Fixed focus

1.51X Fixed Focus Viewfinder Eyepiece Eyecup Magnifier for Canon for Nikon à prix bas: retrouvez tous les produits disponibles à l'achat sur Rakuten

Accessoires Audio Vidéo Code EAN: 0616250126331 Acc. Audio Vidéo / Catégorie: Camescope Titre: 60mm F2.8 Fixed Prime Manual Focus Lens Macro Compatible pour Fujifilm Micro Single FX Mount Mount-Upgrade

Objectif Objectifs Code EAN: 6411010204397 Titre: Meike Objectif Photo 16mm T2.2 Manual Focus Wide Angle Fixed Prime Cinema Lens for M43 Micro Four Thirds MFT Mount Cameras and Cinema Camera BMPCC Origine_import: hightech_minimaliste En-tête / Fabricant: Meike

[NEAR-MINT] 8mm 1.75x BABY HYPERGONAR by H. CHRETIEN / ANAMORPHIC / CINEMASCOPE This copy of this mythic lens is absolutely flawless, it's just like buying a brand new lens, and I sincerely ain't bullshitting about that. It comes with 3 original rear adapters, original front & rear caps, the original box and the user manual. This anamorphic adapter have fixed focus, which means that it's in focus from 4m to infinity, and you can get a closer focus by focusing on your taking lens as well as by using diopters. It's a very small scope but the results a properly stunning, you'll get a very very sharp image and some truly pretty nice neutral/blueish flares. I'm selling it because I have too many anamorphic scopes and I don't use the Hypergonar that much frequently, so it will probably be in better hands with someone else; this wonder of technic has to be use to create and always create more, not to taking the dust on a shelf. I paid 1500€ for this few months ago, so I'm asking 1300€ today, in regard to what I payed back in the days, I think it's fair enough. I barely used it, it's truly like a new thing. Here's the official presentation of this specific lens: "   If ever there was an anamorphic design which could be considered as the father of widescreen, We suppose that unit must be the HYPERGONAR. Let's go back a little in time. To 1927, to be exact, when the dapper little Professor Henri Chrétien, mathematician and astronomer and featured in the french version of "Who's Who ?", gave his famous Paper to the Academy of Science in Paris. Prof. Chrétien's thesis outlined his calculations on a lens that he called the HYPERGONAR. This lens took an extra angle of view in the horizontal plane only and compressed this in to the, then, pre-academy format motion picture frame. The professor's idea being to get extra information on to standard emulsion area, thus obviating the need for wider or larger - and therefore more costly - filmstock. Of course, we all know (don't we?), that the HYPERGONAR was the basis of the CinemaScope lens finally adopted by 20th CENTURY Fox Inc. This design also became the little 8mm HYPERGONAR. The little 8mm HYPERGONAR is the most famous of all the CinemaScope lenses, (It's the only one allowed to carry that famous name on its barrel). And deservdly so, since it is an excellent little unit that is capable of absolutely superb visual results, while being small enough to be within most peoples pockets! In construction the 8mm HYPERGONAR is unique. With a minimal length, at least half that of its nearest rival, and a very small diameter. It is virtually a solid block of glass, a beautifully made objective and a delight to use. It gives a screen format of 2:35:1 assuming that your Super-8 frame size is somewhere near to the normal 4x3 aspect ratio.  SPECIFICATIONS:  - Lenght, front to rear       42mm  - Diameter of front lens     29.5mm  - Diameter of rear lens      15mm  - Weight                             45 grms.  " Feel free to contact me if you've got any questions. Shipping worldwide fast and clean garantee. Cheers.

ULTRA-REFLEX, fabriqué en France à Lyon, de 1951 à 1964, cet exemplaire date de 1953. Il s'agit de la version 5 suivant la chronologie du livre "FEX, la photo toute simple". Il s'agit d'un pseudo reflex au format 6 x 6 cm sur film 620 dont le boîtier est en Bakélite; la mise au point est fixe. Le viseur articulé peut être utilisé en poitrine ou en viseur sportif. L'avance du film est réalisée par un bouton moleté avec contrôle sur une fenêtre rouge avec volet articulé. L'obturateur parfaitement fonctionnel comporte 2 vitesses de 1/25 s et 1/100 s + pose B, l'objectif est un ménisque à 2 ouvertures "NORMAL" ou "INTENSE". Cet appareil comporte deux broches pour le raccordement d'un flash et un embout fileté pour déclencheur souple, l'embase dispose d'un socle fileté pour utilisation avec un pied. Expédition par Mondial Relay ou Colissimo ULTRA-REFLEX 2 manufactured in France (Lyon) from 1951 to 1964. The case is made of Bakélite, the focusing is a fixed  from 1,50 m to infin The sight can be used in chest or in sport sight. The shutter is a two speeds (1/25 - 1/100 s + B), the taking lens  is a menisque with fixed focus from 1,50 m to infinity. It has 2 apertures "NORMAL" or "INTENSE". This camera is in good cosmetic condition with some marks of use. The shutter is fully functional.   Shipping by international Colissimo - Paypal payement only

