Digital processing

Pour une raison personnelle et d’évolution du studio, je vends mon 2° Engine de ma console 88D. L'Engine, composé d'une carte QM2 (4 ports MADI 56) et de 2 cartes USP (totalisant 500 paths environ) fonctionne à la perfection et est toujours dans le rack de processing de ma console. Ce set de cartes est adapté pour les consoles numériques 88D, DFC2 et DFC3 associé aux logiciels Encore2 (V8 à V9.2) ou Encore3 (V10 &V11). For some personnal raison and because want update my room, i sale my second engine of my digital AMS-Neve 88D console. It's a full populated Engine with one QM2 (4 MADI ports 56) and 2 USP cards (500 paths around). This set is still on my console and working perfectly. It's for AMS-Neve diggital console ONLY. It's working with 88D, DFC2 and DFC3 console running with Encore2 (v8 to v9.2) or Encore3 (v10 or v11). The end price for the global package is for 25.000€ + shipment Payment by Paypal ou wire transfer All extra, local, duty tax and VAT r to be charged International shipping is a flat discounted worldwide rate (estimated 6-10 business days) Any questions, please ask!

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

TC electronic DB4 Introducing DB-4 & DB-8 Consistency in loudness is the single most important audio issue to get right in broadcast. That is the reason why DB-8, around the world, is the most widely used digital transmission processor today. It has set a new standard for real-time loudness control and format conversion, and pioneered support of both analog and digital feeds from one and the same machine. Both DB-4 and DB-8 employ cutting edge technology to enable stations get rid of listener complaints about jumping levels, and to transmit in analog and digital with optimum processing for both feeds. DB-4 includes the same processing and I/O capabilities as DB-8, except for holding two separate processors, instead of the four inside DB-8. For example, one DB-4 can apply different processing to four mono, two stereo or two 5.1signals, or to a combination such as one stereo and one 5.1 signal. Compatibility between DB-4 and DB-8 DB-4 and DB-8 are preset compatible. If you know how to operate one of the them, you know how to operate both. DB-8 is primarily designed for large broadcast centers, while DB-4 may be a more appropriate match for OB linking or a regional station, but they share the same processing, the same presets and the same physical I/O structure - and even the same program to control them. DB-4 and Your Broadcast Environment On the audio side, DB-4 gets the most out of any data reduction system your station or country has chosen, be it MPEG4, Dolby AC3, MP3, AAC, DTS etc. At the station, it can route and delay Dolby E encoded signals, so the same signal-path can be used partly for linear stereo, partly for data-reduced audio. On the control side, DB-4 interfaces directly with standard master control applications. Changes are applied using serial control, GPI or ethernet, and multiple units can be monitored via SNMP trapping. Local or remotely located DB-4 and DB-8 units can also be controlled from the Icon program included with the machine. (Icon runs under Windows 2k, XP and NT, Mac OS9 and OSX). Identify Your Opportunities If your station is an early mover in digital, and seeking to identify advantages, DB-8 and DB-4 will provide you with all the possibilities you need to transmit in 5.1 now, as well as to experiment and find the right competitive angle for the future. These processors can easily adapt to your audience's changing needs. Technical Integrity Synchronous 48kHz sampling and 48 bit processing throughout, in combination with massive jitter rejection, ensures high audio resolution and perfect timing, even when long, digital transmission lines are used to feed a processor. The DB-8/DB-4 platform is without compromises. In fact, hundreds of machines can be cascaded without degrading the transmitted sound. If optional analog interfacing cards are added, they too represent state of the art technology with 96kHz sampling and mastering quality dynamic range, far exceeding any US, Japanese or EU broadcast standard. Foundation TC's involvement with high quality digital audio dates back to the mid eighties with pre-DSD technology being employed in the still ubiquitous delay, 2290. TC's commitment to digital excellence continued over the years with equipment for the music, film and mastering industries. The multichannel processing in DB-8 and DB-4, for instance, was originally developed for film. Those tools have been adjusted for broadcast use and are now part of your arsenal. Or dynamics control, where some of the latest end-listener distortion canceling methods originally invented for mastering have been build in. Ten years experience with analog and digital broadcast combined with the know-how of skilled engineers is the strong base of the DB-8/DB-4 platform. From the purist and quality

YAMAHA digital reverberator REV500          Appareil multi-effets 100 Presets programmes utilisateur de 100 Digital et multi-effets reverb, 20 bits aD/dA, processing 32–bit 4 Différents effets reverb (pour 25 programmes: room, hall, plate & special effects) Digital et multi-effets reverb, 20–bit aD/dA processing dSP 32–bit 3 Processor 19 "1 hE 100 Presets 100 user 4 Programmes différents effets: reverb 25 programmes pour: room, hall, plate & special effects Grand écran lCD avec tableau des paramètres clairs réglé TRUE stereo processing (son intégrée-générateur caisse claire) pour la démonstration et des effets rimshot XLR et entrées et sorties Entrée et sortie commutable (-10dB) 4dB / MIDI in/out paramètres de contrôle peuvent, pRG change, bulk dump Entrée iN/oUT-affichage lED Input paramètres, level shift, programme mode radique utility Accès direct des principaux paramètres 5 Paramètre par programme pre-delay, rev-time hi ratio diffusion, elle balance Fußschalteranschluss muten à la effets ou à effet hall anwählen des programmes Bloc d'alimentation interne Le tout en bonne état et fonctionne très bien… Envoi possible Colissimo Annonce sérieuse donc acheteurs fantômes, à l'étranger ou à contacter que par Gmail !! Passez votre chemin

Technics SH-GE90 Graphic Equalizer Digital Sound Processor Egaliseur DSP. État : Occasion  En excellent état et documentation fournie. Equaliseur TECHNICS - SH-GE90: Equaliseur numérique Frequences pivots réglagles sur la largeur du spectre Nombreux DSP Fonction Karaoké 2 Entrées micros Entrée Analogique: 4 cinch (G+D) (dont 2 Tape Mon.): voir photo Sortie Analogique: 4 cinch (G+D) (dont 2 Tape Mon.): voir photo Couleur: noir Caractéristiques: Equalizer DSP - Technics SH-GE90 Informations techniques: Digital Signal Processor: Digital Signal Processing (DSP) Parametric Equalizer: Band Level Control: ±12dB (3 elements parametric equalizer) Spectrum Analyzer: Spectrum Analyzer/EQ Curve Displays: 3-mode display Preset Sound Settings: heavy, clear, soft, vocal, headphone stereo, car stereo Preset Sound Field Settings: hall, live, disco, church, stadium, theatre possibilité de ralentir ou augmenter la vitesse de la musique possibilité de donner plus ou moins d 'eco comme dans une salle de concert possibilité d accentuer ou diminuer les aigus, basses et mediums. et bien entendu d equaliser comme bon vous semble. Band Level Control ±12dB (3 elements parametric equalizer) Frequency Response 15Hz-20kHz, -1dB Total Harmonic Distortion 0.08% (1kHz, full scale input) S/N Ratio 86dB (full scale input) Center Frequencies (LOW) LOW: 31.5, 40, 50, 63, 80, 100, 125, 160, 220 (Hz) Center Frequencies (HIGH) HIGH 1,2: 315, 450, 630, 800, 1k, 1.25k, 1.6k, 2.2k, 3.15, 4.5, 6.3k, 8k, 10k, 12.5k, 16k (Hz) Input Selector Yes (tape/source) Spectrum Analyzer/EQ Curve Displays 3-mode display Digital Signal Processing (DSP) Yes Preset Sound Settings heavy, clear, soft, vocal, headphone stereo, car stereo Preset Sound Field Settings hall, live, disco, church, stadium, theater Microphone Inputs 2 (with level control) Jog Dial Yes

