Allows to select routing

USBMidiKliK3x3 / 3 MIDI IN X 3 MIDI OUT   - The KikGenLabs WARNING: THIS AUCTION IS FOR A PCB ONLY. NO COMPONENTS MOUNTED. This PCB is a prototype and is considered as "new" and is fully working. You must buy components yourself. An easy job. No surface components at all. See schematic at the Github project page:  https://github.com/TheKikGen/USBMidiKliK4x4 The USB MidiKlik 4x4 firmware allows the following features : - The board is USB Powered, so no additional power supply necessary. It works driverless as a class compliant device, with Windows XP SP3, Vista 32 and 64 Bit, Windows 7 / 8 / 10   32 and 64 Bit, and Mac OS X, Linux ALSA, Akai MPC Live/X/Force, IOS, Android.  - USB Powered, no additional power necessary - 4 USB IN / OUT - 3 MIDI IN / 3 MIDI OUT JACKS - Configuration with SYSEX and/or user menu from a terminal connected to the USB serial port - Support of very big SYSEX files transmission - Hardware reset remotely by Sysex  - Sysex to switch to configuration menu serial mode - Ability to change the USB device ProductStringName of the device, and also change the USB Vendor and Product Ids.  Changes persist after power off.  - STANDALONE Mode:  can be used as a standalone MIDI routing box without connecting any host - Stackable:  several interfaces can be used, to get 6x6, 9x9 MIDI ports,  without any conflicts as Name, VID & PID can be changed. - Complex routing rules configurables by sysex or from a user menu - Routing rules allow you to transform the USB MIDIKLIK into a MIDI MERGE or a MIDI THRU very easily. - Ability to route any USB IN to any USB OUT/ MIDI OUT (7 targets possible 4 USB, 3 Midi jack per board) - Midi messages filtering: channel voice, system common, realtime, sysex   The firmware is open source so you can adapt or modify it for you own needs. The project is active. BOM: - BLUEPILL STM32F103C8 - 3x  1N4448 D1,D2,D3 - 3x  6N138 DIP-8 U1,U2,U5 - 6x  220 ohms R4,R5,R7,R8,R1,R3 AXIAL-0.3 - 3x  4.7K R6,R2,R9 AXIAL-0.3 - 3x  10 ohms R11,R13,R17 AXIAL-0.3 - 3x   33 ohms R10,R12,R16 AXIAL-0.3 - 6x  DIN_5_FEMALE_SUPPORT

