Controls and

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

JVC SEA-RM20  Became To my personnal JAPAN Hifi Collection Remote System Controller / Graphic Equalizer (1986) VERY RARE JVC SEA-RM20 !!! -  EQUALIZER AND REMOTE SYSTEM CONTROLLER, TESTED OK.  État : Occasion  Service de livraison : Colissimo national & international Tested and working "Computerized Remote System Control".  Made in Japan 1980's. Works 100%, no issues.  Includes original remote control. This unit is a type of preamplifier in that you canuse it to control the volume from line input devices like CD players, tuners,tape decks, etc.  It also has a graphic equalizer with 5 memory settings and you can control all the frequencies of the EQ from the remote control whichis something I have not seen before.  You can switch to a real time spectrum analyzer display which will move to the music.   Other features include JVC's SEA "acoustic expander" which does exactly what you'd expect.  The EQ has 5 memory settings and a reverse setting aswell which instantly give you the exact opposite eq curve.   Allbuttons, controls, features, and display are working correctly.  Shows very little wear. All buttons on remote are working correctly- the remote can control other JVC components as well.    On the back are three line inputs- one labelled Audio, one labelled Video 1, and one labelled Video 2/3.  Youcould use these inputs for a tuner, a CD deck, and a tape deck.  There are also two sets of stereo outputs.  In order to use the EQ and graphic display and volume control all at the same time you need to loop the outputlabelled "Line Out" into the "Remote Contro In"-  am including the JVC instruction book and the original remote controller for this purpose. Specifications Output Level: 1V (4.5V max) Gain: ± 0dB Frequency response: 10Hz to 50kHz Signal to Noise Ratio: 100dB Total harmonic distortion: 0.03% Control Range: ± 10dB Frequency Bands: 63, 160, 400, 1K, 2.5K, 6.3K, 16KHz Dimensions: 435 x 77 x 225mm Weight: 2.6kg Finish: black Accessories: RM-S20 remote control Year: 1986

Lot minidiscs and accessories, recently pulled from storage. Comprises the following (all briefly tested and working, unless otherwise noted with >): Kenwood DMC-P33 x 2, good condition Kenwood DMC-P55, good condition Kenwood remote for above Sharp MD-DP700 speaker cradle (no AC required) Sharp remote for above Sony MZ-NH900 cradle Panasonic SJ-MJ57/58/59/500 speakers (no AC required) Panasonic remote for above (also fits SJ-MJ100) AA battery box for above x 2 2.5mm > 3.5mm patch cable Sony RM-MC11EL   > control behaviour sometimes erratic Panasonic remote   > controls work, but LCD broken Sharp remote   > untested Sony battery box (DC in) Sony battery box Sharp battery box Panasonic battery box Panasonic battery box   > poor connection (clean terminal) Kenwood DMC-V55   > powers up, can't read disc Kenwood DMC-Q77   > powers up, can't read disc (front panel DMC-T55) Sony RM-MC33EL   > seems OK, though volume control rather sensitive loads of NiMH batteries, boxes   > untested, assumed dead loads of disc labels Shipped from France. If you do have any questions then please drop me a line. *** Lot Minidisques et accessoires, récemment retiré du stockage. Comprend les éléments suivants (tous brièvement testés et fonctionnels, sauf indication contraire avec >): Kenwood DMC-P33 x 2, bon état Kenwood DMC-P55, bon état Télécommande Kenwood pour ci-dessus Station d'accueil Sharp MD-DP700 (pas de secteur requis) Télécommande Sharp pour ci-dessus Socle Sony MZ-NH900 Haut-parleurs Panasonic SJ-MJ57/58/59/500 (pas de secteur requis) Télécommande Panasonic pour ci-dessus (convient également au SJ-MJ100) Boîte de piles AA pour ci-dessus x 2 Câble de raccordement 2,5 mm > 3,5 mm Sony RM-MC11EL   > comportement de contrôle parfois erratique Télécommande Panasonic   > les commandes fonctionnent, mais l'écran LCD est cassé Télécommande Sharp   > non testé Boîtier de batterie Sony (entrée DC) Boîtier de batterie Sony Boîtier de batterie Sharp Boîtier de batterie Panasonic Boîtier de batterie Panasonic   > mauvaise connexion (borne propre) Kenwood DMC-V55   > s'allume, impossible de lire le disque Kenwood DMC-Q77   > s'allume, impossible de lire le disque (face avant DMC-T55) Sony RM-MC33EL   > semble OK, bien que le contrôle du volume soit plutôt sensible beaucoup de piles NiMH, des boîtes   > non testé, supposé mort beaucoup d'étiquettes de disques Expédiés de la France. Merci de demander si vous avez des questions.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