Pour une raison personnelle et d’évolution du studio, je vends mon 2° Engine de ma console 88D. L'Engine, composé d'une carte QM2 (4 ports MADI 56) et de 2 cartes USP (totalisant 500 paths environ) fonctionne à la perfection et est toujours dans le rack de processing de ma console. Ce set de cartes est adapté pour les consoles numériques 88D, DFC2 et DFC3 associé aux logiciels Encore2 (V8 à V9.2) ou Encore3 (V10 &V11). For some personnal raison and because want update my room, i sale my second engine of my digital AMS-Neve 88D console. It's a full populated Engine with one QM2 (4 MADI ports 56) and 2 USP cards (500 paths around). As it's for updating the processing rack with a existing engine in, the 2 fibers links between engines r on package.  This is still on my console and working perfectly. It's for AMS-Neve diggital console ONLY. It's working with 88D, DFC2 and DFC3 console running with Encore2 (v8 to v9.2) or Encore3 (v10 or v11). This is for 13U processing rack type: HW5383 The end price for the global package is for 25.000€ + shipment Payment by Paypal ou wire transfer All extra, local, duty tax and VAT r to be charged International shipping is a flat discounted worldwide rate (estimated 6-10 business days) Any questions, please ask!

Discman marque Philips Dual D/A Convertor Digital Servo Processing, DBB Dynamic Bass Boost, Compact Disc Digital Audio En excellent état, présentant de légères traces d’utilisation, très bon fonctionnement (voir photos 8 et 9, sur la photo 9 on distingue le cd qui tourne) Fourni avec écouteurs Philips en excellent état (voir photo) Sans adaptateur secteur (voir photo du port adaptateur secteur pour compatibilité) Fonctionnement impeccable avec piles mais non vérifier sur secteur

  Benq  BENQ Projecteur DLP (Digital Light Processing) BenQ MX631ST - 720p - HDTV - 4:3 - 3D Ready (MX631ST) 720p - HDTV - 4:3 - 3D Ready - XGA - Résolution 1024 x 768 - 3200 lm - 13,000:1 - HDMI - USB - 305 W Le MX631ST de BenQ offre la plus grande souplesse d'affichage possible et permet d'obtenir une image de 55" à une distance de tout juste un mètre ! Doté d'une luminosité de 3,200 lumens ANSI, d'un rapport de contraste élevé de 13000:1 ainsi que de la technologie 3D DLP® Link™, ce projecteur XGA est parfaitement adapté aux locaux de réunion et d'enseignement de petites dimensions ! Prestalia e-commerce solutions.

  BENQ Projecteur DLP (Digital Light Processing) BenQ MX631ST - 720p - HDTV - 4:3 - 3D Ready (MX631ST) 720p - HDTV - 4:3 - 3D Ready - XGA - Résolution 1024 x 768 - 3200 lm - 13,000:1 - HDMI - USB - 305 W Le MX631ST de BenQ offre la plus grande souplesse d'affichage possible et permet d'obtenir une image de 55" à une distance de tout juste un mètre ! Doté d'une luminosité de 3,200 lumens ANSI, d'un rapport de contraste élevé de 13000:1 ainsi que de la technologie 3D DLP® Link™, ce projecteur XGA est parfaitement adapté aux locaux de réunion et d'enseignement de petites dimensions !                                                            Prestalia e-commerce solutions.

- Marke SONY Herstellernummer 660960094374 MPN TX650 CÓDIGO EAN nicht zutreffend Marca de fábrica Sin marca EAN 660960094374 Marca SONY UPC 660960094374 Brand NEW Sony ICD-TX650 Digital Voice Recorder 16GB MP3 Player Black #MP8021 EU Item SpecificsMarke:SONYHerstellernummer:660960094374MPN:TX650CÓDIGO EAN:nicht zutreffendMarca de fábrica:Sin marcaEAN:660960094374Marca:SONYUPC:660960094374 Payment ​​We accept all major credit cards (VISA, Mastercard, etc) & direct bank deposit via PAYPAL ONLY. Shipping How long does it take to ship / deliver my item? We usually require 2-3 business days to prepare your item. Your package will normally arrive within 2-6 business days once it has been shipped. Please note that this may be longer during busy periods or public holidays.   How long will it take for my item to arrive? >>The standard delivery time is within 2 weeks. Please note that there could be delays due to unforeseen circumstances.   What delivery services do you offer? >>Please refer to the individual item listing where you can find all our delivery services.    Can I make delivery changes / requests? >>You should contact us asap where we will endeavor to assist you. However, once your item has been shipped, we cannot make any delivery changes.   When will I receive my tracking number? >>You will be given your tracking number within 3 business days of your order which you can find under “My - Purchase History”.   How can I find out who the courier is? >>You can go to “My – Purchase History” to view your courier.   Why does my tracking number not work when I try to enter it on the courier website? >>Courier tracking systems need time for logistical updates. So, your tracking number should work around 1-2 days after you receive it on. If this fails then please contact us for an update.   It has been 2 weeks. Why has my package still not arrived yet? >>Use your tracking number which you can find on “My - Purchase History” and enter it on the website of your courier. If there have been updates within the past 3 days then please continue to wait. If not then please contact us for an update on your situation.   Please bear in mind that there could be shipping or delivery delays due to unforeseen circumstances which are usually beyond our control.   - Extra cost to some countries especially in South America and East Europe via DHL/Fedex or other express couriersmaybe required. Welcome to make enquirer about the shipping cost. Delivery of express courier USUALLY takes 3-7 working days. Standard Delivery is 14-31 business days. After the payment has been fully recieved, please allow 2-3 working days for processing your order. Item will be shipped after payment is confirmed. The express courier is always punctual, but please note that that shipping time mentioned on our page is for reference only. We cannot be held responsible for late delivery due to circumstances such as traffic congestion, adverse weather, acts of god, customs inspections, etc. We will combine multiple items but we do not offer reduced shipping costs   Attention: We will try our best to assist you to minimize/avoid custom charge. Tax depend on luck and we are NOT responsible for any import duty. The free delivery cost is not included the extra fee for remote area. cost to some countries especially in South America and East Europe via DHL/Fedex or other express couriersmaybe required. Welcome to make enquirer about the shipping cost. Delivery of express courier USUALLY takes 3-7 working days. Standard Delivery is 14-31 business days. After the payment has been fully recieved, please allow 2-3 working days for processing your order. Item will be shipped after payment is confirmed. The express

Sony Alpha a7S iii Digital SLR Camera (Body Only), Sony A7Siii. Condition is "Used". Shipped with USPS Priority Mail. -This camera has been used exclusively in indoor studio environment and is in excellent condition! -I will include Small Rig cage for the camera as well. -All boxes Z battery and charger cables, and strap will be provide as well as being packaging in the factory box.  Alpha 7S III – a new milestone in sensitivity, speed and image supremacy. Featuring an all-new 12.1MP backside illuminated full-frame sensor with twice the readout speed for ultra-clean low-light images up to ISO 409,600, 15+ stops dynamic range and 3x reduction in rolling shutter, plus Sony’s acclaimed fast hybrid autofocus with 759 phase detection AF points. A new BIONZ XR processing engine deliver 8x more processing power for up to 120p 4K 10-bit 4:2:2 and full pixel readout in all recording modes. BrandSony MPNILCE7SM3/B ModelA7S Product Key Features TypeDigital SLR Maximum Resolution12.1 MP Manufacturer ColorBlack Features2160p UHD Video Recording, 1080i HD Video Recording, Bluetooth, Built-in Wi-Fi, AF Lock, High Dynamic Range (HDR), 720p HD Video Recording, Auto Contrast Balance (ACB), Image Stabilization, Face Detection, Audio Recording, 4K Video Recording, Date/Time Stamp, Automatic Pixel Mapping (APM), Auto Focus, AE/FE Lock, Exposure Compensation, Body Only, Built-in GPS, Viewfinder, 1080p HD Video Recording, Wi-Fi, Histogram Display, Dustproof, CMOS Sensor ColorBlack Screen Size2.7 in SeriesSony Alpha Free And fast Shipping thank you.

