Controls output of monitor

7 Inch Professional Field Monitor - IPS LCD Panel - HDMI - KIT COMPLET !!!. État: Occasion GOOD CONDITION !! READY FOR SHOOTING International bidders are welcome.It works without problem, in good condition. It will be delievered as shown in the photos. Content KIT: - Monitor (one little scratch on screen) - AC Home Adapter - Battery with usb connection - Battery cable - HDMI Cable 1,50m - Foldable Cloth Sunshade (sturdy made) - NWNP-F960 Battery Plate 5 kinds DV Battery Plate for choice: • • NWNP-F960 (SONY “L” Type Series) - you got it !! • NWLP-E6 (Canon 5D) • NWD54s (Panasonic “D54” Series) • NWBP945 (Canon “900” Series) Main features:● 7 inch Professional HDMI Field Monitor,with metal housing ● 1280x800 resolution, support Full HD 1080P ● LED backlight ● IPS LCD Panel,178°wide view angle ● HDMI input,HDMI output optional ● YPBPR (BNC) / VIDEO(BNC) / AUDIO L & R input ● Tally input ● Aspect Ratio Guide (Full Screen,16:9,4:3) ● Check Field (Mono,Red,Green,Blue) ● Pixel To Pixel / Freeze input / Zoom ● Color Temp / RGB Adjustable ● Screen Maker / Center Maker ● PIP (Picture-in-Picture) / Image Flip http://www.youtube.com/watch?time_continue=57&v=0HY3MCvHE58&feature=emb_logo ● Advanced Function DSLR Scaling Function DSLR Ratio Adjustment allows user to scale video that does not completely fill the monitor's screen when connected via HDMI "Record" mode on certain Canon DSLR. This feature allows user to scale their DSLR video output,fill the screen,and eliminate black pillar bars with a variety of options to choose from. There has 4 kinds mode for choosing: NORMAL, 3:2, 16:9, and FULL SCREEN. Peaking Function The operator adjusts the focus control until the red outlines on the desired area are clear, indicating optimal focus. For the best results, be sure the subject is properly exposed. Enjoy taking your photos! False Color The false color feature utilizes a full spectrum of assigned color indicators,ensuring flawless shot exposure. As the camera Iris is adjusted,the subject of the images will change color basic on specific brightness values indicating optimal exposure.See included chart for color assignments. False Color Key The False Color Key is built-in when "False color" Function runs. Adjustable under luminance & over luminance warning. Clip Guides This offers adjustable upper Clip Guide Levels to accurately display overexposed images in any shooting condition.The operator simply assigns the upper IRE to their Preference and any exposure over the set IRE limit will flash in a vivid purple,indicating only the over exposed area. * Press Clip Guides one time,it will flash in a vivid purple area. * Press Clip Guides two time,it will show as a vivid purple area all the time. Tally System Front: Indicator light (green or red or yellow) will work On the edge of LCD display Rear: Indicator light (green or red or yellow) will work at the same time on the rear side. MENU SETUP * There has 5 USER MODE:USER1,USER2,USER3,USER4,USER5. * Each USER group will record all the changes as [Main Menu] showed next page. * USER can be set basic on different environments or Personal preferences,like indoor(USER1) / outdoor(USER2) / Landscape(USER3) / People(USER4) etc shootings.If environments changes,it is easy and fast to do adjustment by changing the USER group,not need to calibrate monitor again and again. * The USER Group can be stored by using the “RESTE” option in the main menu.

Vends un contrôleur Moniteur stéréo SPL 2Control avec la très intéressante fonction "crossfield" permettant de simuler au casque l'écoute sur enceintes par simulation de la diaphonie naturelle. Ce contrôleur, entièrement analogique, qui comprend 2 entrées stéréo sur XLR, 2 sorties casques de haute qualité avec volume indépendant et fonction crossfield, et trois sorties sur XLR dont 2 stéréos + 1 mono pour caisson ou voie centrale. Ce contrôleur a une vocation pro mais peut aussi être utilisé comme un excellent ampli casque en Hifi car la fonction crossfield est vraiment extraordianaire pour rendre les enregistrements adaptés à l'écoute au casque (parfois, certains enregistrements ont trop de séparation droite/gauche pour être confortablement écoutés au casque). Produit de qualité niveau conception/fabrication "made in Germany" Vendu avec très légers défauts d'aspects (accentués par les photos) sur le bord inférieur de la face avant, notice et emballage originaux. Livraison via Mondial Relay assuré. Merci de votre intérêt... Sell ​​an SPL 2Control stereo monitor controller with the very interesting "crossfield" function allowing to simulate with headphones listening on speakers by simulation of natural crosstalk. This fully analog controller, which includes 2 stereo XLR inputs, 2 high quality headphone outputs with independent volume and crossfield function, and three XLR outputs including 2 stereos + 1 mono for subwoofer or center channel. This controller has a professional vocation but can also be used as an excellent headphone amplifier in Hifi because the crossfield function is really extraordinary to make the recordings suitable for listening with headphones (sometimes, some recordings have too much left / right separation to be comfortably listened to with headphones). Design / manufacturing quality product "made in Germany" Sold with very slight visual defects (accentuated by the photos) on the lower edge of the front face, original instructions and packaging. Delivery via insured Mondial Relay. thanks for your interest Specifications:  Analog inputs & outputs: XLR (balanced) Maximum input & output gain: 21.5 dBu  Input impedance: 20 kΩ  Output impedance: 75 Ω  Frequency range (-3 dB): 10 Hz – 100 kHz  THD +N (0 dBu, 10 Hz – 22 kHz)): 0.005 %  Noise (A-weighted): -96 dBu  Crosstalk (1 kHz): -70 dB  Common mode rejection (1 kHz): 60 dB  Dynamic range: 117 dB  Standard Headphones Output, 6.35 mm (1/4") TRS Jack Wiring Spitze = links, Ring = rechts, Schaft = GND  Source impedance: 22 Ω  Noise (A-weighted, 600 Ω): -85 dBu

JVC DT V9L3DY.Professional 9"multi format LCD monitor. Very good condition. Some slight traces of use. Résultats de traduc AC / DC operation AC / DC operation Integrated waveform monitor with over-level function Two HD / SD SDI terminals with integrated audio High performance LCD panel (800 x 480) Very low latency circuits (Time code / CRC error displayFrame and central markerFocus assist function Dynamic mode for exterior visibilityEasy to use front panel controls with buttons Heavy-duty metal rear cabinet with tilting stand Built-in speaker and mini headphone jack Bidirectional remote control (make / trigger, RS-232C) Analogue captioning Quiet, fanless design 350cd/m2 Contrast 400:1

Very rare single speaker authentic Tannoy Chatsworth Corner with 12" Monitor Red and the original crossover.  It works perfectly with a beautiful sound. The 12" Red is one of the thinnest Tannoy speakers, lightweight cone, high output with 98db and purity of the crossover. As you can see in the photos there are some scratches on the cabinet. It's not a pair, just single speaker. Ask for the shipping cost. I don't ship in UK, sorry. Only EU. ---------------------------------------------------------------------------------------------------------------------- Très rare enceinte unique authentique Tannoy Chatsworth Corner avec 12" Monitor Red et le filtre d'origine.  Elle fonctionne parfaitement avec une excellente qualité sonore.  Le 12 pouces Red est l'un des HP Tannoy les plus fins, membrane légère, haut rendement avec 98db et pureté du filtrage.  Comme vous pouvez le voir sur les photos, il y a quelques rayures sur la caisse.  Ce n'est pas une paire, juste un seul haut-parleur.  Demandez les frais de port.  Je ne livre pas au Royaume-Uni, désolé. Uniquement UE.

