Cant that on

CD Album CD Code EAN: 5016583600921 Classification Cd Primaire: Rock, Rap, variétés internationales Rubrique principale CD: CD Album Genre musical: Rock Référence fabricant CD: CDD ZAP 9 Classification CDMail: Variétés internationales Titre: YOU CANT DO THAT ON STAGE ANYMORE VOL.2

Frank Zappa "you can't do that on stage anymore vol.5" (2cd). État: "Très bon état" Service de livraison: Lettre Suivie

Top drawer big band funk soundtrack “On Any Sunday” by Dominic Frontiere also gets a stunning gatefold Japanese issue in the early seventies. The motorcycle documentary soundtrack features some of the toughest arrangements in the business. Not surprising with such a line-up, Carol Kaye on bass, Larry Bunker on drums, Tom Scott on sax and flute, Tommy Tedesco on guitar, among others. A prized possession if you’re a record collector and also a Steve McQueen fan. Such a clean copy too! Listen to the full soundtrack HERE. More records are available in my shop Nezumi Records ! --------------------------------- Shipping rates of Nezumi Records with La Poste: I will ship from south of France twice a week (more if possible). Europe, USA, Russia, India, Asia, Africa, South America, Australia: - 7’/45 RPM – International letter + tracking (up to 3): 10,00€ - 7’/45 RPM – International letter + tracking (from 3 to 6): 14,00€ - LP – International letter + tracking (x1): 14,00€ - LPs (+doubles and gatefolds) – International letter + tracking (up to 3): 22,50€ - For more quantities, please email me before checking out. For International registered rates (much higher), please email me before checking out. France (La Poste): - 45 tours (jusqu’à 3) – Lettre suivie: 5,00€ - 45 tours (de 3 à 6) – Lettre suivie: 6,50€ - 45 tours (jusqu’à 3) – Lettre recommandée: 7,00€ - 45 tours (de 3 à 6) – Lettre recommandée: 8,50€ - LP (x1) – Lettre suivie: 6,50€ - LP simple et double LP (jusqu’à 3) – Lettre suivie: 8,50€ - LP (x1) – Lettre recommandée: 8,00€ - LP simple et double LP (jusqu’à 3) – Lettre recommandée: 10,00€ * Please bear in mind that because of the current sanitary issues, your package may take a little longer than expected to reach its final destination. Thank you!!!

1-1–Da Unda Dogg*, Jay Tee (2), Mac Dre, Kobra (6), Suspects (3)V-Town Anthem3:481-2–N2DeepDope For Sale3:321-3–David Wade, Don Cisco, Romero (4)What Would You Do?Producer – Mike C (2)3:421-4–Obie TriceGimme The MoneyProducer – Moss (5)3:111-5–Arsen (2), Mista CaneWhen Our Shit DropsProducer – Adon, Rodzilla2:541-6–Balance (7)TonightProducer – Bedrock (2)3:061-7–Savvy (2), Young Dru, Young SalNot Fuckin' Wit' YouProducer – The Saints (9)2:551-8–B-12 (3), Dap Daniel, Dutch (4), Jay Tee (2), Mel-LiniumI Need To Know3:171-9–M-Dash, Stizon SkrillaGreen On Mine1:521-10–Mr. Sandman, Sean T (2)What's Shakin'Producer – Sean T (2)2:021-11–Celly Cel, Jay Tee (2), Kaveo, Mugzi, Turf Talk, Young DruThe Big Bay4:451-12–Dutch (4)My Glock2:281-13–Playa RaeBaby2:081-14–B-12 (3), I-Rocc, Smigg DirteeHow We Roll3:571-15–Damu, Ecay Uno, Luni ColeoneNow You Know3:581-16–Young DruDie Or Get Rolled On2:502-1–B-12 (3), Fidel Castro, Mully Mak, Young DruWe Luv Gangsta ShitProducer – Woodgrain3:462-2–De La Vega (2)Enjoy Your StayProducer – Bosshawg*3:122-3–Jay Tee (2), Young Dru2 O'ClockProducer – K-Lou3:142-4–Reek DaddyCrossroadsProducer – Reighsu2:082-5–Cool Nutz, Jay Tee (2)Real SpitProducer – Steve Dee3:042-6–10sion, ErreleventHell Now2:532-7–Free Agents (2), Miami*Golden State Savages3:052-8–A-Team*That's The NoiseProducer – J-Boog*3:082-9–Weet DoggShe ScreamsProducer – Julio G2:382-10–J-Bone (8), Sykk 1*, The RaskalRaise It UpProducer – Sykk 1*3:242-11–Baby Bash, Doff Kapone*, Miami*Money Circulating4:262-12–A-WaxBefore You Was A Man1:432-13–Jay Tee (2), Mugzi, Young DruIf You Wanna GoProducer – Versatyle*3:332-14–B-12 (3), Chile Powdah, I-Rocc, Smigg DirteeStill Broke3:122-15–B-12 (3), Jay Tee (2)Outside The Club2:45

