Aperture

Pinhole Pro Multi Aperture (Micro 4/3). Neuf, jamais utilisé car incompatible avec mon appareil photo. —> Attention cet objectif sténopé n’est pas compatible avec l’Olympus OM-D EM10 Mark III Détails techniques: Focal Length:26mm FOV: 80° Weight: 110g Diameter: 58mm Aperture Type: Multi-Aperture Aperture Sizes (7): 0.1mm – 0.8mm Body: Aluminum

Accessoire Instruments Code EAN: 0747893443872 En-tête / Fabricant: Prettyia Instrument / Famille: Accessoires génériques Tranche de poids: 0 à 100 g Titre: Gap Trou Conique Instrumental Aperture Ruler Règle d'Aperture Guitar Luthier Tools Double Side pour Plupart des Types d?Instruments Instrument / Type: Accessoire

Accessoire Instruments Code EAN: 0747893443872 Titre: Gap Trou Conique Instrumental Aperture Ruler Règle d'Aperture Guitar Luthier Tools Double Side pour Plupart des Types d?Instruments Tranche de poids: 0 à 100 g Instrument / Type: Accessoire En-tête / Fabricant: Prettyia

Accessoires Audio Vidéo Code EAN: 0652479721919 Titre: Ruban de Câble Flex Focus Aperture Pièce de Remplacement D'objectif D'appareil Photo Numérique pour Sony FE 28-70mm F3.5-5.6 OSS

Accessoires électroménager Accessoires électroménager Code EAN: 3483615235710 En-tête / Fabricant: LESHP Origine_import: All-in-one Titre: 12cm Dual Aurora Dual Aperture Ventilateur RVB Châssis Ventilateur Rose ?mb

Accessoires Audio Vidéo Code EAN: 0754587464938 Titre: 2x LENTILLE Aperture Flex Câble Pour Canon 24-105mm 1: 4L IS II USM Pièce De Réparation

Accessoires Audio Vidéo Code EAN: 0806199180758 Titre: 4 Pcs LENTILLE Aperture Flex Câble Pour 24-105mm 1: 4L IS II USM Pièce De Réparation

Accessoires Audio Vidéo Code EAN: 0753128529839 Titre: LENTILLE Aperture Flex Câble Pour 24-105mm 1: 4L IS II USM Pièce De Réparation

Accessoires Audio Vidéo Code EAN: 0083398335206 Titre: Ruban De Câble Flex Aperture Lens De Remplacement Pour Tamron SP AF 17-50 Mm F / 2,8

Accessoires Audio Vidéo Code EAN: 0721093620516 Titre: baoblaze Objectif Flex Câble Aperture Focus pour Nikon S200 S210 S220 S230 S225

Accessoires Audio Vidéo Code EAN: 0721838429930 Titre: 4 Pcs Câble Flex Line Focus Aperture Ouverture Pour Canon 24-105mm 1: 4L IS II USM

Accessoires Audio Vidéo Code EAN: 0749725211529 Acc. Audio Vidéo / Catégorie: Camescope Titre: 2xLens Aperture Flex Cable Cameras Pièce de Rechange pour EF-S 17-85mm

Accessoires Audio Vidéo Code EAN: 0743911795114 Acc. Audio Vidéo / Catégorie: Camescope Titre: Câble De Remplacement Pour Objectif Aperture Flex Pour Appareil Photo Numérique

Accessoires Audio Vidéo Code EAN: 0646847096549 Acc. Audio Vidéo / Catégorie: Camescope Titre: Câble Flexible de D'objectif Câble Aperture Pour Sony 16-50mm, Pièce de Rechange pour Appareil Photo Numérique

Looks like is working fine. Rings turns wells. Lenses are pretty clean. It's good for the Blackmagic Pocket.

