At their

CD Album CD Code EAN: 5016073720627 Rubrique principale CD: CD Album Titre: At Their Best Genre musical: Rock Référence fabricant CD: 13576035

SHADOWS   AT THEIR  VERY BEST   TITRE 1. Apache 2. Man Of Mystery 3. Shindig 4. Wonderful Land 5. The Rise And Fall Of Flingel Bunt 6. The Theme From The Deerhunter (Cavatina) 7. The Boys 8. The Frightened City 9. Theme For Young Lovers 10. Dance On 11. The Savage 12. F.B.I. 13. Guitar Tango 14. Genie With The Light Brown Lamp 15. Atlantis 16. Foot Tapper 17. Don't Cry For Me Argentina 18. Kon-Tiki 19. Geronimo 20. The Stranger 21. Shadowmix   CD. TRES BON ETAT BOITIER  CRISTAL.....il y a quelques petites traces de frottements sur le boitier   REGROUPER LES ACHATS (cela réduit les frais de poste)

VERY RARE and LIMITED REUNION LP of the RISING STORM live in the Philips academy in Andover in June 1982               Beautiful cover with a rare pic of everybody's faves at their full Glory in..Andover..where else ?!!      the RISING STORM " alive again at Andover " ARF ARF 007 (numbered 405/1000) U.S 1982                  CONDITIONS:                                COVER: NM + INSERT                               RECORD: NM                   SHIPPINGS :                                FRANCE: 8 euros                                EUROPE /overseas: 19 euros                                      +  1 euro for each additional LP            all vinyl is correctly packaged with additionnal cardboard            the vinyl will be packed in the inner sleeve behind the cover to avoid seam split.

CD Album CD Code EAN: 0081227127022 Rubrique principale CD: CD Album Genre musical: Funk Titre: person to person (Live during their Sold-Out US Tour at Tower Theater and The Spectrum, Philadelphia and at The Syria Mosque, Pittsburgh; The Coliseum, Cleveland

Rare LP first stereo press THE ROLLING STONES Their Satanic Majesties Request 3D LENTICULAR / GATEFOLD SLEEVE/ Number: TXS 103. DECCA. UK. 1967. Pochette / sleeve: Near EX Disque / record: EX Inner sleeve: VG Labels: EX Matrix: ZAL 8126 T2 4K ///////////// ZAL 8127 T2 7K Great condition. Minor marks. Minor wears. Please have a look at pictures + zoom. This is the item on sale here. Sound near MINT, Clear sound ! (very light background noise at the just beginning). Port pour la France: + 5 euros en recommandé. Envoi rapide et très soigné. Règlement par chèque ou via paypal. N'hésitez pas à poser vos questions. WORLD SHIPPING: + 12 euros in a international registered way (tracking number).  Fast & very carefully sending. STRONG & SAFETY PACK !!!

