Use and effect

I sell high quality 3D adapters to use 35mm film in medium format cameras. Type Pentax, Semflex, Rolleiflex, Mamiya, Plaubel, Hasselblad, Makina, Bronica, Fufifilm, Yashica, Contax, ADOX. Just put a pair of these adapters on each side of the film and you get a 135 film with the dimensions of a film 120. I recommend using two pairs to facilitate use and get a better flatness of the film. The effect obtained, according to the medium format format, can be a panoramic impression and the exposure of the notches of the film 135. This also makes it possible to use emulsions existing only in 35mm format in a medium format. I recommend using two pairs for ease of use and better flatness of the film. Sample photo made with a Pentax 6x7. I remain at your disposal for any further information. Price for a pair: 6, 5 € Please contact me if you want to order several devices. Economic shippings from France. INTERNATIONAL BUYER: IF YOU WANT A TRACKING LINK THIS EXTRA SERVICE COST 3,2€. FRENCH POST IS SAFE. Trackink link isn't necessary. Won't be responsible for any lost from your national post. Vends des adaptateurs 3D haut qualité pour utiliser des pellicules 35mm dans des appareils moyens formats. Type Pentax, Semflex, Rolleiflex, Mamiya, Plaubel, Hasselblad, Makina, Bronica, Fufifilm, Yashica, Contax, ADOX. Il suffit d'enfiler sur chaque côté de la pellicule une paires de ces adaptateurs et vous obtenez une pellicule 135 aux dimensions d'une pellicule 120. Je recommande d'utiliser deux paires afin de faciliter l'utilisation et d'obtenir une meilleure planéité du film. L'effet obtenu, en fonction du format de moyen format peut être une impression de panoramique et l'exposition des crans de la pellicule 135. Cela permet aussi d'utiliser des émulsions n'existant qu'en format 35mm dans un moyen format. Je recommande d'utiliser deux paires pour un confort d'utilisation et une meilleure planéité du film. Photo d'exemple réalisée au Pentax 6x7. Je reste à votre disposition pour toute information complémentaire. Prix pour une paire: 6, 5€ Envoi possible en lettre verte à 80cts. Paiement PayPal, Chèque, RIB. argentique, film camera, pentacon, vivitar, leica, helios, pellicule, vintage, objectif, 35mm, film roll, hasselblad, pentax, canon, nikon, m42, monture universel, m39, slr, reflex camera, argentique, camera obscura, pinhole, stenope, pentacon, olympus, voigtlander, moyen format, shutter, flash, kodak, fujifilm, agfa, adox, bergger, tetenal, jobo, ilford, minolta, lens, lenses, mamiya, plaubel, makina, xpan

Use Audio plugiator "Synth". Module de synthèse.. État : Occasion Service de livraison : Colissimo IMPORTANT: Tout les plugins sont débloqués et fonctionnels, cependant j'ai perdu le manuel ou tous les codes étaient marqués, ceci dit, tout marche, tous les plugs sont open. L'état du Plugiator est impeccable. All the plugins are unlocked and functionnal, however i lost the manual or all the codes were marked, that said, everything works, all the plugs are open. The condition of the Plugiator is near mint, working fine !. Minimax: ok B4000: ok Lightwave: ok Vocodizer: ok Prodissey: ok Pro 12: ok FMagia: ok Drum'n bass: ok No international delivery, just CEE.

Hello I sell my guitar effect pedal shop Carl Martin Plexitone new handmade in Denmark. It is one of the best pedals reproducing the Marshall plexi sounds of the late 60s to late 70s nicknamed the "Brown Sound". The pedal was just tested, for lack of playing time. It works on mains and has a TRUE BYPASS. I invite you to discover its features and videos on the web. Neat packaging. Kind regards.