High quality amp and preamp set in very good condition. Powerful and warm sound, typical of oldschool Luxman. Sold with the original remote control. 1000-P Preamp Frequency Range: 10 Hz - 100 kHz (-3 dB) Total Distortion: 0.01% (1 kHz, 0 dB) Signal-to-Noise Ratio: 100 dB (A-weighted, 1 kHz) Inputs: Multiple inputs, including line and phono inputs Outputs: Line outputs (fixed and variable), tape output Phono Input: MM and MC Controls: Volume, balance, tone controls, and adjustment knobs for phono settings Dimensions: W 44.5 x H 12.2 x D 38.2 cm Weight: Approx. 7 kg 1000-M Amp Power: 100 W per channel (8 ohms), 200 W per channel (4 ohms) Total distortion: 0.01% (1 kHz, 100 W) Signal-to-noise ratio: 120 dB Inputs: Line-in Outputs: Speaker outputs (bi-wiring possible) Dimensions: L 44.5 x H 16 x D 39.5 cm Weight: approx. 13 kg En savoir plus Collaboration commerciale.

Great, well received and well-built receiver. Classy Yamaha looks. In perfect conditions, like new. Sold with the two remote controls and the calibration micro. - Power output: 130 watts per channel into 8Ω (stereo) - Surround output: 130W (front), 130W (center), 130W (rear) - Frequency response: 10Hz to 100kHz - Total harmonic distortion: 0.06% - Input sensitivity: 3.5mV (MM), 200mV (line) - Signal to noise ratio: 100dB (line) - Output: 200mV (line), 1V (Pre out) - Digital inputs: coaxial, optical, USB, LAN - Video Connections: HDMI, component, composite, SVHS - Dimensions: 435 x 182 x 430mm - Weight: 16kg 9.2-channel operation capability, 8 in/2 out HDMI (V.1.4a with 3D and Audio Return Channel), HD Audio decoding with CINEMA DSP, HQV video quality, new GUI, new YPAO with Reflected Sound Control and new SCENE functionality. - Highest sound quality with H-shape cross member frame - High speed thermal feedback power amplifier - DAC on Pure Ground and Ultra Low Jitter PLL circuitry - 1080p-compatible HDMI (8 in/2 out [simultaneous]) - HQV high-class chipset “VHD1900” - New SCENE PLUS: 12 SCENE choices (4 on front panel and others on GUI) and Zone SCENE - Network functions with DLNA 1.5 certified - YPAO-R.S.C. sound optimisation with multi-point measurement - HDMI (V.1.4a with 3D and Audio Return Channel) - New on-screen display GUI with album art - HD Audio decoding with CINEMA DSP 3D (23 DSP programmes) without Front Presence Speakers - Compressed Music Enhancer with CINEMA DSP - Versatile Zone control: Zone video assign and Party mode - System Backup/Recovery function En savoir plus Collaboration commerciale.

Euphonix MC Control 2008 Silver. État: "Occasion" Two very light scratches. Bon État! Deux petites rayures. MC Control uses a 100 Mbs Ethernet EUCONTM connection to control audio and video applications running on a workstation computer. EUCON is a high-speed communication protocol and enables control of virtually every application feature. MC Control can run as a standalone device. Up to four MC Mixes can be used with one MC Control and/or one MC Transport to create a larger control surface. The MC Control supports two types of applications: EUCON-aware applications (such as Pro Tools, Cubase, Logic Pro, and Nuendo) directly support the EUCON protocol. They provide the highest level of integration, high-resolution controls, and high-speed connectivity. Non-EUCON-aware applications that support Mackie Control or HUI (such as Pro Tools 8.x and lower, Live, and Reason) can use many functions but are less integrated than EUCON-aware applications.