Pentax K-x Digital SLR Camera body only Noir 12MP Bon état de fonctionnement Voir mes autres ventes aux enchères de lentilles compatibles. Appareil photo reflex de 12,3 mégapixels Enregistrement d'un film HD 24 fps au format 16:9 Fonction Liveview sur un écran LCD de 2,7 pouces 4,7 images/seconde en prise de vue continue à grande vitesse Technologie originale de réduction des secousses Pentax Bon état de fonctionnement, avec les éraflures légères habituelles dues à l'utilisation.   Une petite partie de l'insigne nominatif est manquante.  Cela n'affecte pas le fonctionnement de l'appareil photo. Pentax K-x DSLR 4x Panasonic piles NIMH AA rechargeables à longue durée de vie Sangle Informations sur les produits Le Pentax K-X léger offre de nombreuses fonctions avancées, notamment la vidéo haute définition et les fonctions Live View. L'appareil photo numérique K-X dispose également d'une fonction de réduction des vibrations pour stabiliser la vidéo et les images. Les modes de filtrage de cet appareil photo reflex numérique de 12,4 MP permettent le traitement créatif des images grâce à une variété d'effets spéciaux. L'écran LCD de 2,7 pouces (68,6 mm) détecte jusqu'à 16 visages dans une seule image et offre une différence de phase et de contraste dans la fonction Live View. Le Pentax K-X capture des vidéos haute définition sur grand écran à 24 images/seconde à une résolution de 1280x720 pixels. Les modes Auto Picture et Scène du Pentax sur cet appareil photo numérique K-X aident l'utilisateur à prendre d'excellentes photos presque partout. L'utilisateur peut enregistrer presque tous ses mouvements grâce à la vitesse de capture de 4,7 ips de cet appareil photo reflex numérique de 12,4 MP. De plus, le système de mise au point automatique grand angle est doté d'un suivi des mouvements pour aider à faire la mise au point sur le sujet en mouvement. Le Pentax K-X dispose d'un système de capture d'images HDR qui peut fusionner jusqu'à trois images en une seule tout en conservant les ombres, les hautes lumières et les détails de moyenne gamme que les utilisateurs souhaitent.  Pentax K-x Digital SLR Camera  body only Black 12MP  Good Working Order See my other auctions for compatible lenses. 12.3 megapixel SLR camera 24 fps HD movie recording in 16:9 format Liveview function on a 2.7 inch LCD screen 4.7 fps high-speed continuous shooting Pentax original shake-reduction technology Good working order, with usual light scuffs from use.   A small part of the name badge is missing.  This does not affect the working of the camera. Pentax K-x DSLR 4x Panasonic long shelf life rechargable NIMH AA batteries Strap Product Information The lightweight Pentax K-X offers many advanced features, including high-definition video and Live View functions. The K-X digital camera also has a shake-reduction feature to stabilise video and images. The filter modes on this 12.4 MP digital SLR camera allow the creative processing of images through a variety of special effects. The 2.7-inch (68.6-mm) LCD display detects up to 16 faces in a single image and offers phase difference and contrast in the Live View function. The Pentax K-X captures high-definition wide screen video at 24 fps at a resolution of 1280x720 pixels. Pentax Auto Picture and scene modes on this K-X digital camera help the user capture excellent shots almost anywhere. Users can record almost every move with the 4.7 fps capture speed of this 12.4 MP digital SLR camera. In addition, the wide-angle autofocus system features movement tracking to help focus on the moving subject. The Pentax K-X has HDR image capture that can blend up to three images into one while maintaining the shadow, highlight, and midrange detail that users desire.

- - - - - - - - - - - - - - - - 8businessday Add to my favorite sellers Mon. to Sat. Customer Service Warranty Service Product Description Description: Feature: 1. Parents in the fiber optic cable should pay attention to the first plastic fiber optic connector to take off the connector, the direction of the interface, square up, circular ultra-under, aligned optical interface into it. 2. Do not insert the wrong side, easy to damage the optical interface Oh, plug anti-damaged we are not responsible. 3. Coaxial digital fiber to analog audio L R converter SPDIF digital audio decoding 4. Using imported audio processing chip 8416-CZZ. Convert coaxial or optical digital audio signals to analog L / R audio. Support sampling rate of 44.1 32., 48-96KHz playback. Input code for the 24bit S / PDIF left and right channels. 5. All connection ports are gold-plated interface materials. Provide electronic noise reduction transmission. 6. Easy to install, easy to operate. USB power cord, more environmentally friendly, stable and convenient. Specification: Input: Coaxial or optical digital audio Output: R / L (Audio Output Connector) Audio Input Connections: Toslink, 1xRCA (Coaxial) Audio Output Connection: 2xRCA (Right / Left) Support sampling rate of 44.1 32., 48-96KHz playback Passed the certification: FCC, UL, CCC, UK Power input: AC 100-240V 50 / 60Hz Power type: USB cable power supply Power: 5W (highest) Product Size: 51 x 41 x 26mm/2x1.61x1.02'' Type: A(Adapter), B(Adapter+DC Cable), C(Adapter+DC Cable+Optical Cable) Note:   Please allow 1-3mm differs due to manual measurement. Due to the different display and different light, the picture may not show the actual color of the item. Thanks for your understanding. Included: 1 X Analog Converter Decoder 1 X Optical Cable (Optional) 1 X USB-DC Power Cable (Optional) pictures - - - - - - - payment 1. We accept PayPal only. 2. All major credit cards are accepted through secure payment processor PayPal. 3. Payment must be received within 7 business days of auction closing. 4. If you have bought multiple items from me, you can send me one payment for all the items instead of paying for them individually. When you click the Pay Now button, will automatically determine if there are other items you have won or purchased from me and will combine them for your review. 5. NOTE: Import duties, taxes and chargers are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding buying. Warranty 1. 12 months Warranty. Buy with confidence! 2. If you are not satisfied when you receive your item, please return it within 14 days for a replacement or money back. Please contact me before you return it. 3. If item is defective in 3 months, We will send you a replacement without extra charger, or offer refund after we receive the defective item. 4. If item is defective after 3 months, you can still send it back to us. We will send you a new one after receiving the defective item. But you have to pay the extra shipping fee. policies 1. We are not responsible for any custom duty or import tax. 2. We will leave POSITIVE FEEDBACK after receiving the payment. Please contact us if you are not satisfied with the item after receive it. 3. All messages will be answered within 1 business day. If you do not receive our reply, please kindly re-sent your message and we will reply to you as soon as possible. 4. Serious Buyer Only! Please place bid only if you agree wi

