 3-pin XLR male and return via 3.5mm TRS mini plug. Length approx. 1.8 m to 5 m - Livraison en France et Union Européenne: Colissimo ou Mondial Relais Tous les articles sont soigneusement emballés, avec des matériaux d'emballage neufs, pour garantir que votre livraison arrive à temps et sans dommage. - Retour Accepté: Les acheteurs peuvent renvoyer leur objet pour obtenir un remboursement sous 14 jours. - Les frais d’expéditions et de retour sont à la charge de l’acheteur. En savoir plus Collaboration commerciale.

Vends un contrôleur Moniteur stéréo SPL 2Control avec la très intéressante fonction "crossfield" permettant de simuler au casque l'écoute sur enceintes par simulation de la diaphonie naturelle. Ce contrôleur, entièrement analogique, qui comprend 2 entrées stéréo sur XLR, 2 sorties casques de haute qualité avec volume indépendant et fonction crossfield, et trois sorties sur XLR dont 2 stéréos + 1 mono pour caisson ou voie centrale. Ce contrôleur a une vocation pro mais peut aussi être utilisé comme un excellent ampli casque en Hifi car la fonction crossfield est vraiment extraordianaire pour rendre les enregistrements adaptés à l'écoute au casque (parfois, certains enregistrements ont trop de séparation droite/gauche pour être confortablement écoutés au casque). Produit de qualité niveau conception/fabrication "made in Germany" Vendu avec très légers défauts d'aspects (accentués par les photos) sur le bord inférieur de la face avant, notice et emballage originaux. Livraison via Mondial Relay assuré. Merci de votre intérêt... Sell ​​an SPL 2Control stereo monitor controller with the very interesting "crossfield" function allowing to simulate with headphones listening on speakers by simulation of natural crosstalk. This fully analog controller, which includes 2 stereo XLR inputs, 2 high quality headphone outputs with independent volume and crossfield function, and three XLR outputs including 2 stereos + 1 mono for subwoofer or center channel. This controller has a professional vocation but can also be used as an excellent headphone amplifier in Hifi because the crossfield function is really extraordinary to make the recordings suitable for listening with headphones (sometimes, some recordings have too much left / right separation to be comfortably listened to with headphones). Design / manufacturing quality product "made in Germany" Sold with very slight visual defects (accentuated by the photos) on the lower edge of the front face, original instructions and packaging. Delivery via insured Mondial Relay. thanks for your interest Specifications:  Analog inputs & outputs: XLR (balanced) Maximum input & output gain: 21.5 dBu  Input impedance: 20 kΩ  Output impedance: 75 Ω  Frequency range (-3 dB): 10 Hz – 100 kHz  THD +N (0 dBu, 10 Hz – 22 kHz)): 0.005 %  Noise (A-weighted): -96 dBu  Crosstalk (1 kHz): -70 dB  Common mode rejection (1 kHz): 60 dB  Dynamic range: 117 dB  Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring Spitze = links, Ring = rechts, Schaft = GND  Source impedance: 22 Ω  Noise (A-weighted, 600 Ω): -85 dBu

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

Vends un ensemble CHORD de 2nd main (séparé ou le lot complet):  - Lecteur CD BLU en parfait état de fonctionnement et en très bon état esthétique (il présente quelques traces d'usage sur le dessus) - Doubles Cables Coax BNC SOBEK de chez Hifi-Cables et Cie pour brancher en dual le lecteur au DAC et bénéficier de l'upsampling - 1 câble d'alimentation FURUTECH 1m (FURUTECH FP-TCS31 Câble secteur Alpha OFC Haute pureté blindé 3x2.5mm² Ø16mm + W&M Audio SK-01 et SK-02 CR Connecteur secteur IEC et SCHUKO Carbone Rhodium)  - 1 câble d'alimentation d'origine - 1 télécommande CHORD alu pour le BLU Carton d'origine disponible donc envoi soigné et protégé.  Valeur totale neuve de l'ensemble:  - BLU environ 5 500€  - Cables coax BNC 200€ les 2 - Câble Furutech 250€  => Total neuf: environ 5 950€  Je vends le tout suite à une évolution de mon système et surtout à un besoin de place.  Le lecteur CHORD BLU est un transport (donc sans DAC) de taille compacte qui rivalise avec les plus grands. Un des rares constructeurs à concevoir ses propres algorithmes de traitement et conversion à partir de processeurs FPGA (Field Programmable Gate Array), et non en achetant des puces toutes faites !! Associé au DAC64mk2 à son grand frère le DAC QDB76HD ou le successeur DAVE vous aurez une des meilleures solutions de lecteur d'un CD disponible sur le marché.     Fabrication de type artisanal réalisée au Royaume Uni Spécifications:  1 x TOSlink optical – digital output  2 x 75ohm SP/DIF BNC for dual data digital output (left op 37.5ohm & right op 37.5ohm) 2 x AES/EBU Balanced XLR for dual data digital output (left op 52.5 ohm & right op 52.5ohm)  Single toggle switch for selection of dither on / off  Single toggle switch for selection of 44.1kHz, 88.2kHz & 176.4kHz  1 x BNC for Word Clock Synchronisation DIMENSIONS IN MM 338 x 60 x 145mm (Width x Height x Depth)  Weighy 7Kg Accessoires vendus avec le BLU: - 1 Cable alimentation d'origine - 1 télécommande Chord couleur argent - Notice (anglais)