HELIOS 44-2 F2 objectif 58 mm M42 URSS soviétique pour ZENIT, CANON, NIKON EXCEL. État : Occasion Sample photos with my Fuji - Xt3 and this Lens in the gallery ! Mount M42 Very good objectif with a lot of character. I sell it because i don't use it anymore Specifications: Format: 35mm mirror Type: Constant focal length (fixed) Focus: Manual Focus System: M42 Optical design: 6 elements in 4 groups Focal length: 58mm Aperture: f / 2.0 - f / 16 Petal Aperture: 8 Diameter of filter thread: 49mm Weight: 230g Length: 57mm

The GoPro is the worlds first true HD wearable camera to boast the ability to shoot crystal clear footage in full 1080p HD Camera Optics Lens Type: Fixed Focus (2ft/.6m – ∞), glass Aperture: f/2.8 (high performance in low-light situations) Angle of View: 170º ultra wide angle in WVGA, 720p, or 960p mode Angle of View: 127º wide angle in 1080p mode Video HD Video Resolution Modes: (subject to change, pending final firmware release) 1080p = 1920×1080 pixels (16:9), 30 fps, 15 Mbit/s data rate 960p = 1280×960 pixels (4:3), 30 fps, 12 Mbit/s data rate 720p = 1280×720 pixels (16:9), 60 fps, 15 Mbit/s data rate 720p = 1280×720 pixels (16:9), 30 fps, 8 Mbit/s data rate WVGA = 848×480 pixels (16:9), 60 fps, 8 Mbit/s data rate Sensor Type: 1/2.5″ HD CMOS, 2.2µm-sized pixels Light Sensitivity: Super low-light sensitivity (>1.4 V/lux-sec) Video Format: H.264 compression, saved as Windows- & Mac-compatible MPEG4 (.mp4) file Exposure Control: Auto with user selectable center weighted average and spot metering settings White Balance: Auto Audio Microphone: Built-in, mono with AGC (automatic gain control) Audio Format: 48 kHz, AAC audio compression Photo Resolution: 5 megapixel Capture Modes: Single shot, photo every 2, 5, 10, 30 or 60 secs.; 3 photo burst; self-timer Storage Memory: SD card (SDHC), up to 32GB capacity (not included) Average recording times (using 32GB SD card): 1080p (30 fps): 4h 21m 960p (30 fps): 5h 26m 720p (60 fps): 4h 21 720p (30 fps): 8h 09m WVGA (60 fps): 8h 09m Camera Connectors & Cables PC Connection: USB 2.0 (data connection and battery charging) HDTV Out: HD NTSC & PAL (component cable incl.) Audio Out: Combo 2.5mm jack with stereo audio and composite video out PC Compatibility: Windows® Vista or Windows® 7; Mac OS® X 10.4.11 and later Power & Battery Battery Type: Rechargeable 1100 mAh lithium-ion Battery Life: Approx. 2.5 hrs Charging: via USB to computer or optional power adapter Charge Time: 80% capacity after 1 hour with optional power adapter; or 2 hours with a computer’s USB port Waterproof Camera Housing Depth Rating: Up to 180 feet / 60 meters Construction: Polycarbonate and stainless steel Hardware: Stainless steel Size & Weight Dimensions (H x W x D): 1.6” x 2.4” x 1.2” (42mm x 60mm x 30mm) Weight: 3.3oz (94g) incl. battery, 5.9oz (167g) incl. housing Plus kit fixation casque voir photos Ce que vous voyez est ce que vous achetez. Tout est sur les photos. Emballage soigné Envoi Colissimo offert