All the plug-ins are installed (look the last photo). - 19b'"' Rack mountable - With 96 kHz FPGA processing - 48 channels/ 17 Faders / 6 Layers - 12 x Stereo mixes (perfect for in-ear monitoring setups) + LR - 3 x Stereo matrix - 8 x Internal stereo FX engines with stereo returns - DEEP processing enables the integration of plug-ins directly into the mixer inputs and mix channels - 7b'"' Touch screen - SLink port for remote audio networking - 64ch I/O port for audio networking - 32 x 32 USB audio interface - SQ-Drive direct recording of 32 individual tracks to USB-flash - AES output - Chromatic channel metering - Integrated LED illumination per fader - Dedicated physical controls - 8 assignable SoftKeys - Channel LCD displays - Compatible with the ME 1 and ME-500, as well as Dante or Waves audio networking cards - Dimensions: 440 x 514.9 x 198 mm - Weight: 10.5 kg Allen b'&' Heath AR2412 Audio Rack (stage box) - 24 XLR mic / line inputs - 12 XLR line outputs - Format: 19b'"' / 3 U - Dimensions: 483 x 220 x 137 mm - Weight: 5 kg En savoir plus

The Camera is in excellent condition and comes with charger and spare battery. The lens looks beautiful with no blemishes. It is insanely sharp!! for international shipping, please ask quote Since 1940, Mamiya have designed and manufactured high quality cameras and lenses with excellent reliability and ease of use. It is these attributes that Mamiya has focused on to create the Mamiya ZD and ZD camera. Mamiya ZD Digital SLR Camera The Mamiya ZD is the latest evolution in professional medium format cameras. Inheriting the same high quality that has made Mamiya the leader in professional imaging, the 22 million-pixel Mamiya ZD comes with a 48 x 36mm CCD that achieves exceptional image quality to rival it's earlier film counterparts. Mamiya has also designed the camera with outstanding handling and ease of use, which are achieved through a new ergonomic body designed around the photographer. By utilising the very latest digital technology and high quality optics then combining it with a new ergonomic body Mamiya has created a digital camera for the new generation. Specification 22 Mega Pixel CCD Utilising the large Dalsa 48mm x 36mm CCD in conjunction with the ASIC processing engine, the Mamiya ZD captures a 35MB RAW file. It can be saved as a RAW file or processed to a JPEG on the fly. These large files offer the quality and resolution imperative for professional imaging. ASIC (Application Specific Integrated Circuit) Developed exclusively for the Mamiya ZD. The ASIC processor optimizes image data from the CCD in real time. The ASIC engine also uses power saving technologies to prolong battery life and provides accurate white balance. IEEE1394/Video Out The Mamiya ZD can be operated tethered to a computer via four-pin IEEE 1394 cable for high-speed transfer. The camera also has a Video Out jack for reviewing images on a television monitor. 1.8” TFT monitor and LCD information panel A large 1.8 inch TFT monitor is located on the back of the camera for reviewing images. It displays a 100% of the image are with full brightness control. A second LCD screen located below the TFT monitor shows camera information such as image quality, ISO, white balance, storage media, and more. Dual Memory Card Slots The Mamiya ZD camera has two memory card slots. Compact Flash card (Type I and Type II), and SD card. Removable Low Pass Filter Mamiya is the only camera company in the world that gives the photographer the option of removing the Low Pass Filter. The filter is sealed in a protective cartridge, preventing it from dust and scratches. Strong and lightweight Construction Magnesium alloy is used to cover the camera's prism and electronic circuitry providing secure protection in a lightweight material. The camera's body is made from a lightweight, high strength die cast aluminium alloy shell providing the maximum amount of protection in a lightweight material. 1.2fps Continuous shooting Because of the high-speed ASIC processor and large memory buffer the Mamiya ZD is capable of firing at 1.2 fps. at a maximum burst rate of 10 shots (regardless of image size). All Metal Shutter up to 1/4000sec The durable all metal vertical-travel focal plane shutter gives the camera the ability to shoot at a top shutter speed of 1/4000 of a second. It provides a flash sync. speed of 1/125 of a second. Price and Availability The Mamiya ZD will retail for £7000 body only excluding VAT and is available now through authorised Mamiya ZD dealers.

Solid State Logic-A + (Total Recall) 32 Fader, 8 Group Master Fader 96 Channel / 8 Aux / 32 Mix Busses 96 Predub Channels / 2 Aux / 24 Predub Mix Busses Inputs: 144 Digital Inputs AES / EBU 56 Analog Inputs 12 Mic Pre Inputs Outputs: 144 Digital Outputs AES / EBU 56 Analog Outputs The console is in exceptional condition for its age, all the wiring is supplied with it, I give it away with the faders of the processing boards and the wiring in addition. the lot includes: The console is in good condition and does not require servicing. * 1 SSL Avant + Flying Faders console, total recall * 1RIO Grande Local Processor * 2 RIO Digital Aes / Ebu * 1 RIO Analog * 1 SSL Preamps X12 * 1 relay box Considering the weight of the console about 650kg and the RIO 150kg it is better to come with a 20m3 utility with hatchback it is essential !!! The cause of the sale is the redesign of the studio, towards a change of configuration. More pictures on request.The RTW phase meter is already sold. price of the New era more than € 200,000 The console is still visible currently in operation but will soon be moved, no longer offering the possibility of seeing it working "in production".

Filmora 9 Effects Pack 2020 All Updated MULTI LANGUAGE  DIGITAL DOWNLOAD All effects pack included Complete version tested and working Empower Your Imagination with Filmora9 A video editor for all creators. Create Without Limits Discover infinite ways to express yourself. Achieve a refined look with endless effects with Filmora9. 100 Media Layers Create complex stories easily in Filmora9. “From the first moment I used Filmora9, I enjoyed it! Simple, practical, easy to use! Highly recommend!“ Pedro Henrique Youtuber Beyond the Basic Craft new worlds by layering clips and using simple green screen effects. Never Miss a Beat Perfect your sound with keyframing, background noise removal, and more. Details Matter Filmora9 ensures every frame of your creation is as crisp as reality with full 4K Support. FEATURES Ready For Anything   Get more done Fast processing, proxy files, and adjustable preview quality help you be more productive.   Fine-tune your adventures Fix common action cam problems like fisheye and camera shake, and add effects like slow motion and reverse.   Perfect your aesthetic Change the aesthetic of your video with one click. Filmora9 has both creative filters and professional 3D LUTs. SOCIAL MEDIA Share Your Story Online Tailor your video to any platform and upload it from Filmora9.   SHOWCASE See What's Possible in Filmora9 Filmora9 users create amazing videos every day. Watch them here and get inspired. Vacationing on Kos, Greece This year we vacationed on the Greek island of Kos. Awestruck by some of the wonderful locations we visited, I was happy I brought my notebook with Filmora 9, so I could start editing the footage right away and make the most of the footage I shot. by ssassen Apr 30,2020 YouTube Channel: Sander Sassen Why we jump. My father used to photograph all our family activies and document this in photobooks.  At first, I did the same since I still enjoy reading those books but then. But later, I discovered the power of a short movie. So I bought action and handy cams and started making short movies in Windows moviemaker. Not only is it really fun to make those movies, but I can also tell a million words in a few minutes. But soon I discovered that I wanted a better, more versatile, and powerful program to make my movies. Filmora and later Filmora 9 answered to all my needs. I enjoy the easy use, combined with the many features Filmora9 has to offer. by K-bouwter Apr 30,2020 YouTube Channel: Erwin Goossens Punta Campanella, Sorrento (Italy) I started for fun. Filmora helped me to make a great video with an in-depth knowledge of video editing. by teresa Apr 30,2020 YouTube Channel: Tes Martha's Vineyard Filmora has been unbelievably helpful for me as I started my journey as a video editor. I always had a passion for it, but the program I was using would crash and make editing tedious and a hassle. Filmora has reinvigorated my love for editing by allowing me to edit my videos and create great content easily. It had allowed me to do what I originally wanted when I started making videos: to create and share great videos that capture great memories with friends and family. by mfaichney814 Apr 30,2020 YouTube Channel: Matt F Shaws in Guatemala - Episode 2: Antigua I started making videos to share our experiences while we were living in Guatemala in 2014. I've started using Filmora over the last year or two, and it has helped me give them a more finished and professional look. by nshaw97 Apr

- Marke Canon MPN G7-X Mark II CÓDIGO EAN 794767444763 Marca de fábrica compatible Para Canon Herstellernummer 794767444763 Marca Canon Compatible Brand For Canon EAN 794767444763 Herstellernummer 794767444763 UPC 794767444763 Nuevo CANON PowerShot G7 X Mark II Cámara compacta digital ES*3 Item SpecificsMarke:CanonMPN:G7-X Mark IICÓDIGO EAN:794767444763Marca de fábrica compatible:Para CanonHerstellernummer:794767444763Marca:CanonCompatible Brand:For CanonEAN:794767444763Herstellernummer:794767444763UPC:794767444763 Payment ​​We accept all major credit cards (VISA, Mastercard, etc) & direct bank deposit via PAYPAL ONLY. Shipping How long does it take to ship / deliver my item? We usually require 2-3 business days to prepare your item. Your package will normally arrive within 2-6 business days once it has been shipped. Please note that this may be longer during busy periods or public holidays.   How long will it take for my item to arrive? >>The standard delivery time is within 2 weeks. Please note that there could be delays due to unforeseen circumstances.   What delivery services do you offer? >>Please refer to the individual item listing where you can find all our delivery services.    Can I make delivery changes / requests? >>You should contact us asap where we will endeavor to assist you. However, once your item has been shipped, we cannot make any delivery changes.   When will I receive my tracking number? >>You will be given your tracking number within 3 business days of your order which you can find under “My - Purchase History”.   How can I find out who the courier is? >>You can go to “My – Purchase History” to view your courier.   Why does my tracking number not work when I try to enter it on the courier website? >>Courier tracking systems need time for logistical updates. So, your tracking number should work around 1-2 days after you receive it on. If this fails then please contact us for an update.   It has been 2 weeks. Why has my package still not arrived yet? >>Use your tracking number which you can find on “My - Purchase History” and enter it on the website of your courier. If there have been updates within the past 3 days then please continue to wait. If not then please contact us for an update on your situation.   Please bear in mind that there could be shipping or delivery delays due to unforeseen circumstances which are usually beyond our control.   - Extra cost to some countries especially in South America and East Europe via DHL/Fedex or other express couriersmaybe required. Welcome to make enquirer about the shipping cost. Delivery of express courier USUALLY takes 3-7 working days. Standard Delivery is 14-31 business days. After the payment has been fully recieved, please allow 2-3 working days for processing your order. Item will be shipped after payment is confirmed. The express courier is always punctual, but please note that that shipping time mentioned on our page is for reference only. We cannot be held responsible for late delivery due to circumstances such as traffic congestion, adverse weather, acts of god, customs inspections, etc. We will combine multiple items but we do not offer reduced shipping costs   Attention: We will try our best to assist you to minimize/avoid custom charge. Tax depend on luck and we are NOT responsible for any import duty. The free delivery cost is not included the extra fee for remote area. cost to some countries especially in South America and East Europe via DHL/Fedex or other express couriersmaybe required. Welcome to make enquirer about the shipping cost. Delivery of express courier USUALLY takes 3-7 working days. Standard Delivery is 14-31 business days. After the payment has been fully recieved,

Avid Pro Tools HD v12.5 usb installation no ilok windows 7 10 8 multilanguage  full lifetime version  fast digital delivery 12-24h max weekdays help available 24/7 usb installation This is not a license transfer! usb not included can also be used to install on your computer Pro Tools | HD Native is a new generation of Pro Tools | HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great speed and ease. Consisting of an HD Native Thunderbolt interface or PCIe core card, Pro Tools HD | Software, and Pro Tools | HD Series interface, Pro Tools | HD Native harnesses the power of your Mac or PC to deliver pristine sound, incredible performance, and the lowest latency of any host-based DAW. Features: Freeze tracks Quickly free up processing power on demand and share tracks with reversible freeze. Work fast with Track Commit Free up CPU power and collaborate easier by rendering tracks in a variety of ways. Align clips with x-ray vision Move and position overlapping clips with better precision using clip transparency. Automate fades Eliminate repetitive editing tasks by creating custom batch fades and fade presets. Speed up mixing Work faster and smarter with VCA Masters, extended metering, and Disk Cache. Access bonus plug-ins Expand your sonic creativity with access to additional plug-ins, including Space

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

Parfait  état, fonctionnement parfait testé, sera très solidement emballé. Peut être envoyé de france Suisse vers Suisse 14 Frs en recommandé Pour pays hors Europe me contacter pour les frais d'envoi  Bonnes enchères  This Pioneer CT-S670D is a stereo cassette deck with Dolby B/C and HX-Pro noise reduction, it was first sold by Pioneer in 1997 with a manufacturer suggested retail price of USD $310 and discontinued a year later. The main features of the Pioneer CT-S670D are: 3 heads and off-tape monitoring, digital linear tape counter with 4 digits, automatic tape type selection and capable of handling normal, chrome and metal tapes, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the center of the deck. Tape loading/unloading is operated motorized and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the CT-S670D are generic digital peak reading meters with peak hold for easy adjustment of optimum recording level. Full-logic transport controls used on the CT-S670D let it respond to the slightest finger contact for fast and effortless transport function selection. To ensure the best response from the wide variety of tapes available adjustment of, bias, equalization and sensitivity, to optimum levels can be performed prior to recording. Dolby C-type used in the CT-S670D provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range, the result is recorded sound that is highly faithful to the original. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. -  Advanced 3-Head System -  20bit A/D - D/A Converter -  Super Auto BLE XD -  Digital Processing System -  ALCA (Auto Level Control with Tape Analysis) -  Legato Link Conversion -  FLEX (Frequency Level Expander) Stereo Cassette Deck (1998)  (1 review) Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x combination record/playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x assist Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro, Digital NR Frequency Response: 20Hz to 21kHz  (Metal tape) Signal to Noise Ratio: 90dB  (Digital NR) Wow and Flutter: 0.05% Total Harmonic Distortion: 0.6% Input: 100mV (line) Output: 0.5V (line) Dimensions: 420 x 128 x 277mm Weight: 4.5kg Year: 1998 Note: digital optical input

Système "Digital Processing" Réduction numérique de bruit TDNS (Suppresseur de bruit de copie de bande) Digital Super Auto BLE XD Digital Convertisseur A/N - N/A à 20 bits Dolby HX... Voir la Fiche Technique

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Autoradio CD/ MP3/ WMA/ AUX/ USB/ iPOD / iPHONE 1 entrée USB 1 A en façade 1 entrée AUX en façade AVANTAGES MOS-FET 50Wx4 Nouveau Tuner: Digital Processing Tuner Alimentation USB 1...

