Friends of mine usa

Vinyle 33 Tours Vinyles Auteur: bob morrison Editeur: capitol 743 Genre musical: Pop Support / Quantité fournie: 1 Rubrique principale Vinyle: 33 Tours

PROMO /  GROUPEZ VOS ACHATS  FRAIS DE PORT OFFERT EN FRANCE POUR 6 VINYLS ACHETES OU POUR 50 EUROS D'ACHAT rare maxi 45 t de YES  " ANDERSON BRUFORD WAKEMAN HOWE " sur label ARISTA pressage ALLEMAGNE 1989                                   brother of mine - themes - vultures in the city                                      VOIR PHOTO                  DISQUE      EX  tres bon son                 POCHETTE      VG+    propre et saine (legere usure coins)                                                                                            LE PLUS DE VINYLUS             les disques sont livrés dans de super colis specialement adaptés aux vinyls et sont donc tres bien protegés............... §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§            EXPEDITION MONDE ENTIER AU TARIF POSTE FRANCAISE                      §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                                         EVALUATION DE L' ETAT DU DISQUE NM         DISQUE OU POCHETTE NEUVE EX   le vinyl     est parfait avec peut etre une fine marque qui n'a aucune influence sur le son. le son est parfait d'un bout a l'autre du vinyl. impossible de detecter un craquement avec une chaine hifi classique   la pochette n'a aucune marque de quelque sorte et il n'y a pas de "ring wear" c'est a dire que le disque a l'interieur ne se devine pas en surface.                                                                               VG+   le vinyl  jouera avec tres peu de craquements ou gresillements. parfois il sonnera beaucoup mieux que son apparence (petites marques, aspect opaque , notament pour les disques des annees 60, 70) pourrait le faire penser.dans tous les cas ces tres rares petites nuisances sonores genent peu l'ecoute du disque. la pochette  pourra avoir un petit plissement (mauvais rangement, legere usure sur les bords/cotés, coins legerement deformés.... ) ou un petit defaut inesthetique (pochette arrachee souvent lors du decollage de l'etiquette du prix !) mais quasiment invisible . le carton de la pochette ne sera cependant ni usé ni marqué (  ici pas de carton ramolli par l'age,signature, ecriture, autocollant......). VG     le vinyl:  jouera avec des gresillements frequents pouvant parfois un peu gener  l'ecoute du disque (craquement en debut et fin de morceaux et/ou sur les passages les plus calmes, claquement sec provoqué par une mini rayure plus profonde mais pendant moins de 10 secondes).  la pochette sera propre mais presentera des signes visibles d'usures (carton ramolli par l'age ou l'humidité/ pochette pouvant etre froissée ou legerement dechirée ou coupée sur les tranches / usures des coins ). des petites marques ou inscriptions au stylo ou feutre peuvent apparaitre (signature pour repérer les disques dans les boums !  repérages de DJ.....) . G+/G/G-  le vinyl   a eté beaucoup ecouté et presente des gresillements reguliers, il peut aussi avoir un claquement provoqué par une marque plus profonde. Cependant cette appreciation depend beaucoup du proprietaire et du type de musique. souvent les bruits de surface dependent du volume sonore.un bon vieux rock ou hard sonnera "bon" a fort volume alors qu'un melomane adorant le jazz ou le classique trouvera l'ecoute "horrible". L'ENCHERE NE SERA PAS CONSEILLEE AUX AUDIOPHILES ET PERFECTIONNISTES  la pochette: elle aura connu des problemes nuisant fortement a son esthetique (bande en ruban adhesif, marques au stylo ou feutre, dechirure, bordures tres usees, rongee par les rats...).   en fonction de la gravite de l'etat du disque et de la pochette les majorant ou minorant +  /  -   seront appliqués a G  .  