Controls output of main

Micro testé et fonctionne bien. Le SM82 est un microphone à condensateur portable, autonome, unidirectionnel, contenant son propre amplificateur de niveau de ligne, son limiteur de crête et sa batterie. Il est conçu pour fournir une sortie de niveau ligne pour une utilisation dans une variété de situations de diffusion où un microphone de niveau ligne avec un limiteur intégré est nécessaire. Caractéristiques du microphone: Réponse en fréquence étendue pour une reproduction sonore exceptionnellement propre et naturelle Directivité cardioïde, uniforme avec la fréquence et symétrique autour de l'axe, pour fournir un rejet maximum et une coloration minimale du son hors axe La sortie de niveau de ligne équilibrée peut directement piloter les lignes téléphoniques ou d'autres entrées de niveau de ligne Le limiteur de crête intégré contrôle le niveau de sortie pour éviter la surcharge de l'amplificateur de ligne du microphone ou de l'équipement externe Condenseur cardioïde avec amplificateur de niveau de ligne et limiteur Réponse en fréquence 40 à 15 000 Hz Diagramme polaire Réponse cardioïde (unidirectionnelle) uniforme avec fréquence, symétrique autour de l'axe Impédance de sortie 250 ohms réelle (conçue pour une utilisation avec des charges de 600 ohms ou plus) Fonctionnement sur batterie 9.8V interne Alimentation fantôme sur une plage de 15V à 50V Passage automatique de l'alimentation fantôme à l'alimentation par batterie Le filtre anti-pop et anti-vent intégré protège du vent et des bruits de souffle explosifs Transducteur à condensateur unidirectionnel Le connecteur / commutateur de sortie active le microphone lorsque le connecteur du câble est inséré Micro tested and works well. The SM82 is a handheld, stand-alone, unidirectional condenser microphone containing its own line level amplifier, peak limiter and battery. It is designed to provide line level output for use in a variety of broadcast situations where a line level microphone with a built-in limiter is required. Microphone Specifications: Extended frequency response for exceptionally clean and natural sound reproduction Cardioid polar pattern, uniform with frequency and symmetrical about the axis, to provide maximum rejection and minimal coloration of off-axis sound Balanced line level output can directly drive line level inputs Built-in peak limiter controls the output level to avoid overloading the microphone line amplifier or external equipment Cardioid condenser with line level amplifier and limiter Frequency response 40 to 15,000 Hz Polar diagram Unidirectional cardioid response uniform with frequency, symmetrical about the axis 250 ohm output impedance (designed for use with loads of 600 ohms or greater) Internal 9.8V battery operation Phantom power in a range of 15V to 50V Automatically switch from phantom power to battery power Built-in pop and wind filter protects against wind and explosive blast sounds Unidirectional capacitor transducer The output connector / switch activates the microphone when the cable connector is inserted

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !

BIAMP SYSTEMS 301 Envois gratuit mondial relay The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: three electronic balanced mic/line input channels 30db rear panel Pad switch on each input channel 40dB screwdriver-adjust Trim on each input channel +10dB Peak LED indicator on each input channel rotary level control on each input channel auto-muting of one channel for “talk-over” applications +24 volt Phantom Power assign switch on each input electronic balanced main output with rotary level control remote control of mail level from up to 2000 feet away main patch insert point for external processing devices main stacking input accepts signals from other mixers screwdriver-adjust tone controls & limiter on main output -20dB Signal Present LED indicator for main output all input/output/control on plug-in barrier strip connectors RoHS compliance and AES grounding practices CE marked and UL listed power source !!Avec alimentation!! !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !!

Integrated stereo amplifier Rated continuation average output (Both channel operation, 20Hz - 20kHz) 220 W/ch (4ohms) 170 W/ch (8ohms) THD (both channel operation) 0.02% (4ohms - 16-ohm load) IM distortion 0.01% Frequency response Main amp input: 20Hz-20kHz+0 -0.2 dB (at the time of a rated continuation average output) 2Hz-150kHz+0 -3.0dB (at the time of 1W output) High Level input: 20Hz-20kHz+0 -0.2 dB (at the time of a rated continuation average output) Dumping factor 120 (8-ohm load, 50Hz) Input sensitivity/impedance (An Output power / EIA1W output) High Level input: 147mV/11.2mV/20kohm Balanced input: 147mV/11.2mV/40kohm Main input: 1.47V/112mV/20kohm An Output power/impedance Pre output: 1.47V/50 ohm (at the time of a rated continuation average output) Gain: Main input -> output: 28dB / High Level input -> Pre output: 20dB S/N, input conversion noise Input short-circuit and A-compensation EIA S/N At the time of a rated input S/N Input conversion noise Main amp input: 127dB -123dBV 103dB High Level input: 113dB -130dBV 82dB Balanced input: 90dB -108dBV 82dB Tone control Low-pitched sound (300Hz): ±10dB (50Hz) Loud sound (3kHz): ±10dB (20kHz) Loudness Compensation + 6dB (100Hz, Volume -30dB) Power meter Logarithm compression type peak level display dB scale and the output Direct reading at the time of 8-ohm load Load impedance 4ohm-16ohm Headphone jack Conformity impedance: 4ohms - 100ohms Power source AC230V, 50Hz/60Hz Power consumption 55W (at the time of no inputting) 350W (Electrical Appliance and Material Control Law) 585W (at the time of an 8-ohm load Output power) The maximum Dimensions Width 475x height 180x depth of 423mm Weight 23kg Attachment: Remote commander RC-20 Remote control system Infrared pulse system Power source DC 3V Battery AA type (SUM-3/R6) two pieces The maximum Dimensions Width 55x height 194x depth of 18mm Weight 100g (Battery includeded)

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring

Je me sépare de ma tête Rhodes Colossus H100, très rare dans nos contrées.  Il s'agit d'un ampli haut de gamme tout lampes de 100W fabriqué à la main aux USA par Kyle Rhodes, d'une polyvalence bluffante.  Il dispose de 4 canaux (clean, crunch, lead 1 et lead 2), tous d'une grande qualité et parfaitement exploitables.  On va d'un clean chaud et pur très Fenderien jusqu'au rock le plus agressif et lourd, toujours avec la même qualité.  Je ne peux que vous conseiller d'aller jeter un oeil et une oreille sur les démos que l'on trouve sur internet.  Vous serez convaincu!  Chaque canal dispose de son propre EQ 3 bandes ainsi que de tout un tas de réglages permettant d'accéder à une très grande palette sonore.  Une présentation exhaustive serait très longue alors je colle avec paresse les specs techniques de la bête  "Channels 4 - Clean, Crunch, Lead 1 and 2 (lead channels are voiced identically and completely independent) Distortion Mode Switch Channel 2 (Crunch), Channel 3 (Lead 1), and Channel 4 (Lead 2) Fat Mode Switch Channel 3 (Lead 1) and Channel 4 (Lead 2) Channel 1 (Clean) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright and Channel Select switches Channel 2 (Crunch) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, and Mode switches Channel 3 (Lead 1) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Channel 3 (Lead 2) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Remote Controllable Functions Channel select, all distortion modes, tight modes, master volume select, and loop bypass Control Options Front Panel (all except loop bypass), RCI™ (Rhodes Custom Interface), MIDI, and external contact closure input External Contact Closure Input 6 inputs assignable to any control function MIDI MIDI Input and Output / Thru MIDI Channel Omni or Selectable, only for CC control MIDI Control PC patch learning and direct CC control of individual functions MIDI Programming Automatic patch learning -- setup for desired patch, press the Learn button, and transmit a MIDI PC to associate with that patch Bias Test Points Measure with any DMM capable of DC millivolts, 1 mV = 1 mA of plate current, assume 460 plate volts Bias Adjustment Pot Location On top of amp chassis, near left most power tube. Guaranteed to bias properly with EL34, 6L6, or KT66. Output Power 100W with quartet, 50W with duet Output Impedance Switchable between 4, 8, or 16 ohms Cabinet Dimensions 26.25" L x 10" W x 10.75" H"  Je fournis avec un pédalier midi Cicognani permettant de le piloter.  Il est en excellent état cosmétique et de fonctionnement.

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

KLARK-TEKNIK DN9340 HELIX. Power-packed signal processor that can solve the most difficult sound problems. The DN9340 Helix EQ offers complete digital operation of an analog signal, with controls that are succinct. The first thing I noticed about the unit was the clean, clear, color display and arrangement of control knobs and touch pads. Navigation of the Helix is achieved through the touch pads initially, by deciding on the type of EQ or filter desired with the touch controls on the left side. Those controls are joined by several display lights that indicate the mode of operation the Helix is currently engaged in. There is also a bypass mode switch. On the right side of the display is the secondary touch pad, allowing for access to the parameters and additional functions, as well as storing and recall of up to 64 favorite EQ settings. Also incorporated into the touch control section is the Home/SetUp pad, which allows for instant menu access, as well as an escape from Store and Recall functions, in the event you get overwhelmed with the amount of functions at your disposal. Just below the right side touch controls are the three value/option controls that access the actual cut and boost, and frequency selection. Joining these controls on the right side is an attractive arrangement of LED meter stacks displaying the L/R input levels, the L/R output levels and the high and low-threshold level displays for the dynamic portion of the Helix. The Helix EQ is able to operate many functions simultaneously. For example, you can set the overall mains system through the use of the 12-band parametric EQ and then engage the 1/3 octave mode during performance for additional assistance and instant course correction. This can be done through the use of either the scroll and adjust knobs, or a sensitive touch pad just below each of 30 ISO standard frequencies on the 1/3 octave display. If that mode of display is not your fancy, you may engage the “Curve” display, which shows the actual shape of the waveform after the EQ is applied. Incidentally, you can scroll through the many functions of the Helix EQ and not affect the sound of the EQ until actually engaging that function.

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

Parfait  état, fonctionnement parfait testé, sera très solidement emballé. Peut être envoyé de france Suisse vers Suisse 14 Frs en recommandé Pour pays hors Europe me contacter pour les frais d'envoi  Bonnes enchères  This Pioneer CT-S670D is a stereo cassette deck with Dolby B/C and HX-Pro noise reduction, it was first sold by Pioneer in 1997 with a manufacturer suggested retail price of USD $310 and discontinued a year later. The main features of the Pioneer CT-S670D are: 3 heads and off-tape monitoring, digital linear tape counter with 4 digits, automatic tape type selection and capable of handling normal, chrome and metal tapes, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the center of the deck. Tape loading/unloading is operated motorized and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the CT-S670D are generic digital peak reading meters with peak hold for easy adjustment of optimum recording level. Full-logic transport controls used on the CT-S670D let it respond to the slightest finger contact for fast and effortless transport function selection. To ensure the best response from the wide variety of tapes available adjustment of, bias, equalization and sensitivity, to optimum levels can be performed prior to recording. Dolby C-type used in the CT-S670D provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range, the result is recorded sound that is highly faithful to the original. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. -  Advanced 3-Head System -  20bit A/D - D/A Converter -  Super Auto BLE XD -  Digital Processing System -  ALCA (Auto Level Control with Tape Analysis) -  Legato Link Conversion -  FLEX (Frequency Level Expander) Stereo Cassette Deck (1998)  (1 review) Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x combination record/playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x assist Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro, Digital NR Frequency Response: 20Hz to 21kHz  (Metal tape) Signal to Noise Ratio: 90dB  (Digital NR) Wow and Flutter: 0.05% Total Harmonic Distortion: 0.6% Input: 100mV (line) Output: 0.5V (line) Dimensions: 420 x 128 x 277mm Weight: 4.5kg Year: 1998 Note: digital optical input

keyboard: 61-key (dynamic) TONE GENERATOR Maximum polyphony128 voices (varies according to the load of the tone generator) Parties - 16 parts Sounds - SuperNATURAL Acoustic - SuperNATURAL Synth - SuperNATURAL Drum Kit - PCM Synthesis - PCM battery kit  Expansion - 2 memories (Slots) Effects - Multi-effects: 16 systems, 68 types ("Vocoder" can only be used for part 1.) - Game Equalization: 16 systems - COMP+EQ for battery section: 6 systems - Chorus: 3 types - Reverb: 6 types - Master Compressor (or "Insert FX" effect - 78 types.) - Master EQ - Total effect (TFX): 29 types - Reverb for microphone input: 8 types SEQUENCER MIDI Tracks: 16 Original file format, SMF file export/import, WAV file export SAMPLER Format - 16-bit, linear (44.1kHz), WAV/AIFF/MP3 file import possible Maximum polyphony:8 Number of samples - 16 pads x 4 banks (for each song) - * Samples cannot be used as waveform data for the tone generator.DIVERSRhythm MISCELLANEOUS Rhythm Pattern:Yes Arpeggio:Yes Chord Memory:Yes Controllers - D-BEAM Controller - Pitch Bend/Modulation Lever - Assignable switches x2 (S1/S2) - Pilot controls x6 - Sample pads - Tempo Command Screen - 5" color graphic LCD External memory - SD Card (SDHC recognized) Plug - Headphone jack: 6.35mm stereo jack - MAIN OUTPUT sockets (L/MONO, R): 6.35mm TRS jack - Sub Output Jack: 6.35mm Stereo Jack - AUDIO INPUT sockets - LINE: Stereo mini jack - GUITAR/MIC: Jack 6,35mm - FOOT PEDAL sockets (CTRL 1, CTRL 2, HOLD) - MIDI jacks (IN, OUT) - USB FOR UPDATE socket - USB COMPUTER jack (USB High Speed Audio/MIDI) - (Use a USB cable and a computer with a USB 2.0 Hi-Speed compatible USB 2.0 plug). - DC IN jack AC adapter  consumption: 1,300 mA

I sell 2 Roland Boutique JX-03, in perfect condition, like new with all packing, box, manual. As you probably know, this is the best JX-3P VA emulation available on the market.   The JX-3P condensed the signature Roland sound users had come to expect into 64 stunning presets. Beautiful design, meticulous craftsmanship, and ease of use—the JX-3P was a Roland synth for aspiring youngster and virtuoso alike. The most attractive quality of the JX-3P is its versatility. The presets alone provide a masterclass in sonic engineering. Present midrange, shimmering high end, punchy bass frequencies—it’s all there in the JX-03.    Augmented by the PG 200, JX-3P users could navigate between out-of-the-box excellence and infinite customization. Visceral control options, not one but TWO stabilizing Digitally Controlled Oscillators, and Roland’s unmatched soundscapes—it’s no wonder the JX-3P shines brightly on countless classic recordings. The JX-03 includes all the controls of the PG-200 and the graphic charter of the JX-3P. The lower row is composed of illuminated buttons, allowing to manage presets, programs, sequences and global functions. On the left there are two expression ribbons with recall and lateral backlighting depending on the position,  one for pitch bend, the other for modulation; the first one also allows pre-listening of sounds when nothing is connected to the machine. The connections, located on the back, are common to the Boutique series: power switch, USB port type micro B (power, MIDI and audio), mini volume control, headphone output, line output, line input (routed directly to the analog/USB audio outputs, for cascading several modules) and MIDI input/output in DIN format. All audio connections are in stereo mini-jack format. Underneath the module is a small speaker (which we'll talk about later) and a hatch for inserting the 4 AA-LR6 batteries supplied (if a USB mic/mains power cord is not supplied). In conjunction with the small speaker and the pitch bend ribbon, they make the synth totally autonomous, at least during the 6 hours announced by the manufacturer. A serious alternative to be considered by those who are put off by the rarity, the price, the ergonomics (without PG-200) and the maintenance of the JX-3P (I know what I'm talking about for having owned and maintained many vintage synthesizers!!) This is my preferred Boutique synth after the JP-08.