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

I am selling my Aaron preamplifier because I have decided to upgrade to an integrated valve amplifier. The device is in excellent condition with no marks to note and i have used it in conjunction with my Meridian power amplifier to great affect. It comes with a solid aluminum remote control and manual. See the image for all input / output options. Unfortunately I don't have the original box but rest assured i will package the unit safely for transportation including a double box.   I bought it from a hifi enthusiast (like me) and critic in Montpellier about 2 years ago. He had it about 4 years before that. He told me he even preferred the Aaron to his Ayre preamplifier. This amplifier is still in production and can be purchased direct from Aaron (aaron-amplifiers (point) com) for € 3000. The cineast # 22 is designed as a home theater preamplifier, but it also performs amazingly in a 2 channel hi-fi setup. It is a pure analogue unit wth no digital processing involved. There is a good review on Hifiplus if you are looking for it.   It would be best to arrange delivery once we have a sale as i would recommend insured delivery with UPS.

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES PRESONUS - STUDIOLIVE 16.0.2 Référence: STUDIOLIVE 16.0.2 888,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus PRESONUS - STUDIOLIVE 16.0.2 - Table de mixage numérique d’enregistrement Les consoles StudioLive de PRESONUS 16.4.2 et 24.4.2 ont littéralement changé la donne en matière de consoles numériques et force est de constater que le monde de l'audionumérique, du Mixage et de l'enregistrement n'est plus le même depuis ces innovations majeures. La console StudioLive 16.0.2, forte de cet héritage, marche dans les pas de ses grandes sœurs en offrant la même qualité audio dans un format plus compact et tout aussi performant. Cette console offre 8 entrées mono ainsi que 4 entrées stéréo, 12 préamplis XMAX™ Class A viennent en renfort de cet arsenal – et même 13 si vous ajoutez à cela le préampli TALKBACK. Ne vous y laissez pas tromper, ce petit format est pourtant une StudioLive à part entière. Tout ce qui est du ressort des traitements, routings, intégration logicielle, effets, conversion, la 16.0.2 est issue de la même exigence et du même esprit de simplicité dans l’innovation. La StudioLive 16.0.2 dispose d’une interface Firewire16x16, livrée avec les logiciels Capture™, Studio One Artist™ ainsi que le désormais renommé Virtual StudioLive, logiciel de contrôle bidirectionnel. Preuve que tout est sur cette petite dernière comme sur les « grandes », elle peut être contrôlée à distance de la même manière avec l’application gratuite iPad SL Remote. Le Fat Channel de la 16.0.2 n’est pas en reste, il dispose d’une pléthore de traitements; compresseurs, limiteurs, gates, inverseurs de phase, filtres passe-bas, et équaliseurs 3 bandes semi paramétriques...La résolution de traitement des FX A et B internes est de 32 bits flottantes et concerne réverbérations et delays. Mais on peu aussi remarquer que cette console est pourvue de quelque chose que les deux autres modèles n’ont pas ! En effet, les entrées et sorties MIDI...vous aurez donc la possibilité par ce biais de contrôler les réglages de la console par « program change » que ce soit d’un pédalier sur scène ou par un séquenceur logiciel, comme Studio One Artist™ par exemple. Les options sont multiples et modifier le volume du mix général, les retours d’effets, les mutes ou les scènes complètes est désormais possible en exclusivité sur la StudioLive 16.0.2 grâce à la magie du MIDI. Le mix parfait est chose fastidieuse mais il est encore davantage lorsqu’après des heures, des jours de travail, voir plus, on souhaite revenir en arrière pour au final se repositionner sur la proposition de départ...Un mix étant très complexe, il intègre des éléments aussi variés que les niveaux, de la dynamique, des traitements, de l’égalisation et chaque chanson dispose de ses réglages propres. Tout comme ses grandes sœurs, la StudioLive permet de stocker, enregistrer, exporter les paramètres de ses réglages internes pour une utilisation illimitée en possibilités. Caractéristiques: Entrées 16 entrées, 4 Mixages auxiliaires 12 préamplificateurs de microphone XMAX, de classe A Interface Interface d'enregistrement numérique Firewire à 16 en- trées/16 sorties avec deux ports Firewire 400 (compatibles avec une connexion Firewire 800 Effets Section d'effets de Fat Channel assignable aux voies, aux généraux et aux groupes auxiliaires, 22 filtres passe-haut,24 gates,24 compresseurs,24 limiteurs,24 égaliseurs semi-paramétriques 3 bandes, 12 inverseurs de phase,50 presets de voie utiles vous aident à démarrer Égaliseur graphique 31 bandes pour le bus général avec 99 presets utilisateur Double processeur d'effets numériques 32 bits, chacun avec 50 reverbs et delays personnalisables plus 49 presets utilisateur Midi Entrée/sortie MIDI avec mode de commande MIDI Rappel de scène, rappel d'effet A, rappel d'effet B, sortie d'effet A, sortie d'effet B, assignation d'effet A aux généraux, assignation d'effet B aux généraux, battue manuelle du tempo et volume de sortie général Contrôle MIDI par pédalier optionnelRecall Automation de scène avec chargement/sauvegarde/rappel de tous les paramètres de la table de Mixage Jusqu'à 80 scènes de Mixage global,99 presets de Fat Channel, Copiez/collez des réglages de tranche entre voies,Stockage/rappel d'un nombre illimité de scènes avec le logiciel Virtual StudioLive (VSL) disposant d'un contrôle bidirectionnel des réglages et des scènes interface Interface d'enregistrement numérique Firewire 16x16 (24 bits/44,1 et 48 kHz) logiciel Capture 1.1 (fourni) Interface compatible avec Studio One, Pro Tools® 9, Logic®, Nuendo, Cubase, Sonar, Digital Performer, Ableton, Live... Core Audio et ASIO Divers Échantillonnage 24 bits/48 kHz via des convertisseurs nalogique/numérique haute définition (plage dynamique de 118 dB) Section de réseau d'ordres (Talkback) complète pour l'utilisation en live et en studio Construction pour des années d'usage intensif avec solide châssis en acier rigide et touches sensitives de qualité militaire Faders de 60 mm résistants à l'usure Embase BNC pour lampe 12 V Suite logicielle complète pour Mac®OS X et Windows® possibilité de montage en rack Dimensions Profondeur: 39,7cm Largeur: 40.64 cm Hauteur maxi: 14 cm Poids: 9.5 Kg Livré avec cable Firewire PRESONUS - STUDIOLIVE 16.0.2 Reference: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Referencia: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Artikel-Nr: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Riferimento: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains Global Audio Store, Revendeur Presonus agréé Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES SOUNDCRAFT - SI EXPRESSION 1 Référence: SI EXPRESSION 1 1 990,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 3 ans pièces & main-d'oeuvre En Savoir Plus SOUNDCRAFT - SI EXPRESSION 1 - Mixeur numérique S'appuyant sur plus d'une décennie d'expérience dans le domaine du numérique mixage audio, la série Soundcraft ® Si Expression/span> exploite certains des plus récents DSP, composants et techniques de fabrication afin de vous présenter la console numérique la plus puissante jamais créée à prix équivalent ! Chaque console de la gamme est identique dans son ensemble de fonctionnalités, à vous de savoir combien de faders et d'amplis micro vous désirez. Avec une gamme allant de la super portable SI Expression 1en rack 19" à la puissante Si Expression 3 avec ses 30+2 faders et 32 entrées micro / ligne, il y a un modèle pour répondre à tous les besoins. Prenons la SI Expression 2 comme exemple de base. Elle dispose de 24 péampli micro (32 sur Si Expression 3 et 16 sur SI Expression 1) plus 4 entrées ligne, 4 effets stéréo retours internes, AES intégré et un slot d'extension 64x64 offrant plus que le nécessaire pour utiliser chacun des 66 canaux de traitement. Chaque canal de traitement en entrée dispose d'un filtre passe-haut, delay, gate, compresseur et EQ quatre bandes, ainsi