Processing preamplifier

Tested, Sold as is in working condition Due to age a recap will be beneficial The SP4002 signal processing preamplifier is a very flexible preamplifier including two ten octave graphic equalizers, three way dubbing control for 3 tape recorders, two signal processing loops,, a subsonic filter and stereo/mono mode switching. The phono preamplifier design allows the use of two moving coil cartridges without head amplifiers and adjustable cartridge loading 50 to 800 picofarads (cf. picture). En savoir plus

I am selling my Aaron preamplifier because I have decided to upgrade to an integrated valve amplifier. The device is in excellent condition with no marks to note and i have used it in conjunction with my Meridian power amplifier to great affect. It comes with a solid aluminum remote control and manual. See the image for all input / output options. Unfortunately I don't have the original box but rest assured i will package the unit safely for transportation including a double box.   I bought it from a hifi enthusiast (like me) and critic in Montpellier about 2 years ago. He had it about 4 years before that. He told me he even preferred the Aaron to his Ayre preamplifier. This amplifier is still in production and can be purchased direct from Aaron (aaron-amplifiers (point) com) for € 3000. The cineast # 22 is designed as a home theater preamplifier, but it also performs amazingly in a 2 channel hi-fi setup. It is a pure analogue unit wth no digital processing involved. There is a good review on Hifiplus if you are looking for it.   It would be best to arrange delivery once we have a sale as i would recommend insured delivery with UPS.

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES PRESONUS - STUDIOLIVE 16.0.2 Référence: STUDIOLIVE 16.0.2 888,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus PRESONUS - STUDIOLIVE 16.0.2 - Table de mixage numérique d’enregistrement Les consoles StudioLive de PRESONUS 16.4.2 et 24.4.2 ont littéralement changé la donne en matière de consoles numériques et force est de constater que le monde de l'audionumérique, du Mixage et de l'enregistrement n'est plus le même depuis ces innovations majeures. La console StudioLive 16.0.2, forte de cet héritage, marche dans les pas de ses grandes sœurs en offrant la même qualité audio dans un format plus compact et tout aussi performant. Cette console offre 8 entrées mono ainsi que 4 entrées stéréo, 12 préamplis XMAX™ Class A viennent en renfort de cet arsenal – et même 13 si vous ajoutez à cela le préampli TALKBACK. Ne vous y laissez pas tromper, ce petit format est pourtant une StudioLive à part entière. Tout ce qui est du ressort des traitements, routings, intégration logicielle, effets, conversion, la 16.0.2 est issue de la même exigence et du même esprit de simplicité dans l’innovation. La StudioLive 16.0.2 dispose d’une interface Firewire16x16, livrée avec les logiciels Capture™, Studio One Artist™ ainsi que le désormais renommé Virtual StudioLive, logiciel de contrôle bidirectionnel. Preuve que tout est sur cette petite dernière comme sur les « grandes », elle peut être contrôlée à distance de la même manière avec l’application gratuite iPad SL Remote. Le Fat Channel de la 16.0.2 n’est pas en reste, il dispose d’une pléthore de traitements; compresseurs, limiteurs, gates, inverseurs de phase, filtres passe-bas, et équaliseurs 3 bandes semi paramétriques...La résolution de traitement des FX A et B internes est de 32 bits flottantes et concerne réverbérations et delays. Mais on peu aussi remarquer que cette console est pourvue de quelque chose que les deux autres modèles n’ont pas ! En effet, les entrées et sorties MIDI...vous aurez donc la possibilité par ce biais de contrôler les réglages de la console par « program change » que ce soit d’un pédalier sur scène ou par un séquenceur logiciel, comme Studio One Artist™ par exemple. Les options sont multiples et modifier le volume du mix général, les retours d’effets, les mutes ou les scènes complètes est désormais possible en exclusivité sur la StudioLive 16.0.2 grâce à la magie du MIDI. Le mix parfait est chose fastidieuse mais il est encore davantage lorsqu’après des heures, des jours de travail, voir plus, on souhaite revenir en arrière pour au final se repositionner sur la proposition de départ...Un mix étant très complexe, il intègre des éléments aussi variés que les niveaux, de la dynamique, des traitements, de l’égalisation et chaque chanson dispose de ses réglages propres. Tout comme ses grandes sœurs, la StudioLive permet de stocker, enregistrer, exporter les paramètres de ses réglages internes pour une utilisation illimitée en possibilités. Caractéristiques: Entrées 16 entrées, 4 Mixages auxiliaires 12 préamplificateurs de microphone XMAX, de classe A Interface Interface d'enregistrement numérique Firewire à 16 en- trées/16 sorties avec deux ports Firewire 400 (compatibles avec une connexion Firewire 800 Effets Section d'effets de Fat Channel assignable aux voies, aux généraux et aux groupes auxiliaires, 22 filtres passe-haut,24 gates,24 compresseurs,24 limiteurs,24 égaliseurs semi-paramétriques 3 bandes, 12 inverseurs de phase,50 presets de voie utiles vous aident à démarrer Égaliseur graphique 31 bandes pour le bus général avec 99 presets utilisateur Double processeur d'effets numériques 32 bits, chacun avec 50 reverbs et delays personnalisables plus 49 presets utilisateur Midi Entrée/sortie MIDI avec mode de commande MIDI Rappel de scène, rappel d'effet A, rappel d'effet B, sortie d'effet A, sortie d'effet B, assignation d'effet A aux généraux, assignation d'effet B aux généraux, battue manuelle du tempo et volume de sortie général Contrôle MIDI par pédalier optionnelRecall Automation de scène avec chargement/sauvegarde/rappel de tous les paramètres de la table de Mixage Jusqu'à 80 scènes de Mixage global,99 presets de Fat Channel, Copiez/collez des réglages de tranche entre voies,Stockage/rappel d'un nombre illimité de scènes avec le logiciel Virtual StudioLive (VSL) disposant d'un contrôle bidirectionnel des réglages et des scènes interface Interface d'enregistrement numérique Firewire 16x16 (24 bits/44,1 et 48 kHz) logiciel Capture 1.1 (fourni) Interface compatible avec Studio One, Pro Tools® 9, Logic®, Nuendo, Cubase, Sonar, Digital Performer, Ableton, Live... Core Audio et ASIO Divers Échantillonnage 24 bits/48 kHz via des convertisseurs nalogique/numérique haute définition (plage dynamique de 118 dB) Section de réseau d'ordres (Talkback) complète pour l'utilisation en live et en studio Construction pour des années d'usage intensif avec solide châssis en acier rigide et touches sensitives de qualité militaire Faders de 60 mm résistants à l'usure Embase BNC pour lampe 12 V Suite logicielle complète pour Mac®OS X et Windows® possibilité de montage en rack Dimensions Profondeur: 39,7cm Largeur: 40.64 cm Hauteur maxi: 14 cm Poids: 9.5 Kg Livré avec cable Firewire PRESONUS - STUDIOLIVE 16.0.2 Reference: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Referencia: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Artikel-Nr: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains PRESONUS - STUDIOLIVE 16.0.2 Riferimento: STUDIOLIVE 16.0.2 888,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli PRESONUS - STUDIOLIVE 16.0.2 - Performance & Recording Digital Mixer In a footprint of less than 2 square feet (0.19 m2), the compact, 16-channel Presonus Studio Live 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX Class A solid-state mic preamps. The Presonus 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters. The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture, Studio One Artist recording and production software, and Virtual StudioLive, bidirectional control software, and it works great with our free SL Remote iPad and iPhone control apps. The 1602's Fat Channel is well stocked with compressors, limiters, gates, phase reverse, high-pass filters, and 3-band semi-parametric EQ. Two stereo, 32-bit floating-point effects processors deliver delay and reverb effects. The Presonus StudioLive 16.0.2 also offers MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control. Features: * 8 mono mic/line channel inputs * High-headroom Class A XMAX mic preamplifier * 60 mm precision faders * 4 stereo line channel inputs * 4 Auxiliary buses (pre/post-fader send) * 2 Internal FX buses * 2 stereo 32-bit digital effects processors with customizable reverb and delay presets * Fat Channel signal processing on all channels and buses, with 3-band semi-parametric EQ (individual band on/off), Full-featured compressor, Standard downward expander, Limiter * Phase reverse (12 mic preamplifiers only) * Pan with dedicated 15-LED display * 16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz) * Compatible with most audio software via ASIO, Windows Audio, Core Audio Scene store and recall * Software bundle for Mac and Windows includes: PreSonus Studio One Artist, PreSonus Capture, PreSonus Universal Control with Virtual StudioLive * MIDI Control Mode: Scene and FX Preset recall, Main Volume, FXA, and FXB output levels, FXA and FXB assign/unassign to Mains Global Audio Store, Revendeur Presonus agréé Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer Global Audio Store, Authorized Presonus Dealer

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !

8 legendary Class A mic preamps in the same class as the Focusrite ISA and RED ranges. They don't make them like this anymore... This unit is in very good condition - see pictures: front face is pristine with no scratches, only a few usage scratches around the rack ears from installation (marks will be hidden again after mounted onto a rack). It never left the studio. The Octopre provides eight pristine discrete channels of Focusrite Class A mic preamp and compression, OctoPre PLATINUM routes directly to any digital audio workstation via eight standard analogue outputs. Each channel features a revolutionary compressor/limiter circuit, providing a warm-sounding compressor, which morphs into a brick wall limiter to avoid those critical overs, ensuring total control over all eight channels. The mic preamps featured in OctoPre PLATINUM are similar to those featured in the award winning Focusrite Top-Of-The-Range. They are a transistor-based Class A design utilising the same full-bandwidth philosophy as the legendary RED and ISA mic preamps, ensuring detail and clarity without colouration. The first two 'super channels' also feature phase reverse, as well as TRS jack inputs on the front fascia for quick and easy, DI-free instrument plug-in. Eight line level balanced (+4 dBu) analogue inputs and outputs are provided as standard via 25-pin D-type connectors. These D-type connectors may be routed to 8 XLR/TRS by means of an (optional) 8-way 25-pin D-type to 8 XLR/TRS breakout cable, available separately. In addition to the analogue outputs, the OctoPre can be fitted with digital output (OPTIONAL CARD). Detailed description from the focusrite website: The OctoPre is an eight channel Class A microphone preamplifier, featuring a classic Focusrite mic pre and a revolutionary compressor/limiter circuit on each channel. The mic pres featured in the OctoPre are similar to those featured elsewhere in the award winning Focusrite Platinum range. They are a transistor-based Class A design utilising the same full bandwidth philosophy as the legendary Focusrite Red and ISA mic pres, ensuring detail and organic clarity without obvious colouration. The revolutionary compressor/limiter circuit provides each channel with warmsounding compression, which morphs into brick wall limiting to avoid critical ‘overs’ when recording digitally. The first two channels also feature phase reverse, as well as unbalanced 1/4” jack inputs on the front fascia for quick and easy, DI-free plug-in of guitars and basses. With Class A Focusrite analogue signal processing and comprehensive A/D interface options, OctoPre is the perfect partner for a Pro Tools™ system or any other digital audio workstation, making high quality, multi-channel recording easy. Equally, it could be utilised as part of a compact multi-channel location recording solution (with a laptop or ADAT™, for example), or as an additional set of professional-quality mic pres for any analogue or digital console or hard disk recorder. The original OctoPre is a typical Class A Platinum design, (based around a 737 Rhom transistor) and it is solid state, it has extended bandwidth (up to at least 180kHz at the top end) and sounds transparent. The original OctoPre has an edge in being more forgiving if you want to slam the pre's hard (but more 2nd order harmonic distortion as a result). -The Octopre has a dynamics (compressor/limiter) control on each channel -The Octopre has 48V phantom power switches on each channel -The Octopre has line in and out connections on 25 pin D-sub connectors and 8 XLR inputs for mics Performance specifications: THD:0.001% @ 20dBu input, mic and line at 0dB gain Noise:-96 dB at unity gain through the unit Mic EIN:-128 dBu @ 6dB of gain with 150Ω termination impedance Frequency response:-1 dB at 10 Hz to 200 kHz Carefully packed with powercord. Shipping France: 27,80 € Shipping Europe: 36,30 €

BIAMP SYSTEMS 301 Envois gratuit mondial relay The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: three electronic balanced mic/line input channels 30db rear panel Pad switch on each input channel 40dB screwdriver-adjust Trim on each input channel +10dB Peak LED indicator on each input channel rotary level control on each input channel auto-muting of one channel for “talk-over” applications +24 volt Phantom Power assign switch on each input electronic balanced main output with rotary level control remote control of mail level from up to 2000 feet away main patch insert point for external processing devices main stacking input accepts signals from other mixers screwdriver-adjust tone controls & limiter on main output -20dB Signal Present LED indicator for main output all input/output/control on plug-in barrier strip connectors RoHS compliance and AES grounding practices CE marked and UL listed power source !!Avec alimentation!! !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !!

Yamaha AD8HR, préamplis micro/convertisseurs AN 8 canaux à distance Matériel d'occasion ayant déjà été utilisé et présentant des marques d'usure et rayures, mais bon état général. S'allume, pas de défauts notables mais pas plus de test réalisé. Envoi via Mondial Relay uniquement, merci de préciser le point relais lors de votre commande. Description: Remotely controllable 8-channel AD converter and preamplifier with 96 kHz processing. Avec l'AD8HR, Yamaha introduit une nouvelle génération de préamplis micro/convertisseurs AN 8 canaux à distance, combinant une qualité audio sans précédent avec un éventail de fonctions innovantes dans une unité compacte de la taille d'un rack 1U. L'AD8HR peut être utilisé avec des consoles numériques Yamaha telles que la PM5D, la DM2000 et la DM1000 pour offrir des préamplis micro à distance de haute qualité avec des circuits analogiques dérivés de l'extraordinaire console analogique PM5000. L'AD8HR fournit une sortie audionumérique via des convertisseurs AN 24 bits/96 kHz haute performance. Une simple connexion numérique permet de contrôler le gain, le filtre et l'alimentation fantôme directement depuis la console ! Préampli micro 8x canaux haut de gamme - Commandé à distance - Préamplis analogiques de la console PM5000 - Concept de convertisseur numérique de la DM2000 - Résolution jusqu'à 24 bits - 96 kHz - Contrôle du gain par pas de 1 dB - Filtre passe-haut ajustable - Toutes les fonctions peuvent être commandées à distance via RS422 / 232 - Idéal à combiner avec PM5D, DM2000 / DM1000 - Sorties AES / EBU sur Sub-D 25 broches - Format rack 19" - 1U