Enregistreur XDCAM EX pour GY-HM7XX et GY-HD2XX Etat neuf- envoi soigné Voici une description détaillée en anglais. Un avantage non négligeable est l'enregistrement direct en.MP4 sur carte An SxS solid state recorder designed to work exclusively with JVC's ProHD! Now you can record HD video in the popular XDCAM EX™ format using your 700 or 200 Series ProHD camcorder. This compact recorder attaches directly to the GY-HM700, and to the GY-HD200UB or GY-HD250U recorders via the KA-UM100 adapter, and records HD material in the 720P or 1080i* mode onto convenient SxS memory cards. Simultaneous recording to SxS and the camera's internal storage device is also possible allowing you to make instantaneous backup or archival recordings. The compact KA-MR100G provides status information on its built-in LCD screen as well as on the camera's viewfinder. Controls and menus are well integrated with the attached camera. You can even play back recorded video directly on the camera's LCD monitor or viewfinder. Records on standard SxS memory cards. No moving parts! Records native XDCAM EX™.mp4 files** for versatile workflow options Recording modes 1080i60/50, 1080p24, 720p24/25/30/50/60 (35Mbps/VBR)(GY-HM700U only) 1080i60/50(25Mbps/CBR)(GY-HM700, GY-HD200UB only) 720p60/50/30/25/24(19Mbps/CBR) (GY-HM700, GY-HD250U, GY-HD200UB) Recording time is about 70 minutes on 16GB SxS card (19.7 mbps 720P mode) Simultaneous recording to tape (or SDHC memory w/GY-HM700) and memory card High speed SxS memory facilitates ultra-fast transfer to server or NLE system When attached to the GY-HM700, the KA-MR100G enables the camera to record.MP4 files to SDHC cards

-  Excellent Meridian 566 DA Converter Very good condition and works perfectly Performance 24-bit dynamic range Linearity: better than >–96dBFS Jitter for 44.1kHz sampling, typically 1ps rms Inputs and outputs 3 phono digital inputs; 32kHz–48kHz 1 AES/EBU XLR digital input; 32kHz–48kHz (Parallel with D1) 1 Toslink optical input; 32kHz–48kHz All digital inputs accept up to 24-bit precision Audio outputs 4V nominal balanced (XLR) and 2V unbalanced Construction Twin PLL; word-aligned for lowest jitter Absolute Phase control Precision Class A discrete audio amplification Analogue de-emphasis network High quality construction including use of partitioned 4-layer PCB, and precision capacitors. On-board control microprocessor with non-volatile memory. Full 500 Comms for system integration with Meridian components. Rear-panel control for: Power On/Off Front-panel controls and indicators for: Inputs (D1, D2, D3, Optical), Phase, Emphasis Dimensions 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D – Weight 5kg (10lbs) Possibility to connect to 110 volts by changing the fuse (see last photo)

The Philips M290 is a professional UHF radio with an impressive range of features. With 16 channels and a frequency range of 403-470 MHz, this radio is suitable for a wide range of applications, from construction sites to event management. The M290 has a robust design that can withstand harsh environments, making it ideal for use in outdoor settings. It also comes with a built-in speakerphone, allowing for easy communication without the need for a hands-free headset. The M290 has a long battery life, with up to 14 hours of talk time on a single charge. It also includes a battery saving mode, which can extend the battery life even further. This radio is compatible with both NiMH and Li-ion batteries, giving you the flexibility to choose the best option for your needs. The M290 also comes with a number of accessories, including a belt clip, charging cradle, and earbuds. With its clear display, easy-to-use controls, and excellent sound quality, the Philips M290 is a great choice for anyone in need of a reliable and versatile professional UHF radio.

INFORMATION PRODUIT Capturez un son de haute qualité pour vos vidéos avec le Tascam DR-60D. Cet enregistreur audio est conçu pour être utilisé avec des appareils photo reflex numériques et dispose de plusieurs entrées pour les microphones professionnels. Deux entrées XLR de haute qualité sont disponibles pour tous les types de microphones montés sur le dessus de la caméra. Les écrans LCD numériques offrent un accès aux commandes de volume et aux réglages pour chaque niveau audio. Cet enregistreur audio peut être monté au bas d'un appareil photo reflex numérique ou fixé sur le côté à l'aide d'un support. L'audio haute définition est enregistré directement sur une carte SD et peut également être transmis directement à la caméra. Cet enregistreur audio fonctionne avec un adaptateur secteur ou quatre piles AA. Les ports USB sont proposés pour le transport de fichiers et le chargement numérique. Enregistreur numérique Tascam DR-60D comme neuf. Je l'ai acheté il y a un an, j'ai arrêté de faire de la vidéo DSLR, donc je ne l'ai jamais utilisé. Je viens de le tester une fois. Il est dans une boîte depuis. Il est temps de s'en débarrasser. Je ne sais pas où se trouve ce manuel, mais il devrait être facile de trouver un pdf.  PRODUCT INFORMATION Capture high-quality sound for videos with the Tascam DR-60D. This audio recorder is made for use with DSLR cameras and features multiple inputs for professional microphones. Two high-quality XLR inputs are available for all types of microphones that are mounted on top of the camera. Digital LCD screens offer access to volume controls and adjustments for each audio level. This audio recorder can be mounted to the bottom of a DSLR camera or attached on the side using a bracket. High-definition audio is recorded directly to an SD card and can also be output to the camera directly. This audio recorder works with a power adapter or four AA batteries. USB ports are featured for file transports and digital charging. Tascam DR-60D Digital Recorder Like New. Bought it a year ago, stopped doing dslr video, so never used it. Just tested it once. It’s been in a box since. Time to get rid of it. Not sure where that manual is, but it should be easy to find a pdf.

Panasonic Lumix G6 Boîtier Body Only Good. Sensor and screen have no damage. Camera is in a good shape with minor cosmetic wear. G6 is an excellent camera for HD video thanks to the manual controls and the mic input. Will accept all micro 4/3 lenses and almost every APSC and full frame lens with the appropriate adapter. Will also work with a large range of C-Mount lenses coming from 16mm film camera to CCTV. At the time it came out it was considered as a cheap alternative to the GH3 with the benefits of focus peaking that GH3 doesn't feature. Watch the review by Chungdha on YouTube. En savoir plus Collaboration commerciale.

Panasonic Lumix G6 Boîtier Body like new. Tested. Sensor and screen have no damage. G6 is an excellent camera for HD video thanks to the manual controls and the mic input. Will accept all micro 4/3 lenses and almost every APSC and full frame lens with the appropriate adapter. Will also work with a large range of C-Mount lenses coming from 16mm film camera to CCTV. At the time it came out it was considered as a cheap alternative to the GH3 with the benefit of focus peaking that GH3 doesn't feature. Watch the review by Chungdha on YouTube. En savoir plus Collaboration commerciale.

Housse de pluie (Rain slicker) Porta Brace pour Sony PXW FS7. Service de livraison : Livraison en Relais Mondial Relais. Comme neuf, jamais utilisée. Protégez votre caméra ENG de la pluie et de la poussière avec la housse anti-pluie Slicker.  Fabriquées à partir de matériaux imperméables en nylon Taslan et complétées par une couche intérieure en Tricot doux qui protège la caméra et réduit le bruit en cours de fonctionnement. En plus d'être étanche à l'eau (1000MM note imperméable) le matériau Taslan est respirant (1000G / M² taux de respirabilité), permettant à la chaleur de la caméra de s' échapper tandis que le couvercle est déployé. Des fenêtres transparentes en vinyle sont utilisées pour fournir une visibilité dégagée des commandes de la caméra. Les ouvertures velcro scellés sont soigneusement placées pour fournir un accès complet aux contrôles et alimentation sans permettre à l'eau de suinter. Le joint de lentille réglable en néoprène crée un joint étanche autour de la lentille et la visière détachable  ajoute une protection supplémentaire contre les gouttelettes. The RS-FS7 Rain Slicker is a custom cover designed to protect your Sony PXW-FS7 from rain, dust, and snow. It is made from triple-layer, tricot-finished nylon, with touch fastener flaps and zippered openings provided for additional protection. It features clear vinyl windows so you can view all camera controls and a quick change battery back for swapping batteries without having to remove the rain slicker.

Philips MSD Platinum 20R 470W 85-110V 4 types de lampes disponibles, selon l'état d'usure. Les lampes notées comme 4 types of lamps avalaible, depending on lifetime. Lamps noted as Caractéristiques techniques: General Information Cap-Base -  [-] Operating Position UNIVERSAL  [Any or Universal (U)] Main Application Stage/Touring Life to 50% Failures (Nom) 1500 h System Description Reflector E21.9 TCM Light Technical Color Code 2 Luminous Flux (Nom) 22400 lm Chromaticity Coordinate X (Max) 314 Chromaticity Coordinate X (Min) 280 Chromaticity Coordinate X (Nom) 296 Chromaticity Coordinate Y (Max) 316 Chromaticity Coordinate Y (Min) 290 Chromaticity Coordinate Y (Nom) 298 Correlated Color Temperature (Nom) 8000 K Luminous Efficacy (rated) (Nom) 47 lm/W Operating and Electrical Power (Nom) 470 W Voltage (Max) 110 V Voltage (Min) 85 V Controls and Dimming Dimmable Yes Mechanical and Housing Cap-Base Information - Luminaire Design Requirements Bulb Temperature (Max) 900 °C Pinch Temperature (Max) 350 °C Product Data Full product code 871869668420700 Order product name MSD Platinum 20 RB 1CT/8 EAN/UPC - Product 8718696684207 Order code 928495205314 Pour une expédition hors France, merci de me contacter avant achat pour vous communiquer le bon montant des frais de port. If the item have to be shipped outside France, please send me a message before buying to tell you the good shipping price.

This recorder comes in its original packaging with two batteries, manuals and the software included, so you'll be ready to start recording on your microSD card right out of the box. Don't miss out on this opportunity to own a Zoom H1n at a great price. Whether for personal projects or professional pursuits, it's sure to be a valuable addition to your audio equipment collection. Whether you're a podcaster, journalist, musician, or just someone who appreciates high-quality sound recording, the Zoom H1n is designed to meet your needs. Its compact size makes it incredibly portable, so you can take it anywhere your creativity leads you. With features like X/Y microphone configuration, one-touch button controls, and a bright, clear LCD display, capturing great sound has never been easier. En savoir plus

Gimbal in very good condition, I only used it for three performances. No longer doing audiovisual performances, I am parting with it. The Zhiyun Crane 3-Lab takes a new direction thanks to an articulated handle where most of the manual controls and the batteries are located. Zhiyun Crane 3 Lab Gimbal Highlights: Full HD wireless image transmission Focus and zoom support Articulated handle 1080P video return App control ViaTouch control system ZHIYUN CRANE 3 Lab Gimbal Specifications: Number of axes: 3-axis (Pan, Tilt, Roll) Panoramic rotation range: 360° Load capacity: 4.6 kg Ports: 1 x USB Micro-B Battery type: 4 x 18650 Battery life: 18 hours What's included: 1 x Zhiyun Crane 3 Lab Gimbal 1 x Quick release plate 3 x 18650 2000mAh batteries 1 x Battery charger 5 x Control cables 2 x HDMI cables 1 x Cable storage 1 x Crane 3 Lab storage 1 x Tripod En savoir plus Collaboration commerciale.

JBL T280 TWS True Wireless Bluetooth Headset JBL Pure Bass Sound Comfort Stay Secure Fit Up to 16 hours of combined playback IPX5 Waterproof Light Weigth Touch Controls and Hands-Free Stereo Calls JBL T280 TWS Écouteurs sans fil Bluetooth sport Son Pure Bass JBL Confort et très bonne tenue Jusqu’à 16 heures d’autonomie avec charge sans fil Résistance à l’eau IPX5 Léger Commande tactiles et appels stéréo mains libres En savoir plus Collaboration commerciale.

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

Lot of 66 Minidisc Players SPARES/REPAIR Sony Aiwa Panasonic Victor Sharp Kenwood -main photo- These players were bought several years ago (originally with a view to doing them up), but they've been sat in a box ever since. Most were untested, so I've gone through them all and tested each one briefly with a NiMH gumstick battery and earphones for playback, track skip and button functions (unless otherwise stated). These were all previously used, so there are marks, signs of use, dents and many show signs of battery leakage -- please take a good look at the photos, some are worse than others! Below is a list of all the players, along with my findings... -photo 2- Sony   MZ-E700 playback/skip/controls OK, mechanism a little noisy   MZ-E630 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E707 playback/skip OK, button behaviour erratic   MZ-E510 cannot read disk   MZ-E730 playback/skip/controls OK -photo 3- Sony   MZ-E80 playback/skip/controls OK, case damage & mechanism loose   MZ-EH50 cannot read disc   MZ-E510 playback/skip/controls OK, battery terminal damage   MZ-E505 playback/skip/controls OK, major battery leak   MZ-E630 playback/skip/controls OK (stickers)   MZ-E520 playback/skip/controls OK -photo 4- Sony   MZ-E80 battery terminal broken, untested   MZ-E720 playback/skip/controls OK   MZ-E630 playback/skip/controls OK   MZ-E620 playback/skip/controls OK   MZ-E500 works on AA battery only, playback OK but access slow and noisy   MZ-E25 playback/skip/controls OK (AA battery powered player) -photo 5- Sony   MZ-EH70 no power, heavy damage to case/battery   MZ-EH70 playback/skip/controls OK   MZ-E510 works on AA battery only, playback/skip/controls OK   MZ-E35 works on AA battery only, cannot read disc   MZ-E90 playback/skip/controls OK   MZ-E700 cannot read disc -photo 6- Sony   MZ-E30 playback/skip/controls OK, a little noisy (PAINTED!)   MZ-EH50 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E710 playback/skip OK, botton behaviour erratic   MZ-E630 mechanism damaged, not tested   MZ-E75 no power -photo 7- Aiwa   AM-HX300 power on, unable to test (no remote) Sony   MZ-R55 no power   MZ-E620 playback/skip/controls OK   MZ-E707 playback/skip/controls OK, major damage to case/battery door not closed   MZ-EH70 playback/skip/controls OK   MZ-E501 playback/skip/controls OK -photo 8- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ78 cannot read disc   SJ-MJ30 works on AA battery only, cannot read disc   SJ-MJ30 no power   SJ-MJ50 playback/skip/controls OK -photo 9- Panasonic   SJ-MJ58 cannot read disc   SJ-MJ57 cannot read disc   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ35 works on AA battery only, cannot read disc   SJ-MJ35 playback/skip/controls OK -photo 10- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ59 cannot read disc   SJ-MJ15 playback/skip/controls OK, no front panel LEDs   SJ-MJ10 playback/skip erratic, controls OK   SJ-MJ59 cannot read disc   SJ-MJ78 playback/skip/controls OK -photo 11- Victor   XM-C17 playback/skip/controls OK   XM-C17 playback/skip/controls OK, NO right channel audio   XM-S51 cannot read disc Sharp   MD-MT180 cannot read disc   IM-DR580 no power   MD-ST77 no power -photo 12- Pioneer   PMD-P7 no compatible battery, untested (sticker marks) Kenwood   DMC-L3 playback/skip/controls OK, slow to read disc   DMC-P55 playback/skip/controls OK   DMC-L5 cannot read disc   DMC-S55 playback/skip/controls OK Panasonic   SJ-MJ5 works on AA battery only, cannot read disc Each player will be separately wrapped for packing. Insured shipping from France. [Traduit par google] Lot de 66 Lecteurs Minidisc Pièces Détachées/Réparation Sony Aiwa Panasonic Victor Sharp Pioneer Kenwood -photo principale- Ces lecteurs ont été achetés il y a plusieurs années (à l'origine da