qu'un un système d'automatisation avec quatre groupes de mute et d'un FaderGlow ™ pour éclairer votre chemin afin de ne jamais vous perdre. Comme on peut s'y attendre d'une console de mixage numérique SOUNDCRAFT, elle est équipée du processeur audio DSP EMMA dernière génération, assurant une qualité audio légendaire. C'est cette même plateforme DSP qui a contribué à propulser les précédentes consoles SOUNDCRAFT vers la gloire. Toute cette puissance unie à la fiabilité, la flexibilité et la convivialité met la SI Expression dans une classe à part. Fonctions Principales: * D.O.G.S. (Direct Out Gain Stabilisater) - Empêche la modification manuelle d'un contrôle de gain pouvant affecter les niveaux de sortie directe. Idéal quand 2 consoles partagent une même stagebox ou lors d'un enregistrement en sortie directe. * Verrouillage de sécurité - Verrouiller l'ensemble de la console ou les éléments sélectionnés seulement, gérer la sécurité avec les utilisateurs et les paramètres de profil. * Couches de faders assignables - Adaptez chacune des quatre couches de faders disponibles pour répondre à vos besoins ou ajouter / insérer des faders afin d'accueillir un micro supplémentaire qui n'était pas dans la liste de patch (par exemple ! * Copy & Paste - copier et coller tous vos canaux, bus, mix, presets d'effets Lexicon ou des petits détails comme une seule partie de votre égalisation ou la gate de votre compresseur… * TOTEM ™ - The One Easy Touch Mix, appuyez sur une touche unique à mélanger à un bus AUX, FX ou Matrix, la surface le monitoring se reconfigurent instantanément pour autoriser votre mixage en fonction des bus et faders que vous avez choisi. * BSS ® GEQ - Avec un BSS GEQ sur chaque bus, il n'est jamais nécessaire d'assigner à partir d'un pool de ressources. Vous ne tomberez jamais à cours de puissance pour assurez le traitement de vos mix. * 1 commande = 1 fonction - Avec chaque commande dédiée à une fonction donnée, il n'y a jamais de «superposition» des contrôles ou des écrans de navigation, ainsi les contrôles sont tous accessibles directement en surface comme s'il s'agissait d'un mixeur analogique. * ontrôles de mode Global - Une rangée de boutons rotatifs au dessus de chaque fader assignable au simple toucher d'un bouton pour être GAIN, PAN ou HPF pour toutes les entrées permettant l'accès instantané aux fonctions essentielles. * SOUNDCRAFT FaderGlow ® - illumine les fentes des faders et vous permet d'attribuer des couleurs a des fonctions bien définies comme FX, Stéréo, Mono liés, GEQ, Post Fade Aux, PRE Fade Aux… * Touches d'accès instantané - touches dédiées sur le panneau avant pour STORE, RECALL, NEXT, MUTE 1-4, Tap Tempo Il n'est plus nécessaire de se plonger dans l'écran et les menus contextuels. * Function Focus - Chaque fois qu'une commande est déplacée ou que la touche Select est pressée, l'écran affiche des informations sur le canal identifié, la valeur absolue des contrôles, le nom du canal, numéro, etc.. * Everything Everywhere - Tous les canaux et les bus ont leur propre complément de traitement, rien à assigner ou configurer. Spécifications: * 24 (32 - Si Expression 3, 16 - Si Expression 1) entrées mono mic * 4 entrées ligne * Interface avec écran couleur tactile * 66 canaux mélangeable * Pre / Post sélection par entrée par bus * AES in et out * Encodeurs en mode Global * Soundcraft FaderGlow ™ * GEQ sur chaque bus * 20 sous groupes / Bus auxiliaires * 4 bus FX * 8 bus Matrix * Bus de mixage LR et C * 4 moteurs d'effets stéréo Lexicon * Delay sur entrées et sorties * 4 groupes de Mute * Boucles d'insertion librement assignables * intégration Harman HiQnet * Slot pour carte optionnelle 64x64 canaux SOUNDCRAFT - SI EXPRESSION 1 Reference: SI EXPRESSION 1 1 990,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 3 years by manufacturer More info SOUNDCRAFT - SI EXPRESSION 1 - Digital Mixer The Si Expression 1 features 16 recallable mic pre amps (24 on Si Expression 2 and 32 on Si Expression 3) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost. Key Features: * 16 (24 - Si Expression 2, 32 – Si Expression 3) mono mic inputs * 4 line inputs * 66 inputs to mix * 1 ViSi Connect™ option card slot for 64 x 64 input/output expansion * Freely assignable faders and patching * Pre/Post selection per input per bus * AES in and out * Global mode encoders * Soundcraft FaderGlow™ * GEQ on every bus * 20 sub-group / aux busses * 4 FX busses * 8 Matrix busses * LR and C Mix busses * 4 Stereo Lexicon Effects engines * Delay on inputs and outputs * 4 Mute Groups * Freely assignable insert loops * Harman HiQnet integration * Colour touch screen interface SOUNDCRAFT - SI EXPRESSION 1 Referencia: SI EXPRESSION 1 1 990,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 3 years by manufacturer Más SOUNDCRAFT - SI EXPRESSION 1 - Digital Mixer The Si Expression 1 features 16 recallable mic pre amps (24 on Si Expression 2 and 32 on Si Expression 3) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost. Key Features: * 16 (24 - Si Expression 2, 32 – Si Expression 3) mono mic inputs * 4 line inputs * 66 inputs to mix * 1 ViSi Connect™ option card slot for 64 x 64 input/output expansion * Freely assignable faders and patching * Pre/Post selection per input per bus * AES in and out * Global mode encoders * Soundcraft FaderGlow™ * GEQ on every bus * 20 sub-group / aux busses * 4 FX busses * 8 Matrix busses * LR and C Mix busses * 4 Stereo Lexicon Effects engines * Delay on inputs and outputs * 4 Mute Groups * Freely assignable insert loops * Harman HiQnet integration * Colour touch screen interface SOUNDCRAFT - SI EXPRESSION 1 Artikel-Nr: SI EXPRESSION 1 1 990,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 3 years by manufacturer Produktinfos SOUNDCRAFT - SI EXPRESSION 1 - Digital Mixer The Si Expression 1 features 16 recallable mic pre amps (24 on Si Expression 2 and 32 on Si Expression 3) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost. Key Features: * 16 (24 - Si Expression 2, 32 – Si Expression 3) mono mic inputs * 4 line inputs * 66 inputs to mix * 1 ViSi Connect™ option card slot for 64 x 64 input/output expansion * Freely assignable faders and patching * Pre/Post selection per input per bus * AES in and out * Global mode encoders * Soundcraft FaderGlow™ * GEQ on every bus * 20 sub-group / aux busses * 4 FX busses * 8 Matrix busses * LR and C Mix busses * 4 Stereo Lexicon Effects engines * Delay on inputs and outputs * 4 Mute Groups * Freely assignable insert loops * Harman HiQnet integration * Colour touch screen interface SOUNDCRAFT - SI EXPRESSION 1 Riferimento: SI EXPRESSION 1 1 990,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 3 years by manufacturer Dettagli SOUNDCRAFT - SI EXPRESSION 1 - Digital Mixer The Si Expression 1 features 16 recallable mic pre amps (24 on Si Expression 2 and 32 on Si Expression 3) plus 4 line inputs, 4 internal stereo FX returns, AES in, and a 64x64 expansion slot offering more than enough scope to use every one of the 66 input processing channels. Every input processing channel has dedicated processing for high pass filter, input delay, gate, compressor and four band EQ whilst keeping it under control is a comprehensive automation system augmented with four mute groups and FaderGlow™ to light the way so you are never lost. Key Features: * 16 (24 - Si Expression 2, 32 – Si Expression 3) mono mic inputs * 4 line inputs * 66 inputs to mix * 1 ViSi Connect™ option card slot for 64 x 64 input/output expansion * Freely assignable faders and patching * Pre/Post selection per input per bus * AES in and out * Global mode encoders * Soundcraft FaderGlow™ * GEQ on every bus * 20 sub-group / aux busses * 4 FX busses * 8 Matrix busses * LR and C Mix busses * 4 Stereo Lexicon Effects engines * Delay on inputs and outputs * 4 Mute Groups * Freely assignable insert loops * Harman HiQnet integration * Colour touch screen interface Global Audio Store, Revendeur Soundcraft agréé Global Audio Store, Authorized Soundcraft Dealer Global Audio Store, Authorized Soundcraft Dealer Global Audio Store, Authorized Soundcraft Dealer Global Audio Store, Authorized Soundcraft Dealer

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés Référence: LDVIBZ8DC 219,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 8 DC - Table de mixage 8 canaux avec effets et compresseur intégrés 4 entrées Micro symétriques  avec préamplis de haute qualité,  2 voies stéréo compatibles mono, un  compresseur intégré  et un multieffet numérique de résolution 24 bits offrant 100 presets : grâce à sa souplesse, la VIBZ 8 DC est le point central d'une configuration audio. Ses voies micro, commutables ligne, sont équipées de  préamplis de haute qualité  et d'un filtre passe-haut et deux d'entre elles disposent de plus d'un point d'insertion. Afin de travailler le son efficacement, la VIBZ 8 DC possède des  égaliseurs 3 bandes très efficaces, dont la fréquence d'intervention dans le médium a été choisie avec soin La section Master de la console est équipée d'un  retour effet, de sorties Monitor à niveau réglable et d'une prise casque. La VIBZ 8 DC possède aussi une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser, et possède un son transparent et détaillé. Elle est idéale pour les petits groupes, l'installation fixe, le home studio et les prémixages. La VIBZ 8 DC est livrée avec un bloc secteur externe, qui se visse sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 8 sur un pied de micro. Référence: LDVIBZ8DC Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 8 Canaux Micro/Ligne Mono: 4 Connecteurs Entrée Micro/Ligne Mono: jack 6,35 mm TRS, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Nombre de Points d'Insertion: 2 Connecteur Point d'Insertion: jack 6,35 mm TRS (pointe = départ, anneau = retour) Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono:    +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau, PAN (panoramique), départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High), Compressor (voies 1 et 2), Low Cut, Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut (Low Cut): 95 Hz Compresseur: réglage d'action continu Nombre de Voies d'Entrée Ligne Stéréo: 3 Connecteurs Entrée Ligne Stéréo: 2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique / symétrie électronique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: +/- 15 dB à 2,5 kHz (Voies 3/4 + 5/6) Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau, Balance, départ DFX/AUX (post fader), égaliseur 3 bandes (Low, Mid, High) sur les voies 3/4 + 5/6, correcteur grave/aigu sur les voies 7/8, filtre Low-Cut, réglage de Gain sur les voies 3/4 + 5/6 Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet: jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stéréo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique: +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm Sortie Casque: 1 Connecteur Sortie Casque: jack stéréo 6,35 mm Impédance Minimale Casque: 30 ohms Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 100 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Réglage de niveau DFX To Main, touche DFX Mute, DFX Presets, volume casque/Control Room, niveau 2TK In, Stereo Return, sélecteur alimentation fantôme, niveau Master, assignation 2TR (Main ou CTRL Room) Indicateurs: Vumètres 8 segments, activation alimentation fantôme, Power, Peak sur les voies Alimentation: 18 V AC / 1 A via bloc secteur externe Largeur: 265 mm Hauteur: 77 mm Profondeur: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Reference: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Referencia: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Artikel-Nr: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Riferimento: LDVIBZ8DC 219,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 8 DC - 8 channel Mixing Console with DFX and Compressor Four balanced microphone inputs  with high quality preamplifiers,  mono compatible stereo channels, an integrated compressor  and  100 digital effects with 24-bit resolution turn the VIBZ 8 DC into a flexible sound control unit. The microphone channels are switchable to line level and are equipped with  high quality   preamplifiers  and a reduction in bass; two of them also feature inserts for individual signal processing. For an effective sound adjustment, the VIBZ 8 DC has very precise  3-band EQ s  with practical selectable mids. The master section of the mixer has an  effects loop, adjustable monitor outputs and a headphone jack. The VIBZ 8 DC also has inputs and outputs for recording and playback devices, is extremely easy to use and impresses with its transparent and detailed sound. It is ideal for small bands, installations, home recording, and for use as a sub-mixer. It comes with an external power supply that can be tightly secured to the mixer. A foot switch for the effects section and an adapter for mounting the VIBZ 8 DC on microphone stands are available as accessories. Item Number: LDVIBZ8DC Product Type: mixer Type: live Number of Channels: 8 Mono Mic/Line Input Channels: 4 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Channel Insert: 2 Insert: 6.3 mm stereo jack (TIP= send / RING= return) Channel Crosstalk: 62 dB THD Mono Mic Input: 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass:    +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume, PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Compressor (Kanal 1+2) Low-Cut, Gain Phantom Power: +48 V DC switchable Low Cut: 95 Hz Compressor: yes Stereo Line Input Channels: 3 Stereo Line Input Connections: 2 x 6.3 mm stereo jack, (Lmono,R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Amplification Range Mono Line Input: 0 - +50 dB Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: +/- 15 dB  2,500 Hz (channel 3/4 + 5/6) Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), channel 3/4 + 5/6, 2-band EQ (Low, High) channel 7/8 Low-Cut, Gain channel 3/4 + 5/6 Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections: 6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs: +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack Headphone Output: 1 Headphone Output Connections: 6.3 mm stereo jack Minimum Headphone Impedance: 30 Ohm Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 100 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: DFX To Main Volume, DFX Mute switch, DFX Presets Headphones / Control Room Volume 2TK Volume, Stereo Return Volume, Phantom Power, Master Volume, 2TR assignment (Main, CTRL Room) Display Elements: 8-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External PSU Width: 265 mm Height: 77 mm Depth: 350 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)