Barron s here to

CD Album CD Code EAN: 0843563101292 Rubrique principale CD: CD Album Genre musical: Heavy Métal Titre: The Barron's Here To Rock

THE FERGUSON BROTHERS - HERE TO STAY LP (MEDIA NM OR M-) (SLEEVE VG+). État : "Occasion" (MEDIA NM OR M-)  (SLEEVE VG+)  Label: Ambient Records (5) ‎– none Format: Vinyl, LP, Stereo Country: US Sortie: 1979 Genre: Funk / Soul Style: Soul, Funk, Disco Tracklist A1Give It All To MeSynthesizer – David Ferguson (15)3:40A2She Said To MeAlto Saxophone [Solo] – David Ferguson (15)Flute – Gary Shaver (2)Synthesizer – Sonny Ferguson4:00A3I Got To Know3:35A4If You Leave MeCongas – Curly WalkerCowbell – Bill Pace (4)2:42B1She's A MysteryWritten-By – John Sebastian2:39B2Hello SunshineElectric Guitar – Sonny FergusonFlute – Barry Strickland3:00B3Do You Want My Funk?Effects [Special] – Charlotte, Annis & Lisa BlairPercussion – Curly Walker, D. Ferguson*3:34B4You're A WomanGong – Sonny FergusonLead Guitar – Joe Russ, S. Ferguson*2:58B5Rock N' Roll AngelWritten-By – John Small (2)2:45

CD Album CD Code EAN: 0656605132525 Rubrique principale CD: CD Album Genre musical: Pop Titre: Here's to taking it easy Référence fabricant CD: 864.A006.020

CD Album CD Code EAN: 0602527649979 Rubrique principale CD: CD Album Titre: Here's to you: Songs for Shirley Horn Genre musical: Jazz Référence fabricant CD: 2764997

Vinyle 33 Tours Vinyles Code EAN: 0673855020112 Genre musical: Pop rock Titre: Here's To Shutting Up - Vinyle 33 Tours Rubrique principale Vinyle: 33 Tours Crawler: Spyfind Crawler: Spyfind Image

How to Prepare for the Test of English as a Foreign Language Ammareal Visit our store Description Titlee  : How to Prepare for the Test of English as a Foreign Language Author(s)  : Pamela J. Sharpe Publisher  : Barron's Educational Series Inc.,U.S. Publishing year  : 1989 Sate  : Second Hand – Good ISBN: 9780812042771 Comment  : Former library book. Edition 1989. Different cover. Signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations. Ammareal sells online second hand books provided by our partners which are associations and lbraries. A portion of the price of each book is donated to our partners or to charities. What we do not sell is given, what we do not give is recycled. Shipping Our books are shipped within one business day of your order. We ship from France. Delivery to the UK typically takes 5 to 10 business days. International Shipping International economy shipping is available worldwide within 5 to 30 business days. Payment Paypal & credit card. Terms of sales You have 14 days to ask for a return. Return shipping fees are at the customer's expense. Come visit our store ! Ammareal

Christmas Hits 50 Original Classics-Inclus here comes santa claus Cd neuf sous blister ! 2 Cd des plus grands classiques de Noël interprétés par les plus grands de la chanson. - CD (12 août 2008) - Nombre de disques: 2 - Label: Fat Cat - ASIN: B000VXRCCU Disque: 1   1. White Christmas - Crosby, Bing   2. Have Yourself A Merry Little Christmas - Garland, Judy   3. The Christmas Song (Merry Christmas To You) - Cole, Nat King   4. Santa Baby - Kitt, Eartha   5. Santa Claus Is Comin' To Town - Sinatra, Frank   6. Sleigh Ride - Anderson, Leroy & His Orchestra   7. Here Comes Santa Claus - Day, Doris   8. Winter Wonderland - Como, Perry   9. Let It Snow! Let It Snow! Let It Snow! - Herman, Woody   10. Jingle Bells - Sinatra, Frank   11. Rudolph, The Red-Nosed Reindeer - Crosby, Bing   12. Frosty The Snowman - Autry, Gene   13. (All I Want For Christmas Is) My Two Front Teeth - Jones, Spike & His City Slickers   14. It's Beginning To Look A Lot Like Christmas - Como, Perry   15. Silver Bells - Whiting, Margaret / Wakely, Jimmy   16. The Little Boy That Santa Claus Forgot - Cole, Nat King   17. Christmas Island - Andrews Sisters, The   18. Christmas Alphabet - Valentine, Dickie   19. Blue Christmas - Tubb, Ernest   20. The Night Before Christmas Song - Morgan, Russ & His Orchestra   21. I'll Be Home For Christmas - Crosby, Bing   22. Christmas Dreaming (A Little Early This Year) - Sinatra, Frank   23. The Little Christmas Tree - Cole, Nat King   24. Santo Natale (Merry Christmas) - Whitfield, David   25. I'm Walking Backwards For Christmas - Goons, The Disque: 2   1. That Christmas Feeling - Como, Perry   2. Santa Claus Got Stuck In My Chimney - Fitzgerald, Ella   3. Mrs. Santa Claus - Cole, Nat King   4. Snow - Crosby, Bing / Kaye, Danny / Lee, Peggy / Stevens, Trudy   5. Christmas In Killarney - Crosby, Bing   6. Christmas And You - King, Dave & His Orchestra   7. St. Nicholas Waltz - Roza, Lita   8. C-H-R-I-S-T-M-A-S - Arnold, Eddy   9. Mele Kalikimaka (Hawaiian Christmas Song) - Crosby, Bing   10. There's A Train Out For Dreamland - Cole, Nat King   11. That's What Christmas Means To Me - Fisher, Eddie   12. The Merry Christmas Polka - Andrews Sisters, The   13. Little Jack Frost Get Lost - Crosby, Bing / Lee, Peggy   14. I Saw Mummy Kissing Santa Claus - Beverley Sisters, The   15. O Come All Ye Faithful (Adeste Fideles) - Sinatra, Frank   16. God Rest Ye Merry Gentlemen - Crosby, Bing   17. The First Nowell - Haymes, Dick   18. The Birthday Of A King - Garland, Judy   19. Cradle Song - Miller, Glenn & His Orchestra   20. O Little Town Of Bethlehem - Haymes, Dick   21. Angels We Have Heard On High - Crosby, Bing   22. I Saw Three Ships - Crosby, Bing   23. Star Of The East - Garland, Judy   24. Silent Night, Holy Night - Durbin, Deanna   25. O Holy Night (Cantique De Noël) - Lanza, Mario

I Can Play It Music Games and Activities to Help Your Child Learn Patricia Shehan Campbell Maja Pitamic Professor Patricia Shehan Campbell Auteur: Patricia Shehan Campbell Maja Pitamic Professor Patricia Shehan Campbell Editeur: Barron's Educational Series Broché: 176 pages Publication: 01/10/2015 Dimensions: 0 x 00 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais   D'autre titre de Patricia Shehan Campbell Maja Pitamic Professor Patricia Shehan Campbell Activit?s d'apr?s la p?dagogie Montessori: Pour accompagner le d?veloppement de votre enfant ? partir de 3 ans Classement: Livres anglais et étrangers > Subjects > Nonfiction > Education > Preschool & Kindergarten