I bought this adapter from an american buyer (I bought it on, you can check) few months ago, but I do not have utility anymore so I sell it. Please note this is a small production so there are cosmetic flaws but it's works well and it's solid! Please watch photo carrefully. I'm here if you have any question about the adapter. This adapter is very rare and the only one available in Europe. I pay more than 65$ for it (again, you can check it). It's designed for Mamiya-Sekor CS lenses (for Mamiya NC1000/NC1000S, Sear MBX1000) to fit Fujifilm X-mount camera (Fujifilm X-T10/100/1/2/3/X-E2/3 etc.). Fast and protected shipping. How it works? I just copy/paste the explanation of the seller below : -This adapter lets you mount Mamiya NC1000 Sears Auto CS 1000MXB lens onto Fuji X FX mount cameras. Sample rear of the lens is attached. This adapter has the aperture control ring. If you are new to CS series of lens, please read the following. 1. Please place your Aperture ring in Red dot  (Auto) on the lens. 2. If you observe from the back, pressing one pin lowers aperture and also pushes other pin out. 3. The same mechanism is used in the adapter. Turning the wheel pushes the aperture and second hole is to clear the way for other pin. 4. If you observe carefully, pressing the pin is required only to the point the aperture is set. It will not go any further then that. 5. Hence when you turn aperture wheel, if you encounter slight stiffness, stop there as you pressed it sufficiently. 6. Before changing aperture on the lens, turn the aperture ring back on your adapter. For best usage, keep the aperture in red dot only and use the ring for the desired aperture.

b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' The Kowa SER 35mm f2.8 (built from the late 1960s to the early 1970s) were something very special even at the time they were built, because they were the last central shutter cameras ever built in the world. This lens was the moderate wide-angle analogic lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. Here it impresses with good sharpness from open aperture, and the background behavior is really b'"'specialb'"' (whether particularly beautiful is in the eye of the beholder - it really depends on whether you like it particularly soft or rather b'"'busyb'"'). In order to give a direct feeling for the performance and the bokeh behavior, I would like to start with a small aperture row in the close range. The overall images nicely show the changes in bokeh behavior. The Kowa SER 35mm f2.8 was the moderate wide-angle lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. The Kowa lenses are a pleasure to feel, and the clickless aperture ring (on the adapter) is of course an advantage for filmmakers. The Kowa SER 35mm f2.8 gave many beautiful shots! Like all Kowa lenses, this one is particularly suitable for close-up images where you are close to the subject. In the tradition of the large German manufacturers such as Zeiss (Contaflex) and Voigtländer (Bessamatic and Ultramatic), Kowa also built three interchangeable lens cameras with central shutters in Japan (based on viewfinder cameras with the same principle). The Kowa SER was replaced after a few years by the Kowa Set-R and the Set-R2. What is remarkable here is the persistence with which Kowa transported the central locking system into the 1970s. This system, which was outdated by the mid-1960s at the latest due to its technical limitations, led directly to the decline of the major German manufacturers and was one of the b'"'nailsb'"' in the coffin of the German camera industry, which ended in Zeiss ceasing camera production in 1972. The big difference to the last German central shutter cameras is the shape and design of the Kowa SER/Set-R cameras. At the time, they were optically absolutely contemporary, comparable to the Pentax Spotmatic and the other Japanese SLR cameras in terms of form factor. In addition to the great advantage of the central shutter that flash can be used at all exposure times, it also leads to extremely difficult lens designs and major reliability problems due to the complexity of the control. These days it's hard to find a Kowa camera that even works, let alone someone who can repair it. Some technical information about the lens: Weight: 172g Length: 53mm Diameter 59mm Optical design: 6 lens elements Aperture: from f2.8 to f16 Aperture design: 5 aperture blades Filter holder diameter: 49mm Closest focusing distance: 40cm Serial number: 940388 Built from the late 1960s to the early 1970s Made in Japan by Kowa b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' _________________________________________ tags: telemetric film camera analogic film is not dead! leica carl zeiss tessar voigtlander olympus canon kodak fujifilm ilford En savoir plus Collaboration commerciale.