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

Bomaster 1900 Youtube demo link: https://www.youtube.com/watch?v=sGseuFLROKU Manufactured: 1976 - 1982 Designer: Jacob Jensen Colours: Rosewood, Teak, White, Oak The 1970's were exciting times for Bang & Olufsen. Another breakthrough during this decade was Beomaster 1900, a radio receiver and amplifier launched in 1976. Once again, design and operation differed dramatically from other contemporary products. Originally designed by Jacob Jensen, Beomaster 1900, together with Beomaster 2400-2 were two advanced FM stereo receivers. They had identical technical specification and performance. Both were easy to use and easy to live with. Beomaster 2400-2 had the additional convenience of a cordless ultrasonic remote control module by which you could operate radio, amplifier and Beogram 2400 or 4004 record deck from a distance. Both receivers had touch-sensitive controls for operating the features and functions you used every day. All the secondary switches and adjustments were protected beneath a hinged lid, but an illuminated readout panel showed you the set's operational status at a glance. Beomaster 1900 boasted a powerful 2 x 30 watts RMS amplifier with distortion of less than 0,13%, five pre-set FM stations and comprehensive connection facilities. To operate it you simply touch the application "dimples" on the set's front panel. The radio section had 4 pre-set stations which could be summoned at a touch and the phase-lock loop decoder provided excellent stereo separation even in difficult reception conditions The volume level could be pre-set at low, medium or high, and the music would always start at this level however much the volume control was altered last time the set was used. The sets' controls were divided into primary and secondary functions. The latter, which were less frequently used, were placed underneath the hinged aluminium panel where they were protected from dust and accidental movement. A clear distinction was therefore made between the primary choice - accessible through a light touch - and the secondary choice, concealed under a lid hiding what the user did not need for daily use. At a stroke, what had been the norm for hi-fi in the past, with its macho grip and buttons, was eliminated. Instead, designer Jacob Jensen created a new design language, flat 'flush-designed' and electronically communicating, which did not target a few techno-freaks, but a much wider audience who wanted music rather than hi-fi equipment. Beomaster 1900 had connections for two pairs of speakers, headphones, record player and cassette recorder. The receiver won the ID Award in 1976. Livraison Internationale (cotation sur demande) (please feel free to contact me for further details) Worlwide shipment: please contact before bidding   BIEN LIRE AVANT D’ENCHERIR; READ CAREFULLY BEFORE BIDDING   Attention pour la livraison (Be careful for the delivery)   Les objest ne sont pas exemptés des vibrations ou chocs dû au transport (item are not free from vibrations or damages due to the fret)   En cas d'objets endommagés ou problèmes quelconques,  je ne suis pas responsable et donc pas de retour.  Si vous n’êtes pas d’accord avec ces condition de vente,  ne pas enchérir … In case of damages or problem with the fret, I decline all responsabilities and no retunrs accepted. If your not agree with the terms, please don't bid or buy anything.   Tout le matériel qui vous est proposé est testé avant la mise en vente et avant la livraison pour assurer le bon fonctionnement All items are tested before the sale to ensure the perfect work of the item.   L'acheteur potentiel dispose de toute la durée de la mise en vente pour me demander toute information/précision/photo qui lui paraîtraient utiles ou nécessaires pour enchérir. The Seller can ask all the informations and pictures that he needs before bidding or buying any item, I will a

Instructions for use ALPA 9d and 9f with brief instructions for use and film test of a Kern Macro-Switar lens - 38 pages in total - Codes  P.S.A.. 1E 5.66 and P.S.A. 664 - 1E - English - 1966 In very good condition Mode d'emploi ALPA 9d et 9f avec mode d'emploi abrégé et film test d'un objectif Kern Macro-Switar  - 38 pages au total - Codes  P.S.A.. 1E 5.66 et P.S.A. 664 - 1E - Anglais - 1966 En très bon état  ALPA 9d and 9f Gebrauchsanweisung inkl. Kurzgebrauchsanweisung + Filmtest eines Kern Makro-Switar Objektives - insgesamt 38 Seiten - Koden  P.S.A.. 1E 5.66 und  P.S.A. 664 - 1E - Englisch - 1966 In sehr gutem Zustand FRAIS D'ENVOI/SHIPPING COSTS FRANCE - Lettre suivie 2,64 € - Other countries (worldwide): 3,00 € priority.mail (no tracking) Réduction sur frais d'envoi en cas d'achat de plusieurs documents / reduced shipping costs for multiple purchases of documents

Fuzz / Distorsion pour guitare et basse, clone de la Wooly Mammoth. Pédale neuve, vendue sans boite.  Ajout d’un Switch 3 positions. Mode standard au centre « WM », Mode avec clipping au germanium « Ge » et un mode avec clipping au silicium « Si ». Les possibilités sonores sont ainsi étendues.  Avec les contrôles « Pinch » et « Wooly » à 0 et le mode de clipping « Ge » ou « Si » on approche la saturation de type Overdrive ou Distorsion. Contrairement aux photographie de l'annonce, j'ai changé les boutons par des plus fins pour un usage plus aisé et de couleur "crème". Commutateur ON/OFF True Bypass. LED de Statut ON/OFF Entrée et sortie jack 6,3mm mono. Alimentation par entrée standard de type Boss® 2,1mm 9V DC. Centre Négatif. Pas de logement interne pour pile. Boîtier en aluminium. Pédale fabriquée, câblée et assemblée à la main en France. Fuzz / distortion for guitar and bass, clone of the Wooly Mammoth. Pedal new, sold without box. Added a 3-position switch. Standard mode in the center "WM", mode with germanium clipping "Ge" and a mode with silicon clipping "Si". The sound possibilities are thus extended. With the "Pinch" and "Wooly" controls at 0 and the "Ge" or "Si" clipping mode, overdrive or distortion saturation is approached. Unlike the ad's photography, I changed the buttons by finer for easier use and color "cream". ON / OFF switch True Bypass. Status LED ON / OFF Input and output jack 6.3mm mono. Standard input power supply type Boss® 2.1mm 9V DC. Negative Center. No internal housing for battery. Aluminum enclosure. Pedal manufactured, wired and assembled by hand in France.

JBL Free X, as new. With the original box, and all of its accessories.  It is black and gray, and there is a blue light when it's on.  Great sound quality, 24 combined hours of autonomy (20h for the case and 4h for the earphones). Charges 1h of autonomy in 15min.  A microphone dedicated in taking calls.  IPX5 certification: resistant to water, sweat and sun, but not waterproof.  Handles Siri and Google Assistant.  Price when new: 130, sold 65. Practical for calls, daily use, and sports. A must-have.

For sale iFi Audio iDSD nano portable DAC and headphone amplifier. The DAC is in very good condition (normal signs of use) and is working perfectly. Shipping out of France - fast delivery and no custom fees for destinations within EU. The item will be carefully packed and tracking number will be provided. Highlights - Asynchronous digital USB in - 3.5mm jack headphone and RCA line out - SPDIF digital out - Selectable digital filter: standard or minimum phase - Battery and/or USB powered Specifications - 44.1/48/88.2/96/176.4/192/384KHz / 32bit PCM - 2.8/3.1/5.6/6.2/11.2/12.4MHz DSD - 353/384KHz DXD - Bit-Perfect DSD & DXD DAC by Burr Brown (1-DAC Chip; 2-Channel; 4-Signals) - Dynamic Range    >104dB - THD &N (35mW)    - THD &N (Line)    - Output Power (16R)    > 130mW - Output Voltage    >1.65V (>100Ω) - Output Impedance:(Zout)    - Power Consumption    - Dimensions    87mm x 68mm x 28mm (L x W x H) - Weight    162g(0.43lbs)

**  AUS Jena   2,8 / 180mm    M42 With 2 caps and lenshood    7 blades  ** there is some signs of use, and some little dust inside, the aperture is smooth and Zoom working correctly  and  the results  are interesting  (2 last pics)  ** It's sold " AS IS "  no return or refund  **Please see pics closely   Thanks.  **++  The cost of shipping for all the ECC Countries (europeans) with tracks, is  15 euros.   ++  For others countries USA, Asia, Russia, please send me before for  rates shipping.           ++ The payment may be  by PAYPAL or transfer bank. This item is located in France, so the shipping is made by Colissimo International  . Thanks

NIKON Nikkor 2.8 / 20 mm AF Made in Japan, front and rear cap Nikon  The lens glass is in very good condition, there are some tiny marks to the optics (see photos) Unless it is new (it is not the same price) a second hand lens of 30 years of age may present some traces of use and internal or external micro dust, I do not specify that unless that is an impact on the photos. objectif en très bon état cosmétique et mécanique, pas de rayures sur la face avant ou arriere, (cependant autofocus un peu bruyant sur cette optique) mise au point à 25cm, correction CRC, traitement SIC. il est livré avec ses bouchons AV/AR. Consulter mes autres ventes !

Adaptateur secteur alimentation Originale Original Roland AC-ADAPTER BOSS Effect ACI 220 J 1000mA 18 VA 9V JAPAN   pour pédales claviers et boite a rythme ou tout Hi-tech ROLAND Boss compatible Vendu tel que présenté sur photo bon état  Sans réserve Original AC-ADAPTOR Adaptateur ROLAND RA BOSS EFFETS ACI-220 1A 9V 1000mA 18VA As pictured CE plug  */* Please take a look at the photos for physical condition. Functional condition is described above. This item is in great condition and in working  order. please look at all pics for details. It comes with everything shown in pics. If you have any questions please message  me.  I'll be glad to answer anything….  All items are tested to our ability prior to listing and retested again at the end of auction prior to packing and shipping. Please keep in mind most units are complicated and not all functions are tested. Also, most are older units and may need their pots and buttons sprayed or cleaned. If you experience a problem please contact us to resolve any issues.  Payment is expected immediately after auction ends at the time of buy it now. Item will ship the next business day. Most shipments will be through Fed Ex, fully insured with signature confirmation. We reserve the right to use UPS, USPS or other carriers. You will receive a tracking number as soon as it ships. Local pickup is not available. This item is also offered locally in other venues. We reserve the right to cancel the auction at any point. We reserve the right to cancel any bid from bidders with negative feedbacks..International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.

Filmora 9 Effects Pack 2020 All Updated MULTI LANGUAGE  DIGITAL DOWNLOAD All effects pack included Complete version tested and working Empower Your Imagination with Filmora9 A video editor for all creators. Create Without Limits Discover infinite ways to express yourself. Achieve a refined look with endless effects with Filmora9. 100 Media Layers Create complex stories easily in Filmora9. “From the first moment I used Filmora9, I enjoyed it! Simple, practical, easy to use! Highly recommend!“ Pedro Henrique Youtuber Beyond the Basic Craft new worlds by layering clips and using simple green screen effects. Never Miss a Beat Perfect your sound with keyframing, background noise removal, and more. Details Matter Filmora9 ensures every frame of your creation is as crisp as reality with full 4K Support. FEATURES Ready For Anything   Get more done Fast processing, proxy files, and adjustable preview quality help you be more productive.   Fine-tune your adventures Fix common action cam problems like fisheye and camera shake, and add effects like slow motion and reverse.   Perfect your aesthetic Change the aesthetic of your video with one click. Filmora9 has both creative filters and professional 3D LUTs. SOCIAL MEDIA Share Your Story Online Tailor your video to any platform and upload it from Filmora9.   SHOWCASE See What's Possible in Filmora9 Filmora9 users create amazing videos every day. Watch them here and get inspired. Vacationing on Kos, Greece This year we vacationed on the Greek island of Kos. Awestruck by some of the wonderful locations we visited, I was happy I brought my notebook with Filmora 9, so I could start editing the footage right away and make the most of the footage I shot. by ssassen Apr 30,2020 YouTube Channel: Sander Sassen Why we jump. My father used to photograph all our family activies and document this in photobooks.  At first, I did the same since I still enjoy reading those books but then. But later, I discovered the power of a short movie. So I bought action and handy cams and started making short movies in Windows moviemaker. Not only is it really fun to make those movies, but I can also tell a million words in a few minutes. But soon I discovered that I wanted a better, more versatile, and powerful program to make my movies. Filmora and later Filmora 9 answered to all my needs. I enjoy the easy use, combined with the many features Filmora9 has to offer. by K-bouwter Apr 30,2020 YouTube Channel: Erwin Goossens Punta Campanella, Sorrento (Italy) I started for fun. Filmora helped me to make a great video with an in-depth knowledge of video editing. by teresa Apr 30,2020 YouTube Channel: Tes Martha's Vineyard Filmora has been unbelievably helpful for me as I started my journey as a video editor. I always had a passion for it, but the program I was using would crash and make editing tedious and a hassle. Filmora has reinvigorated my love for editing by allowing me to edit my videos and create great content easily. It had allowed me to do what I originally wanted when I started making videos: to create and share great videos that capture great memories with friends and family. by mfaichney814 Apr 30,2020 YouTube Channel: Matt F Shaws in Guatemala - Episode 2: Antigua I started making videos to share our experiences while we were living in Guatemala in 2014. I've started using Filmora over the last year or two, and it has helped me give them a more finished and professional look. by nshaw97 Apr

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con