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Processeur dynamique DB TECHNOLOGIES DSX 2040. Caractéristiques - 2 entrées de signal XLR - impédance d’entrée de plus de 10 kOhm - niveau d’entrée max: 20 dBu - 4 sorties de signal XLR - impédance de sortie 50 kOhm - télécommande interface USB avec 1 connecteur USB type B et 1 connecteur DB9- RS232 - réponse en fréquence de 20 à 40 000 Hz - gamme dynamique de 115 dB - CMMR de plus de 100 dB - diaphonie inférieure à -100 dB - distorsion harmonique totale: 0.002% - processus 40bits avec fréquence d’échantillonnage de 96 kHz - conversion A/D 24bits - latence de 1.5 ms - écran LCD 2x16 caractères - 5 indicateurs de niveau LED par canal - boutons canal, mute et menu - boutons left, right, enter - gain de -40 à +15 dB - polarité 0.180 degrés - delay possible jusqu’à 650 ms - 8 égaliseurs paramétriques par canal - égaliseur gain -30 à +15dB - largeur de bande 0.02 à 2.5 octaves - égaliseur graphique 31 bandes, 1/3 d’octave - filtres crossover Butterworth, Linkwitz Riley et Bessel - courbes de 6, 12, 18 et 24 dB / octave - compression d’entrée et limiteur de sortie - seuil de -20 à +20dB - attaque de 0.3 à 100 millisecondes - espace de stockage à 30 presets - configuration stéréo à 2 voies - configuration mono 3 et 4 voies - unités de delay: ms, m et ft - sélection de fréquence de 36 étapes par octave avec résolution de 1 Hz - code de sécurité à 6 caractères - prise VDE - boîtier en métal avec panneau avant en aluminium - convient pour rack 19 pouces - hauteur 1U - consommation: 90V à 265V - dimensions: 482 x 44 x 229 mm - poids: 4.5 kg En savoir plus Collaboration commerciale.

Enceinte Elokance système amplifié 1500w rms. État: Occasion proche du neuf fonctionne parfaitement bien Description du ELO 1500, SYSTÈME DE SONORISATION ELOKANCE D'une grande fiabilité et d'une qualité irréprochable, la nouvelle série ELO d'Elokance dispose des toutes dernières innovations technologiques. Polyvalente et évolutive, la série est composée de caissons actifs et de satellites passifs offrant ainsi une large gamme de possibilités, permettant d'adapter la puissance à vos besoins tout en gardant un système homogène et d'excellente qualité acoustique. D'excellente fabrication, doté d'une peinture ultra-résistante mais surtout d'un haut-parleur de très grande qualité, les Elo sont réputées pour leur fiabilité et leur résistance. Utilisables aussi bien en intérieur qu'en extérieur, les Elokance Elo vont vite devenir la série d'enceintes qui vous conviendra pour assurer vos prestations de nombreuses années durant. Caractéristiques techniques: Elokance ELO 1500 - Pack quadriphonique haut de gamme composé de 2 ELO 12 et 2 ELO SUB15A - Puissance totale 1500W RMS - ELOKANCE ELO 12 - Série Elo - Enceinte Passive - Haut-Parleur 12" (31cm) - Bobine à compression 1" (25mm) en titane - Puissance: 250W RMS/500W Max sous 8 Ohms - Bande Passante @-10dB: 55Hz-19Khz - SPL Max.: 127 dB - Sensibilité (1W/1m): 97dB - Fréquence de coupure du filtre: 2.5 Khz - Connecteur d'entrée: 1 x Speakon - Embase universelle 35 mm pour pied d'enceinte - 2 Poignées de transport sur les côtés - Finition Peinture Granit - Dimensions de l'enceinte seule: 375 x 335 x 580 mm - Poids de l'enceinte seule: 18 kg - ELOKANCE ELO SUB15A - Série Elo - Caisson de basses actif (amplifié) - Amplification Classe D - 1 Haut-Parleur 15" (38cm) - Puissance: 500W RMS - Amplificateur 2 x 150W RMS pour les sorties satellites - Limiteur et protections contre court-circuit et surchauffe. - Entrées XLR/Jack 6.35 mm - Sorties Speakon, avec sélecteur de courbe en fonction des satellites utilisés. - Réglage de niveaux séparés pour Right/Left/Sub. - Sélecteur Ground/Lift - Sélecteur Mono/Stéréo pour utiliser les 2 sorties satellites en une seule voie. - Sélecteur de phase 0/180° pour le caisson de basses. - Embase universelle 35 mm pour pied d'enceinte - 2 poignées de transport sur les côtés - Finition Peinture Granit - Dimensions de l'enceinte seule: 450 x 580 x 486 mm - Poids de l'enceinte seule: 38 kg