Eumig C3: 8-mm-Filmkamera mit Aufzugsfeder und 2 Objektiven.  Feines Sammlerstück.  Produktionsjahr: 1959 Herkunftsland: Österreich Gewicht in kg: 1,250 Abmessungen in mm: 44x121x170 Die Eumig C3M wurde 1959 eingeführt. Sie ist mit 2 Objektiven ausgestattet: - Eumakro2x SN: 575992 - Eumicron 0,5 x. SN: 569422 Die Eumig C3M war ursprünglich die Eumig C3, eine der ersten Kameras, die mit einem eingebauten gekoppelten  Belichtungsmesser ausgestattet war. Das Laufwerk liefert drei Filmgeschwindigkeiten (8, 16 und 32 fps) plus Einzelbild und hatte eine Dauer von 40 Sekunden bei 16 fps (eine relativ lange Laufzeit). Die Kamera hat ein Schneider 1:1,9-Objektiv mit festem Fokus. Umfangreiche Einstellmöglichkeiten. Unter dem Objektiv befindet sich ein Hebel zum Öffnen und Schließen der Blende von 1,9 bis 16. Original Fotos sind Teil der Beschreibung. Zubehör auf Fotos wird mitgeliefert. Versand: Innerhalb der EU und Großbritannien. Versand weltweit ist möglich. Bitte schreiben Sie mich an mit der Angabe des Zielortes. Bei Fragen bitte melden. Der Versand erfolgt als versichertes Paket. Standardversand mit Lieferung an die Haustür. Sparversand mit Lieferung an eine Lieferstation. Bitte beachten Sie, dass die Lieferung an eine Lieferstation nicht in jedem Land verfügbar ist. --------------- Eumig C3: 8 mm film camera with mainspring and 2 lenses. Collector's item. Production year: 1959 Country of origin: Austria Weight in kg: 1.250 Dimensions in mm: 44x121x170 The Eumig C3M was introduced in 1959. It is equipped with 2 lenses: - Eumakro2x SN: 575992 - Eumicron 0.5 x. SN: 569422 The Eumig C3M was originally the Eumig C3, one of the first cameras to be equipped with a built-in coupled light meter. The drive delivers three film speeds (8, 16 and 32 fps) plus a single frame and had a duration of 40 seconds at 16 fps (a relatively long running time). The camera has a Schneider 1: 1.9 fixed focus lens. Extensive setting options. There is a lever under the lens to open and close the aperture from 1.9 to 16. Original photos are part of the description. Accessories on photos are included as part of the package. Shipping: To countries in the European Union and the UK. Shipping worldwide is possible. Please write to me stating your destination. For questions, please contact me. Shipping as insured package. Standard shipping with delivery to your door.  Economy shipping with delivery to a collection point / delivery station. Please note that delivery to a delivery station is not available in every country.

Appareil photo argentique Scope-Vu 110FF, Fixed Focus, mise au point fixe (format 110).Fonctionnel. Bon étatLe lot comprend:- Appareil photo (levier d’armement par glissière, déclencheur et prise flash FLIP-FLASH)- Dragonne- Mode d'Emploi- Guide TriFCA- Ecrin plastique (marques d’usure) Livré sans pellicule. Nécessite une pellicule cartouche format 110.Pellicules et Flip-Flash sont toujours en vente.Pour collection, utilisation normale ou lomographie.Prix: 12,00€Livraison:- Colissimo vers la France = 4,95€- Colissimo International vers l'Union Européenne* (no UK) = 12,90€* Allemagne, Autriche, Belgique, Bulgarie, Chypre, Croatie, Danemark, Espagne, Estonie, Finlande, Grèce, Hongrie, Irlande, Italie, Lettonie, Lituanie, Luxembourg, Malte, Pays-Bas, Pologne, Portugal, République Tchèque, Roumanie, Slovaquie, Slovénie, Suède, Suisse, y compris Liechtenstein, Saint-Marin, Vatican.- Colissimo International vers le Royaume-uni = 15,90€*****RETOURS NON ACCEPTES*****

CANON PRIMA AS-1 35MM POINT & SHOOT FILM CAMERA Lens: 32mm, f/6.2 (3 elements in 3 groups). Fixed focus. Automatic exposure with shutter speeds of 1/60s-1/250s. Self-timer. Integrated auto-flash with red-eye reduction (GN: 9m at ISO 100, recycles in 5s). DX-decoding of ISO 100-400 film. Motor drive. Power: Two 1.5V AA alkaline batteries. Dimensions: 125x70x47mm Weight: 205g (without batteries