P pauvre:   P NE REPRESENTE PAS UN NIVEAU ENCORE PLUS BAS QUE G . le disque est en vente uniquement s'il est digne d'interet c'est a dire tres rare et de collection.  l'acquereur aura alors une pochette tres correcte avec un disque quasiment inecoutable ou l'inverse . charge a lui d'attendre de trouver plus tard la méme piece en meilleur etat. j'ai constaté que  de nombreux collectionneurs a la recherche de pieces pas courantes aiment les posseder méme tres abimees juste pour le plaisir fetichiste de les posseder ! pour le contenu ils ecoutent les versions remasterisees et remplies de bonus (merci a rhino usa ou a juke box france) dans tous les cas le prix de depart sera 1,99 euros sans prix de reserve et vous serez prevenus par une description tres precise de l'objet. §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                                GRADING INFORMATION NM   NEW EX   vinyl   is virtually perfect. at most,perhaps a light scuff appears on the record.it play without any noise or skips of any kind whatsover.  record sleeve: should look perfect with only minor signs of wear. the artwork should have no marks of any kind; there should be no "ring wear". VG+: vinyl  should play with no skips of any kind. it should sound better than it looks. perhaps some very surface scuffs;but not a lot effect on sound quality. but still plays well. surface noise will probably be present including pops and clicks. noise should only be heard between tracks or  or during very calm passage  record sleeve: might have some "ring wear" but the artwork should be unaffect   VG: vinyl doesn't necessarily look good, but still plays well. surface noise will  be present including pops and clicks.   record sleeve will look warn and used. there may be seam splitting.  there will be noticeable ring wear on the cover,but most of the cover should still be in good condition.  G+/G/G-:    vinyl looks well played,dull, and possibly not well taken care of. however, the record should still play without skipping. it will have substantial surface noise, pops and clicks.loss of various parts of the dynamic range will occur due to worn grooves. this grading depends a lot on the owner and the type of music. a rock or hard record may will sound "good" with high volume but a  jazz or classical  record will sound"horrible".  please  audiophile or perfectionist don't bid   . record sleeve : may have many problems including seam splits,writing taped repairs, however some of the artwork will still be visible. there can't be large tears and gouges in the cover. depending of the gravity the grade +/- will be add to G. P POOR : doesn't meet the lowest standards for"good". at this point the vinyl is difficult to listen to  . the only reason to keep it would be due to extreme rarity or to fill a good sleeve until a better copy of the vinyl comes along. the same thing for the sleeve, the vinyl is not so bad but the sleeve is very poor and you have to wait for a future better one !  but the price begin at 1,99 euros and no reserve. AND I TRY TO GIVE YOU A REEL GOOD DESCRIBE.    §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                   CONDITIONS DE REMBOURSEMENT  le remboursement integral de votre achat s'effectuera uniquement si vous avez utilisés PAYPAL.  le renvoi du colis reste a votre charge;  a reception et apres controle de l'etat je vous rembourse sans discuter   §§§§§§§§§§§§ BONNES ENCHERES A TOUS      §§§§§§§§§§§§ Le 21-juil.-06 à 23:19:36 Paris, le vendeur a ajouté les informations suivantes: Le 02-nov.-08 à 21:46:48 Paris, le vendeur a ajouté les informations suivantes: Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours. DESCRIPTION PRECISE DANS L'ANNONCE vous trouverez une description détaillée de ce vinyl en cliquant sur l'annonce vinyl d'occasion, Etat décrit dans l'annonce vinyl d'occasion voir details dans l ' annonce   vinyl d'occasion, lire l'annonce pour les details de l'etat

COVER: VG++ RINGWEAR/IMPRESSION DISQUE SUR POCHETTE/WRINKLES TOP RIGHT/PLIURE RECORD: VG Record slightly bent, but doesn't skip or jump/Disque légèrement gondolé mais ne saute pas  LABEL: JUGOTON YEAR/ANNée: 1969 The RECORDS  Listed here are sometimes  30 years  to  50 years old. Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170). I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains ! if you have any doubt, don't bid I will not in any case accept any returns ! . Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans. Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !! Pour achats groupés (3 disques 45t) port identique.  France  250g/3cm  Lettre verte: 3,20€                  500g/3cm  4,80€      Up to three records (EP:SP) same postal price.   Europe+Switzerland:  International Priority letter   max 250g/3cm : 6,10€ USA/CANADA/JAPAN/NORWAY : 6,50€ ALL other Countries including Italy: 11,50€ (250g) &  21,50€ (500g)  Dont pay before Receiving invoice/Pas de paiement avant reçu de la facture SVP! OVER 50 EUROS, REGISTERED PACKAGE ONLY/ + DE 50 EUROS, ENVOI EN RECOMMANDE

COVER/POCHETTE: VG++ HARD CARDBOARD SURFACE AGE MARKS NAME AT FRONT & BACK/QUELQUES USURES DE FROTTEMENTDE SURFACE /ECRITURES AU RECTO et VERSO RECORD:EX LABEL: TETRAGRAMMATON RECORDS  YEAR:1968 The RECORDS  Listed here are sometimes  30 years  to  50 years old. Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170). I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains ! if you have any doubt, don't bid I will not in any case accept any returns ! . Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans. Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !! MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS. Pour achats groupés (3 disques 45t ou 3 LP) port identique.  Up to three SINGLES  Or two LP'S, same postal price.

- Les achats groupés de 4 LPS ou CDS (1 double = 2) peuvent bénéficier d'un escompte MAXIMUM de 10 %. TOUTE AUTRE OFFRE SERA REFUSEE. Pour faire une offre (de 4 disques ou plus), diminuer le prix de 10 % (exemple 35,20 devient 31,68), présenter l'offre, demander une facturation groupée (pour diminuer le prix du port).Group purchases of 4 LPS or CDS (1 double = 2) can benefit from a MAXIMUM discount of 10%. ANY OTHER OFFER WILL BE REFUSED. To make an offer (of 4 or more disks), decrease the price by 10% (example 35.20 becomes 31.68), present the offer, ask for group invoicing (to reduce the price of the postage).) TARIF INDICATIF: L'acheteur paie les frais de port en € suivant le tarif 2021 de La Poste Colissimo (France) porte à porte avec suivi.. INDICATIVE RATE: The buyer pays the shipping costs in € according to the 2021 rate from La Poste Delivengo (World) with tracking. 1 LP or CD +/- 700 gr = France: 7,50 € - EEC: 9,50 € - UK & not EEC, USA, Japan, Russia & World: 11,50 € 2 LPs & 1LP Gatefold = France: 8,50 € - EEC: 11,50 € - UK & not EEC, USA, Japan, Russia & World: 16,90 € 1 CD - France: 5,50 € - EEC: 8,50 € - UK & not EEC, USA, Japan, Russia & World: 10,50 € Autre poids, tarification sur demande préalable. Other weights, request pricing by prior messageÉtat Pochette: Very Good Plus (VG+) État Média: Very Good Plus (VG+) Tracklist A1–Arnett CobbSmooth Sailin'Written-By – A. Cobb*2:45A2–Arnett CobbWalkin' HomeWritten By – C. ThompsonWritten-By – A. Cobb*2:07A3–Arnett CobbJumpin' The BluesWritten-By – A. Cobb*, G. Rhodes*2:25A4–Arnett CobbI'm In The Mood For LoveWritten-By – J. McHugh - D. Fields*2:55A5–Arnett CobbWhisperingWritten-By – J. Schonberger*, R. Coburn*, V. Ross*2:52A6–Arnett CobbOpen HouseWritten-By – G. Duvivier*2:54A7–Arnett CobbLil SonnyWritten-By – A. Cobb*2:54A8–Arnett CobbThe Shy OneWritten-By – A. Cobb*3:04B1–Little Johnny Griffin*For Dancers OnlyWritten-By – S. Oliver*3:00B2–Little Johnny Griffin*Flyin' HomeWritten-By – B. Goodman*, L. Hampton*, S. Robin*3:01B3–Little Johnny Griffin*Chicago Riffin'Written-By – R. Egan*, R. Whiting*2:36B4–Little Johnny Griffin*Till We Meet AgainWritten-By – R. Egan*, R. Whiting*2:49B5–Red RodneyDig This Menu PleaseWritten-By – Golden*, Perry*, Rodney*2:45B6–Red RodneyRed's MamboWritten-By – Golden*, Rodney*2:43B7–Red RodneyHoneysuckle RoseWritten-By – A. Razaf*, T. Waller*2:47B8–Red RodneyBuckle My ShoeWritten-By – Rodney*2:38C1–Ahmad JamalThe Surrey With The Fringe On TopWritten-By – O. Hammerstein - R. Rodgers*2:47C2–Ahmad JamalWill You Still Be Mine?Written-By – M. Dennis*, T. Adair*2:46C3–Ahmad JamalAki And Ukthay (Brothers And Sisters)Written-By – A. Jamal*3:03C4–Ahmad JamalBilly BoyArranged By – A. Jamal*Written-By – Trad.*2:36C5–Ahmad JamalAhmad's BluesWritten-By – A. Jamal*2:52C6–Ahmad JamalA Gal In CalicoWritten-By – L. Robin*2:33D1–Wild Bill DavisAzure TeWritten-By – Davis*2:43D2–Wild Bill DavisRough Ridin'Written-By – Fitzgerald*, Jones*2:45D3–Wild Bill DavisApril In ParisWritten-By – E.Y. Harburg, V. Duke*2:42D4–Mary Ann McCallMoney Is HoneyWritten-By – I. Hopkins*, S. Robin*2:50D5–Mary Ann McCallI Want A Big Butter And Egg ManWritten-By – L. Armstrong*, P. Venable*3:07D6–Mary Ann McCallOn TimeWritten-By – H. J. Rome*2:59 - Alto Saxophone – Willie Smith (2) (tracks: D4 to D6) - Arranged By – Ralph Burns (tracks: D4 to D6) - Baritone Saxophone – Charlie Ferguson (tracks: A7, A8), Charlie Fowlkes (tracks: A1), Johnny Griffin (tracks: A2 to A4), Willard Brown (tracks: A5, A6) - Bass – Eddie Calhoun (tracks: C1 to C6), Gene Wright* (tracks: A5 to A8), Joe Pauline (tracks: B5 to B8), Red Callender (tracks: D4 to D6), Walter Buchanan (tracks: A1 to A4) - Drums – Al Walker* (tracks: A2 to A8), Butch Ballard (tracks: A1), Chris Columbus* (tracks: D1 to D3), Jackie Mills (tracks: D4 to D6), Jerry Gilgore* (tracks: B5 to B8) - Guitar – Barney Kessel (tracks: D4 to D6), Bill Jennings (tracks: D1 to D3), Ray C

Roosevelt Holts “Roosevelt Bolts and his friends“ Arhoolie Records - 1057 Vinyle 33t / 30cm, Mono USA 1971 Pochette en bel état et disque Mint Tous les disques sur ce site proviennent de ma collection personnelle. Ils sont tous en état VG / Mint / Mint+. Si vous êtes intéressés par l'ensemble de la collection, n'hésitez pas à me contacter et à me faire une proposition. Règlement et livraisons Vous pouvez regrouper vos achats pour tous les disques sur une période de 30 jours. Les frais Paypal et d'emballage sont inclus dans les frais de livraison. International Buyers, you are WELCOME, Please read carefully the following before buying I am selling my personal collection of vinyl records. All the records are in VG / Mint / Mint+ condition. You can combine your purchases until 30 days If you may be interested by the all collection, do not hesitate to contact me with a proposal. Payment I only accept international payment via Paypal. Shipping rate is defined for one item only, including Paypal and packaging fees. Additional cost could be applied in case of multiple purchases, taking in account total weight of the all and corresponding Paypal charges Delivery Shipping everywhere with La Poste Registered Currier. There is a cheaper alternative using La Poste International Priority Letter but with no tracking. If you are still interested by, it is at your own risks and responsibilities (no refund in case of no delivery)

ELVIS PRESLEY  et la participation de  Nancy Sinatra ! SPEEDWAY   USA RCA LSP 3989 - Stereo - 4ème édition de 1976/1977 sur Label Noir - (Black lbl dog on top) Matrice WPRS 1036 11 / WPRS 1037 12  S ALBUM ÉTAT NEUF Speedway (Glazer/Schlaks) There ain’t nothing like a song (Byers/Johnston) - Elvis et Nancy Sinatra Your time hasn’t come yet, baby (Hirschhorn/Kasha) Who are you (who am I) (Wayne/ Weisman) He’s your uncle not your dad (Wayne/Weisman) Let youself go (Byers) Your groovy self  (Lee Hazlewood)  Nancy SINATRA seule sans Elvis Five sleepy heads (Tepper/Bennett) Western union (Tepper/Bennett) Mine (Tepper/. Bennett) Goin’ home (Byers) Suppose (Dee/Goehring) De ma collection personnelle - Vinyle souple, parfait, brillant, aucune rayure ou trace de frottement - Near Mint - Vinyle testé, il passe parfaitement - Couverture quasi neuve, un coin un peu plissé ! Cardboard Cover in perfect condition with no signs of wear with the exception of very lightly bumped corner. A Near Mint flexible Vinyl without signs of wear, no scuff, no hairlines.... ! Frais d'Envoi FRANCE :    (+Belgique, Luxembourg)  Point Relais par MONDIAL RELAY:  5,50 € COLISSIMO:  7,50 €      SHIPPING CHARGES EUROPE : GERMANY, NETHERLANDS, BELGIUM / LUX., ITALY, SPAIN, PORTUGAL, AUSTRIA only Average 4/5 days - Home Delivery through your local carrier: € 9.90 OTHERS EUROPE: International Express Mail with tracking 14,00 €

ELVIS PRESLEY  et la participation sur 2 titres de  Nancy Sinatra SPEEDWAY   USA RCA LSP 3989 - Stereo - 4ème édition de 1976/1977 sur Label Noir (Black label with dog on top) Matrice WPRS 1036 11 / WPRS 1037 12 ALBUM ÉTAT NEUF Speedway (Glazer/Schlaks) There ain’t nothing like a song (Byers/Johnston) - Elvis et Nancy Sinatra Your time hasn’t come yet, baby (Hirschhorn/Kasha) Who are you (who am I) (Wayne/ Weisman) He’s your uncle not your dad (Wayne/Weisman) Let youself go (Byers) Your groovy self  (Lee Hazlewood)  Nancy SINATRA sans Elvis Five sleepy heads (Tepper/Bennett) Western union (Tepper/Bennett) Mine (Tepper/. Bennett) Goin’ home (Byers) Suppose (Dee/Goehring) De ma collection personnelle - Vinyle souple, parfait, brillant, aucune rayure ou trace de frottement - Near Mint - Vinyle testé, il passe parfaitement - Couverture quasi neuve, un coin un peu plissé ! Cardboard Cover is in perfect condition with no signs of wear with the exception of a tiny bumped corner A Near Mint flexible Vinyl without signs of wear, no scuff, no hairlines.... whatsoever  ! Frais d'Envoi FRANCE :    (+Belgique, Luxembourg)  Point Relais par MONDIAL RELAY:  5,50 € COLISSIMO:  7,50 €      SHIPPING CHARGES EUROPE : GERMANY, NETHERLANDS, BELGIUM / LUX., ITALY, SPAIN, PORTUGAL, AUSTRIA only Average 4/5 days - Home Delivery through your local carrier: € 9.90 OTHERS EUROPE: International Express Mail with tracking 14,00 €

occasion >> très bon état ! BEACH BOYS & FRIENDS promo CD / the Daily Mirror  (2005) >>   import  UK   sous étui cartonné (double) 2 CDs 20 titres DISC 1 1/. SURFIN’USA (LIVE) ~ THE BEACH BOYS 2/. LOCO IN ACAPULCO ~ THE FOUR TOPS 3/. CALIFORNIA GIRLS (LIVE) ~ THE BEACH BOYS 4/. IN THE SUMMERTIME ~ MUNGO JERRY 5/. GOD ONLY KNOWS (LIVE) ~ THE BEACH BOYS 6/. WIPE OUT ~ THE SURFARIS 7/. GOLDEN BROWN (LIVE) ~ THE STRANGLERS 8/. SPICKS & SPECKS ~ BEE GEES 9/. WHAT A WONDERFUL WORLD ~ LOUIS ARMSTRONG 10/. DO IT AGAIN (LIVE) ~ THE BEACH BOYS + 5 titres BONUS (artistes divers) DISC 2 1/. GOOD VIBRATIONS (LIVE) ~ THE BEACH BOYS 2/. WE GOTTA GET OUT OF THIS HOUSE ~ THE ANIMALS 3/. SLOOP JOHN B (LIVE) ~ THE BEACH BOYS 4/. SWEETS FOR MY SWEET ~ THE SEARCHERS 5/. HELP ME RHONDA (LIVE) ~ THE BEACH BOYS 6/. THE HAPPENING ~ THE SUPREMES 7/. FOR ONCE IN MY LIFE ~ TOM JONES 8/. NUTBUSH CITY LIMITS ~ TINA TURNER 9/. DON’T IT MAKE MY BROWN EYES BLUE ~ JOLENE PARSONS 10/. KEEPIN’ THE SUMMER ALIVE (LIVE) ~ THE BEACH BOYS + 5 titres BONUS (artistes divers) >> frais d'envois réduits pour achats multiples expédition soignée  (papier bulles)  PAYPAL = paiement et livraison + rapides! consultez mes   autres objets ! n'oubliez pas de m'ajouter à votre   liste de favoris !

RARE COVER USA 1962 SIGNED  BY 14 TH DALAI LAMA and seal here exists on a lot of false signature of DALAI LAMA;mine are all authentic

POSTE / POSTAGE: - FRANCE: 3,90 euros pour - EEC: 6,90 euros without plastic CD case - REST OF THE WORLD: 9,90 euros only without plastic CD case.

Duran Duran Duran Duran Titres Girls on film Planet Earth Anyone Out There To The Shore Careless Memories The Night Boat Sound Of Thunder Friends Of Mine Tel Aviv Vinyl 33 Tours en bon état Pochette face en bon état, tranche usagée et le bas de la partie arrière un peu abimée voir photo de la pochette Vinyle occasion à vendre à Joué-lès-Tours (37300): cd et vinyles à acheter dans l'Indre-et-Loire (37)

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

THE ORIGINAL CAST RECORDING WITH BARBARA DICKSON  MANY BEATLES SONGS:   / HELP/LUCY IN THE SKY/YOU NEVER GIVE ME YOUR MONEY CARRY THAT WEIGHT/WE CAN WORK IT OUT/A DAY IN THE LIFE/I SHOULD HAVE KNOWN BETTER/YOUR MOTHER SHOULD KNOW/WITH A LITTLE HELP FROM MY FRIENDS/PENNY LANE/HERE COMES THE SUN/LONG AND WINDING ROAD COVER/POCHETTE: EX NO WRITINGS/PAS D'ECRITURES !  RECORD: EX LABEL: RSO Année/Year: 1974 The RECORDS  Listed here are sometimes  30 years  to  50 years old. Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170). I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains ! if you have any doubt, don't bid I will not in any case accept any returns ! . Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans. Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !! MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK AT MY OTHER RECORDS. Pour achats groupés (3 disques 45t ou 3 LP) port identique.  Up to three SINGLES  Or two LP'S, same postal price.