FRAIS DE PORT A PRIX COUTANT / PAS DE PRIX DE RESERVE Vinyle maxi 45 tours (30 cm), 5 titres, de DROUTE 66 "REVOLUTION". Techno. Label AT THE VILLA ATV. Edition spéciale import superson. Pochette carton lustré en bon état malgré l'antériorité de l'article et le temps qui passe, comme le montre la photo ci-jointe. Disque en très bon état sur les 2 faces sous pochette papier de protection intérieure. Sticker de prix en francs collé au dos de la pochette. Les frais d'expédition sont à prix coûtant de la poste (aucune marge bénéficiaire de ma part). Envoi soigné. Se référer à mon profil d'évaluation. Possibilité de réduire les frais de port en regroupant les autres lots mis en vente sur le site. Contactez moi pour demander le coût d'envoi d'articles regroupés en fonction du poids. Pour la France, la Belgique et le Luxembourg prévoir en plus le tarif d'un colis livré par MONDIAL RELAY à un point relais de votre choix ou situé près de votre adresse. Pour les autres destinations, me contacter. Record size: extended play 12", maxi 45 rpm,  tracks. Sleeve cover and record are in good condition (VG no scratches) and show effects of much over the past years. Buy additional items now from this seller's other listings! Seller is not responsible for service transit. For no french buyer, payment by paypal CONDITIONS DE VENTE 1) Garantie de satisfaction Vous êtes la personne la plus importante de cette transaction. Si vous êtes mécontent, contactez moi afin de trouver une solution amiable au lieu de laisser une évaluation négative trop vite. J'accepte le remboursement des objets s'ils sont renvoyés dans les sept jours dans leur état et emballage d'origine meme si celui-ci a été ouvert. Les frais de retour sont à la charge de l'acheteur. 2) Contact, paiement et livraison Après l'achat ou à la fin de l'enchère, vous recevrez un email dans les 24 heures. Pour le paiement, je préfère les chèques de banque française à libeller en mon nom. J'accepte aussi paypal. Le paiement doit me parvenir dans les sept jours suivant la fin de la transaction. Après réception du paiement, les objets sont expédiés dans les trois jours maximum. Je ne suis pas responsable d'une perte ou d'une détérioration de l'objet au cours du transport. C'est pourquoi, je ne peux que vous suggérer d'opter pour un envoi par lettre recommandée. Si vous souhaitez assurance, recommandé, rapide ou économique (ce-dernier possible hors Europe seulement), n'hésitez pas à le demander. SALES CONDITIONS 1) Satisfaction warranty You are the most important person of this transaction. If you are unhappy, please contact me in order to find a good solution instead to leave a negative feedback too quickly. I accept to refund the items if they are returned within seven days in their original condition and package even if this one has been opened. The shipping costs for return are paid by the buyer. 2) Contact, payment and shipping At the purchase or the end of the auction, you will receive an email within the 24 hours. For payment, I prefer french bank check or I accept also paypal. After the payment reception, the items will be sent in three days. The sendings are done in priority mail by French Post. I am not responsible of losing or damage during the transport. If you wish insurance, tracking, express or economic (this last one possible only outside Europe), please feel free to ask it.

CAN Doko e can LP reorded at inner space studios 73 Etat: Excellent Pochette & Vynil Note:  Iship from France. Sorry But the french post office has changed their price. International shipment same from 2 to 6 LP. (wait for invoice)   France suivi: 6,50e 1Lp, 1,50e pour Lp additionnel CEE 1LP with tracking number 14, 2 to 6 LP 17 Rest of the world airmail with tracking number: 1LP 14 e, 2to 6 LP 24e Reglement par cheque, paypal, bank transfert  ou.... Bonne journée.

NEIL YOUNG Live at Superdome New Orleans 94 LP Etat: Excellent Pochette & Vynil Note: I ship from France. Sorry But the french post office has changed their price. It's more expensive for 2LP, cheaper for 6lp... France suivi: 6,50e 1Lp, 1,50e pour Lp additionnel Rest of the world airmail with tracking number: 1LP 14 e, 2to 6 LP 24e Reglement par cheque, paypal, bank transfert  ou....  Bonne journée.

PINK FLOYD Saucerful of secrets & piper at the gates of dawn 2LP COULEUR RFA avec insert Etat: Excellent Lp & Pochette Note: I ship from France. Sorry But the french post office has changed their price. International shipment same from 2 to 6 LP. (wait for invoice)   France suivi: 7e 1Lp, 2e pour Lp additionnel CEE 1LP with tracking number 14, 2 to 6 LP 17 Rest of the world airmail with tracking number: 1LP 14 e, 2to 6 LP 24e Reglement par cheque, paypal, bank transfert  ou.... Bonne journée. Midnight rambler It´s only rock´n roll Brwon sugar Jumpin´Jack Flash

A classic work of World War II history that brings to vivid, dramatic life one of the bloodiest battles ever fought - and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. Considered by many historians to be the turning point of World War II in Europe, the Soviet Army's victory foreshadowed Hitler's downfall and the rise of a communist superpower. Best-selling author William Craig spent five years researching this epic clash of military titans, traveling to three continents in order to review documents and interview hundreds of survivors. Enemy at the Gates is the enthralling result: the definitive account of one of the most important battles in world history. The book was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law. Stalingrad, one of the bloodiest battles in the history of warfare, cost the lives of nearly two million men and women. It was perhaps the single most important engagement of World War II and signaled the beginning of the end of the Third Reich of Adolf Hitler. Based on 100s of interviews with survivors of the battle, this text presents the story of the bloody battle. A Shocking, Epic Tale It is hard to put into words this tremendous epic of a book. Beginning with the German 6th Army's confident march towards Hitler's "prize", Stalingrad, the book carefully and descriptively moves through stages the battle from both German and Russian accounts, drawing in the reader from one heart-stopping moment to the next. William Craig does a masterful job of describing the deteriorating situation in the city, the countless lives lost, and the tragedy that occurs during the capitulation and capture of the German 6th Army and its Italian and Romanian allies. All armies involved in the battle suffered immeasurably for what they believed in, and the human cost and brutality described during the battle and its aftermath is breath-taking. Craig also did an unbelievable job of gathering first-hand accounts from the survivors to put the reader directly on the front lines. To learn the whole truth about this tragedy of WWII history I highly recommend this book.

