Audio quality front mounted speaker

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

Système Home Cinema 5.1 Sony BDV N9200W    Puissance: 1200 W Lecteur Blu-ray 3D intégré. Tuner : Radio FM (RDS). Compatible Dolby Digital / Dolby TrueHD / DTS / DTS HD / DTS HD MA Connectique spécifique: 2 x HDMI in HDMI ARC / Wi-Fi intégré / Sony Entertainment Network Bluetooth - NFC (Near Field Communication). Wireless movie and music streming from smartphone Easy control app " SongPal" - TV SideView (Iphone, Android). Wifi intégré - Navigateur Web - Miracast Wireless link between the main unit and the rear speakers. CEC "Bravia Sync Conversion ascendante et pass-through 4K Amplificateur numérique S-Master HX Technologie DSEE (Restores quality to compressed files) ClearAudio+ (Automatically adjusts TV sound settings) Hi-Res Audio S Master HX (Digital amplifier for pure sound quality) Mode son: Football, Music, Film, Nocturne, Digital Music Arena Speaker Information - Information des enceintes - Sprecherinformationen Magnetic fluid  - Fiberglass cone - WD super tweeters - 3 Way 4 columns speakers with stand + Center speaker + Subwoofer.   2 x Front Surround Speakers (columns) SS-TSB133 2x200W (4m of cable without stand). Dimensions (L/w/h): with stand 270 x 1200 x 270 mm / without stand: 102 x 705 x 71 mm.     2 x Back Surround Speakers SS-TSB138  2x200W (1 speaker with 8m of cable and 1 speaker with 2.5m, without stand).         - Dimensions (L/w/h): with stand 270 x 1200 x 270 mm / without stand: 102 x 705 x 71 mm). Les enceintes arrière DOIVENT être connectées à l'amplificateur surround. The rear speakers MUST be connected to the surround amplifier. Die hinteren Lautsprecher MÜSSEN an den Surround-Verstärker angeschlossen werden.   1 Center Speaker SS-CTB125 200W.  2.5m of cable. 1 Subwoofer SS-WSB126  200W. 3m of cable. Connectique Vidéo out: HDMI v.1.4 (x1) Vidéo input: HDMI (x2) Audio input: Optique Numérique (x1) Analogique Stéréo (RCA (x1) Entrée microphone A.CAL MIC (Auto Calibration) Port Ethernet USB (front x 1) L'ensemble est livré dans son carton et les protections d'origine Sony. Il set viene consegnato nella sua scatola e nelle protezioni originali Sony. The set is delivered in its original Sony box and protections. Das Set wird in der Originalverpackung und Sony-Schutz geliefert. Contenu du carton - Lieferumfang - Box contents Dimension: 108 x 39 x 49cm. 34kg. 1 x Main unit Sony BDV-N9200W 5.1 Affichage numérique. Touches sensitives. 1 x Surround amplifier (for rear speakers). Wireless link between the main unit and the rear speakers. 4 x Surround Speakers 1 x Center Speaker 1 x Subwoofer 1 x RM ADP120 remote control 1 x Antenna 1 x Calibration microphone. 1 x Assembly instructions

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

Product highlights: Power and processing: - 7-channel amplifier - 80 watts per channel into 8 ohms (20-20,000 Hz) at 0.08% THD, with 2 channels driven - Dolby® and DTS® surround sound decoding - analog-to-HDMI video upconversion (up to 480p) - auto speaker calibration for precise surround sound tailored to your room and setup (microphone included) Multi-room Audio - dual-room/dual-source output - b'"'surround backb'"' channels can be reassigned as powered Zone 2 outputs (allows 5.1 home theater in main room) - line-level Zone 2 stereo outputs for use with a separate amplifier or powered speakers - optical/coaxial digital and HDMI audio sources cannot be output to Zone 2 Audio Performance Features: - bi-amp compatible front speakers by reassigning b'"'surround backb'"' channels - streamlined design eliminates unnecessary features to prevent interference and degradation of sound quality - 7.1-channel preamp outputs for connection to a separate power amplifier Connections: - HDMI 1.4 audio/video switching: 4 in, 1 out - 1 set of component video inputs - composite video switching: 3 in (includes 1 front-panel input), 1 out - 2 S-video inputs (includes 1 front-panel input) - digital audio inputs: 3 optical (includes 1 front-panel input), 2 coaxial - 4 analog stereo audio inputs (includes 1 pair of front-panel inputs) - front-panel minijack input for connecting a portable music player or included setup microphone - rear-panel input for optional iPod dock (not included) - 7.1-channel preamp outputs includes output for a powered subwoofer - outputs for 7 speakers (Front L/R, Center, Surround L/R, Surround Back L/R) - no phono input — to connect a turntable you'll need to add a phono preamp - full-sized (1/4-inch) headphone jack - RS-232C port for automated control systems - remote control (IR) input - detachable power cord General Features: - 5 A/V presets for customizing sources, speakers, and settings for easy one-touch recall - HDMI standby pass-through - 3D pass-through - on-screen display for easier system setup and operation - AM/FM tuner with 60 presets and RDS for displaying station info En savoir plus Collaboration commerciale.