Sony cybershot DSC RX1RM2 très belle état. C’est meilleur l’appareil photo compact dans le monde. avec *Sony Pare-soleil LHP-1 dédié au Sony DSC-RX1 (valeur:50 euro) * J.B. Camera Designs Poignée en bois de noyer et aluminium(valeur:120 euro) très belle aussi *7 batteries (NP-BX1) (valeur: 100euro) avec 2chargeurs parce que il a besoin plusieurs batteries pour faire movie. *bouton déclencheur (noir metalique) Sensor SENSOR TYPE 35 mm full frame (35.9 x 24.0 mm), Exmor R® CMOS sensor, aspect ratio 3:2 NUMBER OF PIXELS (EFFECTIVE) Approx. 42.4 MP NUMBER OF PIXELS (TOTAL) Approx. 43.6 MP NUMBER OF PIXELS (GROSS) Approx. 43.6 MP Lens LENS TYPE ZEISS® Sonnar T*, 8 elements in 7 groups (3 aspherical elements including AA lens) F-NUMBER (MAXIMUM APERTURE) F2 FOCAL LENGTH (F=) f=35mm ANGLE OF VIEW (35 MM FORMAT EQUIVALENT) 63deg. (35mm2)3 FOCUS RANGE (FROM THE FRONT OF THE LENS) Approx. 24 cm to infinity (Normal mode), approx. 14 cm to 29 cm (Macro mode) CLEAR IMAGE ZOOM (STILL IMAGE) [Still Image] 2x, [Movie] 2x DIGITAL ZOOM (STILL IMAGE) Up to 8x FILTER DIAMETER 49 mm MAX. MAGNIFICATION (STANDARD/MACRO) 0.15x/0.26x (By Macro Switching Ring) OPTICAL VARIABLE LOW-PASS FILTER Yes APERTURE TYPE Iris diaphragm (9 blades) DIGITAL ZOOM [Still Image] 42M approx. 4x/18M approx. 6.2x/11M approx. 8x, [Movie] Approx. 4x FOCUS RANGE (FROM THE FOCAL PLANE) Approx. 30 cm to infinity (Normal mode), approx. 20 cm to 35 cm (Macro mode) Screen SCREEN TYPE 2.95" (3.0 type) (4:3) / 1,228,800 dots / Xtra Fine / TFT LCD BRIGHTNESS CONTROL Auto/Manual (5 steps)/Sunny Weather mode ADJUSTABLE ANGLE Up approx. 109 degrees, down approx. 41 degrees, at max. DISPLAY SELECTOR (FINDER/LCD) Auto / EVF / Monitor MS ASSIST MAGNIFICATION 5.0x, 12.5x Viewfinder SCREEN TYPE/NUMBER OF DOTS 0.39-type electronic viewfinder (OLED), 2,359,296 dots FIELD COVERAGE 100% MAGNIFICATION Approx. 0.74x (with 50 mm lens equiv. at infinity, -1m-1) EYE POINT Approx. 19 mm from the eyepiece lens, 18.4 mm from the eyepiece frame at -1m-1 (CIPA standard) DIOPTER ADJUSTMENT -4.0 to +3.0m-1 VIEWFINDER 0.39-type electronic viewfinder (OLED) BRIGHTNESS CONTROL Auto, Manual (5 steps) Camera IMAGE PROCESSING ENGINE BIONZ X™ STEADYSHOT (STILL IMAGE) Electronic type (for movies) FOCUS TYPE Fast Hybrid AF (phase-detection AF/contrast-detection AF) FOCUS MODE Single-shot AF (AF-S) / Continuous AF (AF-C) / Direct Manual Focus (DMF) / Manual Focus FOCUS AREA Wide (399 points for phase-detection AF/25 points for contrast-detection AF) / Center / Flexible Spot (S/M/L) / Expand Flexible Spot / Lock-on AF (Wide / Center / Flexible Spot [S/M/L] / Expand Flexible Spot) LIGHT METERING MODE Multi Pattern / Center-Weighted / Spot EXPOSURE COMPENSATION +/-5.0 EV (in 1/3 EV steps), with exposure compensation dial: +/-3.0 EV (in 1/3 EV steps) ISO SENSITIVITY (STILL IMAGE)(RECOMMENDED EXPOSURE INDEX) ISO 100-25600 (1/3 EV step) (expandable to ISO 50/64/80/32000/40000/51200/64000/80000/102400), AUTO (ISO 100-102400, selectable upper/lower limit), Multi-Frame NR: ISO 100-102400 (1 EV step), AUTO (ISO 100-102400, selectable upper/lower limit) 4 ISO SENSITIVITY (MOVIE) ISO 100-25600 WHITE BALANCE MODES Auto / Daylight / Shade / Cloudy / Incandescent / Fluor.: Warm White / Fluor.: Cool White / Fluor.: Day White / Fluor.: Daylight / Flash / C.Temp. / Filter / Custom WB MICRO ADJUSTMENT Yes (G7 to M7 [57 steps], A7 to B7 [29 steps]) SHUTTER SPEED Program Auto (30"-1/4000* s) / Aperture Priority (30"-1/4000* s) / Shutter Priority (30"-1/4000* s) / Manual Exposure (Bulb, 30"-1/4000* s) / iAuto (4"-1/4000* s) *At F5.6 or greater aperture value. Fastest limit at F2 is 1/2000 s APERTURE F2-22 IMAGE CONTROL Cont