Hello, I'm forced to sell all my video making gear as sadly my work doesn't let me to use it as much as I would. I'm a hobbyist and not a processionnal. Nearly everything is in as-new condition, with original accessories and bills for EU warranty. I paid >7600€. All gear if shipped will be protected in video-gear foam-textile-cases similar to what you can find in backpack dedicated to photographers. I'm offering it for free. It can also be picked in Paris. Here's the main parts included: - ZCAM E2 4K - Viltrox adapter with Metabones ultra glass - Sigma EF 18-35mm - Canon EF 70-200mm L III - Follow focus Titla Nucleus Nano with custom alimentation cable - CFAST adapter to SATA SSD to record in Raw - 4 Batteries NPF970 + 2 chargers - XLR to E2 cable - The shoulder rig. The shoulder rig by itself is worth more than 1600€. Many spare parts included so you will be able to customize it to your liking. 1 × SmallRig Single 15mm Rail Clamp 15491 × SmallRig VCT-14 Quick Release Tripod Plate 21691 × SmallRig Holder for Portable Power Banks BUB23361 × SmallRig Universal Holder for External SSD BSH23431 × SmallRig Rod Connector with M12 Thread for 15mm Aluminum Alloy Rods (Pack of 2) - 9001 × SmallRig 2pcs 15mm Black Aluminum Alloy Rod(M12-15cm) 6inch 10501 × SmallRig 15mm Rod Cap (M12, 4 pcs) 16171 × SMALLRIG QR Rail Clamp(12mm Rod) 14031 × SmallRig Safety NATO Rail with 15mm Rod Clamp 18561 × SmallRig Extension Arm with Arri Rosette 18701 × SmallRig Left Side Wooden Grip with Arri Rosette 18911 × SmallRig Aluminum Alloy Pair of 15mm Rods (M12-4inch)10491 × SmallRig 2pcs 15mm Black Aluminum Alloy Rod(M12-25cm) 10inch 10521 × SmallRig Cheese Plate 16811 × SmallRig 15mm Rod Clamp with Arri Rosette 16862 × SmallRig Extension Arm with Arri Rosette 18701 × SmallRig Sony VCT-14 Shoulder Plate 19541 × SmallRig 15mm LWS Universal Lens Support 21521 × SmallRig Quick Release Clamp (Arca-type Compatible) 21431 × SmallRig Super Lightweight 15mm-Railblock (2pcs Pack) 20611 × SmallRig Quick Release Clamp for Nucleus-Nano Hand Wheel Controller FAQ23231 × SmallRig EVF Mount with NATO Clamp and Arri Rosette 15831 × SmallRig M6 Screw Wing nut 15991 × SmallRig Adjustable EVF Mount with ARRI Rosette 19381 × SmallRig Cold Shoe Extension 20441 × SmallRig Right Side Wooden Grip with NATO Mount 21171 × SmallRig Arri Locating Handle 21651 × SmallRig Cage for Z cam E2 Camera 22641 x SmallRig Black Aluminum Alloy 15mm Rod M12-20cm 8inch Long (2 Pack)- 1051 1x SmallRig DSLR Camera Rig Cold Shoe Mount Adapter with Anti-off Button For Microphone Flash Light Monitor Attach 22601x Sony NPF plate to DC Sincerely,