Microphone capsule pour flute traversière de la marque RESOCAP avec pré-amplificateur de fabrication italien de haute qualité. État : Occasion La Capsule remplace la couronne et le bouchon. (La flute reste jouable comme avant sans amplification.) Le cable de prise venant du préamp est connecté avec son dispositif par un cynch/RCA dns l'embouchure, l'autre fin en cynch RCA va dans l'entrée du pré-amp qui est reglable pour volume (Gain), Tone et Compression. Le pré-ampli a une sortie jack de 6,3mm mono. Une fois le jack introduit, la pile de 9V est mise en marche. L#autre bout du cable selon les exigences de l#amplificateur peut être un XLR, un jack ou autres. (Du fait que la surface transparente en plastique s'est détaché de la boite, j'étais obligé de la recoller et de refaire la dénommination des trois boutons - La 3ème photo montre le pré-ampli avec les écritures à l'origine) L'intérêt de ce dispositif est que l'amplification est net, de grande qualité et notamment sans des éventuels bruits de souffle. Je vneds ce dispositif pour 85 €, le prix neuf en Italy is 160 € including port. Pour voir des flutistes jouer avec ce microphone, veuillez introduire dans la zone de recherche de Youtube: ' Mic-ResoCap Flute Microphone, Microfono per flauto Altissima Qualità ' english: The microphone capsule, italian brand name RESOCAP, replaces the crown and head joint cork in the mouthpiece and is delivered with a pre-amp. The micro-capsule is mounted as replacement of the crown and head joint cork. (You can continu to play the flute also without amplification.)The supplied plug of the audio cable is like a cynch/RCA connected into the head's microcapsule. The other end is a cynch/RCA to put into the pre-amp. Output of the amplifier is a jack 6,3mm which activiates wshen inside the 9V battery. The other side of the output cable can be jack too or XLR or other. The preamplifier allows you to adjust the volume (gain), tone and compression. (Since the transparent plastic surface has become detached from the box over time, I have renewed it as well as the lettering - the 3rd photo shows the preamplifier with the original front.) The interest of this micro capsule realisation is the high quality microphone which cannot be disturbed by the players breath. I sell the whole thing for 85 euros. New price in Italy is 160 € including shipment. To see how flutists play with this microphone, please enter in a YouTube search field: 'Mic-ResoCap flute microphone, Microfono per flauto Altissima Qualità' deutsch: In den Kopf der Querflöte anstelle des Stimmkorkens zu installierendes Mikrofon-Kapsel der Marke RESOCAP inklusive Vorverstärker, hergestellt in Italien, sehr gute Qualität. Zustand: Gebraucht Die Mikrofon-Kapsel ersetzt die Krone und den Stimm-Korken im Mundstück. Das zum Vorverstärker gehörende Verbindungskabel hat zur Flöte hin ein Dispostiv mit einem Cynch-Stecker der einfach in den Flötenkopf gesteckt wird, das andere Ende ist ein einfacher Cynch-Stecker, einzustecken in den Vorverstärker-Eingang. Am Vorverstärker kann Lautstärke (Gain) Tone und Kompression geregelt werden. Der Vorverstärker-Ausgang ist eine 6,3mm Jack Buchse. Ein Audio-kabel mit der 6,3mm Klinke wird in diese Buchse gesteckt und stellt die im Gehäuse befindliche 9V-Batterie auf ON. Das andere Ende des Audiokabels kann XLR, Klinke etc. sein, je nach Anforderung des Endverstärkers. Vorteil dieser Micro-Caps der marke RESOCAP ist das es keinerlei Windgeräusche des Spielers aufnimmt, die Qualität des Mikrofons ist sehr gut. (Da sich die transparente Kunststoffoberfläche von der Box mit der Zeit gelöst hat, habe ich sie ebenso wie die Beschriftung erneuert - das 3. Foto zeigt den Vorverstärker mit der Originalbeschriftung.) Ich verkaufe das ganze für 85 Euro, der Neupreis liegt bei 160 € incl. Versandkosten..