Helios 44 58mm F/2 Lens  All the lenses tested in excellent working condition and 100% functional Please see the SAMPLE pictures taken with THIS helios 44 lens The kit front and back cover. Asking questions and watch my other lots have a large selection of lenses. Fits most digital SLR cameras with special adapters  You just need to tighten the adapter to the lens, and set it to the right camera Included: Helios 44 lens Front cover Back cover Technical information: Lens Mount: M42 Focal Length: 58mm Aperture: 1: 2 Aperture range: 2 to 16 Aperture: Manual Focus range from 0.5m to 20m to infinity The filter holder: M49x0.75 Cosmetic condition: A- (visible insignificant scrubs.) Jobs zoom ring status: A (spinning smoothly) Job aperture ring: A (spinning smoothly) State of optics: A- (no chip, no fungus, no scratches) State aperture A- (Clean) Shipping Information We do engage ourself to ship within 1 working day after clear payment is received

Description L’objectif PENTAX smc DA 12-24 mm f/4 est extrêmement compacte et ultra-puissant à la fois. L’objectif PENTAX smc DA 12-24mm f/4 ED Al (IF) d’une finition haut de gamme construite de 13 éléments en 11 groupes. Comme tous les objectifs PENTAX, il est caractérisé par sa légèreté et donc convient aux appareils photos légers. L’ouverture minimale du diaphragme est de f/22, la distance minimale de mise au point de 30 cm uniquement. Le smc DA 12-24mm f/4 ED AL (IF) (équivalent à un 18-36mm en 135mm) est idéal pour les photos rapprochées où il est important de saisir le maximum de détails avec une profondeur de champ impressionnante. Caractéristiques du PENTAX smc DA 12-24 mm f/4: Série: DA Focales: 12-24 mm Équivalence angle de vue 35 mm: 18-36 mm Ouverture minimale: f/22 Ouverture maximale: f/4 Construction de l'objectif: 13 éléments en 11 groupes Angle de champ: 99°-61° Contrôle du diaphragme: automatique Distance minimale de mise au point: 0.3 m sur tout le champ de zooming Grossissement maximum: 0.12x Diamètre de filtre: 77 mm Dimensions (longueur x diamètre): 87.5 x 84 mm Poids: 430 g Accessoires fournis: bouchons d'objectif, Parasoleil PH-RB I77mm Product Description The smc-DA series of lenses are particularly developed and designed for use with PENTAX digital cameras. They are designed to fulfil the high digital image technology standards of PENTAX digital SLR cameras and are intended exclusively for use with these cameras. Extreme focal lengths are the domain of SLR photography. With the 12 - 24mm zoom lens PENTAX has succeeded in mastering a difficult challenge and can now offer wide angle photography on the highest digital level. With the 35mm equivalent of an 18 - 36mm lens, breath taking photographs are possible even if the spatial surroundings are limited      Specifications   Zoom or Prime Zoom Focal length (wide) 12 Focal length (tele) 24 Max aperture (wide) 4.0 Max aperture (tele) 4.0 Lens mount Pentax/Samsung Sensor format APS-C size Filter thread (mm) 77 Minimum focus distance 30cm Weight (g) 430 Size 84x87.5mm Colour Black Minimum aperture 22 Lens elements 13 Lens groups 11 Aperture blades 8 Focus mechanism Internal Focus (IF) Biete gebrauchtes Ultraweitwinkel-Objektiv smc PENTAX-DA 12-24mm F4 ED AL [IF] zum Verkauf an. Das Objektiv ist optisch und technisch in sehr gutem Zustand. Vorder- und Rückdeckel, Gegenlichtblende.

Sony E 28-70mm f3.5-5.6 The Sony E 28-70mm f3.5-5.6 OSS FE lens is built for Sony's full-frame E-mount compact system cameras, such as the alpha a7 and a7R, but will also work with Sony's APS-C range. From family portraits to landscapes, the E28-70mm with Optical SteadyShot (OSS) is a versatile, everyday lens for blur-free shooting throughout the zoom range. The lens is equipped with three aspherical elements and one ED glass element for minimal aberration and beautiful contrast. The travel friendly design is enhanced further by dust and moisture resistant seals.Key Features: - Lightweight, compact 35mm Full Frame standard zoom lens - 28-70mm zoom range and F3.5–5.6 aperture - Built-in Optical SteadyShot image stabilisation - 7-blade circular aperture for beautiful defocusing - Dust and moisture resistant design - For use with Compact System Cameras - Full-frame Sony E-mount Capture smooth, blur-free images Built-in Optical SteadyShot image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or 'bokeh'. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Lens condition as new.

New in box (all accessories included) with warranty until the 4th of august 2022. Neuf dans boîte original (tout les accessoires compris) avec garantie jusqu'au 4 août 2022. Specifications - Lens Configuration: 17 elements in 12 groups - Focal Length: f=16-55mm - Angle of View: 83.2-29 - Maximum Aperture: F2.8 - Minimum Aperture: F22 - Aperture Control - Number of Diaphragm Blades: 9 - Aperture Control - Step Size: 1/3EV (19 steps) - Poids: 655 g (hors capuchon d'objectif et parasoleil) Optiquement conçu pour offrir une qualité d'image maximale Afin d'obtenir une qualité d'image premium, l'objectif zoom standard rapide avec une ouverture constante de F2.8 se compose de 17 éléments en 12 groupes. Cela comprend trois lentilles asphériques pour contrôler l'aberration et la distorsion sphériques, et trois lentilles en verre ED pour réduire l'aberration chromatique latérale (grand angle) et l'aberration chromatique axiale (téléobjectif), obtenant ainsi une netteté bord à bord sur toute la plage de zoom. Autofocus silencieux et rapide En réduisant le poids de la lentille de mise au point et en montant le moteur linéaire double, une mise au point automatique silencieuse à haute vitesse est possible. La vitesse AF la plus rapide de 0,06 seconde apporte du confort à votre séance photo lorsque vous combinez cet objectif avec un boîtier d'appareil photo de la série X offrant un AF à détection de phase.

I offer for sale a lot composed with 2 camera bodies: 1 x PENTAX MZ-50 & 1 x KONICA TC-X FOR KONICA TC-X: Overall cosmetical condition: GOOD except som signs of use & time note that the flash hot shoe have been glued (see photographs) Shutter: NOT RESPONSIVE Lightmeter: NOT RESPONSIVE Finder: CLEAR except som signs of dust Condition of the lens: NONE Lenses: NONE Aperture: NONE Setting of aperture / focus: NONE Other / accessories: NONE FOR PENTAX MZ-50: Overall cosmetical condition: GOOD except som signs of use & time note that the Pentax & MZ50 inscriptions have been removed  (see photographs) Shutter: NOT RESPONSIVE please note that the camera is turning on but doesn’t shoot after Lightmeter: NOT RESPONSIVE please note that the camera is turning on Finder: CLEAR except some signs of dust Condition of the lens: NONE Lenses: NONE Aperture: NONE Setting of aperture / focus: NONE Other / accessories: NONE CONTAINS: 1 x PENTAX MZ-50 & 1 X KONICA TC-X Please note that the high definition photographs accompanying the sale are those of the object for sale. They are authentic and are the reference as to the aesthetic condition of the object.     Quick Payment = Quick Delivery.   Delivery as shown on the following pictures and describe in the previous description.  NO BAD surprises so of course NO RETURN !    Fast delivery (less than 24h after reception of payement).   SHIPPING OUTSIDE EUROPEAN UNION WILL COST YOU 50,00€ (SEND DIRECT MESSAGE BEFORE MAKING PAYEMENT)

Schneider Kreuznach VARIOGON 18-90mm F/2 C Mount  (M25) Cine lens  # 12684262 Included: Original front / rear caps Original Zooming lever Original polystirene packaging   Regarded to be used on digital cameras or digital movie cameras. Its not cranked aperture ring make it good for video shooting. It offers a fast aperture along all range. The aperture can be fully closed. CONDITION Optic condition is good and clear enough. No sctratches, No separation. Light haze or fungus and tiny dust you can find in very old lenses but still clear. Both aperture and focusing work well. Very good cosmetic condition. See pictures please ! Worldwide shipping Tracking Number Safe packaging France = 14 euros Europe  = 18 euros Out Europe + Russia = 30 euros

Overall cosmetical condition: NEAR MINT with only few signs of use Shutter: NONE Lightmeter: NONE Finder: NONE Condition of the lens: MINT Lenses: MINT Aperture: CLEAN Setting of aperture / focus: SMOOTH Other / accessories: 1 x Front & Back Caps Overall cosmetical condition: NEAR MINT with only few signs of use Shutter: NONE Lightmeter: NONE Finder: NONE Condition of the lens: MINT Lenses: MINT Aperture: CLEAN Setting of aperture / focus: SMOOTH Other / accessories: 1 x Front & Back Caps SONY FE Compatible with adaptall ring (not include) Please note that the high definition photographs accompanying the sale are those of the object for sale. They are authentic and are the reference as to the aesthetic condition of the object.     Quick Payment = Quick Delivery.   Delivery as shown on the following pictures and describe in the previous description.  NO BAD surprises so of course NO RETURN !    Fast delivery (less than 24h after reception of payement).   SHIPPING OUTSIDE EUROPEAN UNION WILL COST YOU 50,00€ (SEND DIRECT MESSAGE BEFORE MAKING PAYEMENT)

Sigma Zoom Master Lens AF 35-70mm F:3.5~4.5 Pentax mount. - Lens reconditioned by the seller in perfect cosmetic and working condition - You will receive what you see in the photos - Lens in very good condition. The lenses are clear, no scratches or haze, no fungus or oil on the diaphragm The focus and diaphragm rings work perfectly. - Pentax has been able to keep the same mount since its creation, which allows lens compatibility. Obviously, manual lenses (such as this 35-70mm) will never be autofocus lenses. - Thus, this lens can be mounted on ALL Pentax 35mm (manual or Autofocus) and digital cameras without adapter. - On "35mm manual" Pentax SLRs (Pentax MX, ME, Me Super, KX, K1000, P series) or "35mm Autofocus" SLRs (MZ and Z series...), there is still a 35-70mm 1: 3.5 -4.5 (50mm being approximately the mink field of the eye). - On "Digital" Pentax reflexes with APS-C sensor (Sensor 1.5 times smaller than a 24x36mm) ie all Pentax Ist and K series (K10D to K-3II), it becomes a super 52- 105mm 1: 3.5-4.5. - As it is a full frame lens (i.e. made for film format 24x36mm), it is 100% compatible with the new Pentax K-1 where it remains a super 35-70mm 1: 3.5-4.5. - When the lens diaphragm ring is on "A", this lens can work in aperture priority (A = Aperture). If it is mounted on a digital camera, all you have to do is choose the desired aperture on your camera and focus manually, the camera will automatically calculate the speed. - It comes with its Sigma front and rear cover - Send fast and free care all over the world do not hesitate to check out my other announcements thank you Sigma Zoom Master objectif AF 35-70 mm F:3.5~4.5 monture Pentax. - Objectif reconditionné par le vendeur en parfait état cosmétique et de fonctionnement - Vous recevrez ce que vous voyez sur les photos - Objectif en très bel état. Les lentilles sont claires, sans rayure ni brume, sans champignons ni huile sur le diaphragme Les bagues de mise au point et dediaphragme fonctionnent parfaitement. - Pentax a su conserver depuissa création la même monture ce qui permet la compatibilité des objectifs. Bienévidemment, les objectifs manuels (tel que ce 35-70mm) ne seront jamais des objectifs autofocus. - Ainsi, cet objectif se monte sur TOUS les boitiers Pentax 35mm (manuelsou Autofocus) et numériques sans adaptateur. - Sur les Reflex Pentax "35mmmanuels" (Pentax MX,ME, Me Super, KX, K1000, série P) ou Réflex "35mm Autofocus"(Série MZ et Z...), il reste un 35-70mm 1:3,5-4,5 (50mm étant environ lechamp de vison de l’œil). P - Sur les réflex Pentax"Numériques" à capteur APS-C (Capteur 1,5 fois pluspetit qu'un 24x36mm) c'est à dire tous les Pentax Série Ist et K (K10D à K-3II), il devient un super 52-105mm 1:3,5-4,5. - Comme c'est objectif plein format (c'est à dire faitpour le format pellicule soit 24x36mm), il est 100% compatible avec les nouveaux Pentax K-1 où il reste unsuper 35-70mm 1:3,5-4,5. - Lorsque la bague de diaphragme de l'objectif est sur "A", cetobjectif permet de travailler en priorité ouverture (A= Aperture). S'il estmonté sur un boitier numérique, il suffit de choisir l'ouverture voulue survotre boitier et de faire la mise au point manuelle, le boitier calculeraautomatiquement la vitesse. - Il est livré avec son cache avant Sigma et arrière - Envoie rapide et soigner gratuitement dans le monde entier n’hésitez pas à consulter mes autres annonces merci

MMZ 35-KP 140mm F1.8 soviet projection lens adapted to M42. État : Occasion 140mm F1.8 de type Planar, 1.6kg sur la balance, mise au point fluide. L'énorme lentille frontale est propre, pas de griffes, pas de champignons... il peut y avoir quelques petites poussières qui ne gênent pas. Bien entendu à F1.8 le rendu est assez doux, surtout avec des sujets proches compte tenu de la minuscule zone de netteté, il ne faut pas se louper avec la mise au point. (j'ai trouvé qu'il était plus simple à utiliser par temps gris ou à l'ombre, on évite les lumières parasites) Il n'y a pas de diaphragme donc j'ai bricolé un système avec une bague 86-77 fixée à la patafix (+ du gaffer pour éviter que ça colle partout), il suffit d'une bague 77-49mm pour avoir l'équivalent d'un F2.8 et une de 49-26mm pour du F4 (et là il pique autant qu'une optique moderne !) Monture M42, adaptable sur n'importe quel reflex/hybride (canon, sony, nikon, panasonic, olympus, fuji) via une bague d'adaptation. Vendu avec le bouchon avant (95mm) et le bouchon arrière si je le retrouve --------------------------------------------- 35-KP 140mm f1.8 planar version (quite sharper than the petzval but no swirly bokeh) 1.6kg, 95mm front cap Great condition, adapted to M42 by a master (now retired) Can be used with Canon, Nikon, Sony, Olympus, Panasonic, Fuji... Glass is clean: no marks, no fungus maybe a little dust but it didn't affect the quality Focusing is smooth I did some DIY "aperture" with step down ring and it works well. It can be removed without any damage (I used patafix and gaffer). When the 2 rings are used (photo n°2), it's like a F4 aperture and it's very sharp ! I can ship outside Europe but it's very expensive, around 55€ Any question: send a message;)  cherry blossom shot wide open on a 5D Dslr photo at F4 with the DIY aperture thing

ROLLEIFLEX SL35 + 50mm Planar F1.8 + Tele-Tessar 135mm F4 + Tokina RMC 28mm F2.8  + M42 Adapter + Camera case + Lens case (For 28mm or 50mm) + 4 Caps front and rear Rolleiflex SL35  - Made in Singapore: Need CLA (Clean/Lubrificate/Adjust) Firing and film advance: OK Speeds seems correct.  Focussing issues ! 3 tiny marks bottom plate (pic n°5) 4/5 tiny dust in the viewfinder No light leaks Lightmeter seems ok when I compare measure with my hand lightmeter (spot mode) Come with case + battery Planar 50mm F/1.8: Good condition but some fungus: need to be clean (Pic n°7) Aperture ring is ok No marks or dust on elements (front or rear). Focus ring is a bit rough (compare to a takumar) Tele-tessar HFT 135mm F/4: Good condition but some fungus: need to be clean (Pic n°8) Aperture ring is ok No marks or dust on elements (front or rear) Tokina RMC 28mm F/2.8: Good condition. Aperture ring is ok. No fungus or Haze or Marks. Bon état général mais nécessite un réglage et une révision par rapport à la mise au point. Some pics here:  https://www.flickr.com/photos/159381347@N08/albums/72157712947828092 Ask if you want more pics or informations État : Occasion S Service de livraison : Colissimo

WORKS WELL Aperture is smooth and operate rather good (read below), Focus is smooth. RATHER CLEAN GLASSES Some tiny dust and tiny scratches on front glass. Tested on numeric, no consequence on picture quality. APERTURE BLADES Some oil. Blades are bit slow to close. It will have no consequence on digital or Rolleiflex SL35E camera but maybe on Rolleiflex SL35 first generation. It seems there is a gap of a demi-stop between the real aperture and the one selected. For exemple, to close the blades at f/4, you need to select f/4.5-f/5. I don't think it's a big problem but I had to report it. UGLY COSMETIC CONDITION Strong sign of use and some play in several places on the barrel. See photo. No accessorie. A classic and sharp lens! Fast protected shipping. CAUTION: This lens is working, I used it for many months on my Fujifilm X-T10 and my Rolleiflex film camera. I sell it at this (low) price because there are some faults listed above. So I don't provide any guarantee and no return. ------------------------------------------------------------------------ FONCTIONNE BIEN Les bagues d'ouverture et de focus sont fluides et fonctionnent bien. LENTILLES PLUTOT PROPRES Quelques rayures très fines et poussières sur la lentille frontale. Les autres lentilles paraissent propres. LAMELLES DE DIAPHRAGME (BIEN LIRE SVP) Un peu d'huile. Les lamelles sont un peu lentes à se fermer. Ceci dit aucune conséquences sur numérique ou argentique (à part peut être sur la première generation des Rolleiflex SL35). Par contre il semble y avoir un décalage d'un demi-stop entre l'ouverture réelle et celle sélectionnée (Les lamelles commencent à se fermer seulement à f/4 au lieu de f/3-3.5). Ce n'est pas un gros problème mais au moins vous êtes prévenu. ETAT EXTERNE MAUVAIS Fortes marques externes d'usure et du jeu à plusieurs endroits. Voir photo. Pas de bouchon. Envoi rapide et soigné. Retrait possible à Nice centre. ATTENTION: Cet objectif fonctionne et je l'utilise depuis plusieurs mois sur mon Fujifilm X-T10 et mes appareils Rolleiflex. Je le vends à ce prix (bas) à cause des défauts listés plus haut. Je ne fourni aucune garantie et je n'accepte pas de retour.

WORKS WELL Focus and aperture are smooth and operate well! The aperture blades are a bit slow to close but on digital camera there will be no consequence at all. VERY CLEAN GLASS No fungus, scratch or haze. CLEAN APERTURE BLADES No oil, but a bit slow to close. NICE COSMETIC CONDITION Some sign of use. See photo. With UV Filter + Original front cap, hood and case! Fast protected shipping. WORLD MEDICAL CRISIS: PACKAGE MAY TAKE FEW DAYS OR WEEKS MORE TO ARRIVE IN YOUR COUNTRY. ------------------------------------------------------------------------ FONCTIONNE BIEN Les bagues sont très fluides et tout fonctionne! Les lamelles de diaphragme sont juste un poil lentes à se refermer mais aucune consequence sur une adaptation sur appareil numérique. LENTILLES PROPRES Pas de champignon, rayure ou brouillard. LAMELLES DE DIAPHRAGME FONCTIONELLES Pas d'huile, un peu lente à fermer. BEL ETAT EXTERNE Quelques marques externes d'usure. Voir photo. Avec filtre UV + Capuchon frontal, pare-soleil et house d'origine! Envoi rapide et soigné. Retrait possible à Nice centre contre paiement en liquide.