Signed album ChungHa Hands On me, 3 photocards, 1 postcard, 1 bookmark, 1 sticker. Please note that on the back of the album there is a scratch, visible on one of the photos.

Mariah Carey Lot 2 Cd Singles Cant' Take That Away And Open Arms. État: "Très bon état" Service de livraison: Lettre Suivie

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°    Bryan ADAMS The Only Thing That Looks Good On Me Is You 4-TRACK Jewel case MAXI CD A&M Records ‎– 581 579-2 1996 EU EX/EX 1 The Only Thing That Looks Good On Me Is You (Single Version) 3:24 2 Hey Elvis 3:23 3 I Want It All 4:46 4 The Only Thing That Looks Good On Me Is You 3:40 °°°°°°°°°°°°°°°°°°°°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°    Bryan ADAMS The Only Thing That Looks Good On Me Is You 4-TRACK Jewel case MAXI CD A&M Records ‎– 581 579-2 1996 EU EX/EX 1 The Only Thing That Looks Good On Me Is You (Single Version) 3:24 2 Hey Elvis 3:23 3 I Want It All 4:46 4 The Only Thing That Looks Good On Me Is You 3:40 °°°°°°°°°°°°°°°°°° °°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition)

Lee Alfred ‎– Doing It On The One / It's That Time Of Year Again (7", Single) NM Disque Condition: Near Mint (NM) Pochette Condition: Very Good Plus (NM) Lee Alfred ‎– Doing It On The One / It's That Time Of Year Again Label: Cancer Records (3) ‎– UR 1959 Format: Vinyl, 7", Single, 45 RPM Pays: US Date: 1980 Genre: Funk / Soul  Tracklist A Doing It On The One B It's That Time Of Year Again

- Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. VG (Very Good) A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy. G (Good) A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact. Gilbert Montagné ?– On Va S'aimer 45T EX/EX Carrere ?– 13.335 - Cette vente concerne un disque vinyle dont le format et l'état sont précisés dans le titre et dans la table de correspondance ci-dessous. - This sale is for a vinyl record, the format and condition of which are specified in the title and correspondence table below - Cover & Vinyl Grading SS (Still Sealed) Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.) The Great Escape does not sell re-sealed records. If we have ANY suspicion that a sealed record is a re-seal or has sustained significant damage, we open it for inspection and grading! M (Mint) The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. NM (Near Mint) A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present. EX (Excellent) A very clean record. Near mint except for slight, superficial signs of wear. Sleeves in this condition may have marginal defects, but will not have significant creases or splits. VG+ (Very Good Plus) A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear

Description This book examines the gulf that separates development economics from economic anthorpology. Key Features Author(s) Polly Hill Publisher Cambridge University Press Date of Publication 26/06/1986 Language(s) English Format Paperback ISBN-10 0521310962 ISBN-13 9780521310963 Genre Social Studies: General Publication Data Place of Publication Cambridge Country of Publication United Kingdom Imprint Cambridge University Press Content Note bibliography, index Dimensions Weight 280 g Width 138 mm Height 216 mm Spine 13 mm Pagination 216 Editorial Details Format Details Trade paperback (US) Description Table Of Contents Acknowledgments; Preface; Preamble; Appendix; 1. Why country people are not peasants; 2. The vain search for universal generalizations: the relevance of economic inequality; 3. The vain search for universal generalizations: The poor quality of official statistics; 4. The vain search for universal generalizations: historicist fallacies; 5. Pause: how can the impasse be resolved?; 6. The logical necessity for economic inequality within rural communities; 7. The farming household: its defects as a statistical unit; 8. The need to be indebted; 9. The flexibility of inheritance systems; 10. The neglect of farm-labouring systems; 11. Misconceptions about migration; 12. The neglect of women; 13. The sale of farmland; 14. Rural class stratification? Postscript; Glossary and place names; References; Index. Polly Hill's provocative new book examines the disastrous gulf that currently separates development economics from its sister discipline, economic anthropology. Working with material from the rural tropical world, much of it collected at first hand in West Africa and South India, Dr Hill demonstrates in the first, polemical part of her book how very unreliable and western-biased are the assumptions on which most development economists base their theoretical work. She shows in particular that misleading official statistics are handled uncritically, that the significance of innate rural inequality is consistently ignored and the revered concepts such as the 'population explosion' are in anthropological terms largely meaningless. The longer second part of the book illustrates the enormous relevance and potential of economic anthropology for economists by looking in turn at the true complexity of farming households, labour and inheritance; at debt, social stratification and economic inequality, and at problems connected with the sale of land, the role of women and migration. Taken overall, Development Economics on Trial represents a powerful and urgent plea for co-operation.

| BELOW ARE THE SPECIFICATIONS ALSO WRITTEN IN ENGLISH | | 1 article | SOLE | SONGS THAT WENT TIN Pochette cartonnée | CD-R | compilation | 2005 | États-Unis 1 CD | import américain auto-publié | MERCI DE LIRE LES INFORMATIONS COMPLÉMENTAIRES SUIVANTES | Le CD et le packaging sont en excellent état. La pochette cartonnée, tout comme le disque, ne portent absolument aucune trace, ni empreinte digitale dues à une quelconque manipulation. En raison de la fabrication originellement DIY, seuls subsistent les infimes traces de production qui apparaissent fréquemment dans le cas précis d’une édition pochette, puisqu’il s’agit de papier cartonné, ainsi que sa faible résistance à l’usure et au frottement. Aussi, la propreté du CD est irréprochable. Le tout manié avec précaution et soin. S’ajoute une conservation à l’abri de la poussière et de la lumière. Dans le cas d’un envoi via Lettre Suivie, la protection de l’article sera assurée en tenant compte des restrictions de dimensions de la lettre ou du petit paquet (3 cm d’épaisseur). Un empaquetage soigné est garanti. La lettre, ou petit paquet, sera telle (tel) que je souhaiterais la (le) réceptionner en me mettant à la place de l’acheteur, à savoir un empaquetage dont la protection de l’article est une consigne. Je vous remercie de votre intérêt ainsi que l’attention et le respect que vous porterez au contenu de cette annonce. La confiance étant primordiale et mutuelle, vous pouvez compter sur moi pour être communicatif, juste et diligent. | INTERNATIONAL | | 1 item | SOLE | SONGS THAT WENT TIN Cardboard sleeve | CD-R | compilation | 2005 | United States 1 CD self-released | THANK YOU FOR READING THE FOLLOWING CONTENTS | The CD and the packaging are in excellent condition. Since then, the item has been neatly preserved. Due to the original DIY production and the use of paperboard, tiny traces of manufacturing and low wear resistance are often the common defaults that can occur on any cardboard sleeve edition. By referring to the photos included in the listing, you can notice the impeccable cleanliness of the disc. No significant scratch, no stain and no fingerprint. Despite the protection of the item being limited due to the thickness restriction of the letter or small package (3 cm), a neat packing is guaranteed regarding Lettre Suivie Internationale. The letter or small package I send is the letter or small package I would want to receive if I were the buyer. A tracking number will be provided. Depending on the address of delivery, costs may differ due to exceptions under the postal service policy. Buyers are responsible for paying import charges (including taxes and customs charges), usually as part of clearing the package/parcel through customs or when receiving the item. I would like to thank you for your interest and also for respecting the specifications of the listing. You can rely on me to be communicative and effective. Mutual trust is fundamental.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° TECHNOTRONIC Move that body 2-track CARD SLEEVE CD3" CDSINGLE ARS 5099765683714 1991 Austria VG/EX   1) Move That Body 7" version 3:55 2) Move That Body Intrumental 3:27 °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°    UB40 - Ali CAMPBELL That look in your eye 2-track CARD SLEEVE CDSINGLE Virgin 724389294323 1995 France EX/EX   1) That look in your eye 2) That look in your eye (Version) °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.