À SAISIR!!! PAIRE D'ENCEINTES DE MONITORING ALESIS M1ACTIVE 520 USB FOURNIES AVEC CÂBLE D'ALIMENTATION ET MODE D'EMPLOI TRÈS BON ÉTAT, FONCTIONNENT PARFAITEMENT! Enceintes de monitoring active, les M1Active 520 USB d’Alesis sont un système de monitoring pour studios d’enregistrement professionnels avec interface audionumérique intégrée.  Elles sont composées d'une paire d'enceintes de référence de 2 voies actives bi-amplifiées avec une réponse en fréquence allant de 20 000 Hz à 56 Hz, c.-à-d. qu’elles sont capables de restituer pratiquement toutes les fréquences audibles par l’oreille humaine.  Grâce à l’entrée numérique USB, vous pourrez écouter de la musique de votre ordinateur sans avoir à ajouter de câbles, directement via les M1Active 520 USB.  Ces moniteurs de studio offrent un son linéaire, transparent et neutre, digne des enceintes les plus chères. Caractéristiques:  - Moniteurs de studio actifs 2 voies bi-amplifiés (la paire)  - Réponse en fréquence étendue de 56 à 20 000 Hz  - Boomer 5'' en polypropylène d’une puissance de 50 W RMS  - Tweeter à membrane en soie 1'' - Puissance 25 W RMS  - Interface audio 16 bits, 44,1/48 Khz pour l’enregistrement et la lecture  - 2 entrées jack 6,3 mm symétriques  - Sortie casque sur jack 6,3 mm stéréo - Blindage magnétique, permet le positionnement des enceintes près d’un écran PC ou TV  - Caisson à faible résonance avec Bass Port (ajustage de l’intensité des basses pr optimiser les on par rapport au positionnement des enceintes)  - Témoins LED de mise sous tension et de saturation bicolores. ++++++++++++++++++++++++++++++++++++++++++ PAIR OF MONITORING SPEAKERS "ALESIS M1ACTIVE 520 USB" SUPPLIED WITH POWER CABLE VERY GOOD CONDITION, WORKING PERFECTLY!  Active monitoring speakers, the Alesis M1Active 520 USB are a monitoring system for professional recording studios with integrated digital audio interface. The M1Active 520 USB are composed of a pair of bi-amplified active 2-way reference loudspeakers with a frequency response ranging from 20,000 Hz to 56 Hz, i.e. that they are able to reproduce virtually all frequencies audible to the human ear. Thanks to the digital USB input, you can listen to music from your computer without having to add cables, directly on the M1Active 520 USB. Their attractive price makes them accessible to any studio, whatever its budget. These studio monitors deliver linear, transparent and neutral sound worthy of the most expensive speakers.  Features:  - Bi-amplified 2-way active studio monitors (pair) - Extended frequency response from 56 to 20,000 Hz  - 5'' polypropylene boomer with 50 W RMS power  - 1'' silk membrane tweeter - 25 W RMS power - 16-bit audio interface, 44.1 / 48 Khz for recording & playback  - 2 balanced 6.3 mm jack inputs  - Headphone output on 6.3 mm stereo jack  - Magnetic shielding, allows positioning of speakers near a PC screen or TV Low resonance subwoofer with Bass Port (adjustment of bass intensity to optimize on in relation to speaker placement)  - Two-color power and saturation LED indicators.  ++++++++++++++++++++++++++++++++++++++++++

For sale Hyla CE-5 triple-hybrid IEM (1 x dynamic driver, 2 x balanced armatures, 1 x ceramic driver). With original box and accessories. Little use and well taken care of. In excellent condition and working perfectly. Limited series - only 200 units were built. Fantastic sound. Earphones will be carefully packed and tracking number will be provided. Ceramic driver implemented hybrid structure Combining latest techs and years of sound engineering experience, Ce-5 fuses an ergonomically designed resin chamber. You will hear unparalleled soundstage, effortless treble presentation not to mention honey-sweet mids. All combines together to be a pleasure to listen, especially if you are a Jap-vocal lover!  Only 200 limited builds available worldwide Built with genuine medical grade Germany imported resin, jewelry field 3D structural design & molding technologies, ergonomically sampled and engineered combining with Trident Engine technology for ground breaking performance. Titanium sound tubes with enhanced crossovers Meticulously engineered with piezoelectric ceramic super tweeter with 7 layers of special coating aligned on the same axis with dual Sonion drivers. Full bodied presentation, well controlled sparkles Exceeding 20kHz high frequencies with stable output, HYLA effortlessly replays acoustic qualities of instruments with precise harmonies. 6-8kHz frequencies（i.e. /t/ sound）are attenuated for sweet and non-fatiguing vocals yet not affecting brightness and openness of female vocal presentations Interchangeable 2 pin universal design CIEM pin design with recessed socket gold plated pins for maximum durability and stable connection, allowing cable rolling and upgrades! VanNuys multi-purpose pouch equipped Made with tough nylon with leather and detachable hook system, the pouch made in Japan is picked from the VanNuys collection and coming with every HYLA set. Designed to fit earphones and accessories with the multi-layer design, attachable to other bags in the series.

À SAISIR!!! PAIRE D'ENCEINTES ALESIS M1ACTIVE 520 USB FOURNIES AVEC CÂBLE D'ALIMENTATION ET MODE D'EMPLOI TRÈS BON ÉTAT, FONCTIONNENT PARFAITEMENT! Prix à l'achat: 200€ Les enceintes de monitoring Alesis M1Active sont des enceintes de référence à 2 voies actives bi-amplifiées avec une réponse en fréquence allant de 20 000 Hz à 56 Hz, c.-à-d. qu’elles sont capables de restituer pratiquement toutes les fréquences audibles par l’oreille humaine.  Grâce à l’entrée numérique USB, vous pourrez écouter de la musique sur votre ordinateur sans avoir à ajouter de câbles, directement via les M1Active 520 USB.  Ces moniteurs de studio offrent un son linéaire, transparent et neutre, digne des enceintes bien plus chères. Caractéristiques:  - Moniteurs de studio actifs 2 voies bi-amplifiés (la paire)  - Réponse en fréquence étendue de 56 à 20 000 Hz  - Boomer 5'' en polypropylène d’une puissance de 50 W RMS  - Tweeter à membrane en soie 1'' - Puissance 25 W RMS  - Interface audio 16 bits, 44,1/48 Khz pour l’enregistrement et la lecture  - 2 entrées jack 6,3 mm symétriques  - Sortie casque sur jack 6,3 mm stéréo - Blindage magnétique, permet le positionnement des enceintes près d’un écran PC ou TV  - Caisson à faible résonance avec Bass Port (ajustage de l’intensité des basses pr optimiser les on par rapport au positionnement des enceintes)  - Témoins LED de mise sous tension et de saturation bicolores. ++++++++++++++++++++++++++++++++++++++++++ PAIR OF SPEAKERS "ALESIS M1ACTIVE 520 USB" SUPPLIED WITH POWER CABLE AND USER MANUAL VERY GOOD CONDITION, WORKING PERFECTLY! Rt price: 200€ The Alesis M1Active 520 USB speakers are a monitoring system for professional recording studios with integrated digital audio interface. They are bi-amplified active 2-way reference loudspeakers with a frequency response ranging from 20,000 Hz to 56 Hz, i.e. that they are able to reproduce virtually all frequencies audible to the human ear.  Thanks to the digital USB input, you can listen to music from your computer without having to add cables, directly on the M1Active 520 USB. Their attractive price makes them accessible to any studio, whatever its budget. These studio monitors deliver linear, transparent and neutral sound worthy of much more expensive speakers.  Features:  - Bi-amplified 2-way active studio monitors (pair) - Extended frequency response from 56 to 20,000 Hz  - 5'' polypropylene boomer with 50 W RMS power  - 1'' silk membrane tweeter - 25 W RMS power - 16-bit audio interface, 44.1 / 48 Khz for recording & playback  - 2 balanced 6.3 mm jack inputs  - Headphone output on 6.3 mm stereo jack  - Magnetic shielding, allows positioning of speakers near a PC screen or TV Low resonance subwoofer with Bass Port (adjustment of bass intensity to optimize on in relation to speaker placement)  - Two-color power and saturation LED indicators.  ++++++++++++++++++++++++++++++++++++++++++

Vend Oscillo verteurscope Videotek TVM-821D  toutes les caracteristiques en PDF sur le net Two component serial digital inputs. Button and knob per function design. Simple operation. A/B input "Overlay" mode for easy system timing. A/B input "Parade" mode for level comparison. LED alarms for EDH, Gamut and Data errors. Input EO display for quick verification of signal integrity. Analog audio input with X-V display for gain and phase measurement. RGB or '1: Cb, Cr display. 525/625 operation -Auto-sensing. Four memories for fast recall of set-ups. GPI input for memory recall. Looping external analog reference input. GPI output for alarm indication. Five year warranty -covering all parts and labor (One year warranty on CRTJ

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus

Amplificateur PIONEER SA-506 Spécifications HiFi Engine : The Pioneer SA-506 is a stereo integrated amplifier giving a continuous power output of 25 watts per channel. A new IC in the phono equalizer section of the SA-506 helps achieve an RIAA curve deviation of no more than +-0.5dB Other features include an illuminated wattage meter, click-stop volume and tone controls, loudness contour and advanced circuitry for low noise. Power output: 25 watts per channel into 8Ω (stereo). Frequency response: 20Hz to 40kHz. Total harmonic distortion: 0.08% Damping factor: 30. Input sensitivity: 2.5mV (MM), 150mV (line). Signal to noise ratio: 76dB (MM), 92dB (line). Output: 150mV (line), 30mV (DIN). Dimensions: 420 x 147 x 261mm. Weight: 5.9kg  BONNE CONDITION / GOOD CONDITION  Des traces d'usage peuvent apparaître, voir photos et vidéo:  Traces of use may appear, please see photos and video:  https://www.youtube.com/watch?v=Y3HErKjetX8&feature=youtu.be REVISE / SERVICED FULLY WORKING Potentiomètres et contacts désoxydés / Potentiometers and contacts have been deoxidized Câble d'alimentation intégré / Power cable included Plusieurs heures de tests / several hours of tests   Brancher votre téléphone, reel to reel, platine cassette, platine disque  Plug your phone, turntable, cassette deck, …  Manuel disponible gratuitement sur HiFi Engine    LIVRAISON / DELIVERY  A domicile en emballage sécurisé et assuré  Home delivery in a safe and insured packaging  Wolrdwide Delivery / Colissimo, UPS, Chronopost

Mélangeur ECLER SAM 312 Excellent état Excellente réponse en fréquence rack 19 pouces 1 unité. Idéal bar, restaurant etc… Panneau avant : Mélangeur de canaux d'entrée par bouton Input 1, 2,3. A noter qu’un micro peut être branché aussi en face avant uniquement sur la voie 1 - Contrôle de tonalité Triple (accessible uniquement avec un tournevis en face avant) - 3 LED mètre du niveau de sortie Réglage de sortie OUTPUT Réglage du Monitor surveillance générale MIX (Casque) Prise casque jack 6,35mm Bouton de mise en marche (Vert)   Rack à montage latéral oreilles avec 2 positions possibles pour un alignement parfait de la face avant avec d'autres appareils dans le même rack   -Panneau arrière : Signal de bouton sélecteur d'entrée (MIC / LINE) *3 entrées MICRO   en jack 6,35mm ou *3 entrées ligne stéréo (2X RCA) adaptées aux sources comme : MP3 (iPod®, etc.) et les ordinateurs portables. *Entrée MIX Direct permet la connexion d'autres mélangeurs. *2 sorties REC stéréo supplémentaires (REC1, REC2) *2 sorties stéréo (XLR   et 2 RCA) *Mode Mono bouton-poussoir Connexion pour une extension MUTE   par shunt du connecteur.(vert). (EUROBLOCK) permet la connexion avec les systèmes de détection d'incendie Prise protégée par fusible et Câble d’alimentation fourni   Dimensions: 440 × 44 × 170 (L x H x P) Poids: 2600 grammes Prix neuf généralement constaté: 399€ Prix ferme non négociable: 80 €   A retirer sur place à Juvignac. Ou expédition possible à vos frais: Colissimo : Rajoutez 14,10 € soit   94,10€ livré. Mondial Relay : Rajoutez 6,50 € soit   86,50 € livré. Pour tout renseigneme nt:   Thierry POUGET       ECLER SAM 312 Mixer Excellent condition Excellent in frequency response 19 inch rack 1 unit.   Front panel: Input channel mixer by Input 1, 2,3 button. Note that a microphone can also be connected to the front panel only on channel 1 - Triple tone control (accessible only with a screwdriver on the front panel) - 3 LED output level meter OUTPUT control Monitor control general monitoring MIX (Headphones) 6.35mm headphone jack Power button (Green)   Side-mounted rack with 2 possible positions for perfect front panel alignment with other devices in the same rack   -Rear panel: Signal input selector switch (MIC / LINE) *3 MICRO inputs in 6.35mm jack or *3 stereo line inputs (2X RCA) suitable for sources such as: MP3 (iPod®, etc.) and laptop computers. *MIX Direct input allows connection of other mixers. *2 additional stereo REC outputs (REC1, REC2) *2 stereo outputs (XLR and 2 RCA) *Mono push button mode Connection for MUTE extension by shunting the connector (green). (EUROBLOCK) allows connection to fire detection systems Fuse protected socket and power cable supplied   Dimensions: 440 × 44 × 170 (W x H x D) Weight: 2600 grams New price generally observed: 399€. Price: 80 €.   For any information:   Thierry POUGET

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and