Artist: T.C. ATLANTIC. Title: "RECORDED LIVE AT THE BEL-RAE BALLROOM" Label: DOVE LP-4459 USA 1966. Original Release: YES Reissue: NO Condition Cover: VG++ (SINGLE COVER, COH, CLEAN) Condition Record: VG+ (COUPLE HAIRLINES & SLEEVE MARKS, NICE AUDIO). Note: ORIGINAL US LP, MINNEAPOLIS LEGENDARY GARAGE BAND IN THEIR EARLY DAYS. frais de port - shipping: FRANCE : 1 LP = 7,00€ ensuite 1€ par disque supplémentaire 1 7" SINGLE/EP = 3,50€ et 0,50€ par disque supplémentaire EUROPE : 1 LP = 12€ then 1.50€ for each more record 1 7" SINGLE/EP = 6€ then 1€ for each more record REST OF THE WORLD : 1 LP = 18€ then 2€ for each more record 1 7" SINGLE/EP = 8€ then 1,50€ for each more record ALL PARCELS SENT COLISSIMO WITH TRACKING NUMBER. PLEASE WAIT FOR OUR INVOICE.

THE ALLMAN BROTHERS BAND Live at Omni 73 LP Etat: Excellent Pochette & Vynil Note: I ship from France. Sorry But the french post office has changed their price. International shipment same from 2 to 6 LP. (wait for invoice)   France suivi: 6,50e 1Lp, 1,50e pour Lp additionnel CEE 1LP with tracking number 14, 2 to 6 LP 17 Rest of the world airmail with tracking number: 1LP 14 e, 2to 6 LP 24e Reglement par cheque, paypal, bank transfert  ou....  Bonne journée.

THIS IS AN EXTREMELY HARD TO FIND CD FROM MY PERSONNAL COLLECTION VERY RARE b'&' OOP CD, REALLY HARD TO FIND, EVEN IN FRANCE. PREVIOUSLY UNISSUED - THEIR ONLY RECORDED ENCOUNTER !!! DON'T MISS THE OPPORTUNITY TO GRAB THIS COLLECTOR'S ITEM. WONDERFUL ALBUM, IF YOU LIKE CLIFFORD BROWN OR ERIC DOLPHY, YOU WILL ENJOY THIS CD ! FOR CONNOISSEURS AND COLLECTOR'S ONLY - Featuring Clifford Brown / Eric Dolphy / Harold Land / Richie Powell / George Morrow / Max Roach - Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, all cds are carefully shipped abroad WITHOUT JEWELL-CASE in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING b'&' HANDLING COSTS: 7 euros Ø EUROPE (European Union only): STANDARD PRIORITY AIRMAIL DELIVERED IN 3-5 DAYS Ø USA / CANADA / JAPAN b'&' REST OF THE WORLD: STANDARD PRIORITY AIRMAIL DELIVERED IN 5-10 DAYS If you want shipping including jewell-case, please wait my correct invoice with correct shipping costs (13 euros) All orders for Brazil / Mexico b'&' South America / Russia b'&' non European Union countries / Greece / China / Africa... are shipped for 16 euros. Registered packages b'&' Insurance are not included unless requested and paid for (16 euros for worlwide). I will not be held responsible for damaged or lost items shipped without insurance. Please tell me if you want registered and tracking mail in order I can send you a correct invoice. Please e-mail me if you have any question and don’t place any order if you don’t agree with my conditions. Payment must be received within 7 days of auction ends. The item will be relisted after this period. I recommend you to check regularly my others auctions. Feel free to contact me if you have any questions about the item. Thanks and good bidding! En savoir plus Collaboration commerciale.