Yamaha R-N500 Network Amplifier Streaming System. État : "Occasion" Selling my beloved Yamaha R-N500 Network Streaming system in excellent working condition and esthetics, no scratches, no dents, not a single issue, it just runs perfectly. Huge amplification power, big and spacious sound. All the connections that someone may want, including PHONO. Internet radio is just a pure joy and a very good control app from Yamaha. Comes in original box with all the accessories, AM/FM antenna, remote control and manuals. Please don't hesitate to ask me any questions regarding the item before the purchase, unfortunately I can't accept any returns, considering the weight of the item and the shipping costs. Je met en vente mon système de streaming réseau Yamaha R-N500 en excellent état de fonctionnement et esthétique, pas de rayures, pas de bosses, pas un seul problème, il fonctionne parfaitement. Énorme puissance d'amplification, son grand et spacieux. Toutes les connexions que quelqu'un peut souhaiter, y compris PHONO. La radio Internet n'est qu'un pur bonheur et une très bonne application de contrôle de Yamaha. Livré dans la boîte d'origine avec tous les accessoires, antenne AM / FM, télécommande et manuels. N'hésitez pas à me poser des questions concernant l'article avant l'achat, malheureusement je ne peux accepter aucun retour, compte tenu du poids de l'article et des frais d'expédition. WHAT HI-FI: "With Alt-J’s Breezeblocks streaming from our server, we’re immediately struck by how big and spacious the R-N500 sounds. Instruments and voices are easy to place in the airy soundstage. It has a warm, full-bodied balance that’s characteristic of Yamaha’s sound, combined with a squeaky-clean, smooth presentation that’s lovely to listen to. There’s little this Yamaha can’t do. Plug it into your home network (via ethernet only, there’s no wi-fi), and you can seamlessly stream all your music files stored across laptops, smartphones, tablets and NAS devices. File compatibility is extensive: you can play anything from standard MP3s to hi-res 24-bit/192kHz FLAC and WAV files through the R-N500. AirPlay and DLNA support are also available, and with Spotify Connect, vTuner internet radio, and FM and AM tuners on board, you have access to more music than you can shake a glow stick at. This is an extremely well featured system. Stream quality is stable, everything works without a hitch, and we didn’t experience any dropouts during testing. We’re puzzled every time we look at the R-N500’s relatively budget price tag, as it looks every inch a premium quality piece of hi-fi kit. The all-metal construction is built well, and the unit is sturdy and classy in equal measure. It feels like an expensive product, too. Those beautifully machined dials and tonal controls on the front panel are wonderful to use. They’re weighted just right, and turn so smoothly. They also bear more than a passing resemblance to the ones on Yamaha’s retro-styled flagship A-S3000 amplifier (£4000) – it’s no wonder we keep thinking the R-N500 costs more than it does..." Amplification Puissance maximale (4 ohms, 1 kHz, 0,7 % THD): 105 W + 105 W Puissance nominale (8 ohms, 20 Hz—20 kHz, 0.04% THD): 80 W + 80 W Puissance maximale (JEITA) (8 ohms, 1 kHz, 10% THD): 115 W + 115 W Puissance dynamique/cn. (8/6/4/2 ohms): 105 W/125 W/150 W/178 W Construction Conception ToPART (Total Purity Audio Reproduction Technology): architecture d’entrées/sorties symétrique et directe Alimentations séparées pour la section numérique et la section analogique Mode Pure Direct Mesures Sensibilité/Impédance d’entrée: - CD etc: 200 mV / 47 k-ohms - Phono MM: 3.5 mV / 47 k-ohms Réponse en fréquence: CD,etc. (20 Hz–20 kHz / 10 Hz–100 kHz) 0 ± 0.5 dB / 0 ± 1.0 dB Distorsion harmonique totale (20 Hz–20 kHz): - CD, etc. vers Speaker Out: 0,015% (40 W / 8 ohms) - Phono MM vers Rec Out: 0,025% (3 V) Ratio Signal/Bruit: - CD, etc. (200 mV, Entrée C

Yamaha R-N500 Network Amplifier Streaming System. État : "Occasion" Selling my beloved Yamaha R-N500 Network Streaming system in excellent working condition and esthetics, no scratches, no dents, not a single issue, it just runs perfectly. Huge amplification power, big and spacious sound. All the connections that someone may want, including PHONO. Internet radio is just a pure joy and a very good control app from Yamaha. Comes in original box with all the accessories, AM/FM antenna, remote control and manuals. Please don't hesitate to ask me any questions regarding the item before the purchase, unfortunately I can't accept any returns, considering the weight of the item and the postage costs. I can also dispatch it with Mondial Relays, it's a little cheaper, we can find the best quote for the shipping. Je met en vente mon système de streaming réseau Yamaha R-N500 en excellent état de fonctionnement et esthétique, pas de rayures, pas de bosses, pas un seul problème, il fonctionne parfaitement. Énorme puissance d'amplification, son grand et spacieux. Toutes les connexions que quelqu'un peut souhaiter, y compris PHONO. La radio Internet n'est qu'un pur bonheur et une très bonne application de contrôle de Yamaha. Livré dans la boîte d'origine avec tous les accessoires, antenne AM / FM, télécommande et manuels. N'hésitez pas à me poser des questions concernant l'article avant l'achat, malheureusement je ne peux accepter aucun retour, compte tenu du poids de l'article et des frais d'expédition. WHAT HI-FI: "With Alt-J’s Breezeblocks streaming from our server, we’re immediately struck by how big and spacious the R-N500 sounds. Instruments and voices are easy to place in the airy soundstage. It has a warm, full-bodied balance that’s characteristic of Yamaha’s sound, combined with a squeaky-clean, smooth presentation that’s lovely to listen to. There’s little this Yamaha can’t do. Plug it into your home network (via ethernet only, there’s no wi-fi), and you can seamlessly stream all your music files stored across laptops, smartphones, tablets and NAS devices. File compatibility is extensive: you can play anything from standard MP3s to hi-res 24-bit/192kHz FLAC and WAV files through the R-N500. AirPlay and DLNA support are also available, and with Spotify Connect, vTuner internet radio, and FM and AM tuners on board, you have access to more music than you can shake a glow stick at. This is an extremely well featured system. Stream quality is stable, everything works without a hitch, and we didn’t experience any dropouts during testing. We’re puzzled every time we look at the R-N500’s relatively budget price tag, as it looks every inch a premium quality piece of hi-fi kit. The all-metal construction is built well, and the unit is sturdy and classy in equal measure. It feels like an expensive product, too. Those beautifully machined dials and tonal controls on the front panel are wonderful to use. They’re weighted just right, and turn so smoothly. They also bear more than a passing resemblance to the ones on Yamaha’s retro-styled flagship A-S3000 amplifier (£4000) – it’s no wonder we keep thinking the R-N500 costs more than it does..." Amplification Puissance maximale (4 ohms, 1 kHz, 0,7 % THD): 105 W + 105 W Puissance nominale (8 ohms, 20 Hz—20 kHz, 0.04% THD): 80 W + 80 W Puissance maximale (JEITA) (8 ohms, 1 kHz, 10% THD): 115 W + 115 W Puissance dynamique/cn. (8/6/4/2 ohms): 105 W/125 W/150 W/178 W Construction Conception ToPART (Total Purity Audio Reproduction Technology): architecture d’entrées/sorties symétrique et directe Alimentations séparées pour la section numérique et la section analogique Mode Pure Direct Mesures Sensibilité/Impédance d’entrée: - CD etc: 200 mV / 47 k-ohms - Phono MM: 3.5 mV / 47 k-ohms Réponse en fréquence: CD,etc. (20 Hz–20 kHz / 10 Hz–100 kHz) 0 ± 0.5 dB / 0 ± 1.0 dB Distorsion harmonique totale (20 Hz–20 kHz): - CD, etc. vers Speaker Out: 0,0

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg