And effect

Hello I sell my guitar effect pedal shop Carl Martin Plexitone new handmade in Denmark. It is one of the best pedals reproducing the Marshall plexi sounds of the late 60s to late 70s nicknamed the "Brown Sound". The pedal was just tested, for lack of playing time. It works on mains and has a TRUE BYPASS. I invite you to discover its features and videos on the web. Neat packaging. Kind regards.

This is a 70's vintage and rare Foxx Fuzz Wa effect pedal. ** It has been very few used, there has been only, as far as I know, two previous owners who both used it from very rarely to almost never ** It has got four different Wah-Wah tones and also integrates a fuzz effect. It sounds really gorgeous, and due to its rarity, quite unique. * I've tested it basically and can tell that it works perfectly - and what a sound ! There are one 4-positions selector on the front to select wah envelope, and three knobs on the left side, presumably for tone, gain and whatever else. There are two 2-states switches: the pedal switch commutes between wah wah and volume control. The auxiliary switch commutes the fuzz effect. There is also an extra switch on the side (see photos) but I cannot figure out what it is used for. All the components, buttons, switchs, gear, board are all original, to the screws. It is really suitable as collector.    ** It is in overall exceptionally good condition, due to the fact it has been very rarely used since the 70's. I guess that you will not see one in a such good condition before long ** It is powered by a 9-volts battery (not provided). The pedal is sold without any other accessories, no manual, no box, no external power supply. The item ships from France (CE). Please note that depending on your country's law set, you may have to pay import taxes when the parcel is delivered. These taxes are not included in the price. The power battery connector is slightly damaged -the (-) (negative) plot is missing and needs to be added, but the unit is working as is, and the repair is really easy to make: just solder a negative plot pin to the battery connector, to reduce noise level by grounding the power supply of the unit, which is, in our case, a 9V battery.

This is a 70's vintage and rare Foxx Fuzz Wa effect pedal. ** It has been very few used, there has been only, as far as I know, two previous owners who both used it from very rarely to almost never ** It has got four different Wah-Wah tones and also integrates a fuzz effect. It sounds really gorgeous, and due to its rarity, quite unique. * I've tested it basically and can tell that it works perfectly - and what a sound ! There are one 4-positions selector on the front to select wah envelope, and three knobs on the left side, presumably for tone, gain and whatever else. There are two 2-states switches: the pedal switch commutes between wah wah and volume control. The auxiliary switch commutes the fuzz effect. There is also an extra switch on the side (see photos) but I cannot figure out what it is used for. All the components, buttons, switchs, gear, board are all original, to the screws. It is really suitable as collector.    ** It is in overall exceptionally good condition, due to the fact it has been very rarely used since the 70's. I guess that you will not see one in a such good condition before long ** It is powered by a 9-volts battery (not provided). The pedal is sold without any other accessories, no manual, no box, no external power supply. The item ships from France (CE). Please note that depending on your country's law set, you may have to pay import taxes when the parcel is delivered. These taxes are not included in the price. The power battery connector is slightly damaged -the (-) (negative) plot is missing (this is a repair which is really easy to make or you can just strand the negative wire in the negative plot of the battery).

This is a 70's vintage and rare Foxx Fuzz Wa effect pedal. ** It has been very few used, there has been only, as far as I know, two previous owners who both used it from very rarely to almost never ** It has got four different Wah-Wah tones and also integrates a fuzz effect. It sounds really gorgeous, and due to its rarity, quite unique. * I've tested it basically and can tell that it works perfectly - and what a sound ! There are one 4-positions selector on the front to select wah envelope, and three knobs on the left side, presumably for tone, gain and whatever else. There are two 2-states switches: the pedal switch commutes between wah wah and volume control. The auxiliary switch commutes the fuzz effect. There is also an extra switch on the side (see photos) but I cannot figure out what it is used for. All the components, buttons, switchs, gear, board are all original, to the screws. It is really suitable as collector.    ** It is in overall exceptionally good condition, due to the fact it has been very rarely used since the 70's. I guess that you will not see one in a such good condition before long ** The pedal is sold without any other accessories, no manual, no box, no external power supply. The item ships from France (CE). Please note that depending on your country's law set, you may have to pay import taxes when the parcel is delivered. These taxes are not included in the price. The power battery connector is slightly damaged -the (-) (negative) plot is missing (this is a repair which is really easy to make or you can just strand the negative wire in the negative plot of the 9v battery). Even without that it is working as is but a connected negative pin reduces background noise.