***  C A J U N  ***   "  CAJUN CLASSICS - THE KINGS OF CAJUN AT THEIR 'VERY' BEST " [DIVERS ARTISTES] CD  ACE RECORDS  CDCHK 820 BON ETAT  [petit sticker au recto] *** Je ne garantis pas un boîtier intact à l'arrivée... Par contre, je peux vous adresser le CD sans celui-ci, les frais postaux s'élevant alors à 2.60€ - mais attendre ma facture après l'avoir signalé. Merci *** N'ayant plus le matériel nécessaire à une écoute critique, c'est visuellement que je donne une appréciation. Cela dit, je n'ai aucun disque rayé mais certains ont servi très souvent et peuvent donc être usagés. Ils n'en restent pas moins écoutables et constituent des documents d'époque. Toutes les questions sont les bienvenues. [N'hésitez pas a grouper vos achats, auquel cas je vous indiquerai le port à ajouter] S a t i s f a i t  ou  R e m b o u r s é !!!

The Beatles ‎– Unplugged Label: Odeon ‎– TH 001 Format: CD, Album Country: Europe  Sortie: 1995 Genre: Rock Style: Acoustic, Pop Rock Tracklist: 1Cry Baby Cry2:302Child Of Nature2:423Child Of Nature1:224The Continuing Story Of Bungalow Bill2:495I'm So Tired3:086Yer Blues3:307Everybody's Got Something To Hide Except Me And My Monkey2:598What's The New Mary Jane?2:419Revolution4:1010While My Guitar Gently Weeps2:3911Circles2:1812Sour Milk Sea3:3313Not Guilty3:1214Piggies2:0615Julia3:4316Blackbird2:3417Rocky Raccoon2:4518Back In The U.S.S.R.2:5919Honey Pie2:0320Mother Nature's Son2:1521Ob-La-Di, Ob-La-Da2:5822Junk2:3723Dear Prudence4:3924Sexy Sadie2:2325Helter Skelter0:5726Spiritual Regeneration2:3027Rishikesh # 93:11 - Recorded At – Kinfauns - Recorded At – Abbey Road Studios Notes: In late May 1968 (the excact date not known) the Beatles came together at 'Kinfauns', George Harrison's home in Esher. One by one, first John, then Paul, they recorded 23 of their newest compositions by double-tracking themselves on George's Reel-to-Reel-tape-machine. These songs, most of whom where written during the Beatles' two-month-stay on a meditation-course in Rishikesh, India, February - April 1968, were subsequently recorded for the 'White Album'. But not all of them made it onto vinyl and thus remain unreleased (at least as Beatles-versions). Judging by the outcome of this session, it must have been a very sunny and relaxing day. Spring certainly was in the air (and a bit of pot maybe too). Just accompanied by their acoustic guitars, John, Paul and George recorded very charming and joyful early versions of their newest tunes. Something slightly out-of-sync with their own double-tracking but who cares? Spontanity counts! Had this session been recorded 25 years later it would have been a bonafide TV-Unplugged-performance! But as it is, this 1968 session remained in the vaults until now !! We proudly present this tape to you in the correct running-order and in the best possible sound (two generations away from the actual master-tape). Enjoy! The short acoustic bit of "Helter Skelter" was recorded on 11th June, 1968 at Abbey Road studios. The last two tracks were recorded in India. The light atmosphere of these musical snippets set the tone for the "Kinfauns"-session. Identifiants: - Matrix / Runout: TU9541-1 - Rights Society: GEMA - Other (SPARS Code): AAD CONDITION / ÉTAT: EXCELLENT + frais de port