- OLYMPUS FIXED FOCUS TECH - AUTO ESPOSIZIONE ✨ - LENTE OLYMPUS ALL GLASS MADE IN JAPAN - CALORE E RESA DI CASA OLYMPUS INIMITABILE - AUTO WINDING FILM - FLASH INTEGRATO ⚡️ - SUPER DETTAGLIO CURATISSIMO - DESIGN TOTAL BLACK INSUPERABILE MERAVIGLIA DELLA FOTOGRAFIA ANALOGICA! Una rarità da non farsi sfuggire Stessa compattezza della sorellina Mju include: - SCATOLA ORIGINALE ANNI 90 - MANUALE DI ISTRUZIONI COMPLETO - LIBRETTO OLYMPUS - LACCETTO DA POLSO ORIGINALE

Design compatto, presa salda, scattante e intuitiva nell'utilizzo e resa più anni 90 che mai! la ZOOM 2001 sarà la tua compagna perfetta per scatti versatili e sempre pronta a restituirti un calore in saturazione di grande soddisfazione su pellicola lo zoom è estendibile manualmente sulla ghiera dell'ottica con gran precisione - FIXED FOCUS TECH - AUTO ESPOSIZIONE - ZOOM OTTICO FINO A 55MM - AUTO FLASH - LOCK DI SICUREZZA SCATTO - ULTRA VELOCE E SEMPRE PRONTA - CORPO DINAMICO E LEGGERO - RESA ULTRA VINTAGE ANNI 90 LACCETTO DA POLSO ORIGINALE INCLUSO! olympus mju ii yashica t4 fotocamera analogica analog film camara foto

Immediatezza nello scatto, grandissima qualità in resa vintage con una pasta sempre riconoscibile e una saturazione colore unica nel suo genere MAGNIFICA IN RESA, SEMPRE RICONOSCIBILE PER LA QUALITÀ PUNTA E SCATTA! velocissima e di grande soddisfazione in resa - FIXED FOCUS TECH - AUTO FLASH - AUTO ESPOSIZIONE - DESIGN ELEGANTE E DINAMICO - RESA INIMITABILE E UNICA IN STILE SERIE TRIP DI OLYMPUS la perfetta dimostrazione che la perfezione può stare in una tasca! LACCETTO DA POLSO ORIGINALE INCLUSO fotocamera analogica compatta 35mm film pellicola kodak fujifilm instax analog olympus mju ii contax minolta vintage foto camara yashica t4

Un immancabile classico anni 90 Compattezza e supervelocità in un corpo macchina in EDIZIONE LIMITATA con colorazione Beige, caricamento MANUALE e totalmente meccanica Brandizzata Chicco CLIC una rarità da collezione anni 90 in un corpo macchina leggero come una piuma - FIXED FOCUS TECH - AUTO ESPOSIZIONE - RESA ULTRA VINTAGE - 100% ANALOG MANUAL WINDING UN CLASSICO DELL’ANALOGICO IN EDIZIONE LIMITATA DRITTA DAGLI ANNI 90 fotocamera analogica compatta 35mm film pellicola kodak fujifilm instax analog olympus mju ii contax minolta vintage foto camara yashica t4

Tutti conoscono la serie TRIP della Olympus, non c'è più molto da dire se non PERFEZIONE MAGNIFICA IN RESA, SEMPRE RICONOSCIBILE PER LA QUALITÀ OLYMPUS UNICA E INIMITABILE - FIXED FOCUS TECH - AUTO FLASH - AUTO ESPOSIZIONE - DESIGN ELEGANTE E DINAMICO - RESA INIMITABILE E UNICA SERIE TRIP - LENTE OLYMPUS JAPAN SERIE TRIP - TOTAL BLACK LOOK la perfetta dimostrazione che la perfezione può stare in una tasca! fotocamera analogica compatta 35mm film pellicola kodak fujifilm instax analog olympus mju ii contax minolta vintage foto camara yashica t4

RESA INIMITABILE E DI QUALITÀ SU PELLICOLA in un corpo macchina più leggero che mai MINUSCOLA DAVVERO - FIXED FOCUS TECH - LENTE SAMSUNG GLASS 28MM WIDE - CORPO ULTRA LIGHT LEGGERISSIMA - AUTO ESPOSIZIONE - FLASH INTEGRATO - RESA COLORE SUPER DI CASA SAMSUNG non farti scappare questa meraviglia ultra leggera, performante e unica nel suo genere Completa di: - CUSTODIA IMBOTTITA DA TRASPORTO ORIGINALE SAMSUNG BICOLORE - LACCETTO DA POLSO ORIGINALE - MANUALE DI ISTRUZIONI - CUSTODIA ORIGINALE ANNI 90 ULTRA RARE fotocamera analogica compatta 35mm film pellicola kodak fujifilm instax analog olympus mju ii contax minolta yashica t4 camara