PÉDALE 1776 EFFECT DISORDER DELAY MULTI PLEX . - Description: Pédale d'effets pour guitare électrique, c'est une pédale Delay avec boîtier métallique, nous ne connaissons pas le fabriquant (elle ressemble beaucoup au pédale du fabriquant JPTR FX), mais peut être que c'est une pédale Delay faite maison, une chose est sur en revanche c'est la carte mère de la pédale, elle c'est  bien une 1776 Effect sans aucun doute possible, c'est imprimer sur la carte JRM 1776 Effect 2012, Echo Multi Plex Machine, il y a aussi un autre petit boîtier métallique Disorder R M T E C T R L (remote control) télécommande, la pédale est en très bon état, la télécommande aussi, testées toutes les 2, elles fonctionnent parfaitement, d'ailleurs les effets Delay sont incroyable, une très grande qualité d'effets, le tous est vendu d'occasion, comme sur les photos.Son alimentation est en 9 Volts, ici elle est vendu sans chargeur d'alimentation, nous l'avons fait fonctionner avec un chargeur universel, et la polarité : négatif sur la PIN intérieur de la fiche, et positif sur le corps de la fiche. IMPORTANT Conditions de livraisons en Français : Nos colis sont envoyés et préparés en 24 heures, toute fois les délais généralement Constatés en jours ouvrés (sans les week-ends et sans les jours fériés) sont : Pour la France : livraison en 2 à 5 jours. Pour les pays d’Europe : livraison en 7 à 20 jours. Pour les pays du reste du monde : livraison en 10 à 30 jours. /////////////// Autre livraison économique : pas de suivi Autre livraison standard : avec suivi Autre livraison express : express avec suivi Attention : - Bien que nous ne rencontrons peu de problèmes avec le mode ‘autre livraison économique’, merci de comprendre que celui-ci ne comporte PAS de suivi et PAS d’assurance ! - Nous ne sommes en aucun cas responsables des surcouts occasionnés par les TAXES DE DOUANE ! Merci de vous renseigner de la règlementation en vigueur avec votre pays en question. BE CAREFUL Conditions of deliveries in English: Our packages are sent and processed within 24 hours, any time delays typically recognized in business days (excluding weekends and no holidays) are: For France: delivery within 2 to 5 days. For European countries: delivery within 7 to 20 days. For countries of the world: delivery in 10 to 30 days. /////////////// Other economic delivery: no tracking Other standard delivery: with tracking Other express delivery: express with tracking Warning: - Although we did encounter some problems with the way other economic delivery, thank you to understand that it does NOT include tracking and insurance! –  We are in no way responsible for the extra costs incurred by CUSTOMS TAXES! Thank you to inform you of the regulations with your country.

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

Adaptateur secteur alimentation Originale Original Roland AC-ADAPTER BOSS Effect ACI 220 J 1000mA 18 VA 9V JAPAN   pour pédales claviers et boite a rythme ou tout Hi-tech ROLAND Boss compatible Vendu tel que présenté sur photo bon état  Sans réserve Original AC-ADAPTOR Adaptateur ROLAND RA BOSS EFFETS ACI-220 1A 9V 1000mA 18VA As pictured CE plug  */* Please take a look at the photos for physical condition. Functional condition is described above. This item is in great condition and in working  order. please look at all pics for details. It comes with everything shown in pics. If you have any questions please message  me.  I'll be glad to answer anything….  All items are tested to our ability prior to listing and retested again at the end of auction prior to packing and shipping. Please keep in mind most units are complicated and not all functions are tested. Also, most are older units and may need their pots and buttons sprayed or cleaned. If you experience a problem please contact us to resolve any issues.  Payment is expected immediately after auction ends at the time of buy it now. Item will ship the next business day. Most shipments will be through Fed Ex, fully insured with signature confirmation. We reserve the right to use UPS, USPS or other carriers. You will receive a tracking number as soon as it ships. Local pickup is not available. This item is also offered locally in other venues. We reserve the right to cancel the auction at any point. We reserve the right to cancel any bid from bidders with negative feedbacks..International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.

ENGLISH Behringer DR400 Reverb Guitar Effect Pedal. Used. State as new, works perfectly. I sell it because I don't have much time to play guitar anymore. Product Information Get the effects of a studio processor in this single compact Behringer Delay DR400 pedal. Real Sound Modeling (RSM) combines state-of-the-art DSP technology with sophisticated algorithms in this Digital Reverb pedal to create a life-like acoustic environment. You will get 24-bit high-resolution stereo effects as well as reverb, delay, and combinations with this Behringer guitar pedal. For amazing sound shaping, this Digital Reverb pedal has dedicated mode, reverb/delay time, tone/feedback, and balance controls. This Behringer guitar pedal has a blue status LED for switching on and switching off the pedal and for battery check. For the ultimate digital reverb/delay effects pedal, get the Behringer Delay DR400. Dimensions: Weight 1lbs. Height 3in. Depth 7in. -------------------------------------------------------------------------------------------------------------------------------------------- FRANCAIS Pédale d'effet guitare Behringer DR 400. Etat: comme neuf. Fonctionne parfaitement, je vends cette pédale car je ne joue plus à la guitare par manque de temps. Informations Deux effets réunis en une seule pédale: voilà ce que propose l'Allemand Behringer avec sa DR400, une pédale d'effets numériques qui permettra aux guitaristes, mais également aux bassistes, d'ajouter un peu de delay et de reverb à leur son. Simple mais efficace De la reverb, du delay, ou les deux ! Très facile à régler, la DR400 vous permettra de modifier le son de votre guitare / basse jusqu'à obtenir la sonorité désirée. Différents modes sont au programme: 3 modes de delay (court, medium et long), 4 modes de reverb (« Small Room », « Big Room », « Concert Hall » et « Plate ») et 4 modes en combinaison delay + reverb, identiques aux modes de reverb précédemment cités. À noter également, la possibilité de brancher la DR400 en stéréo, grâce aux 2 sorties dont la pédale est dotée. Compacte et robuste, cette pédale vous accompagnera partout, du studio à la scène !  Caractéristiques pédale numérique reverb / delay système Real Sound Modeling (RSM) effets stéréo en résolution 24 bits, y compris reverb, delay et combinaisons réglages: mode reverb / delay time, tone / feedback et balance alimentation: pile 9V ou par adaptateur Behringer PSU-SB (non inclus) LED de statut bleue pour l'effet et / ou l'état de la pile interrupteur marche / arrêt électronique longue durée de vie grâce aux composants de haute qualité et une construction robuste consommation: 60 mA dimensions: 54 x 70 x 123 mm poids: 330 g

-Kool Light, Computered Light, AC 220V-240V, 50/60Hz, 1A - Fonctionne / Working -Kool Light, Flower Color II, AC 220V-240V - Fonctionne / Working -Ibiza Light, Color Moon Effect (LCM-001), 220V, 50/60Hz, 70W - Fonctionne / Working -Laser Stage Lighting Galaxy - Vendu en l'état, non testé (je n'ai pas de prise sans terre), écriture au marqueur sur la coque et le chargeur, il manque 1 vis sur la coque / Sold as is, not tested (i don't have the appropriate plug), note on the shell and the charger, missing 1 screw on the shell [FR] Possibilité de grouper les frais de port en cas d'achat multiple, plusieurs modes d'envoi disponible, pensez à regarder. Les frais de port peuvent diminuer (pour les colis et non les lettres) pour les livraisons dans ces pays: Europe de l'Est, Norvege, Maghreb. Tout est sur la photo, n’hésitez pas a envoyer vos questions. Lot de 4 lampe de scène d'occasion, voir descriptions individuelle. [EN] Possibility to group the shipping costs in case of multiple purchase, severals shipping method available, don't forget to watch. Shipping costs may decrease (for package and not letters) for deliveries to the following countries: Eastern Europe, Norway, Maghreb. Everything is in the picture, do not hesitate to send your questions. Lot of 4 used stage lamp, see individual descriptions.

multi effets guitare électrique zoom 3000 il est en bon état cosmétique Il ne sort pas de son. Il est dans vendu "dans l'état" pour piéces ou réparation. la pédale "3" ne fonctionne plus sinon il répond bien au toucher sur toutes les autres fonctions électronique et s'allule normalement. INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED Zoom 3000 player multi effect comes in good global esthetic condition. Does not produce any sound. Sold "as is" for repair / spare parts. pedal number "3" is not working (no lighting, no change of program when pushed) otherwise all good: electronics is responding good to touch and lighting is really ok.

Filmora 9 Effects Pack 2020 All Updated MULTI LANGUAGE  DIGITAL DOWNLOAD All effects pack included Complete version tested and working Empower Your Imagination with Filmora9 A video editor for all creators. Create Without Limits Discover infinite ways to express yourself. Achieve a refined look with endless effects with Filmora9. 100 Media Layers Create complex stories easily in Filmora9. “From the first moment I used Filmora9, I enjoyed it! Simple, practical, easy to use! Highly recommend!“ Pedro Henrique Youtuber Beyond the Basic Craft new worlds by layering clips and using simple green screen effects. Never Miss a Beat Perfect your sound with keyframing, background noise removal, and more. Details Matter Filmora9 ensures every frame of your creation is as crisp as reality with full 4K Support. FEATURES Ready For Anything   Get more done Fast processing, proxy files, and adjustable preview quality help you be more productive.   Fine-tune your adventures Fix common action cam problems like fisheye and camera shake, and add effects like slow motion and reverse.   Perfect your aesthetic Change the aesthetic of your video with one click. Filmora9 has both creative filters and professional 3D LUTs. SOCIAL MEDIA Share Your Story Online Tailor your video to any platform and upload it from Filmora9.   SHOWCASE See What's Possible in Filmora9 Filmora9 users create amazing videos every day. Watch them here and get inspired. Vacationing on Kos, Greece This year we vacationed on the Greek island of Kos. Awestruck by some of the wonderful locations we visited, I was happy I brought my notebook with Filmora 9, so I could start editing the footage right away and make the most of the footage I shot. by ssassen Apr 30,2020 YouTube Channel: Sander Sassen Why we jump. My father used to photograph all our family activies and document this in photobooks.  At first, I did the same since I still enjoy reading those books but then. But later, I discovered the power of a short movie. So I bought action and handy cams and started making short movies in Windows moviemaker. Not only is it really fun to make those movies, but I can also tell a million words in a few minutes. But soon I discovered that I wanted a better, more versatile, and powerful program to make my movies. Filmora and later Filmora 9 answered to all my needs. I enjoy the easy use, combined with the many features Filmora9 has to offer. by K-bouwter Apr 30,2020 YouTube Channel: Erwin Goossens Punta Campanella, Sorrento (Italy) I started for fun. Filmora helped me to make a great video with an in-depth knowledge of video editing. by teresa Apr 30,2020 YouTube Channel: Tes Martha's Vineyard Filmora has been unbelievably helpful for me as I started my journey as a video editor. I always had a passion for it, but the program I was using would crash and make editing tedious and a hassle. Filmora has reinvigorated my love for editing by allowing me to edit my videos and create great content easily. It had allowed me to do what I originally wanted when I started making videos: to create and share great videos that capture great memories with friends and family. by mfaichney814 Apr 30,2020 YouTube Channel: Matt F Shaws in Guatemala - Episode 2: Antigua I started making videos to share our experiences while we were living in Guatemala in 2014. I've started using Filmora over the last year or two, and it has helped me give them a more finished and professional look. by nshaw97 Apr

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

préampli/multi effets Rocktron Chameleon  état impeccable, vérifié et testé avant la mise en vente vendu avec son alimentation  INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED Rocktron chameleon guitar preamp/multi effect comes in great working shape, with power supply

multi effets guitare line 6 M13 il est en excellent état, il n'est jamais sorti du studio...  quasiment pas de traces d'utilisation, voir photos ou me les demander par mail si besoin vendu avec son alimentation d'origine.  INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED Line 6 M13 multi effect  comes in excellent condition, almost new.  works great. comes together with power supply

multi effets Zoom 1202 bon état, testé et vérifié avant la vente voir photos pour plus d"infos Vendu sans alimentation (fonctionne avec une alim de pédale 9v de guitare tout à fait banale) INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED Zoom 1202 studio multi effect comes in good working condition No poser supply (will work on a classic 9v guitar pedal)

EB 16 Effect Board for Akai MPC 2000, 2000xl, S2000 & S3000xl. État : "Occasion" This unit provides effects such as distortion, rotary speakers emulation, EQ, ring modulation, phasing, flanger, pitch shift, chorus, echo, delay and reverb ! It’s used but works perfectly !

-Kool Light, Computered Light, AC 220V-240V, 50/60Hz, 1A -Kool Light, Flower Color II, AC 220V-240V -Ibiza Light, Color Moon Effect (LCM-001), 220V, 50/60Hz, 70W -Laser Stage Lighting Galaxy Possibilité de grouper les frais de port en cas d'achat multiple, plusieurs modes d'envoi disponible, pensez à regarder. Tout est sur les photos, n’hésitez pas a envoyer vos questions. [FR] Lot de 4 lampe de scène d'occasion, toutes les lampes ont été testé et fonctionnent a l’exception du laser car je n'ai pas la prise qu'il faut, il n'y a pas de raison qu'il ne marche pas. Possibility to group the shipping costs in case of multiple purchase, severals shipping method available, don't forget to watch. Everything is in the pictures, do not hesitate to send your questions. [EN] Lot of 4 used stage lamp, all lamps hasa been tested and are working at the exception of the laser because i don't have the matching plug, there are no reason that it doesn't works.

pédalier multi effets pour basse Line 6 bass pod XT live  excellent état, quasiment pas de traces d'utilisation, il a peu servi...  Vendu complet avec son alimentation d'origine, son carton quasi intact, un cable USB, notice...  INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED Line 6 bass pod XT live  Comes in great shape, was not played so much...  Comes in original box, with power supply, USb cable, manual...  Tested and checked, all good !!!

by Wolfe Robert and Lamberts Robert (reprint 1955) 25 x 16 cm - broché livre ayant appartenu  à JP Sudre (étiquette) archi4

Beautiful and powerful Sound System Weapon, handmade, 2017, cleaned and overhauled by the constructor himself 4 months ago so the beast is like new, always used with care (its my baby) Configuration: 1 x Phono/line input 2 x Mic/line inputs 2 x Aux sends per input 1 x Aux return (with two inputs) 10 Band graphic equaliser "parametric" filters on mid and bass with gain control. 3 or 4 way active filter 24db/oct with kill switches and led vumeters.   TECHNICAL DATAS:   crossover frequencies are 80/350/4,5k  mics and effect return passing thru active crossover unbalanced in/outs using neutrik sockets. DONT SLEEP!

Marshall JMP "VHM Mod." MKII 100 Watt 2203 1978. État : Occasion Marshall on steroids !!! Tête Marshall JMP 2203 MK2 Master Volume Super Lead 100 W (année 1978) + footswitch (JMP = JCM800 seul le "look" diffère) Révision/Retubage/Modification Valve's house music (boutique réparation Paris spécialisés dans le custom Marshall…) - 2 canaux Clean/Crunch, Lead (commutable footswitch) - boucles d’effets - ajout de 2 potentiomètres équalisation (chaque canal bénéficie de l'equalisation globale de l'ampli mais d'un système de push/pull sur les potards de volume et de gain sur les deux canaux qui activent des aigus et des basses.) - ajout de 2 lampes préamp (+ gain et boucle d'effet) - 2 "Master" (un pour chaque canal) Grosse réserve de gain!!! Du grand art et du gros son!  Marshall Head JMP 2203 MK2 Master Volume Super Lead 100 W (year 1978) - (with footswitch) (JMP - JCM800 only the "look" differs) Review/New tubes  VHM labelled/Modification Valve's house music (Paris repair shop specializing in Custom Marshall:...) - 2 channels Clean/Crunch, Lead - effects loops - adding 2 equalization knobs (each channel benefits from the overall equalization of the amp but a system of push /pull on the knobs of volume and gain on the two channels that activate treble and bass.) - adding 2 preamp lamps (gain and effect loop) - 2 "Master" (one for each channel) Big gain reserve!!!

Bonjour, Je vend deux cartouches d'origines pour Yamaha DX7 MK1 Cartouche 1 de 32 sons: Bank A Master Group et Bank B Keyboard and Plucked Group et Cartouche 2: Bank A Orchestral and Percussive Group et Bank B Synth Complex and Effect Group de 32 sons également. Sons vintage typé année 80 envoi possible à vos frais partout (envoi soignée sous bulle) paiement cash paypal cheque ou virement livraison a domicile possible en IDF par voiture

- Trace Elliot V-Type All Valve Bass Preamplifier - Préampli à tubes (12ax7) - Année 1995, quelques traces d'usage dessus et dessous de part son utilisation en rack, fonctionne très bien, bouton de volume pas d'origine. - L'intérieur de l'appareil est comme neuf - This item is a Trace Elliot V-Type Bass Preamp, made in Great Britain. This is the vintage sounding, warm, fat, all tube pre-amp stage of the superb Trace Elliot V-Type bass amplifiers. Features both passive and active inputs, pre-EQ or post-EQ direct output via XLR on the front panel, and effect send/return jack as well as an unbalanced line out on the rear panel. The tone controls are based on the classic Alembic bass preamps. There is a pull type midrange frequency shift feature that makes mid tone shaping super flexible. Pair this with a tube amplifier such as the Peavey Classic Series Tube 60 or 120 Watt power amp, played through a small 15b'"' cabinet for the sweetest sounding vintage Ampeg B15 tone you can imagine. - Colis de qualité et sécurisé pour l'envoi - Envoi France: 24 euros - Envoi Union Européenne: 44 euros En savoir plus

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur Référence: LDVIBZ10C 184,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 10 C - Table de mixage 10 canaux avec compresseur La VIBZ 10 C est une table de mixage d'une grande polyvalence, équipée de  4 entrées micro symétriques  intégrant des préamplis de haute qualité,  un filtre passe-haut (Low-Cut)  et une  alimentation fantôme commutable. Deux des entrées micro possèdent un point d'insertion pour traitement externe du signal audio; les deux autres peuvent aussi s'utiliser en tant qu'entrée stéréo au niveau ligne. Afin de travailler le son efficacement, la VIBZ 10 C possède des égaliseurs 3 bandes d'une grande précision, dont la fréquence d'intervention dans le médium a été choisie avec soin. Deux des voies stéréo sont pourvues de correcteurs grave/aigu. Le compresseur intégré permet de maîtriser la dynamique avec précision, pour un son plus efficace. La section Master de la console possède un  retour effet, des sorties Monitor réglables et une prise casque. La VIBZ 10 C possède aussi une entrée/sortie pour enregistreur/lecteur; le signal s'assigne à la sortie Master ou Monitor, et son niveau est réglable. Grâce à un son transparent et détaillé, et à une utilisation vraiment très facile, la VIBZ 10 C est un choix parfait pour les petits groupes, l'installation fixe, le home studio, ou encore le prémix. Elle est livrée avec un bloc secteur externe, qui se visse sur la console. Un adaptateur pour montage de la VIBZ 10 C sur un pied de micro est disponible en option. Référence: LDVIBZ10C Type de Produit: table de mixage Type: orientée Live Nombre de Canaux: 10 Nombre de Voies Micro/Ligne Mono: 4 Connecteur entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Égaliseur Aigus Voie Mono: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: réglage de niveau, PAN (panoramique), départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 Volts commutable Filtre Passe-Haut (Low Cut): 95 Hz Compresseur:  réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo:    4 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) (voies 3/4 + 5/6); 2 x jacks 6,35 mm stéréo + 4x RCA (Cinch) (voies 7/8 + 9/10) Type Entrée Ligne Stéréo: Asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Stéréo: 0 à +50 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: réglage de niveau, balance, départ AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8 + 9/10, filtre Low-Cut sur les voies 3/4 + 5/6, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet: 1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Nombre de Sorties Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: non Nombre de Presets: N/A Sélecteur au pied DFX Mute: N/A Contrôles Section Généraux: réglage de volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18V AC  / 1A External PSU Largeur: 265 mm Hauteur: 78 mm Profondeur: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Reference: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Referencia: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Artikel-Nr: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor Riferimento: LDVIBZ10C 184,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 10 C - 10 channel Mixing Console with Compressor The VIBZ 10 C is a versatile mixer with  four balanced microphone inputs  featuring  high quality preamplifiers, a low-cut filter  and switchable  phantom power. Two microphone inputs are equipped with inserts for individual signal processing, two more can alternatively be used as stereo line channels. For an effective sound adjustment, the VIBZ 10 C has very precise 3-band EQ s  with conveniently selected mids; two stereo channels can be adjusted with 2-band EQs. The built-in compressor can be continuously adjusted for effective dynamics processing. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 10 C also has inputs and outputs for recording and playback devices; the input signal can be set on the master or monitor output and the volume adjusted. With its transparent, detailed sound and easy operation, VIBZ 10 C is the perfect choice for  small bands, installations and home recording or sub mixer applications. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 10 C on microphone stands are available as accessories. Item Number: LDVIBZ10C Product Type: mixer Type: live Number of Channels: 10 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Channel Insert Connections: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB Frequency Response Mono Line Input: 10 - 45,000 Hz THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Mono Channel Equalizer Treble: +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, AUX (Post), 3 band EQ (Low, Mid, High), Compressor (channel 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor:  Yes, sliding adjustable characteristic Stereo Line Input Channels:    4 Stereo Line Input Channels:    2 x 6.3 mm stereo jack (Lmono,R) (channel 3/4 + 5/6) 2 x 6.3 mm stereo jack (channel 7/8 + 9/10) 4 x RCA (Cinch) (Channel 7/8 + 9/10) Stereo Line Input Type: unbalanced / electronically balanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Stereo Line Input: 0 - +50 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, AUX (Post), 3 band EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 + 9/10 Low-Cut channel 3/4 + 5/6 Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels: 1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: no No. of Presets: none Footswitch Connection DFX Mute: n/a Control Elements Main Section: Headphones / Control Room Volume 2TK In, Stereo Return Volume, Phantom Power, Master Volume, 2TR allocation (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 78 mm Depth: 352 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés Référence: LDVIBZ8DC 219,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés 4 entrées Micro symétriques  avec préamplis de haute qualité,  2 voies stéréo compatibles mono, un  compresseur intégré  et un multieffet numérique de résolution 24 bits offrant 100 presets : grâce à sa souplesse, la VIBZ 8 DC est le point central d'une configuration audio. Ses voies micro, commutables ligne, sont équipées de  préamplis de haute qualité  et d'un filtre passe-haut et deux d'entre elles disposent de plus d'un point d'insertion. Afin de travailler le son efficacement, la VIBZ 8 DC possède des  égaliseurs 3 bandes très efficaces, dont la fréquence d'intervention dans le médium a été choisie avec soin La section Master de la console est équipée d'un  retour effet, de sorties Monitor à niveau réglable et d'une prise casque. La VIBZ 8 DC possède aussi une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser, et possède un son transparent et détaillé. Elle est idéale pour les petits groupes, l'installation fixe, le home studio et les prémixages. La VIBZ 8 DC est livrée avec un bloc secteur externe, qui se visse sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 8 sur un pied de micro. Référence: LDVIBZ8DC Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 8 Canaux Micro/Ligne Mono: 4 Connecteurs Entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono:    +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau, PAN (panoramique), départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut (Low Cut): 95 Hz Compresseur: réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo: 3 Connecteurs Entrée Ligne Stéréo: 2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (Voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau, Balance, départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8, filtre Low-Cut, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stéréo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Sortie Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 100 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Réglage de niveau DFX To Main, touche DFX Mute, DFX Presets, volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18 V AC / 1 A via bloc secteur externe Largeur: 265 mm Hauteur: 77 mm Profondeur: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Reference: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Referencia: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Artikel-Nr: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Riferimento: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets Référence: LDVIBZ6D 148,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets La VIBZ 6 D est une  table de mixage 6 canaux compacte, parfaitement adaptée aux besoins des artistes solo ou en duo, des petits groupes, du home studio et des installations. Elle offre  2 entrées Micro symétriques  équipées de préamplis de haute qualité,  une alimentation fantôme et des égaliseurs 3 bandes avec +/- 15 dB de gain, 2 entrées ligne stéréo avec correcteur grave/aigu  compatibles mono et un départ effet. La section Master de la VIBZ 6 D possède des  sorties Monitor de niveau réglable, une sortie casque et un multieffet numérique à 16 presets, avec commutation au pied. La console possède de plus une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser et possède un son d'une grande chaleur et très détaillé. L'alimentation externe se visse facilement sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 6 D sur un pied de micro. Référence: LDVIBZ6D Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 6 Nombre de Voies Micro/Ligne Mono: 2 Connecteurs Entrée Micro/Ligne Mono: jack TRS 6,35 mm, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Point d'Insertion: non applicable Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau et de panoramique, départ DFX/AUX (Post fader), égaliseur 3 bandes (Low, Mid, High), Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut: N/A Compresseur: N/A Voie Stéréo: Nombre de Voies d'Entrée Ligne Stéréo:    2 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: N/A Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau et de Balance, départ DFX/AUX (post fader), correcteur grave/aigu Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet:    jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique:    +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm asymétrique Sortie Casque: 1 Impédance Minimale Casque: 30 ohms Connecteur Sortie Casque: jack stéréo 6,35 mm Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 16 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Volume casque/Control Room, réglage de niveau retour stéréo, niveau DFX To Main, DFX Presets, niveau Master, assignation 2TR (Main ou CTRL Room), niveau 2TK In, alimentation fantôme, touche DFX Mute Indicateurs: Vumètres 4 segments, activation alimentation fantôme, DFX Peak / Mute, Power, Peak sur voie Alimentation: 18 V AC, 1 A,, par bloc secteur externe Largeur: 209 mm Hauteur: 68 mm Profondeur: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Reference: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Referencia: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Artikel-Nr: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Riferimento: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

Free World Shipping with Tracking & Insurance. Note: The parcel is shipped from France (Europe) and the customs clearance can take 5 to 20 days (but most the time 5/6 Days) ** Zoom 1010 ** Vintage Multi Effects Guitar Pedal Made in Japan Content: 1 x Zoom 1010 Effects Pedal 1 x Manual (English) 1 x Power Supply NO BOX Note: The Power AC Adapter is a French 2-Pin 220V Please Use good Adapter for your country. YOU BUY WHAT YOU SEE! The 1010 incorporates five effect blocks which are referred to as "effect modules". Each effect module can be thought of as a single compact effect. The 1010 therefore operates like five compact effects connected in series. COMP and WAH: Compression effect and pedal wah (with an external controller) DISTORTION: Analog distortion effects EQ: Equalizer for adjusting the tonal quality of the sound CHORUS/FLANGE: Chorus and modulation effects REVERB/DELAY: Reverb and delay effects for creating a spatial impressions The 1010 has two memory areas or "groups" where patches are stored: the USER group for patches that can be altered and stored by the user, and the PRESET group for factory defined read-only patches. There are 12 patches in the USER group and 30 patches in the PRESET group, for a total of 42 patches Features 25 versatile built-in individual effects. Up to six effects can be combined in a patch, and up to 42 patches (12 user memory patches and 30 preset patches) are available, offering extraordinary flexibility. Integrated auto-chromatic guitar tuner. Integrated foot switches and informative control panel show settings at a glance and allow easy operation like a compact effect. Distortion effect is generated using analog circuitry, to assure rich and natural-sounding sustain and distortion effect. By using the optional foot controller FP01, pedal wah and volume control are possible, for further enhanced playability.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.