NEIL YOUNG S/T 1971 Rep 44059 Original France 1st Press Laminated Gatefold EX More Folk records in my store, Psychedelic and Progressive LP's here and classic Rock there. Pochette / PS: VG++ Petit manque sur le haut du recto, scotch sur le bord de la tranche côté ouverture. Small miss on the top right corner of front PS, tape on the edge of the opening side. Vinyl: EX+ Rarement (jamais ?) joué mais présente de petites marques dues à la pochette intérieure. Barely (never ?) played but shows slight surface marks due to inner sleeve. L'énorme majorité des disques en vente n'a été que rarement, voire jamais, jouée. Ces disques ont été gardé à l'abri de l'humidité et de la lumière mais pas forcément de la poussière. Un bon nettoyage devrait définitivement accroître la qualité acoustique de ces vinyles en ôtant la poussière qui pourrait y rester. Dans la mesure où chaque collectionneur a sa propre méthode de nettoyage (machines VPI ou Okki Nokki, pâte LGL, sprays, etc...), nous laissons le soin d'exécuter cette délicate opération à son futur propriétaire. The huge majority of these records has rarely (sometimes never) been played. They have been stored away from moisture and light but, sometimes, not from dust. A good cleaning will definitely increase the sound quality by taking off some of the dust that might still be there. As every record collector has his own way to do it (VPI or Okki Nokki cleaning machines, LGL paste, sprays, etc...) we leave this delicate operation to its next owner. Grading system in english here Système de gradation visuelle dérivé du Goldmine Standard: M (MINT) Scellé, jamais joué, neuf dans son emballage d'origine. NM (NEAR MINT) Copie quasi parfaite, jamais ou très rarement joué. Au pire, une ou deux traces de surface insignifiantes généralement dues à la pochette intérieure. C'est le qualificatif le plus haut donné pour un disque non scellé. EX (EXCELLENT) Copie très propre, quelques marques de surfaces (cheveux) insignifiantes. Ce disque a rarement été joué, toujours sur du bon matériel et traité avec soin. La pochette a des défauts très mineurs: des initiales ou un nom discrets, faible usure des coins, très léger ringwear. VG++ (VERY GOOD++) Des marques de surface plus nombreuses pour le vinyl. Quelques défauts ou traces d'usage de la pochette. C’est, en général, le qualificatif donné à un disque de 20 à 50 ans ayant eu une vie “normale”, traité avec soin, mais écouté et manipulé régulièrement par son ancien propriétaire. VG+ (VERY GOOD +) A été joué souvent, traces d'usage et multiples micros rayures générant un bruit de fond au départ ou entre deux titres, mais le disque ne saute pas à la lecture. La pochette présente des traces d'usage ou de stockage importantes (coins ou tranche usés, noms, date, dédicace, déchirure, etc...). En général, ce disque a fait partie des favoris de la discothèque de son ancien propriétaire, est passé de mains en mains, a dû animer quelques soirées et porte les stigmates d’une vie bien remplie. VG (VERY GOOD) Disque très usé, a été joué de nombreuses fois, des rayures importantes provoquant un bruit de fond permanent mais ne saute pas à la lecture. Encore écoutable (notamment à fort volume pour du gros son). La pochette est bien abîmée, déchirure importante, coins et tranche usés, importantes traces de stylo ou marqueur...bref, le qualificatif précédent mais bien plus accentué. G (GOOD) A été joué jusqu'à la corde (mais encore jouable sur certains titres), rayures multiples, craquements, sauts pendant la lecture. La pochette est très abîmée. Cette gradation ne concerne que les disques d'exception pouvant intéresser un collectionneur souhaitant récupérer le vinyl ou la pochette afin de compléter un exemplaire déjà présent dans sa discothèque. Nous avons plutôt tendance à exagérer nos gradations, cependant, en cas de doute, n’hésitez pas à poser vos questions avant d’enchérir. Nettoyage Les pochett

CD  KENNY BAKER & HIS ORCHESTRA (TRIBUTE TO THE GREAT TRUMPETERS) Sortie: 2001 Nombre de pistes: 18 Durée: 61'28 1 Carnival Time - Tribute To Ray Anthony 2 And The Angels Sing - Tribute To Ziggy Elman 3 I Can't Get Started - Tribute To Bunny Berigan 4 Won't You Come Home Bill Bailey - Tribute To Jonah Jones 5 You Made Me Love You - Tribute To Harry James 6 Satchmo - Tribute To Louis Armstrong 7 What's New - Tribute To Billy Butterfield 8 How Long Has This Been Going On - Tribute To Doc Severonsen 9 Little Jazz - Tribute To Roy Eldridge 10 Sugar Blues - Tribute To Clyde McCoy 11 Tenderly - Tribute To Randy Brooks 12 Georgia - Tribute To Nat Gonella 13 Davenport Blues - Tribute To Bix Beiderbecke 14 Morning Glory - Tribute To Rex Steward 15 Echoes Of Harlem - Tribute To Cootie Williams 16 Our Love Is Here To Stay - Tribute To Bobby Hackett 17 Memories Of You - Tribute To Sonny Durham 18 Music Goes Round & Around - Tribute To All Trumpeters Livret de 4 pages (en anglais) Petit défaut boîtier Les CD sont envoyés dans une enveloppe à bulles renforcée et protégée. France : Les frais de port sont de 2,50 euros pour 1 CD.  3,95 euros pour 2 CD ou plus (Mondial Relay).  Belgique et Luxembourg: 3,95 pour 1 ou plusieurs CD (Mondial Relay) International buyers: The CDs are sent in a padded envelope or protected with carboard. The Shipping price is 3 euros for 1 C.D. (not registered).

CONDITION (Cover/Disc):   VG+ / VG+  Commentaires: /   Rick Astley ‎– She Wants To Dance With Me Label: RCA ‎– PT 42190 R Format: Vinyl, 12" Country: UK Released: 1988 Genre: Electronic, Pop Style: Synth-pop Tracklist Hide Credits A She Wants To Dance With Me (Bordering On A Collie Mix) Producer – Phil Harding & Ian Curnow, Rick Astley Remix, Engineer – Phil Harding 6:04 B1 It Would Take A Strong Man (Matt's Jazzy Guitar Mix) Engineer – Mark McGuire Producer – Stock, Aitken & Waterman Remix – Pete Hammond 7:46 B2 She Wants To Dance With Me (Instrumental) Producer – Phil Harding & Ian Curnow, Rick Astley Remix, Engineer – Phil Harding 4:03           M Mint Record or cover are absolutely perfect, as new Neuf Disque ou pochette sont absolument parfaits, comme neufs NM Near Mint Record shows signs of having been played but still plays perfectly. Possible tiny wear or marks without any consequences on play. Superb cover with possible minor crease or wear Quasi Neuf Disque qui a déjà été écouté plusieurs fois, mais joue toujours comme neuf. Possibles micro rayures sans aucune conséquence sur l’écoute. Pochette superbe avec possibles petites pliures et signes de manipulations. VG+ Very Good + Record has been played many times, shows wear or small marks or light scratches but nothing deep, still plays very well. Cover shows light wear or creasing or tiny tears. Très Bon + Disque qui a déjà été écouté, possibilité de petites rayures, petites marques et de légers craquements mais l’écoute reste satisfaisante. Pochette un peu usée, petites écritures, pliures ou micro déchirures. VG Very Good Record shows non feelable scratches, surface marks, wear and displays surface noise but is still enjoyable. Cover shows wear, creasing, small tears or spine splits. Très Bon Disque beaucoup écouté, il y’a des rayures qu’on ne sent pas au doigt et il craque, néanmoins, l’écoute reste possible. Pochette usée, grosses écritures ou petites déchirures. G Good Record displays considerable surface noise, marks and deep scratches. Still playable but with poor quality. Cover shows strong wear, creasing, spine splits, missing parts etc... Bon Disque très usé qui montre des rayures profondes, des marques et qui joue avec beaucoup de bruits de fonds. L’écoute reste possible mais de mauvaise qualité. Pochette très usée, déchirée, tachée etc...     FRAIS DE PORT GROUPES / COMBINED SHIPPING: Nous groupons les frais de port pour plusieurs disques / We will gladly combine your multiple purchases into one order so you save on shipping and handling: Cliquez ici pour un aperçu des tarifs / Click here to see our combined fees     Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

PETER'S POP-SHOW 26 TRACKS 2 CD COMPILATION BMG ARIOLA GERMANY  ♦  353 666  ♦ 1989     1-1 –Milli Vanilli Girl I'm Gonna Miss You  4:19  1-2 –Depeche Mode Personal Jesus  3:44  1-3 –Roxette The Look  3:56  1-4 –David Hasselhoff Flying On The Wings Of Tenderness  3:50  1-5 –Camouflage Love Is A Shield  3:59  1-6 –Blue System Magic Symphony  3:35  1-7 –Fine Young Cannibals She Drives Me Crazy  3:35  1-8 –Taylor Dayne With Every Beat Of My Heart  4:12  1-9 –Lisa Stansfield This Is The Right Time  4:12  1-10 –Blue System Love Me On The Rocks  3:27  1-11 –Rainhard Fendrich Es Ist Ein Alptraum Ohne Stammbaum  4:00  1-12 –David Hasselhoff Looking For Freedom  3:55  1-13 –Erasure Drama!  4:05  1-14 –Bonfire Bang Down The Door  3:16  2-1 –Tina Turner The Best  4:09  2-2 –Mike Oldfield Innocent  3:25  2-3 –Holly Johnson Heaven's Here  3:55  2-4 –Robin Beck The First Time  3:17  2-5 –Peter Maffay Kein Weg Zu Weit  3:41  2-6 –Deborah Harry I Want That Man  3:41  2-7 –Gianna Nannini Voglio Fare L'amore  3:59  2-8 –Edoardo Bennato Viva La Mamma  3:24  2-9 –Udo Lindenberg 16 Jahr  3:00  2-10 –Milli Vanilli Money  4:10  2-11 –Soul II Soul Back To Live (However Do You Want Me)  3:48  2-12 –Bonfire Hard On Me  3:08     CD IS IN A VERY GOOD CONDITION - LE CD EST EN TRES BON ETAT CD: EX SLEEVE / POCHETTES : VG+ quelques marques sur le livret - some marks on the booklet inside

Coffret 25 cm CAPITOL LAL 9023 POPULAR VOCALS IN FULL DIMENSIONAL SOUND 1 disque de démonstration avec livret en anglais  1. Ella Mae Morse: 40 cupps of coffee 2. Margaret Whiting: Wilz to the blues 3. The Encores: Do you ever think of me 4. Yma SUMAC: Chuncho 5. Les Paul and MAry Ford: Vaya con Dios 6. Joe "Fingers Carr" Collegiate 7. Nat King Cole: Love is here to stay 8. Gisele Mackenzie:Adios Disque pressé aux USA Disque très propre comme neuf nettoyé Disco-antistat KNOSTI Coffret légèrement marqué par les années charnière coupée(voir photo) Envoi en emballage approprié pour disque vinyle

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

HELLO, Welcome to La Face Cachée's Shop We re selling new and second hand items, any question ?  just ask Bonjour, nous vendons des disques neufs et d'occasions Warning: Pictures are generic and are not from the actual item we re selling, just to show an exemple of the item   ask for a detailled picture if you need Attention important: Les images sont génériques (à titre d'exemple) Vous pouvez nous demander une photo plus précise si vous le souhaitez. WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) Article : Us 5 - Come Back To Me Baby (CD) Format: CD, Maxi-Single More infos about this item here (condition and description MEDIA / SLEEVE): Near Mint (NM or M-) / Near Mint (NM or M-) 2006 Europe Global Music (5), Universal, Triple M Music Global Music Production GmbH & Co. KG, Global Music Production GmbH & Co. KG, RTL II, Optimal Media Production 9500015 Pop Europop ************************ SHIPPING: We ship from France, Shipping in France: 5.85 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. 5.85 € quelquesoit la quantité. Si le calculateur n'ajuste pas le port correctement, merci de nous contacter nous le ferons manuellement Shipping in Europe: 9.5 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. Shipping outside Europe: 12 € (+ around 3 € per extra item, should be fixed automaticly by system), if the automatic price calculation don't work, please contact us. ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) *********************** Others online catalogues here: Discogs's shop here CDANDLP here You Want to see A VIDEO FROM THE shop? Click here *********************** ******************** **************** Thx for looking About us: La Face Cachée is a record store located in the east of France (Metz) We sell second hand and new records If condition is stated as M/M, that means neuf / new otherwise it's a second hand item ************************ Website: www.la-face-cachee.com 's SHOP here Labels from the shop: Prestalia e-commerce solutions.