La XB3 della serie TRIP è una rarità unica che si porta dietro tutta la definizione tipica e la resa su pellicola degli anni 80. una resa colore e contrasto degna di una macchina ANALOGICA - FIXED FOCUS TECH - DX SYSTEM ISO RICONOSCIMENTO PELLICOLA - AUTO ESPOSIZIONE - FLASH INTEGRATO LUMINOSO - RED EYE REDUCTION - LENTE OLYMPUS LENS MADE IN JAPAN ARRIVA CON IL SUO LACCETTO DA COLLO SPESSO ORIGINALE E CUSTODIA OLYMPUS IN TESSUTO ULTRA LIMITED BLACK 100% Testata e pronta a scattare i tuoi capolavori. Bellissima e in splendida forma mju ii contax t2 yashica t4 lomography lomo instax mini fujifilm analogica camara film pentax relex compact

Objectif en très bon état. Lentille parfaite sans défauts ni usures. Fluidité de mise au point parfaite. Un filtre Canon UV de 72 mm a toujours été monté dessus. Il est inclut dans cette vente. Par soleil métal, en état  très moyen (cabossé) mais n'a aucune influence sur la qualité optique. Boite d'origine fournit avec cette vente. Informations sur le produit: Ce télé-objectif court est une focale de portrait classique avec une mécanique de focalisation particulièrement précise avec un angle de rotation large. Le Planar T* 1,4/85 est optimisé pour les distances moyennes et plus longues et offre une performance d’image très élevée. L’intensité lumineuse élevée de 1:1,4 est particulièrement utile pour l’utilisation créative de la profondeur de champ.   Marque Carl Zeiss Référence 15847571   Produit Principales caractéristiques Longueur focale 85mm Monture pour Canon EOS   Dimensions Poids 680g Diamètre 7.8cm   Caractéristiques du produit Diaphragme F/1.4 Technologie adaptée au capteur numérique Mise au point manuelle Carl Zeiss Planar T Mf Ze Type de téléobjectif Pour caméra réflexe numérique Ouverture maximale F/1.4 Objective in very good condition. Perfect lens without defects or wear. Perfect focus fluidity. A 72mm Canon UV filter has always been mounted on it. It is included in this sale. By sun metal, in very average condition (dented) but has no influence on the optical quality. Original box provided with this sale. product information This short telephoto lens is a classic portrait focal length with a particularly precise focusing mechanism with a large rotation angle. The Planar T* 1.4/85 is optimized for medium and further distances and delivers very high and distortion-free imaging performance. The high light intensity of 1:1.4 is particularly useful for the creative use of depth of field. Product labels Brand Carl Zeiss Product Main Features Focal length 85mm Product type telephoto lenses Lens mount Canon EOS metrics Weight 680g Diameter 7.8cm Additional product features Aperture F/1.4 Camera Technology Digital Focusing fixed focal length, Manual focus Product line Carl Zeiss Planar T Additional Technical Features Mf Ze Type telephoto lenses Maximum aperture F/1.4 Focus type Manual focus

Manufacturer Part NumberDP-135SpecsFocal Length135mmTStop1.9Close Focus   0.89 m 35.0" Length   297 mm 11.7” Elements/Groups18 / 15Image Angle 4.3H3.7V2.8D4.6Imange Angle 16:9H4.1V2.3D4.6Focus Rotation330°Front Diameter95 mmWeight   3150 g 6.94 lb Features - Absolutely precise back focus - Calibrated and easy - to - read markings  - Perfect Flare Reduction  - No Breathing - Fixed iris and focus gears  - Innovative nine - blade iris  - Super color matched with all ZEISS cine lenses  - High resolution over the entire screen  - Internal focusing design  - Close focusing capability EMIT www.emit.fr

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   3 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths.. Perfect homogeneity of colorimetry, contrast and resolution.. Intended for high-end film and digital cameras.. Constant diaphragm over the entire zoom stroke (no ramping), no pumping   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   4 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha                         -" ARRI  PL " for ARRIFLEX So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.c

Lens Fujifilm FUJINON XF 35 mm f/2,0 R WR Objectif  In Perfect condition Standard fixed focal length All Weather APS-C format Frame: Fujifilm X (for hybrids) Focal length: 35mm Optical construction: 10 lenses in 7 groups (including 3 extra low dispersion lenses and 2 aspherical lenses) Angular field of view: 44.2 ° Maximum aperture: F2 Minimum aperture: F16 Diaphragm type: 9 blades (circular diaphragm) Increment: 1/3 EV (19 values) Focus: Stepper motor Focus range: 35cm - infinite Maximum magnification: 0.135x Dimensions: 60mm x 45.9mm Weight: 170g Filter diameter: 43 mm Sun visor and Box provided SHIPPING ONLY IN UE

Durst M605 COLOR Complet Je vends un Durst 605 COLOR complet avec boite à lumière, Objectif Rodagon 1:2,8 F50 (24x36) + Objectif D 75MM pour 6x6 (F5,6)  (Un Nikkor il me semble)  + loupe de mise au point + compte pause (qui se branche sur l’agrandisseur bien sur) + Patterson System 2000 (analyseur couleur) + ampoule de rechange + transfo bien entendu L’agrandisseur est prévu pour être fixer au mur, on peut bien entendu y adapter un plateau (à la demande, mais pas d’envoi, uniquement à emporter sur place si plateau) Le statif de repro sur la photo n’est pas à vendre (trop compliqué à envoyé) Mais si on vient le chercher sur place ça se négocie. N’hésitez pas à me poser vos questions, Bonne journée Stéphane ----------------------------------------------------- English Durst M605 COLOR Complete I am selling a Durst 605 COLOR complete with light box, Rodagon 1: 2.8 F50 (24x36) lens + D 75MM lens for 6x6 (F5.6) (A Nikkor it seems to me) + focus magnifier + pause account (which connects to the enlarger of course) + Patterson System 2000 (color analyzer) + spare bulb + transformer of course The enlarger is designed to be fixed to the wall, of course you can adapt a tray (on request, but not sending, only to take on site if the tray is) The repro stand in the photo is not for sale (too complicated to send) But if you come and pick it up there it is negotiable. Do not hesitate to ask me questions, Have a good day Stephane ----------------------------------------------------- Deutsch Durst M605 FARBE abgeschlossen Ich verkaufe ein Durst 605 COLOR komplett mit Leuchtkasten, Rodagon 1: 2,8 F50 (24x36) Objektiv + D 75MM Objektiv für 6x6 (F5,6) (Ein Nikkor scheint mir) + Fokuslupe + Konto pausieren (das natürlich mit dem Vergrößerer verbunden ist) + Patterson System 2000 (Farbanalysator) + Ersatzbirne + Transformator natürlich Der Vergrößerer ist so konzipiert, dass er an der Wand befestigt werden kann. Wir können natürlich ein Tablett anpassen (auf Anfrage, aber nicht senden, nur vor Ort, wenn das Tablett vorhanden ist). Der Reprostand auf dem Foto steht nicht zum Verkauf (zu kompliziert zum Senden). Wenn Sie ihn jedoch dort abholen, ist er verhandelbar. Zögern Sie nicht, mir Fragen zu stellen, Haben Sie einen guten Tag Stephane

Sennheiser EK 2000 Portable Battery-Powered Diversity Receiver Range EK-2000 This wireless monitoring set's receiver uses adaptive-diversity technology. The earphone cable serves as a second antenna, which considerably reduces the number of drop-outs. Combined with IE 4 ear-canal phones for precise sound reproduction, EK 2000 IEM conveys an authentic acoustic pattern of live sound and allows you to monitor your own performance perfectly. Features: - Sturdy all-metal housing - Up to 3000 frequencies in up to 75 MHz switching bandwidth - 20 fixed frequency banks with up to 32 compatible presets - 6 banks with up to 32 tunable channels - Adaptive-diversity technology for high reliability - Pilot tone squelch can be set in 2 dB steps for interference-free reception - Frequency scan feature searches for available reception frequencies - Wireless synchronization of receiver parameters from transmitter - User-friendly menu interface with a backlit graphic display - HDX compander for crystal clear sound - Enhanced AF frequency response - Backlit graphic display - 4-stage battery status display - Charging contacts for recharging BA2015 - Auto-lock feature to prevent settings from being changed accidentally - Hi Boost, adjustable limiter, stereo/focus mode, selectable balance on receiver - Wide range of accessories for virtually any use

