Cant that on stage

MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme LIRE LA DESCRIPTION Merci de lire l'intégralité du descriptif avant de placer votre enchère. (Pas de retour) MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme livré avec sa  télécommande et son câble secteur. ETAT DU LECTEUR Façade en très bon état. Quelques traces et marques sur le  dessus (cf photos) La courroie du tiroir ainsi que les tampons amortisseurs de la tête de lecture sont neufs. Ces éléments ont été récemment remplacés  par un professionnel.  La  tête de lecture est d'origine (Philips CDM-12.4).  Pour le moment, elle a été conservée car globalement, la platine fonctionne bien. La mécanique est très réactive.  La platine lit des cds gravés sans difficulté  mais il  peut arriver,  sur des cds mal gravés ou en mauvais état,  que la platine se mette en erreur du type "error" ou "no disc".  Cela est rare mais dans le temps,  un remplacement de la tête de lecture   CDM12.4,  que l'on trouve facilement sur le net, devra  peut-être être envisagé.   QUALITE SONORE Ce lecteur vintage, sommet de la gamme Stage du constructeur français Micromega est doté d' une très grande réputation  auprès des audiophiles pour des raisons évidentes.  Il possède un superbe rendu, une musicalité  d'un très grand naturel,  sans agressivité.    Les instruments sonnent juste et  les voix sont retranscrites avec un réalisme sonore impressionnant.  L'image sonore est ample, la spatialisation remarquable. PARTICULARITES Le lecteur a de nombreuses fonctions uniques. Un mode d'emploi en français sera fourni. Par exemple, lorsque l'on raccorde le lecteur au secteur, l'afficheur clignote pendant 2 minutes en indiquant  le logo STAGE 6, ceci est un fonctionnement normal  pour activer les circuits et garantir  des performances sonores optimales.  Il est préférable de le savoir. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs Please read the entire description before placing your bid. (No return) CONDITION MICROMEGA STAGE 6 (rare)  Player cd high end with remote. Front in very good condition. Some traces and marks on the top (see photos) The drawer belt and the read head shock absorbers are new. These elements have been recently replaced  by a professional. The read head is original (Philips CDM-12.4). For the moment, it has been kept because overall, the turntable works well. The mechanics are very responsive.    The turntable reads CDs without difficulty but it can happen, on poorly engraved  CD or CD  in poor condition, that the turntable gets into an "error" or "no disc" type error. This is rare but over time a replacement for the CDM12.4 read head, which is easily found on the net, may have to be considered. SOUND QUALITY This vintage player, the top of the Stage range from the French manufacturer Micromega, has a very high reputation among audiophiles for obvious reasons. It has a superb rendering, a musicality of a very great naturalness,  without aggressiveness. The instruments ring true and the voices are transcribed with impressive sonic realism. The sound image is ample, the spatialization remarkable.  SPECIAL FEATURES The reader has many unique functions. Instructions for use in French will be provided. For example, when the reader is connected to the mains, the display flashes for 2 minutes indicating the STAGE 6 logo, this is normal operation to activate the circuits and guarantee optimal sound performance. It is better to know that.  Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs

Merci de lire l'intégralité du descriptif avant de placer votre enchère. (Pas de retour) MICROMEGA STAGE 6 (rare)  Lecteur cd haut de gamme avec sa télécommande. ETAT DU LECTEUR Façade en très bon état. Quelques traces et marques sur le  dessus (cf photos) Le tiroir  ainsi que les tampons amortisseurs de la tête de lecture sont neufs. Ces éléments ont été récemment remplacés  par un professionnel.  La  tête de lecture est d'origine (Philips CDM-12.4).  Pour le moment, elle a été conservée car globalement, la platine fonctionne bien. Le lecteur est vendu pour pièces ou  pour réparation pour la raison suivante: Il peut arriver de façon aléatoire  et rarement que la platine se mette en erreur et ne lise pas le cd. Dans ce cas, il faut éteindre la platine et la rallumer et elle fonctionne de nouveau. Dans le temps,  un remplacement de la tête de lecture   CDM12.4 devra  peut-être être envisagé.   Cet article est vendu en l'état avec un cordon secteur et sa télécommande, sans garantie ni retour possible.   QUALITE SONORE Ce lecteur vintage, sommet de la gamme Stage du constructeur français Micromega est dotée d' une très grande réputation  auprès des audiophiles pour des raisons évidentes.   Il possède un superbe rendu, une musicalité  d'un très grand naturel,  sans agressivité.    Les instruments sonnent juste et  les voix sont retranscrites avec un réalisme sonore impressionnant.   L'image sonore est ample, la spatialisation remarquable. PARTICULARITES Le lecteur a de nombreuses fonctions uniques.  Par exemple, lorsque l'on raccorde le lecteur au secteur, l'afficheur clignote pendant 2 minutes en indiquant  le logo STAGE 6, ceci est un fonctionnement normal  pour activer les circuits et garantir  des performances sonores optimales.  Il est préférable de le savoir. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs Please read the entire description before placing your bid. (No return) CONDITION MICROMEGA STAGE 6 (rare)  Player cd high end with remote. Front in very good condition. Some traces and marks on the top (see photos) The drawer and the read head damper pads are new. These elements were recently replaced by a professional.The read head is original (Philips CDM-12.4). For the moment, it has been kept because overall, the turntable works well.The player is sold for parts or for repair for the following reason:It can happen randomly and rarely that the deck makes a mistake and does not read the CD. In this case, you must turn off the board and turn it on again and it works again. This is rare but over time a replacement of the CDM12.4 read head may need to be considered.   This item is sold with no warranty and no return possible.   SOUND QUALITY This vintage player, the top of the Stage range from the French manufacturer Micromega, has a very high reputation among audiophiles for obvious reasons. It has a superb rendering, a musicality of a very great naturalness, without aggressiveness. The instruments ring true and the voices are transcribed with impressive sonic realism. The sound image is ample, the spatialization remarkable.   SPECIAL FEATURES The reader has many unique functions. Instructions for use in French will be provided. For example, when the reader is connected to the mains, the display flashes for 2 minutes indicating the STAGE 6 logo,, this is normal operation to activate the circuits and guarantee optimal sound performance. It is better to know that. Convertisseur bitstream: 2 x TDA1305T Réponse en fréquence de 20Hz à 20kHz Sortie ligne: 2V Sortie digitale coaxiale Poids env 4,8kgs

A21SE Stage Two Phono Amplifier There are two dedicated phono amplifiers in the Sugden range and both are borne from our passion for vinyl. The Stage Two offers exceptional value for money with facilities to cater for both MM and MC cartridges. The design is a two box system separating the power supply from the amplifier. The phono amplifier has fixed loading for MM and 100 and 470 Ohm selection for MC. Our design criteria was to produce a product that was as neutral as possible, retaining a faithful and enjoyable analogue sound. A21SE Stage Two Phono Amplifier NEW IN BOX, on stock, ready to ship. Retail price:599€ Facilities Inputs                                      Moving magnet, Moving coil                                                LTVS power in Outputs                                  Fixed line level output Gain Adjustment                    Internal selection for MM or MC Load Adjustment                    Internal for MC 100 and 470 Ohms                                                MM fixed load 47k Earth Terminal                       Screw type External Power Supply          Mains powered Specifications Input Sensitivity                      MM 3.0mV MC 0.15mV Output                                    350mV Frequency Response            +/-1.5dB 20Hz-20kHz Signal to Noise                       >64dB Gross Weight  (packed)        2kgs Dimensions                           Phono amplifier 60 x 140 x 77mm (hwd)                                               Power supply 50 x 140 x 77mm (hwd) Visit My Facebook: M&LaMusique Instagram: Cheam.Khaut.Ming Whatsapp: +33663082521

I sell a set of 2 JP-08 + all boxes and packing + paper manual + 1 midi cable + 1 audio cable + 2 power supply and USB cables + 2 brackets. The first JP-08 is in perfect condition. No scratches. Like new. The second one has some minor scratches due to a cable that was placed in the box by mistake.  These two JP-08 are working perfectly. So this set is ready for a full 8 voices JP-08 in chain mode like the original Jupiter 8. The first thing that strikes you when you see the JP-08 is how professional it looks and feels - it's a diminutive metal fronted, plastic box with sturdy feeling short throw, orange-lit sliders and solid dials. As the unit is so compact, it fits nicely into a small rucksack, giving you a lot of sonic power to work with. On the move, on sessions or on stage this is a real bonus. Selecting patches is done Jupiter-8 style, with eight preset buttons to the left (64 patches total) and eight patch presets (which contain upper/lower/dual patches) to the right which all glow a pinky-orange. Type in the patch you want and off you go, though there's no patch naming so you need to remember numbers. The Patch Number/Patch Preset buttons also work in combination with the Manual and Dual buttons to select hidden functions (as listed in the compact manual) and to choose from solo (legato mono) unison (stacked mono) and poly (4-voice chord) modes. The buttons also act as 16-step buttons for the sequencer. The sound is so fantastic ! The JP-08 Boutique is identical to the actual Roland Jupiter 8 in sound, and editing, capabilities.  It uses the acclaimed Boutique ACB (Analogue Circuit Behaviour) modelling technology to emulate the original Jupiter-8's circuitry and the way those circuits interact/behave.  Sonically, the JP-08 gets right in the ballpark of the original Jupiter-8 and displays that recognizable smooth yet gritty character in terms of its filters (HPF and 12/24dB LPF), modulation and waves. I have never been so pleased with a synthesizer purchase as the JP-08 in 25 years of production experience.  One JP-08 has  4 voices max, but because this auction is for 2 JP-08, you can link them in chain mode for 8 voices.  The "chain mode" synchronizes all master parameters to the slave one.   With a master keyboard, 2 Roland JP-08 are the way to go for a real Jupiter 8 sound, and editing, especially in DUAL mode. 10/10 rating !

Compatible with all ew 100 G3 receivers and each vocal style, this handheld transmitter / microphone offers performers a lot of technical and artistic freedom. With its rugged design and powerful sound, it is ideal on stage. The handheld transmitter’s graphic display and recharging contacts are new features that provide great user comfort and flawless reliability during shows. Compatible avec tous les récepteurs ew 100 G3 et chaque style vocal, cet émetteur/micro main offre aux interprètes beaucoup de liberté technique et artistique. Avec sa robuste conception et sa puissance sonore, il est idéal sur scène. L'affichage graphique et les contacts de recharge de l'émetteur main sont de nouveaux dispositifs qui procurent un grand confort d’utilisation et une fiabilité sans faille lors des spectacles.

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus

Little jewel, one of the greatest headphones amplifiers ever, extremely rare on sale, in perfect working condition and aesthetics, almost like new. Trully impressive, addicting sound. Higly regarded by audiophiles, a true reference and a collectible item. Would loved to keep this one, I'm selling it reluctantly... Comes with original box and accessories, well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. b'"' In terms of the criteria that I listen for in any amp, transparency, noise, dynamics and the ability to get me out of my head and into the music, Prime is well, prime. All in all, a seemingly impressive effort that covers all the bases.b'"' From Neil Gader's review in The Absolute Sound head-fi.org/threads/meridian-prime-headphone-amplifier-review.691392/ Headfonia: MERIDIAN PRIME - ENGLISH EXCELLENCE b'"'Does The Prime Live Up To The Meridian Name? First I tried the Prime as an Amp/Dac combo (with PSU) and I immediately loved the sound from this demo unit: Enormous Clarity, great detail retrieval from bass to treble, top precision and dynamic sound. All presented with just the right amount of air between the instruments. Musical and detailed sound with a superb flow. The Prime sounds fast and is neutrally tuned but the best solid state kind there is. Maybe it is just slightly forward sounding, but not that much. Bass is tight, goes deep, is well layered and has a lot of detail but doesn’t have the big body of say the Beyerdynamic A20 amplifier (but it has far better quality). The Prime is a linear tuned unit and I find the bass to be perfect (and that’s an understatement) with the Audeze and Hifiman headphones but more on those later. The Prime’s mids are slightly more forward sounding, especially the vocals, but they are not bright. Don’t get me wrong on that because they sound incredibly good: perfect separation, great timbre, heaps of detail but never over-analytical and always musical and dynamic. Treble is extended and detailed but never harsh sounding. I do like my treble and the Prime does a splendid job for my taste. Treble is on the same level as the mids and bass: clarity, detail and sparkle. The Prime’s sound stage is wide and deep with a perfect balance and 3-dimensionality. I fell in love with the Prime’s sound as a DAC/Amp unit. For me this is top audiophile sound.b'"' The Prime can also be used as a DAC and Pre Amp in combination with a power amp, headphone amp or active speakers. There is no disappointment here, the Meridian DAC delivers a stunning performance in combination with my desktop sized solid state and tube amps. I love a clear, detailed and neutral DAC with a huge sound stage. Who wouldn’t? Well this is one of those DACs I could live happily ever after with. It ads nothing to the sound, in a good way that is, and using it as a pre amp boosts the performance of your amplifier. headfonia.com/meridian-prime-english-excellence/ The Prime is a top-class headphone amplifier and a surprisingly talented stereo preamp. Meridian is a master at signal processing, so it’s no surprise to find ‘Analogue Spatial Processing’ on board the Prime. It’s a function designed to counteract the fact that stereo recordings are designed to be played over speakers, not headphones. ASP blends the left and right channels to varying degrees – there are three options – to try to create a more natural presentation. These features can often compromise clarity and focus to improve sound staging, but ASP sounds pretty convincing. The Prime also works well as a dedicated stereo preamp. It’s certainly right up there with some of the best preamps we’ve heard at around the £1000 mark. En savoir plus

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES AMPEG - BA-115V2 Référence: BA-115V2 499,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus AMPEG - BA-115V2 - baffle basse Les combos de la série BASSAMP vous permettent d’accéder à la large palette sonore offerte par les amplis Ampeg. Offrant Le son Ampeg à un niveau sonore idéal pour l’étude et les petites scènes, les amplis combos de la série BA ont été entièrement revus. Ils bénéficient du tout nouveau circuit de saturation « Bass Scrambler » qui vous permet très facilement d’obtenir des sons aussi étoffés qu’un ampli à lampe. Le Baffle offre la possibilité d’une installation à 60°, angle parfait pour une utilisation en retour dans des espaces restreints, tout en procurant une clarté sonore accrue. Tous les contrôles sont maintenant situés en face avant. Plus besoin de faire le tour de l’ampli pour peaufiner vos réglages alors que vous êtes sur scène. Ils sont extrêmement robustes, avec un châssis métal, une finition noire, et une façade avant rétro-éclairée qui sera du plus bel effet sur scène. Caractéristiques: * Puissance RMS: 150 W * Haut-parleur: 1 x 15", compression 1" * Préampli "Bass Scrambler" avec contrôles Blend, Drive et On/Off (contrôlable par pédale optionnelle) * Interrupteurs ultra-Hi, ultra-Low et Eq. 3 bandes * Entrée jack 6,35 mm avec Pad -15dB * Entrée Aux. pour connexion d'un smartphone ou d'un baladeur * Sortie Aux XLR et sortie casque pour une pratique silencieuse * Boucle d'effets * Pan incliné à 60° pour utilisation en retour * Poids & dim.: 28,2 kg, 534 x 534 x 394 mm AMPEG - BA-115V2 Reference: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Referencia: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Artikel-Nr: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Riferimento: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg Global Audio Store, Revendeur Ampeg agréé Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...        Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: More details at: http://audio.starting-point-systems.com/   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

DAC 3 A very innovative USB DAC blending modern tech with renowned TDA1543 true multibit Philips ® chip for that pure vintage "analog" listening experience... And with its very innovative on-board, always active, jitter-killing reclocker, it will sound equally good from all your sources: USB or SPDIF (coaxial and optical). Problematic, highly jittery sources, like set-top boxes, or wireless audio transmitters (airplay and the like) will now sound just like any well-designed high end transport. And yes, USB too !!! It fits in the palm of your hand, and can be battery operated, so you can take it with you and have your friends enjoy it too ! TDA1543 + Reclocker x (USB or DIR9001) + Battery power = GREAT SOUND ! Why did you design this DAC ? Nobody can be "told" what a good DAC is, you have to hear it for yourself... After searching myself for the "perfect" DAC, I stumbled on forum discussions about how these "vintage" DACs from Phillips® sounded so good. I was getting a little skeptical about those "natural" and "analog" statements for the sound of those converters, but as so many people seemed to make converging descriptions, I was left with the feeling it was not just a legend... I decided I had to build one, and try for myself ! As the result was more than surprising... I told myself: wow, I got to show that to my friends... And what most of my friends said: "can you build one for me ?" Call that a market study... Why do audiophiles do not like the sound of current oversampling DACs ? Oversampling DACs are textbook correct, right ? So they should sound perfect, no ? Well... While it is true that oversampling DACs are textbook correct, if you make the wrong assumptions about the human hearing system, you may end up making mistakes, even if you do the math right ! Let me give you a simple example: it is generally assumed we hear the spectrum of sounds, but can't hear the phase. Now try "binaural beats" on Google and listen for yourself. These clearly show the phase information IS sensed, AND remains present far inside the brain. So maybe the spectrum-only approach to DAC design is not telling the whole story... Traditional non-oversampling DACs from the past did not make any assumptions about hearing mechanisms, they just tried to replicate in analog what you fed them digitally as closely as possible... What are the main features of this DAC ? And what are the main goals of its design ? Extract the pure performance of the last built non-oversampling true 16-bit TDA1543 DAC from Philips® Provide equally high sound quality on either USB or SPDIF sources thanks to a very innovative reclocker USB, Optical & Coaxial inputs (a simple press on the button switches them in round-robin fashion) NO DRIVER Install necessary: uses the stock drivers of your OS: Linux, MacOS, and yes, Windows too (all flavors, XP, Win7/8...) just plug on USB and it's your default sound output ! Frequency indicator (works the same on all inputs) always tells you the REAL sample rate of your source (your computer/transport can't lie to you) DIR9001 96 kHz SPDIF Receiver Supports sampling frequencies from 28kHz to 108kHz (continuous range, including non-standard frequencies) TDA1543 16-bit DAC - the original from Philips® Passive I/V conversion No Op-Amp - direct output with 2Vpp (will drive any power amp well) Huuuge capacitors on the output path provides sub-Hertz cutoff frequency (Three Stage power supply regulation (for a super low background noise level) Separate voltage regulator for the DAC and the Digital SPDIF receiver (same reason as above) Battery-powered with dual 9V NiMH batteries Smart battery charger on-board (quickly charges the batteries when depleted, keeps them charged at low current when idle) Will Directly drive any power amplifier or preamp Easy to carry around and make it listen to yours friends 2+ hours of listening on the batteries, if used standalone with spdif source How can such a small device sound so good ? Simple is beautiful... Simple is beautiful... The less you process sound, by adding unnecessary stages, the more transparent result you get. A minimalist non-oversampling DAC will achieve that goal, and by being transparent, will give you great musical pleasure, and deep connection to musical emotions... What are owners of your DACs saying ? The first person to receive my DAC 3 was one of the Indiegogo crowdfunders, here is what he says about it (personnal email, reproduced with permission): "I've been using my DAC3 and am very pleased with it's sonic performance. The DAC3 digs deep into recordings and uncovers subtle musical details that I've missed using other DAC's. It also sounds very analogue and not at all harsh." Kind regards, Andrew Smith."     These are evaluations of my DAC 3...   Includes: 1x DAC 3 2x NiMH Batteries inside Note: power supply is not included, as it's designed to power from USB external power adapters are supported too, any 12V-24V (15V 1A recommended) wall transformer will do, laptop supplies are ok too, car power also... Video with detailed explanations on the design of this DAC: USB Audio DAC with jitter killer reclocker crowdfunding pitch - YouTube Video will open in a new window [isdntekvideo]   WARNING: If like me, you have the habit of cranking up the volume knob of your amp just to check if the device connected to it has its power on... don't do it with that DAC ! It's background noise is so low (no kidding) it just will fool you into thinking it's maybe not connected. Pressing the "play" key on your CD transport or favorite PC software will blow your speakers, kill your ears, piss-off your neighbors... How do I know... Well, it happened to me... Return Policy: If you don't fall in love with this DAC after listening to 2 or 3 or your favorite tracks with it, I'll refund your purchase without discussion.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con