ATTENTION: PAS DE CHEQUE, Merci  SPIN DOCTORS TURN IT UPSIDE DOWN Track Listing 1. Big Fat Funky Booty 2. You Let Your Heart Go Too Fast 3. Cleopatra's Cat 4. Hungry Hamed's 5. Biscuit Head 6. Indifference 7. Bags Of Dirt 8. Mary Jane 9. More Than Meets The Ear 10. Laraby's Gang 11. At This Hour 12. Someday All This Will Be Road 13. Beasts In The Woods Album Notes The Spin Doctors: Chris Barron (vocals, acoustic guitar); Erick Schenkman (guitar, vocals, piano); Mark White (bass); Aaron Comess (drums, percussion, clavinet, piano, Hammond organ). Additional personnel: Andrew Comess (Hammond organ); Mark Angostino (shaker); Jeremy Gross (programming). Producers: Frankie LaRocka, Peter Denenberg, The Spin Doctors. Recorded at Clinton Studios, New York, New York in March, 1994. The Spin Doctors have created a perfect time capsule for the New York City bar band scene of the late 1980s. Reminiscent of an era where '60s nostalgia flourished and groups like the Spin Doctors and Blues Traveler ruled the live scene, TURN IT UPSIDE DOWN finds the boys once again in their element. Paying homage to their origins, the cover art to TURN IT UPSIDE DOWN (and that of the first album, POCKET FULL OF KRYPTONITE) is graced by Nightingales, the Manhattan bar where the Spin Doctors carved a niche with their relaxed yet hip approach to guitar-based funk. TURN IT UPSIDE DOWN plays like a New York tour book. From its references to a Brooklyn diner in "Hungry Hamed's"--which vocalist Chris Barron informs us is "just three blocks from Bergen Street"--to the tongue-in-cheek reworking of Antony and Cleopatra in "Cleopatra's Cat," TURN IT UPSIDE DOWN reestablishes the Spin Doctors' grasp on the urban funk SONY-EPIC / 1994 / PRINTED IN AUSTRIA  Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI DE CONSULTER MES AUTRES VENTES...

VINYL 45 T – THE RADIATORS : LET’S TALK ABOUT WEATHER – IRISH PUNK ROCK  – 1979 ORIGINAL UK ON CHISWICK (CHIS 113) The Radiators from Space, also known as The Radiators, The Radiators Plan 9, and The Trouble Pilgrims, are an Irish punk rock band. They have been described as Ireland's first punk band. The band formed in 1976 in Dublin, and consisted of Philip Chevron, Pete Holidai, Steve Rapid (Steve Averill), Jimmy Crashe and Mark Megaray. They were one of the earliest punk rock bands. They signed to Chiswick Records and released the album TV Tube Heart in 1977. Their first single "Television Screen" was the first and only punk record to make the Irish top 20. Shortening their name to The Radiators, the band released their second album,Ghostown, in 1979. Produced by TonyVisconti, Ghostown received critical acclaim, but failed to sell well. After a move to London, the band disbanded in 1981. COVER / POCHETTE : VG LABEL: BLACK CROSS ON SIDE ONE. ROND CENTRAL: CROIX NOIRE AU MARQUEUR SUR FACE A. VINYL : EX POUR PLUS DE DETAILS : REGARDEZ MES PHOTOS ! NOMBREUX AUTRES VINYLS DU MEME GENRE DANS MA BOUTIQUE ! FOR MORE DETAILS : LOOK AT MY PICTURES! I CAN SHIP ANYWHERE, ASK ME FOR THE PRICE... DO NOT HESITATE TO GROUP TO SAVE ON SHIPPING ? COME SEE MY STORE ! Pour l'étranger, pas de problème : j'applique les tarifs de la poste française et rien de plus. Pas de frais supplémentaires, ni pour l'emballage, ni pour Paypal. Emballage sérieux et gratuit ! Demandez moi le prix pour votre pays...  Et n'hésitez pas à grouper pour économiser sur le port ! VISITEZ MA BOUTIQUE ! Rappel de la signification des codes pour l'état du disque en bas de l'annonce. No surprise for foreign buyers : the shipping costs are the ones of the french post and nothing more. No handling cost, no additional cost for Paypal, very good and free packaging ! Just ask me for the price to your country...  And do not hesitate to group to save on shipping ! COME SEE MY STORE ! Reminder of the meanings of the codes for the state of the records at the bottom of my announcement. code traduction état pochette état disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d?usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c?est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affecte

Cette semaine je vends une très importante collection de disques classiques provenant en très grande partie d'un appartement (fermé pendant plus de 30 ans) ayant appartenu à un critique musical. Une majorité de ces disques figurent des interprétations des plus grands solistes, notamment de violonistes. Une partie importante concerne des disques soviétiques (SOV DISC) dont les pressages ont été réalisés en ex-URSS avec des pochettes françaises. Ces disques, dans leur immense majorité, n'ont jamais été joués ! Ceux qui ont été écoutés l'ont été 2/3 fois au maximum. Ayant séjourné dans un endroit sec mais non dépourvu de poussière, les disques n'ont été nettoyés que superficiellement avant que je ne les prenne en photo. Chaque collectionneur ayant sa propre méthode de nettoyage, je laisse le soin de cette délicate opération à leurs futurs propriétaires. Vous retrouverez d'autres disques classiques rares dans les "autres objets du vendeur" Frais d'envoi groupés en cas d'achats multiples. Expédition uniquement en colissimo pour la France. This week I am selling a very large collection of classical records, mostly from an apartment (closed for more than 30 years) that belonged to a classical music critic. A majority of these records include performances by the greatest soloists, including violinists. An important part concerns Soviet records (SOV DISC) whose pressing were made in the former USSR with French covers. These records, in their vast majority, have never been played ! Those who were listened to it were 2/3 times at most. Having stayed in a dry place but not free of dust, the records were cleaned only superficially before I took the pictures. Each collector has his own method of cleaning, I leave the care of this delicate operation to their future owners. You will find other rare classic records in "seller's other items" I ship worldwide. I combine shipping fees for multiple purchases. Shipping only by tracking parcel. Shipments over 2 kilos are done by Colissimo International, you can have a look on the rates on this link: https://www.tarifs-de-la-poste.fr/tarifs-colis.html Pochette / Cover: X+ Disque / Record: NMINT Unplayed Jamais joué Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but sti

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

Poids de l'article / Weight:  1.96 kg Relié / Pages:  552 pages ISBN-10:  3869930691 ISBN-13:  978-3869930695 Dimensions du produit / Size:  21.59 x 3.05 x 27.94 cm Éditeur /:  Future Press Verlag und Marketing GmbH (17 avril 2015) Langue / Language:  Anglais / English Redefining Game Guides for more than 16 years Ever since being founded in 1998, Future Press has been dedicated to producing the highest quality game guides in the world. Our team of highly professional authors and designers work together to guarantee a harmonious and logical interplay between content and design. We've worked closely with the most renowned and successful publishers and developers in the industry, always aiming to redefine what a game guide can be. Our focus is, and always has been, on creating the best possible guide for the game we're covering. This is why we only produce one guide at a time, with our entire staff dedicated to its production. Our core team of authors is made up of exceptionally skilled gamers, working alongside single-project specialist players who are among the best in the world at the type of game we're writing about. Our ultimate goal is to give the reader the best possible understanding of the game they are playing and to deepen their enjoyment of playing it, regardless of their skill level.

Kurt BUCHWALD (Né en 1953) Unscharfe Porträts, Georg Harbaum Oderberger Strasse, Berlin 1987 Tirage argentique d'époque  Dimensions: 10,5 x 14,7 cm Authenticité assurée Bon état Berlin dream. Blurred Portraits Berlin, 1987-1989   The series Berliner Traum is based on a photographic reversal of the portrait principle. It is not the person to be portrayed who is sharply reproduced, but the background. The portrayed persons are Buchwald's East Berlin artist friends, who are shown in their living environment, for example in their street or in front of their house. He portrayed them both during the day and at night and presents the photographs as a series in a 10-part tableau. The night shots were called Berliner Traum (Berlin Dream) and exhibited in the fall of 1989 in the installation Nachtkammer (Night Chamber), within the exhibition Akzente (Accents) in the Galerie Weißer Elefant. However, the pictures remained invisible, since the room, which was entered via a light sluice, was completely darkened and the pictures were only illuminated from behind, while a sound collage with noises could be heard.   Achat immédiat: 350 €  Possibilité de faire une offre. Frais de livraisons en France gratuits. Remise en mains propres possible à Paris. Shipping in Europe: 9 € Shipping Worldwide: 25 € Livraison soignée et rapide dans toute la France et à l'étranger.

Space Invaders & Nik.Turner ‎– Playing.The Sonic.Noise.Opera Label: Nasoni Records ‎– NASONI 150 R Format: Vinyl, LP, Album, Limited Edition, Reissue, Splatter Vinyl Country: Germany Sortie: 2016 Genre: Rock Style: Space Rock, Psychedelic Rock Tracklist A1 Sonic Attack 5:48 A2 Space Invaders 2:49 A3 Spicy Spiders 7:16 A3 Drum'n'Space 8:06 B1 Stardust 10:23 B2 Can You? 12:40 Entreprises, etc. Recorded At – Cafe Cairo, Würzburg Mixed At – Studio Fleisch Lacquer Cut At – SST Brüggemann GmbH Crédits Artwork [CoverArt] – Sergey Skachkov Bass, Voice – Paul-Pott* Design [Artworx] – DNS* Drums – DNS.GKL* Guitar, Talkbox – Tipi Mike Guitar, Voice, Percussion – Dirk Bittner Mastered By – Eroc Mixed By – DJM* Recorded By – Kilian (7) Synthesizer, Audio Generator – DJM* Voice, Flute, Saxophone – Nik Turner Notes Released on their gig at Burg Herzberg Festival 2014. Limited Reissue of 300 copies on splattered Vinyl. Code-Barres et Autres Identifiants Barcode: 4 260107 841999 Matrix / Runout: NASONI 150 A Matrix / Runout: NASONI 150 B Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

SHAKIRA WAKA WAKA / DID IT AGAIN UNRELEASED VERSION: SHARAM WORLD CUP MIX 9'55 ! OF WAKA WAKA 2 REMIXES BY BENNY BENASSI OF DID IT AGAIN   BEAUTIFUL RECORD "Waka Waka (This Time for Africa)", called "Waka Waka (Esto es África)" in Spanish, is a song by Colombian singer Shakira, featuring the South African band Freshlyground. It was released on 7 May 2010 by Epic Records as the official song of the 2010 FIFA World Cup, which was held in South Africa. Written, composed, and produced by Shakira and John Hill, "Waka Waka (This Time for Africa)" is a song whose lyrics encourage one to aim for their goals like a soldier on a battlefield. It garnered generally favourable reviews from critics, receiving praise for its production. The song, however, generated controversy after numerous South Africans expressed disappointment in FIFA's decision to select Shakira to sing the song, arguing that a native artist should have been assigned the role. "Waka Waka (This Time for Africa)" peaked at number one on record charts of fifteen countries worldwide. In the United States, the song peaked at number 38 on the Billboard Hot 100 chart and was later certified platinum by the Recording Industry Association of America (RIAA) for selling over one million units in the country. The single similarly attained multiplatinum certifications in eleven countries, including a double diamond certification in India and diamond certifications in France and Sweden. It was the biggest song of 2010 in seven countries, is the seventh bestselling song of all-time in Switzerland, and the tenth in Belgium and France. "Waka Waka (This Time for Africa)" has sold 15 million downloads worldwide, becoming one of the best-selling singles of all time. The music video for "Waka Waka (This Time for Africa)" was directed by Marcus Raboy and shows Shakira and a group of dancers and children dancing to the song together. It features cameos by various footballers like Cristiano Ronaldo and Lionel Messi. It became popular on YouTube, receiving more than 2.8 billion views as of May 2021 and becoming the 29th most-watched video of all time on the site. Shakira performed the song at the 2010 FIFA World Cup opening ceremony on 10 June as well as at the closing ceremony on 11 July. It was also included on the set list of her The Sun Comes Out World Tour (2010–11) and El Dorado World Tour (2018).

The Sisters of Mercy - Razor Smiles - rare 7" green vinyl bootleg Label: Crack Down Catalogue#: KROL 3212 Released: 1986 Both record and sleeve are in Near Mint conditions. Sleeve is protected by a plastic oversleeve. See picture #2 for tracks list. The bootleg is mostly famous, though, for the recording of Andrew Eldritch and Wayne Hussey joining the Skeletal Family on stage at Markthalle in Hamburg in September 1985. Together, they performed a unique version of Knockin' On Heaven's Door - at a moment in time and history when The Sisters of Mercy had already played their famous last gig at the Royal Albert Hall in London, UK and shortly before the eventual break-up of the band. It will be carefully packaged with proper materials to ensure transportation in teh best conditions. Thanks for looking at my item. Feel free to ask any question. Delivery costs and options outside E.U. may be adaptated if needed. As well as in case of multiple order (see my other items)

VINYL 45 T – KINCADE : DREAMS ARE TEN A PENNY – PSYCH SUNSHINE POP  – 1972 SPANISH PRESSING ON PENNY FARTHING (06.033) Kincade was an English band that was formed in 1972. In that year, they had their hit single, "Dreams are Ten a Penny", but the band itself did not exist at the time. The song was written by John Carter and his wife Gill. Carter also sang all the vocals and played the guitar on the record. The song was released by the British record producer on the Penny Farthing Records label. Although the record was unsuccessful in the UK, it reached the #2 in Germany, spent six months on the charts there, and sold a million copies COVER / POCHETTE : EX VINYL : A = EX   B = VG+ POUR PLUS DE DETAILS : REGARDEZ MES PHOTOS ! NOMBREUX AUTRES VINYLS DU MEME GENRE DANS MA BOUTIQUE ! FOR MORE DETAILS : LOOK AT MY PICTURES! I CAN SHIP ANYWHERE, ASK ME FOR THE PRICE... DO NOT HESITATE TO GROUP TO SAVE ON SHIPPING ? COME SEE MY STORE ! Pour l'étranger, pas de problème : j'applique les tarifs de la poste française et rien de plus. Pas de frais supplémentaires, ni pour l'emballage, ni pour Paypal. Emballage sérieux et gratuit ! Demandez moi le prix pour votre pays...  Et n'hésitez pas à grouper pour économiser sur le port ! VISITEZ MA BOUTIQUE ! Rappel de la signification des codes pour l'état du disque en bas de l'annonce. No surprise for foreign buyers : the shipping costs are the ones of the french post and nothing more. No handling cost, no additional cost for Paypal, very good and free packaging ! Just ask me for the price to your country...  And do not hesitate to group to save on shipping ! COME SEE MY STORE ! Reminder of the meanings of the codes for the state of the records at the bottom of my announcement. code traduction état pochette état disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d?usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c?est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 TOURS LP ATOMIC ROOSTER Holland 1970 Fontana Stereo 6369 001 Cover: VG Record: VG- Small writings on back cover (bottom left side). See photos. Record with several surface scuffs. VIEW VIDEO ON INSTAGRAM (click here) (Doesn’t work on iphone app, use Safari or Chrome browser) My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

Dropdead: ‎ Discography Label: Clearview Records ‎ CRVW 39 Format: Vinyl, 11" Country: US    Sortie: 1994 A1 Unjustified Murder A2 Doorway To Extinction A3 Strength In Your Conviction A4 Protest A5 At The Cost Of An Animal A6 Direct Action A7 Power A8 Chosen Path A9 Survival A10 Bullshit Tradition A11 Wound Run Deep A12 Do You Choose Life A13 Ignorant A14 Only A Fool A15 You Have A Voice A16 Washed Away A17 Living In Fear A18 Confused A19 Attention A20 Deliver Yourself A21 Control B1 Life In Chains B2 End The Slaughter B3 I Will Defy B4 The Truth Behind B5 Fucking Assholes B6 Legacy Of Death B7 No Glory B8 Still You Follow Blindly B9 Wake Of Deception B10 Swedish Medley B11 New World Slaughter B12 Sheep B13 Belly Full Of Lies B14 Requiem B15 Bosnia B16 Nazi Atrocities B17 Whatever I Do B18 The Circle Complete - Bass  Lee - Drums  Brian - Guitar  Ben - Recorded By  Bill Miller - Vocals  Bob All songs recorded at Headroom, Boston, MA. - A1-A14: recorded February 2nd, 1992 (originally released on their first 7") - A15-B8: recorded August 11th and 12th, 1992 (originally released on the Drop Dead/Rupture split 8") - B9: no recording infos (later released on the Big Pants Waste Precious Fabric comp. CD) - B10: no recording infos (snippets of covers from Mob47, Protes Bengt, Headcleaners, "Anti-Cimex and the Shitlickers) - B11-B16: no recording infos (originally released on the Drop Dead/Crossed Out split 5") - B17: no recording infos (Negative Approach cover, later released on the Reproach comp. 7") - B18, recorded August 11th and 12th, 1992 (originally released on the Crust and Anguished Life comp. CD) On the tracklisting printed on the back of the record sleeve, track (A10), "Bullshit Tradition" is not included. 1st pressing: 2200 copies État Vinyl: VG / Vinyl Condition: VG État Pochette: VG / Sleeve Condition: VG France :  Envoi recommandé: 7 € Postage E.E.C.:  Registred shipment : 13 € Postage Rest of the World:  Registred shipment : 15,50 € Available photos on request to  nocoma@live.fr Payment due 3 days after invoice received Combined shipment