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

OCCASION, COMME NEUF, RARE ! Récepteur portable SONY  ICF-2001D à ondes courtes Dimensions:  29 x 16 x 5 cm  Alimention: deux batteries de taille AA et trois batteries  de taille D.  Antenne télescopique intégrée  Lecture numérique à l'avant avec un angle de vision optimal pour l'écran LCD. L'ICF-2001D couvre la plupart des bandes de diffusion sur ondes longues (LW), ondes moyennes (MW), ondes courtes (SW) et ondes ultra-courtes (ici appelées FM). Bandes de diffusion: AIR: 116 - 136 MHz FM  :  76 -108 MHz AM  : 150 - 29999,9 KHz    Les contrôles La ICF-2001D possède un panneau de commande clair et bien organisé qui est situé à l'avant de l'unité. L'interrupteur principal est sur le côté gauche, avec un interrupteur supplémentaire à gauche de l'écran. Il permet également le fonctionnement de la minuterie.  L'affichage comprend trois sections: l'horloge en temps réel (à gauche), l'affichage de la fréquence (au centre) et un indicateur d'intensité du signal (à droite). Le cadran de réglage de la fréquence est dans le coin supérieur droit. Un curseur sur le bord droit contrôle le volume. La plus grande partie du panneau de commande est occupée par le clavier composé de cinq sections environ.  Les 32 touches noires au centre servent à sélectionner directement l'un des préréglages de la mémoire (8 préréglages répartis sur 4 banques). En combinaison avec le bouton bleu en bas à gauche, ces touches servent également à sélectionner la bande de fréquence souhaitée. Au-dessus des boutons de préréglage noirs se trouvent les sélecteurs de mode. Ils permettent la sélection entre les bandes FM et AM. En mode AM, les boutons restants permettent de sélectionner le type de modulation souhaité (large, étroit, synchro, USB, LSB et CW). La rangée de touches marron juste en dessous de l'écran sert au fonctionnement de la minuterie. Les trois boutons blancs à gauche permettent d'activer le balayage. Les 11 touches blanches à droite permettent d'entrer directement la fréquence souhaitée. Livré avec - Son Alimentation d'Origine SONY - Une Sangle SONY d'origine - Une Antenne Externe SONY - Une photocopie du mode d'emploi A payer par paypal sous 3 jours _________________________________________________________ SONY ICF-2001D Short Wave Portable Receiver Dimensions: 29 x 16 x 5 cm Power supply: two AA size batteries and three D size batteries. Built-in telescopic antenna Digital playback on the front with optimal viewing angle for the LCD screen. ICF-2001D covers most long wave (LW), medium wave (MW), short wave (SW) and ultra-short wave (here called FM) broadcasting bands. Broadcast bands: AIR: 116 - 136 MHz FM: 76-108 MHz AM: 150 - 29999.9 KHz   Controls The ICF-2001D has a clear and well-organized control panel located at the front of the unit. The main switch is on the left side, with an extra switch on the left of the screen. It also allows the operation of the timer. The display consists of three sections: the real-time clock (left), the frequency display (center), and a signal strength indicator (right). The frequency adjustment dial is in the upper right corner. A cursor on the right edge controls the volume. Most of the control panel is occupied by the keyboard consisting of about five sections. The 32 black keys in the center are used to directly select one of the memory presets (8 presets spread over 4 banks). In combination with the blue button at the bottom left, these buttons are also used to select the desired frequency band. Above the black preset buttons are the mode selectors. They allow selection between the FM and AM bands. In AM mode, the remaining buttons allow you to select the type of modulation you want (wide, narrow, sync, USB, LSB, and CW). The brown line of buttons just below the screen is for timer operation. The three white buttons on the left activate the scan. The 11 white keys on the right make it possible to directly enter the desired frequency. elivered with - Its Original Sony Power Supply - An original Sony strap - A Sony External Antenna - A photocopy of the user manual To pay by paypal under 3 days

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

Product InformationThe Canon EOS 7D digital SLR camera with an 18 MP resolution and DIGIC 4 image processor provides for superior quality images. The 3-inch LCD monitor of this Canon digital camera gives a clear and sharp view of the scene being shot. Manual exposure controls in the Canon EOS 7D allows you to select at which fps rate to shoot videos, letting you record in HD as well as normal resolution. ISO ranging from 100 - 6400, enables you to click bright pictures even in low light conditions with this Canon digital camera. 19-point, all cross-type AF system along with dual diagonal cross-type sensors, this digital SLR camera easily adapts to different shooting situations. You can also shoot 15 videos in RAW format with the Canon EOS 7D capable of shooting 8.0 fps continuously. Product IdentifiersBrandCanonMPN3814B004GTIN0013803117493UPC0013803117493ModelCanon EOS 7D Product ID (ePID)108937837 Product Key FeaturesBattery TypeLithium-IonFeaturesAuto Focus, USB 2.0ColorBlackScreen Size3.0"SeriesCanon EOSItem Weight28.9 OzTypeDigital SLRConnectivityUSBManufacturer ColorBlack DimensionsWidth5.8 inHeight4.4 inDepth2.9 in Additional Product FeaturesLight Sensitivity MAX6400Exterior ColorBlackViewfinder Magnification1.0XMAX Video Resolution1920x1080 (Full HD)Exposure Compensation-3 Ev to +3 Ev (In 1/3 or 1/2 Ev Steps)Dioptric Correction Range-3.0 to +1.0Still Image FormatJPEG, Raw + JPEG, RawSensor Resolution18.0MPFace DetectionYesSensor Size14.9x22.3mmCamera TypeDigital SLRDisplay TypeLCDSensor TypeCmosRed-Eye ReductionYesLight Sensitivity100-6400Display RotationBuilt-InViewfinder-Field Coverage100%Battery Form FactorManufacturer SpecificDigital Video FormatH.264, MOVLens for SdBody onlyAdditional FeaturesAutofocus, USB 2.0Display Size3 inMaximum Resolution18.0MPSpecial EffectsMonochrome, Neutral, Landscape, Portrait, FaithfulSupported Flash MemoryUdma Cf, CompactFlash Card Type I, CompactFlash Card Type IIFlash TypeBuilt-In FlashFocus AdjustmentAutofocus & Manual Focus