KLARK-TEKNIK DN9340 HELIX. Power-packed signal processor that can solve the most difficult sound problems. The DN9340 Helix EQ offers complete digital operation of an analog signal, with controls that are succinct. The first thing I noticed about the unit was the clean, clear, color display and arrangement of control knobs and touch pads. Navigation of the Helix is achieved through the touch pads initially, by deciding on the type of EQ or filter desired with the touch controls on the left side. Those controls are joined by several display lights that indicate the mode of operation the Helix is currently engaged in. There is also a bypass mode switch. On the right side of the display is the secondary touch pad, allowing for access to the parameters and additional functions, as well as storing and recall of up to 64 favorite EQ settings. Also incorporated into the touch control section is the Home/SetUp pad, which allows for instant menu access, as well as an escape from Store and Recall functions, in the event you get overwhelmed with the amount of functions at your disposal. Just below the right side touch controls are the three value/option controls that access the actual cut and boost, and frequency selection. Joining these controls on the right side is an attractive arrangement of LED meter stacks displaying the L/R input levels, the L/R output levels and the high and low-threshold level displays for the dynamic portion of the Helix. The Helix EQ is able to operate many functions simultaneously. For example, you can set the overall mains system through the use of the 12-band parametric EQ and then engage the 1/3 octave mode during performance for additional assistance and instant course correction. This can be done through the use of either the scroll and adjust knobs, or a sensitive touch pad just below each of 30 ISO standard frequencies on the 1/3 octave display. If that mode of display is not your fancy, you may engage the “Curve” display, which shows the actual shape of the waveform after the EQ is applied. Incidentally, you can scroll through the many functions of the Helix EQ and not affect the sound of the EQ until actually engaging that function.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Je me sépare de ma tête Rhodes Colossus H100, très rare dans nos contrées.  Il s'agit d'un ampli haut de gamme tout lampes de 100W fabriqué à la main aux USA par Kyle Rhodes, d'une polyvalence bluffante.  Il dispose de 4 canaux (clean, crunch, lead 1 et lead 2), tous d'une grande qualité et parfaitement exploitables.  On va d'un clean chaud et pur très Fenderien jusqu'au rock le plus agressif et lourd, toujours avec la même qualité.  Je ne peux que vous conseiller d'aller jeter un oeil et une oreille sur les démos que l'on trouve sur internet.  Vous serez convaincu!  Chaque canal dispose de son propre EQ 3 bandes ainsi que de tout un tas de réglages permettant d'accéder à une très grande palette sonore.  Une présentation exhaustive serait très longue alors je colle avec paresse les specs techniques de la bête  "Channels 4 - Clean, Crunch, Lead 1 and 2 (lead channels are voiced identically and completely independent) Distortion Mode Switch Channel 2 (Crunch), Channel 3 (Lead 1), and Channel 4 (Lead 2) Fat Mode Switch Channel 3 (Lead 1) and Channel 4 (Lead 2) Channel 1 (Clean) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright and Channel Select switches Channel 2 (Crunch) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, and Mode switches Channel 3 (Lead 1) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Channel 3 (Lead 2) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Remote Controllable Functions Channel select, all distortion modes, tight modes, master volume select, and loop bypass Control Options Front Panel (all except loop bypass), RCI™ (Rhodes Custom Interface), MIDI, and external contact closure input External Contact Closure Input 6 inputs assignable to any control function MIDI MIDI Input and Output / Thru MIDI Channel Omni or Selectable, only for CC control MIDI Control PC patch learning and direct CC control of individual functions MIDI Programming Automatic patch learning -- setup for desired patch, press the Learn button, and transmit a MIDI PC to associate with that patch Bias Test Points Measure with any DMM capable of DC millivolts, 1 mV = 1 mA of plate current, assume 460 plate volts Bias Adjustment Pot Location On top of amp chassis, near left most power tube. Guaranteed to bias properly with EL34, 6L6, or KT66. Output Power 100W with quartet, 50W with duet Output Impedance Switchable between 4, 8, or 16 ohms Cabinet Dimensions 26.25" L x 10" W x 10.75" H"  Je fournis avec un pédalier midi Cicognani permettant de le piloter.  Il est en excellent état cosmétique et de fonctionnement.

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring