Features and specifications sound

Vend mixette de reportage Sound Devices 442 + sacoche Petrol + 2 cables de connection camera 4 Balanced XLR Inputs The mixer's flexibility begins with it's 4 balanced XLR inputs. All 4 inputs are individually switchable to accept line or microphone level signals. Direct Outputs Every input features a dedicated output via TA3-male connectors. The direct outs are ideal for feeding individual channel signal to external devices. M-S Decoding Channels 1-2 can be linked for stereo capturing and M-S stereo monitoring. Channel 1 features a phase reverse switch. Variable Gain Continuously variable gain allows level contouring on every channel, resulting in higher signal to noise ratio. Variable Low-Cut Filter Continuously variable low-cut filter dials are located on each channel, eliminating low frequency noise between 80 - 240Hz Peak Limiting Input and output peak limiters eliminate signal over load that can cause noise and distortion.

JVC SEA-RM20  Became To my personnal JAPAN Hifi Collection Remote System Controller / Graphic Equalizer (1986) VERY RARE JVC SEA-RM20 !!! -  EQUALIZER AND REMOTE SYSTEM CONTROLLER, TESTED OK.  État : Occasion  Service de livraison : Colissimo national & international Tested and working "Computerized Remote System Control".  Made in Japan 1980's. Works 100%, no issues.  Includes original remote control. This unit is a type of preamplifier in that you canuse it to control the volume from line input devices like CD players, tuners,tape decks, etc.  It also has a graphic equalizer with 5 memory settings and you can control all the frequencies of the EQ from the remote control whichis something I have not seen before.  You can switch to a real time spectrum analyzer display which will move to the music.   Other features include JVC's SEA "acoustic expander" which does exactly what you'd expect.  The EQ has 5 memory settings and a reverse setting aswell which instantly give you the exact opposite eq curve.   Allbuttons, controls, features, and display are working correctly.  Shows very little wear. All buttons on remote are working correctly- the remote can control other JVC components as well.    On the back are three line inputs- one labelled Audio, one labelled Video 1, and one labelled Video 2/3.  Youcould use these inputs for a tuner, a CD deck, and a tape deck.  There are also two sets of stereo outputs.  In order to use the EQ and graphic display and volume control all at the same time you need to loop the outputlabelled "Line Out" into the "Remote Contro In"-  am including the JVC instruction book and the original remote controller for this purpose. Specifications Output Level: 1V (4.5V max) Gain: ± 0dB Frequency response: 10Hz to 50kHz Signal to Noise Ratio: 100dB Total harmonic distortion: 0.03% Control Range: ± 10dB Frequency Bands: 63, 160, 400, 1K, 2.5K, 6.3K, 16KHz Dimensions: 435 x 77 x 225mm Weight: 2.6kg Finish: black Accessories: RM-S20 remote control Year: 1986

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

The SR-JV80-10 Bass & Drums Wave Expansion Board contains cutting-edge bass and drum sounds meticulously sampled from renowned studio musicians, adding a high-powered rhythm section to your music. High-quality sound expansion board for expandable Roland synths (see compatibility guide for details) Features realistic, sampler-equivalent bass and drum sounds from top studio musicians including Marcus Miller, Abraham Laboriel, John Patitucci, Abraham Laboriel Jr. and Bob Wilson Adds 241 waveforms and 204 patches Acoustic and electric bass sounds include various playing techniques such as slapping, fingering and picking, as well as slides, harmonics and assorted playing noises Dynamic drum waveforms with expressive velocity control Cutting-edge acoustic drum phrase loops can be easily sync'd to MIDI clock using Tempo Sync function

Il s'agit de la deuxième incarnation de la série "Experience" de cartes Roland pour la série de synthés XP / JV. C'est un peu curieux qu'il s'appelle "98" (probablement de l'année de sa sortie), mais vient après le premier panneau Experience, qui s'appelle "99"... Cette carte propose d'excellents sons provenant de plusieurs cartes: Pop, Orchestral, Piano, Vintage Synth, World, Super Sound Set, Claviers des années 60 et 70, Session et Bass & Drums. - - - - - - - - - - - - - - - - - - - - - - This is the second incarnation of the "Experience" series of Roland boards for the XP/JV series of synths.  It's kind of curious that it's called "98" (presumably from the year it was released), but comes after the first Experience board, which is called "99"... This board features excellent sounds from several boards:  Pop, Orchestral, Piano, Vintage Synth, World, Super Sound Set, Keyboards of the '60s and '70s, Session, and Bass & Drums.

This board features excellent sounds from many Roland SR-JV80-series expansion boards:  Pop, Orchestral, Piano, Vintage Synth, World, Super Sound Set, Keyboards of the '60s and '70s, Session, Bass & Drums, Techno Collection, Hip Hop Collection, Vocal Collection, and Asia. Featuring 27 waveforms and 100 patches.

Superb lecteur de cassettes K7 NAKAMICHI 670ZX 3 heads new belt and azimut PERFECT WORKING Deck player k7 cassettes Parfait état de fonctionnement Courroies neuves, réglage vitesse et azimut révisés Quelques marques sur le dessus de l'appareil sans gravité (marques légères de l'appareil qui etait posé dessus) Avec les 2 poignées rack (démontables par vis) Nakamichi 670ZX 3 head auto azimuth Cassette Deck  220V ac in perfect working condition. fully serviced by experienced Nakamichi technician New belt, azimut and speed Some minor marks on the top but nothing bad (see photos) Description The 670ZX is the latest in a long line of Nakamichi audio components and built to deliver the utmost in quality and performance. It features history making technology, such as the discrete 3-head configuration, diffused resonance transport, and DC recording amplifier as well as functions such as the auto azimuth alignment mechanism. The 670ZX is capable of taking full advantage of the recently developed pure metal particle tape and last, but not least, incorporates a sophisticated micro processor which provides random access capability. Specifications Type: 3-head, Single compact cassette deck Track System: 4-track 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x record, 1 x playback, 1 x erase Tape Type: type I, CrO2, Metal Noise Reduction: MPX,  NR Frequency Response: 10Hz to 22kHz  (Metal tape) Signal to Noise Ratio: 66dB  (dolby) Wow and Flutter: 0.04% Weight 9kg Envoi très protégé

COLLECTION: Paris, 75003, FRANCE. ENGLISH: LIFESTYLE 650 SYSTEM with OMNIJEWEL SPEAKERS -360-degree output, Bose's most spacious satellite speakers -Powerful, 21" center channel speaker  FRANCAIS: SYSTÈME LIFESTYLE 650 avec ENCEINTES OMNIJEWEL -Sortie à 360 degrés, les enceintes satellites les plus spacieuses de Bose -Puissant haut-parleur central de 21" INCLUDES Console 4 OmniJewel speakers (2 front, 2 rear) OmniJewel center speaker Acoustimass wireless bass module Universal remote control Front speaker cable 2 rear speaker cables Center speaker cable 2 wireless receivers HDMI cable 4 AA batteries Console power supply 4 Power cords with UK plugs (I have UK to EU plug adopters for 1 euro each) 4 Adhesive feet (Owner’s guide is online) COMPREND Console 4 haut-parleurs OmniJewel (2 à l'avant, 2 à l'arrière) Enceinte centrale OmniJewel Module de basses sans fil Acoustimass Télécommande universelle Câble d'enceinte avant 2 câbles d'enceintes arrière Câble d'enceinte centrale 2 récepteurs sans fil câble HDMI 4 piles AA Alimentation de la console 4 cordons d'alimentation avec prises britanniques (j'ai des adoptants de prises du Royaume-Uni vers l'UE pour 1 euro chacun) 4 pieds adhésifs (Le guide du propriétaire est en ligne). Additional details: Supported audio formats: Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, Multichannel PCM; Video source compatibility: Support for six 4K/60 video sources (HDMI 2.0/HDCP 2.2). ---- SPECIFICATIONS DIMENSIONS/WEIGHT Console:15.98" W x 2.56" H x 10.16" D (8.8 lbs) OmniJewel speakers (each):1.84" W x 5.77" H x 1.84" D (0.78 lbs) OmniJewel center speaker:21.34" W x 1.9" H x 1.84" D (2.66 lbs) Acoustimass wireless bass module:11.61" W x 12.8" H x 11.61" D (30 lbs) Wireless receivers for rear speakers:6.54" W x 1.6" H x 3.07" D (9.8 oz) Additional details Supported audio formats: Dolby Digital, Dolby Digital Plus, Dolby TrueHD, DTS, Multichannel PCM. Video source compatibility: Support for six 4K/60 video sources (HDMI 2.0/HDCP 2.2) INPUTS & OUTPUTS (ENTRÉES ET SORTIES) ENGLISH: Rear panel of the console 1 HDMI™ output with Audio Return Channel (ARC) 5 HDMI inputs 2 optical digital audio connections 2 coaxial digital audio connections 2 analog L/R audio inputs 1 3.5 mm connection for the Acoustimass module 1 data port 1 IR repeater port 1 Ethernet port for SoundTouch and software updates via a network 1 USB connection for software updates only FRANCAIS: Panneau arrière de la console 1 sortie HDMI™ avec canal de retour audio (ARC) 5 entrées HDMI 2 connexions audio numériques optiques 2 connexions audio numériques coaxiales 2 entrées audio analogiques L/R 1 connexion 3,5 mm pour le module Acoustimass 1 port de données 1 port répéteur IR 1 port Ethernet pour SoundTouch et mises à jour logicielles via un réseau 1 connexion USB pour les mises à jour logicielles uniquement ENGLISH: Front of the console 1 HDMI input 1 3.5 mm jack for ADAPTiQ system and headphones 1 power button 1 source button 1 system setup button FRANCAIS: Avant de la console 1 entrée HDMI 1 prise jack 3,5 mm pour système ADAPTiQ et casque 1 bouton d'alimentation 1 bouton source 1 bouton de configuration du système ---- DESCRIPTION - DESIGN: Beauty’s in the eye—and ear—of the beholder. So we designed the Lifestyle 650 home entertainment system to be beautiful in every way. Acoustics. Aesthetics. Craftsmanship. Simplicity. For your movies and music, it’s the most uncompromising 5-speaker home theater system we’ve ever made. - SPEAKERS: Bose has a long history of creating big sound from small packages. With OmniJewel satell

100% brand new and high quality Features: Improve the FM signal and stations for stereo receiver radios. Receive more fm channels and radio stations. Corrosion resistant, no rust, no deformation. Plug and play, very easy to install and use for home stereo receiver indoor radios. Provide a better 75 ohm fm radio solution for stereo receiver radios on your table top, home, attic, office, garage, basement and so on. Suitable for Yamaha/ JVC/ Sherwood/ Pioneer/ Oenon/ Panasonic/ Onkyo audio system. FM Antenna only, other accessories demo in the picture are not included!   Specification: Gain: 3dB Frequency Range: 520-1710MHz Output Impedance: 300Ω Working Voltage: 12V Length:Approx. 1.5m/ 59.06in   Note: 1.Please allow 0-1cm error due to manual measurement. pls make sure you do not mind before you bid. 2.Due to the difference between different monitors, the picture may not reflect the actual color of the item. Thank you!   Package includes: 1 x FM Antenna Le 05-févr.-20 à 11:28:39 Paris, le vendeur a ajouté les informations suivantes:

NEW OLD STOCK. RARE. Device that recognises tempo from audio signal and turns it into MIDI signal.  For example you can synchronise two turntables with a synth or a drum machine.  VOYAGER 1 analyzes audio signals from vinyl, CD or tape and calculates the BPM of two tracks simultaneously. Both BPMs are displayed but, more importantly, the beat information from one channel is used to generate a MIDI Clock signal, which runs in synchronization with the audio track. In original box and comes with manual.   FEATURES: • Performance: BPM Range = 60 - 230 BPM Audio/MIDI synchronisation delay = less than 3mS • Lock-in time = 2 to 4 sec's (from introduction of readable beat information). • Displays: 2 x 7 Segments, 3 character (LED). 1 x MIDI Clock rotating display (8 x LED's). Beat Tracking indicator (3 x LED's). • Controls: Channel 1 select, Channel 2 select, Run/Pause, Cue, Beat. One Re-Set, Tap (Stop) Tempo edit, Sync Pull/Push adjust. • MIDI Implementation: System Real Time/Clock commands = Transmitted. • Connectors: Channel 1 Input/Output, Channel 2 Input/Output, MIDI Clock Out, AC adaptor. • Power Supply: 9vDC, 250mA (RED PSU) included. • Dimensions/Weight 180(W) x 132(D) x 50(H) mm, 1.65 Kg. • Intelligent Software: Constantly analyses and calculates the BPM of two audio inputs (vinyl or CD/tape). • Channel 1 & 2 Displays: The BPM readings from the audio inputs are shown clearly on 3 digit LED displays. • Run/Pause Button: Controls the running status of the external MIDI sequencer. • Cue Button: Pre-sets the VOYAGER 1 to the BPM of your next audio track prior to performance. • The MIDI sequencer and audio track can then be started simultaneously from a predetermined cue point in the audio track. • Beat One Reset Button: Re-aligns the start point (beat1/bar1) of the current pattern in the MIDI sequencer with any chosen point in the audio track. • MIDI Clock Display: 8 LED display rotates' at the detected BPM rate when the VOYAGER 1 is in RUN mode. • Beat Tracking Indicator: 3 LED display shows any beat synchronisation adjustments made by the VOYAGER 1. • Tap (Stop) Button: Used to manually enter a BPM and/or STOP the MIDI Clock.