Ceriatone Chupacabra Jose Arredondo mod 50 watts. État : Occasion Service de livraison : Colissimo Fan of 80's guitar heroes (Van halen, Dokken, Ratt, Whitesnake, Metallica...) This head is for you !  Amazing sound and finish quality... Ceriatone Chupacabra 50 was the first offering in our Hot Rodded Plexi series, and is still a favorite for fans of British guitar Marshall Jmp/ Jcm 800 style tones who are keen on finding their own unique voice. The Chupa 50 is a nod to Jose Arredondo-modified circuits of the late ‘70s and ‘80s, but with a few refinements.   Compared to our Yeti, the Chupa is brighter, has more gain, is tighter, and more aggressive. Neither is better than the other, which is why we offer both, dummy! Part of what makes the Chupacabra so fun is it’s ability to dial in KILLER tones from all sorts of types of music in a simple format, all the while maintaining it’s own voice and integrity. Like other Ceriatone amps, we have labored carefully to select the finest components to suit the design, and the Chupacabra uses our specially designed, custom transformers for superior reliability, frequency response, and feel. Head Dimension: 25.75 x 8.35 x 10.35 inches / Actual Weight: 21 kg - Cascading gain stage design with individual Gain controls - 3-way Bright switch on each Gain 1 and Gain 2 controls - Feel switch adjusts attack and low contour - Era 3-way switch provides progressive levels of clipping and distortion - Rear-panel Pussy TrimmerTM allows the player to fine tune compression and saturation - Presence and Resonance controls adjust the high- and low-frequency content of the power section - Passive effects loop - DC heaters for low noise floor

CANON 7D CANON  EFS 18-55 MM f/3,5-5,6 1 BATTERY  1 CHARGER  1 STRAP  1 CARD SANDISK 32G Product InformationThe Canon EOS 7D digital SLR camera with an 18 MP resolution and DIGIC 4 image processor provides for superior quality images. The 3-inch LCD monitor of this Canon digital camera gives a clear and sharp view of the scene being shot. Manual exposure controls in the Canon EOS 7D allows you to select at which fps rate to shoot videos, letting you record in HD as well as normal resolution. ISO ranging from 100 - 6400, enables you to click bright pictures even in low light conditions with this Canon digital camera. 19-point, all cross-type AF system along with dual diagonal cross-type sensors, this digital SLR camera easily adapts to different shooting situations. You can also shoot 15 videos in RAW format with the Canon EOS 7D capable of shooting 8.0 fps continuously.

OTARI UFC-24 Universal Format Converter with addition of optional 24 channels of AES/EBU capability providing uncompromised conversion of all formats. This 2U rack-mount unit allows up to 24 tracks of digital audio to be transferred simultaneously from the source-format to all of the most-common formats used in the industry today. A single UFC-24 will convert up to 24 channels at a time from any one to all of the following: • PD • SDIF-2 • ADAT • TDIF-1 • AES/EBU • Multiple units may be linked to provide sample- accurate transfer of more than 24 channels. The input source-format outputs to all other formats at the same time. MIDI Input, Output & Throughput connectors are provided for patch-change control of Routing-Presets & Input-Format. All parameters of the UFC-24 may be stored as System-Exclusive Data to a MIDI storage device and later recalled. 1:1 Track-Mapping & user-selectable Routing of Input-channels to Output-channels is provided by buttons on the front panel. Up to 6 user-configurable Routing-Presets allow Channel Routing Maps to be recalled at any time. LEDs indicate status of Source-Clock lock and Channel Assignments. Frank Wells, Masterfonics, Nashville, TN: "We heard about the UFC-24 from OTARI when it was first coming out and it met a need that had been in the market for a long time. All of these digital formats are 16-bit and are all storing the same words at the same sampling rates but you couldn't get information from one of them to the other one without going out into the analog world. Now the UFC-24 is able to address the pro formats (PD and DASH), plus the ADAT and DA-88 that many producers are using to work in home studios. It seems to meet all those needs in one relatively inexpensive box. Being able to re-route channels in the box is also a big plus. We use the phrase 'digital everything -- all at once' around here...and this box applies that on a multi-track 'digital everywhere -- from anywhere' basis. That sums it up pretty well." Rudy Van Gelder, Rudy Van Gelder Studio, NJ: "We needed the capability of transferring digitally between PCM-3324 (DASH) to PCM-800 (DA-88 format) and I wanted to transfer 24 tracks digitally. The UFC-24 is very stable, very reliable and it performs what it's supposed to do perfectly. The additional thing about it that I like is the routing flexibility within the unit. This is a feature that I wasn't originally aware of, but I use it all the time...I'm really pleased with the UFC-24." Tva RECUPERABLE........E SHIPPING WORLDWIDE: CONTACT ME FOR THE PRICE OF SHIPPING

The NiSi V5 Alpha 100mm Filter Holder is designed to allow for the convenient use of 100mm wide, 2mm thick filters. Use of this filter holder is easily accomplished by first screwing the included NiSi adapter ring for the V5 Alpha 100mm Filter Holder onto a lens with 82mm front filter threads. For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring. After being fitted onto the adapter ring, the filter holder's pull-and-release locking pin helps to provide a reliable, yet adjustable connection that allows the holder to be rotated 360°, permitting the use of graduated neutral density and other filters that are enhanced by varied positioning. The NiSi V5 Alpha 100mm Filter Holder is preinstalled with three pairs of filter slots, a configuration that accommodates three rectangular filters. Each slot is designed to grip an installed filter only along the surface of the filter's edges. Contact with a filter's front- or rear-facing surfaces is avoided, particularly when using graduated filters whose effect can be adjusted to better suit changing lighting conditions or creative demands by sliding them up or down within a filter slot. This filter holder can be used with a separately available NiSi 82mm Adapter Ring for C4 Cinema Filter Holder Kit and V5 100mm or V5 Pro 100mm Filter Holder Kits instead of its included adapter ring. If used with that separately available adapter ring, along with either a separately available NiSi 86mm Circular Polarizer Filter for Select NiSi Filter Holder Kits or a NiSi 86mm Enhanced Circular Polarizer Filter for Select NiSi Filter Holder Kits, the NiSi V5 Alpha 100mm Filter Holder can help create a filter holder kit that offers the same essential functions as a NiSi V5 Pro 100mm Filter Holder Kit. Adapter rings for lenses with 86mm or 95mm front filter threads are also separately available. The combination of either of those adapter rings with the filter holder cannot accommodate a NiSi 86mm circular polarizer filter; however, a polarization effect can instead be obtained by placing a separately available, 100mm wide, 2mm thick polarizer filter between one pair of the filter holder's slots. Durable aluminum alloy filter holder provides three pairs of filter slots, a configuration that accommodates up to three separately available 100mm wide, 2mm thick filters Each slot is designed to grip an installed filter only along the surface of the filter's edges, avoiding contact with a filter's front- or rear-facing surfaces Use of the filter holder can be easily accomplished by first screwing the included 82mm adapter ring onto a lens with 82mm front filter threads For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring Pull-and-release locking pin on filter holder allows for a reliable connection to the 82mm adapter ring which allows the holder to be rotated 360° Durable and lightweight aluminum alloy construction

The CT4150, part of the ComTech DriveCore series from Crown Audio, is a 4-channel power amplifier that offers professional audio quality in a slim design. The amplifier has a 1RU chassis, allowing you to install it in any standard equipment rack. It provides 125W per channel into 8 ohms for strong, clear audio with low distortion. DriveCore technology provides excellent efficiency of over 90% for a fantastic performance to power ratio. It does not require a cooling fan, providing silent operation. The amplifier offers flexible input routing, allowing you to send an input signal to any of the 4 outputs. Integrated Life-Safety features and patented feedback and protection circuitry protect the amplifier from damage to ensure a lifetime of reliable operation. A universal power supply lets you use the amplifier internationally, ideal for touring applications. Features: Slim 1RU chassis can be installed in any standard equipment rack Delivers 125W per channel into 8 ohms for strong, clear audio with low distortion DriveCore technology provides excellent efficiency of over 90% for a fantastic performance to power ratio No cooling fan required, providing silent operation Flexible input routing allows you to send an input signal to any of the 4 outputs Integrated Life-Safety features and patented feedback and protection circuitry protect the amplifier from damage to ensure a lifetime of reliable operation A universal power supply lets you use the amplifier internationally, ideal for touring applications

For sale Speck Lilo 16 in superb condition! PSU is set up for 220V. Description: "The LiLo is a high-definition desktop analog line mixer for routing and blending your external gear. Short for Line-in/Line-out, the LiLo was designed as a “quiet-transparent” platform that allows you to build a mixing system using the gear you already own. Design Philosophy One glance at the LiLo and you will realize that you are not looking at a conventional mixer. The first thing you will notice is the minimalist layout of the LiLo. This unpretentious design lacks mic preamps, equalizers, and is in short supply of knobs and switches. In their place, we bring you a well-designed 32 input mixer with unmatched signal routing, generous amounts of headroom, and a transparent signal path. The Lilo has been designed with the specific idea that you want to connect and mix your external gear and DAW without the limitations imposed by traditional recording consoles. The In’s & Out’s All audio inputs, outputs, and inserts are fully balanced and available on XLR and TRS connectors. Connect the LiLo to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The LiLo has high headroom that will handle balanced signals up to +28dBu. Balanced transformers are standard on the main feed and are optional on other outputs. The Designer The LiLo is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 25 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the Xtramix rack mixer, the ASC equalizer, and MicPre 5.0 preamp." But best is to go there: http://www.speck.com/lilo/lilo.html Shipping worldwide available (will be super safe in a custom woodbox/pallet) Note: Thanks to contact me for shipping quote! ajaudio.fr

Kurzweil Operating System 3.87C  (Calvin) update kit for K2000 and K2000R  Version 3.87 is the latest and the Best Operating System version for K2000 series synthesizers.   You will receive: - two brand new EPROMS - (K2000 Eng HI  and K2000 Eng LO), corresponding to the Operating System version 3.87 for K2000 K2000R (Calvin)  - integrated circuits extractor - phone or email support  Upgrading your K2000, K2000VP, or K2vx There are 2 different versions of the engine board and operating system - Calvin and Janis. If there is a "J" after the version number on the display on boot time, than you have a Janis unit, if there is no letter after the version number, you have a Calvin unit.                                                      Make sure to buy the right EPROM update kit corresponding to your board (Calvin or Janis) !!! Please note: If your K2000 system  directly from a version earlier than 2.0 (like 1.3 version) of the Kurzweil Operating System requires the additional purchase of new Setup EPROMs, which are NOT included with this operating system update kit but available on our shop.  K2000 Series - v3.87 Operating System New features and enhancements added when upgrading from version 3.54 - SCSI Speed Improvements. Now loads and saves twice as fast as previous versions. - Export to standard MIDI Type 1. Now the software can import and export both Type 0 and Type 1 MIDI files. - ISO 9660 format support. Adds ISO 9660 format support for CD's. This allows you to read CD's in the standard format. Previously we required an "image" of the hard disk format. - Supports looped WAV files, both import and export. Also correctly handles tuning of WAV and AIFF files. Saving a WAV file will now export the loop info, if any. Importing a looped WAV file will now get the loop data, if any. The software only handles one loop per sample, so the first loop found in a WAV file is used. - Now reads 2500 programs. Previously the 2000 would ignore programs containing 2500 specific parameters. Now it translates them, stripping out any KDFX or other 2500 parameters. - Improved object save and delete times. - Improved sample delete times.   New features and enhancements added when upgrading from version 3.01 or 3.18 All of the above, plus: - Eight 32-layer "drum" channels are now available. (PRAM option required). - A new option has been added for the sustain pedal (Program editor - LAYER page). When you select "On2," the sustain pedal will not catch the release of a note that is still sounding when the sustain message is received; this can be very useful in a program that uses amplitude envelopes with a long release time. - MIDI type 1 files can now be imported. - Verify option double-checks the data integrity of all your backup, copy, and save operations. - Info soft button on the Utilities page in Disk mode displays information about your disk drive(s). - Copy function now allows selection of multiple files. - You can now format multiple floppies without having to return to the initial Format command. - The K2000's SCSI subsystem has been enhanced to accept a greater variety of devices. In addition, the K2000 now supports disk drives of up to 2 Gigabytes (2048 Meg). V3.54 will work with drives larger than 2G but only the first 2 G will be utilized. (Drives larger than 1 gig will work externally, but are likely to draw too much power to be used internally. Please check our Hard Drive Compatibility List for power consumption specs. - Previous to v3.54, for the Backup and Copy functions, the combined size of both drives had to be under 1 gig unless PRAM was installed. This limitation no longer exists. - Compatibility with the PC Exchange program has been improved.   New features and enhancements added when upgrading from version 1 or 2 All of the above, plus: Version 3 operating system software for the K2000 offers majo

  Smart sensor technology reacts when you put the headset on, letting you quickly take a call without a click. If you’re already wearing it, Voyager Legend announces who’s calling and waits for you to say /"Answer/" or /"Ignore./" Simply tap the voice command button and ask to check battery level, connection status, and more. Interact with Siri, Google Now, or Cortana by pressing the call button. With technology this nimble, Voyager Legend is the first truly intelligent Bluetooth® headset. MOISTURE PROTECTION.. You can rely on the Voyager Legend to work as hard as you do, through rain, sweat and the inevitable coffee spill. Voyager Legend headsets are protected against sweat and moisture damage by P2i technology. The nano-coating is applied during the manufacturing process, resulting in invisible liquid repellent properties that also makes the headset more reliable, wherever your busy life takes you. SMART CALL ROUTING.. Intuitively directs calls to your phone or headset, pauses music for incoming calls, and allows you to automatically answer by simply placing the headset on your ear. PRECISION AUDIO.. Multi-microphones optimize your voice and minimize noise caused by wind, movement, and background sounds. CALL ANNOUNCE & VOICE COMMANDS.. Announces incoming caller's name and lets you say /"answer/" to accept the call or /"ignore/" to decline. Just say /"answer/" to take a call. Tap the voice button to check battery level, connection status, or dial Vocalyst to hear emails, newsfeeds, and more. Press the call button to interact with Siri, Google Now, or Cortana voice-controlled smartphone assistants.     Oreillette sans fil Bluetooth avec étui de charge Plantronics Voyager Legend Un casque pour une utilisation avec votre cellule/téléphone mobile compatible avec iPhone, Android et autres smartphones leaders. Idéal pour: Quelqu'un qui doit prendre et recevoir des appels sur un téléphone mobile. Casque léger sur l'oreille. Câble de charge inclus L'étui se recharge à partir de n'importe quel câble de charge micro USB (câble USB vers micro USB de 60 cm inclus). Les indicateurs LED montrent l'état de la batterie du casque et de la coque en un clin d'œil Performance audio Qualité audio Bluetooth cristalline avec traitement du signal numérique actif à triple micro, et suppression du vent. Jusqu'à 7 heures de temps de conversation et vous pouvez parcourir jusqu'à 30 mètres. Chargement portable Design élégant qui se glisse facilement dans votre poche pour un chargement pratique n'importe où. Charge les casques suivants: Produits de la série Voyager Legend. Utilisation en voyage ou en déplacement Audio professionnel pour prendre des appels sans fil et se déplacer tout au long de votre journée de travail. Application Plantronics Hub Permet aux utilisateurs finaux de personnaliser leurs paramètres et d'obtenir l'état visible de leur appareil audio Plantronics sur leur mobile (versions Android et iOS disponibles). Personnalisez votre sonnerie, vérifiez l'état de la batterie, mettez à jour le firmware, changez les options de langue et plus encore. Utilisez la fonction « Find my headset » pour localiser un casque égaré. À propos de Poly Poly crée des produits audio et vidéo de qualité supérieure pour que vous puissiez avoir votre meilleure réunion – n'importe où, n'importe quand, à chaque fois. Nos écouteurs, produits vidéo et audioconférence, téléphones de bureau, logiciels d'analyse et services sont magnifiquement conçus et conçus pour connecter les gens avec une clarté incroyable. Ils sont de qualité professionnelle, faciles à utiliser et fonctionnent parfaitement avec tous les meilleurs services vidéo et audio de conférence. Avec Poly (Plantronics, Inc. – anciennement Plantronics et Polycom), vous faites plus que simplement montrer, vous allez vous démarquer !