Grand angle FUJI ebc X-fujinon-sw DM 28mm f1.9  /// Rare ! Objectif ultra lumineux en en excellent état. A noter; une légère déformation du filetage avant (facilement réparable) et sans incidence puisque l'on peut toujours y visser un filtre (55mm - voir photos), ainsi qu'une petite griffure (à peine visible) sur la lentille avant, sans aucune incidence sur les photos. Pour le reste il est nickel (mise au point souple sans point dur, bague de diaph crantée, lentilles propres - pas de poussières-champignons ou autre...). Vendu avec boite d'origine et bouchons. FUJI ebc X-fujinon-sw DM 28mm f1.9 wide-angle-lens /// Rare ! in excellent cosmetic / mechanic / optic condition; except a tiny scratch on the front glass (absolutely no impact on picture) and a small deformation of the filter thread that can be easily fixed and however still allows to screw 55mm filters, lenshood or step-up / down rings (see pictures) For the rest it's like new: focus is smooth, no oil on blades, no dust at all, no haze... and really good cosmetic Comes with original caps + Box

FEX 5,6 dérivé de l'ULTRA-FEX, fabriqué en France à Lyon, de 1951 à 1955, cet exemplaire en excellent état cosmétique date de 1953. Il s'agit de la version 3 suivant la chronologie du livre "FEX, la photo toute simple".  Appareil au format 6 x 9 cm sur film 620 dont le boîtier est en Bakélite; le bloc objectif/obturateur est mis en batterie par un tube coulissant métallique et la mise au point est manuelle de 0,80 m à l'infini. L'avance du film est réalisée par un bouton moleté avec contrôle sur une fenêtre rouge protégée par un volet métallique. L'obturateur ATOS 1  fonctionnel comporte 5 vitesses de 1/25 s à 1/250 s + la pose B, l'objectif est un FEXAR anastigmat de f/5,6-22 de 75 mm de focale; l'obturateur est synchronisé, le flash est raccordé par une prise coaxiale et un embout fileté permet l'utilisation d'un déclencheur souple. L'embase dispose d'un socle fileté pour utilisation avec un pied. Expédition par Mondial Relay ou Colissimo FEX 5,6 derived from the ULTRA-FEX, made in France in Lyon, from 1951 to 1955, this copy in good shape dates from 1953. This is version 3 according to the chronology of the book "FEX, la photo toute simple". Camera in 6 x 9 cm format on 620 film with a Bakelite housing; the lens/shutter block is put into battery by a sliding tube and the focus is fixed. The advance of the film is achieved by a knurled button with control over a red window. The functional shutter has a 5 speeds from 1/25 s to 1/250 s + the B pose, the lens is a FEXAR f/5,6-22 focal 75 mm. The shutter is syncronized, the flash gun is connected by a coaxial socket and a theraded tip allow the use of a flexible trigger. The base has a threaded base for use with a foot. Shipping by international Colissimo - Paypal payement only

Sony Sonnar T* FE 55mm F1.8 ZA Lens - SEL55F18Z + ZEISS T* UV Filter 49mm.  I sell one of the sharpest lens in the world, with a Zeiss T* UV filter - made in Japan + a Leica-style hood, with the pouch and original hood. Prefect, nothing on the lens, smooth. - Diaphragm Blades 9, Rounded. Lens Groups / Elements is 5/7 - Focal Length: 55mm, Filter Diameter: 49mm - Minimum Focus Distance: 19-11/16 inches (.50m) - Lens Type: Fixed, E-mount Full Frame, Lens not zoomable - Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 ° - Magnification: 14x; Battery Life (Still Images) Approx. 530 shots (Viewfinder) / approx. 650 shots (LCD monitor) (CIPA standard)

Cineroid EVF4RVW Condition: Fair Condition, shows heavy wear.  Some minor wears in display (you can see when turned off) I add a miniXLR-D-tap cable. As you can see in 9th picture, metal attachment between display and hood was lost. You have to scotch with gaffer for fix it.  Interchangeable battery plates for Canon LP-E6, Sony NPF and Canon BP911 batteries are also included. Key Features - 3.5" Retina LCD Display - Metal Housing - 3G/HD/SD-SDI and HDMI Input - Loop Through Via 3G/HD/SD-SDI - Detachable Loupe with Adjusting Diopter - Waveform and Vectorscope Displays - Peaking, Clip Guides and False Color - Crop Guide and Anamorphic Conversion - Pixel-to-Pixel, Flip and Monochrome - Multi Vendor Battery Support - 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 The Cineroid EVF4RVW with Retina Display features a 3.5" Retina LCD display with 960x640 resolution and a metal housing. The EVF has 3G/HD/SD-SDI and HDMI inputs, and a 3G/HD/SD-SDI output enables loop through. The optical loupe has an adjustable diopter and can be detached completely or flipped open to view the display as a monitor. The EVF4RVW has a comprehensive set of confidence features, including multiple waveform and vectorscope display options. Peaking is available in red or white, and various clip guides include color and a range of zebra patterns. Two types of false color displays translate exposure values into 6 different colors. Crop guide superimposes darkened bars on the screen to aide in framing shots that will be cropped in post, and the screen size can be changed for use with anamorphic lenses. Other features include pixel-to-pixel, screen flip and monochrome mode. The EVF4RVW has a mini XLR power input and includes a mini XLR to D-Tap (P-Tap) cable for connecting to an external battery. Interchangeable battery plates for Canon LP-E6, Sony NPF and Canon BP911 batteries are also included. Retina Display The centerpiece of Cineroid's EVF4RVW is the 3.5" Retina LCD with 960x640 resolution and metal housing. The screen supports 16.7 million colors and viewing angles ranging 140° HxV. 3G/HD/SD-SDI and HDMI The EVF's 3G/HD/SD-SDI (BNC) and HDMI input connectors support Full HD 1080p, and the 3G/HD/SD-SDI output connector enables loop through. Detachable Loupe with Adjustable Diopter The optical loupe has an adjustable diopter and can be detached completely or flipped open to view the display as a monitor. Waveform and Vectorscope There are three waveform and vectorscope display options. Style 1 superimposes a semitransparent, horizontal waveform at the bottom of the screen. Style 2 superimposes a semitransparent, horizontal and vertical waveform and a small vectorscope. Style 3 minimizes the video image and displays a large horizontal and vertical waveform and vectorscope. Peaking, Clip Guides and False Color Peaking outlines the edges of objects that are in focus with red or white highlights. Clip guides can be displayed as color, zebra or both. The zebra pattern can be moving or fixed, and the range is selectable among 3, 5, 8, and 11%. Two types of false color displays translate exposure values into 6 different colors. Crop Guide and Anamorphic Conversion Crop guide superimposes darkened bars on the screen to aide in framing shots that will be cropped in post, and the screen size can be changed for use with anamorphic lenses. Pixel-to-Pixel, Flip and Monochrome Pixel-to-Pixel mode displays the center of the image at its native resolution. Screen Flip can rotate and/or mirror the image. Monochrome mode displays the image in black & white or isolates the blue channel, red channel, or green channel. Multi Vendor Battery Support A mini XLR power input provides an interface for the D-Tap (P-Tap) power cable. Inter

Tilta MB-T03 Overview Fair condition, Many cosmetic wears, but Works perfectly.            Very lightweight mattebox, I recommend. - 1 - 2 - 3 - 4 - 5 The Tilta 4 x 4" Carbon Fiber Matte Box features carbon fiber and aluminum construction, making it both lightweight and durable. The matte box will work with lenses up to 100mm in diameter. It features one fixed and one rotating 4 x 4" filter stage and mounts onto lightweight 15mm rods. The matte box incorporates a swing-away design for rapid lens changes. The included removable top and side flags can be precisely set and locked to block stray light from flaring your lens. The included anti-reflection rings protect your image by blocking stray light behind the camera bouncing off filters in the matte box and flaring your image. Lightweight Construction The matte box is made of carbon fiber, with aluminum used for the support structure. This provides a lightweight yet sturdy unit that is appropriate for shooting hand-held or with a stabilizer rig, when every ounce counts. Swing-Away Design The swing-away design allows you to quickly move the matte box out of the way to check or change lenses, without having to remove the matte box from the support rods. This way you don't have to hand off the matte box to someone else, hold it under an arm or between your knees, or hang it under the rods while you work, greatly speeding your workflow and reducing the chance of dropping the matte box or having a filter tray fall out. Top & Side Flags The removable top and side flags provide you additional flare control and attach to the matte box with a lockable hinged assembly. This allows you to precisely set your flags to match the edge of frame for different lenses and lock them in place so that they don't move during the shot. Anti-Reflection Inserts The three included anti-reflection inserts work with lenses with an outer diameter of 72, 80, and 90mm. They provide a light-tight seal so that light from behind the camera cannot leak through where the lens joins the matte box and reflect off filters to flare your image. When you are using lenses with outer diameters other than 72, 80, and 90mm or with lenses that have excessive focus travel it is recommended to use the cloth "nun's knickers" to prevent light leaks. In the Box - Tilta 4 x 4" Carbon Fiber Matte Box - 2 x Filter Tray (4 x 4") - Nuns Knickers - 3 x Anti Reflection Insert

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt