Of mine little ones

Little Ones Ammareal Visit our store Description Titlee  : Little Ones Author(s)  : Gerard Hoffnung Publisher  : Souvenir Press Ltd Publishing year  : 1988 Sate  : Second Hand – Good ISBN: 9780285628717 Comment  : Slight signs of wear on the cover. Ammareal gives back up to 15% of this book's net price to charity organizations. Ammareal sells online second hand books provided by our partners which are associations and lbraries. A portion of the price of each book is donated to our partners or to charities. What we do not sell is given, what we do not give is recycled. Shipping Our books are shipped within one business day of your order. We ship from France. Delivery to the UK typically takes 5 to 10 business days. International Shipping International economy shipping is available worldwide within 5 to 30 business days. Payment Paypal & credit card. Terms of sales You have 14 days to ask for a return. Return shipping fees are at the customer's expense. Come visit our store ! Ammareal

LITTLE MERMAID: Poor Unfortunate Soul (Anglais) Broché – 21 février 2018 Product Details Broché: 208 pages Editeur: Autumn Publishing; Édition: Autumn Edition (AP) (21 février 2018) Collection: Villain Tales 208 Disney Langue: Anglais ISBN-13: 978-1788107693 Dimensions du produit: 24,7 x 2,1 x 15,9 cm Moyenne des commentaires client: Soyez la première personne à écrire un commentaire sur cet article n°18103 dans Livres anglais et étrangers > Children's Books How did the sea witch, Ursula, become so twisted and filled with anger and hatred? Determined to be with her new love, Ariel makes a dangerous deal with Ursula. Will the cost of losing her enchanting voice and nearly her soul prove too high for Ariel, or will the power of good prevail? Losing then finding ones voice is at the heart of the classic story of The Little Mermaid.

TWO INTERESTING RENDITIONS of LUCILLE and RUNAWAY from Little RICHARD and DEL SHANNON, the tempo is a little bit crunshy and the voive isn't definitively  matching Richard's  or  FOGERTY'S but the backing band (METRONOM) is doing a good job ! COVER/POCHETTE: VG+ TRACES OF REMOVED TAPE AT THE BACK, STAININGS DUE TO AGE ! small tears at opening end Trace de scotch au verso/Taches de viellissure au verso/petites coupures côté ouvrant RECORD: VG+ Plays without skips or jumps but some surface noise   LABEL: Jugoton YEAR/ANNée: 1964 The RECORDS  Listed here are sometimes  30 years  to  50 years old. Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170). I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains ! if you have any doubt, don't bid I will not in any case accept any returns ! . Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans. Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !! Pour achats groupés (3 disques 45t) port identique.  Up to three records (EP:SP) same postal price.

COVER/POCHETTE:  VG++ STAMP OF RETAIL SHOP AT THE BACK RECORD/DISQUE:VG++ YEAR/ANNEE: 1964 LABEL: LA VOIX DE SON MAITRE LICENCE SONET Listed here are sometimes  30 years  to  50 years old.Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170).I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains !if you have any doubt, don't bid I will not in any case accept any returns ! .Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans.Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour  !!Pour achats groupés (3 disques 45t) port identique.                 Up to three records (EP:SP) same postal price.

A Book of Sleep (Anglais) Cartonné – 11 janvier 2011 Product Details Cartonné: 24 pages Editeur: Knopf Books for Young Readers; Édition: Brdbk (11 janvier 2011) Langue: Anglais ISBN-13: 978-0375866180 Dimensions du produit: 15,1 x 1,5 x 15,1 cm Moyenne des commentaires client: 4.1 étoiles sur 5 2 commentaires client n°167 dans Livres anglais et étrangers > Children's Books > Science, Nature & How It Works > Nature n°1326 dans Livres anglais et étrangers > Children's Books > Animals When the sky grows dark and the moon glows bright, everyone goes to sleep... except for the watchful owl! With a spare, soothing text and beautifully rich and textured illustrations of a starry night, this is the perfect “book of sleep.” Join the owl on his moonlit journey as he watches all the other animals settle in for the night: some sleep standing up, while some sleep on the move! Some sleep peacefully alone, while others sleep all together, huddled close. Il Sung Na makes his American debut with this gorgeous bedtime offering. While each animal rests in its own special way, little ones will also drift off to a cozy sleep.

Songs Of The American Negro Slaves Michel Larue Label: Folkways FD 5252 Format Disque vinyl (Vinyl record) Taille (Size) : 30 cm (12") Durée (Duration) : LP Vitesse (Speed) : 33 tours (33 rpm) Etat - Condition Disque (Record): VG+ quelques marques légères et traces de pochette a few slight marks and cover scuffs Pochette (Sleeve): VG+ fendue en haut et en bas à droite upper and lower right seam splits Details Pressage US, 1960 - Inclus un livret - Notes de John Hope Franklin - Introduction de Ralph Knight US pressing, 1960 - Includes booklet - Notes by John Hope Franklin - Introduction by Ralph Knight Contenu - Content - Link O'Day - 1:16 - I Just Came From The Fountain - 1:08 - Po' Mourner - 1:16 - You Gonna Reap Just What You Sow - 1:14 - Ain't That Good News - 1:51 - I Stood On The River - 1:10 - Certainly, Lawd - 0:45 - Railroad Bill - 1:12 - Children's Game Songs - 0:59 - Git Up, Chilluns - 0:55 - Go To Sleep - 0:50 - This Little Light Of Mine - 1:39 - Easy Rider - 3:12 - I Shall Know Him - 1:02 - My Lawd's Gitting Us Ready - 1:28 - One Morning Soon - 0:49 - Get Right - 0:38 - Stars Begin To Fall - 1:33 - Better Day A-Coming - 1:03 - Salagandou - 0:59 - Step This Way - 0:52 - I'm In Trouble - 1:41 - Stand Still, Jordan - 1:45 - Do' Lawd, Remember Me - 1:02 - Trouble - 1:56 - Gwine To Alabamy - 1:47 - Come & Go With Me To My Father's House - 1:07 - Before The Sun Goes Down - 0:57 - How Come Me Here? - 0:31 - March On - 1:23 Informations Les disques sont envoyés en Colissimo pour la France et en Prioritaire Recommandé pour les autres pays. Economisez sur les frais de port: Je combine les achats dans le même envoi, contactez-moi si vous souhaitez une estimation des frais de port pour plusieurs disques. - Les disques sont envoyés dès réception du paiement. - Pour toute question, utiliser la messagerie. The records are shipped to France as Colissimo and for all other countries, the records are shipped as Priority Registered Mail (signed for, delivered against signature). Save on shipping: I combine purchased items in the same parcel, send me a message if you wish to get a shipping quote for more than one record. - The records are shipped as soon as the payment is received. - Use message system for any question. Visitez la Boutique Netvinyls Visit the Netvinyls Store

Great collection specimen !! Pyromorphite crystals on white rock matrix. The quality of the crystals is high with crystals well shaped and well developped (0.39 Inche for the tallest). The apple green color with the sparkling little crystals is realy eyes catching. A piece with a wonderfull aesthetism... No damages !! Excellent spécimen de collection !! Cristaux Pyromorphite sur matrice de roche blanche. La qualité de la cristallisation est remarquable avec des cristaux très développés (1cm pour le plus grand). La couleur vert pomme ainsi que l'éclat pétillant des plus petits cristaux en font une pièce harmonieuse par son esthétisme et son équilibre... Aucun dommages !! Daoping Mine - Gongcheng Co - Guilin Prefecture - Guangxi Zhuang - Chine 3.54 x 3.15 x 0.94 Inches / 4,3 × 3,3 × 2,5 cm - 34 Gr.. Shipments / Envois Shipments worldwide !! / Envois dans le monde entier !! Parcels will be sent as fast as payment will be done... / Votre colis sera envoyé au plus vite à réception du règlement... => France: Via Colissimo (« La Poste ») = 250 Gr - 5€ => 2Kg. - 7€ => Europe : Via Colissimo International (« La poste ») = 10€ -1Kg / 15€ - 2Kg. => World: Via Colisimo Internationnal (« La Poste ») - 0,5Kg => 20 € / $25 - 1 Kg => 25 € / $30 - 2 Kg =>30 € / $35 Questions ? Feel free to send me a mesage / Des questions? N'hésitez pas à envoyer un message. gr Terms of payments / Combine shipping Paiements / Envois groupés Only Paypal is accepted / Seul Paypal est accépté Payment must be made under 7 days / Le paiement doit être reçu sous 7 jours. You have 7 days to combine your items / Vous disposez de 7 jours pour cumuler vos achats. To be sure of the final price, send me a message / Pour être sûr du prix d'envoi, envoyez moi un message avant votre où vos achats. Je vous répondrai rapidement. Pictures / Photos: The minerals on pictures are the exact ones you will received / Les minéraux en photos sont exactement ceux proposés en photos. Pictures are taken with Samsung Galaxy / Photos prises avec Samsung Galaxy. LED lights are used and may alternate the colour of specimens / For each mineral a picture is taken from the outside. Or ask for it / Un éclairage LED peut altérer la couleur du minéral / Pour chaque minéral une photo en extérieur est prise. Sinon la demander More pictures or videos are available on demand / Photos supplémentaires ou vidéos disponibles sur demande. Packaging / Emballages: All minerals are packed with care to offer the best shippment condition. / Tous les minéraux sont emballés avec soin pour offrir les meilleurs conditions de transport. Take care when unwrapping items ! / Faites attention lors du déballage !! Tracking number is provided. / Le numéro de suivi du colis sera transmis. Identification card is provided with each mineral. / Une carte d'identification de chaque minéral sera fournie. Return Policy / Conditions de retour: Returns are accepted, if you wish to return your item for a refund or possible replacement. / Les retours sont possibles, si vous souhaitez retourner votre article pour un remboursement ou un remplacement. Please contact me within 24 hours of receipt of item(s) / Veuillez me contacter dans les 24 heures suivant la réception du colis. I would be happy to work with you on the return process. / Je serais heureux de vous accompagner pour le processus de retour. Feed Back / Evaluation: Don't forget to give a 5 stars grade ! / N'oubliez pas de donner une note d'évaluation de 5 étoiles ! However, if you would not be satisfy with items, shipment or service, feel free to contact rocknmineral. It will be a pleasure to find a solution ! / Si toutefois, vous n'étiez pas satisfait avec les articles, l'envoi ou le service, n'hésitez à me contact

The EVERLY BROTHERS Original Hits 1957 - 1960 Edition Française publier en 1976. Disque FESTIVAL 256 Double album 30 Cm pochette double. A1 Wake Up Little Susie Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A2 Claudette Written-By – Roy Orbison Written-By – Roy Orbison A3 Keep A Knockin' Written-By – Penniman* Written-By – Penniman* A4 Problems Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A5 Oh, What A Feeling Written-By – Don Everly Written-By – Don Everly A6 Take A Message To Mary Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* A7 Devoted To You Written-By – B. Bryant* Written-By – B. Bryant* A8 Be-Bop-A-Lula Written-By – G. Vincent*, T. Davis* Written-By – G. Vincent*, T. Davis* A9 Hey, Doll Baby Written-By – Traditional Written-By – Traditional 2:03A10When Will I Be Loved Written-By – Phil Everly Written-By – Phil Everly A11 Let It Be Me Written-By – G. Bécaud*, M. Curtis* Written-By – G. Bécaud*, M. Curtis* B1 Bird Dog Written-By – B. Bryant* Written-By – B. Bryant* B2 (Till) I Kissed You Written-By – Don Everly Written-By – Don Everly B3 All I Have To Do Is Dream Written-By – B. Bryant* Written-By – B. Bryant* B4 Like Strangers Written-By – B. Bryant* Written-By – B. Bryant* B5 Rip It Up Written-By – J. Marascalco*, R. Blackwell* Written-By – J. Marascalco*, R. Blackwell* B6 Leave My Woman Alone Written-By – R. Charles* Written-By – R. Charles* B7 This Little Girl Of Mine Written-By – R. Charles* Written-By – R. Charles* B8 Poor Jenny Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* B9 I Wonder If I Care As Much Written-By – D. & P. Everly* Written-By – D. & P. Everly* B10 Maybe Tomorrow Written-By – D. & P. Everly* Written-By – D. & P. Everly* B11 Bye Bye Love Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C1 Love Of My Life Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C2 Brand New Heartache Written-By – B. & F. Bryant* Written-By – B. & F. Bryant* C3 Since You Broke My Heart Written-By – Don Everly Written-By – Don Everly C4 Should We Tell Him Written-By – D. & P. Everly* Written-By – D. & P. Everly* C5 I'm Here To Get My Baby Out Of Jail Written-By – Harty*, Karl* Written-By – Harty*, Karl* C6 Down In The Willow Garden Written-By – C. Monroe* Written-By – C. Monroe* C7 Barbara Allen Written-By – Traditional Written-By – Traditional C8 Kentucky Written-By – H. Prichard* Written-By – H. Prichard* D1 Lightning Express Written-By – B. Kincaid* Written-By – B. Kincaid* D2 Roving Gambler Arranged By – Pete Daley* Arranged By – Pete Daley* D3 Who's Gonna Shoe Your Pretty Little Feet Arranged By – Ike Everly Arranged By – Ike Everly D4 That Silver-Haired Daddy Of Mine Written-By – Autry*, Long* Written-By – Autry*, Long* D5 Rockin' Alone In My Old Rockin' Chair Written-By – B. Miller* Written-By – B. Miller* D6 Put My Little Shoes Away Arranged By – Ike Everly Arranged By – Ike EverlyD7Long Time Gone Written-By – Mattie O'Neal* Written-By – Mattie D8Oh, So Many Years Written-By – Bailes* D7 Long Time Gone Written-By – Mattie O'Neal* Written-By – Mattie O'Neal* D8 Oh, So Many Years Written-By – Bailes* Written-By – Bailes* ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// État: Pochette recto-verso: Excellent           Intérieur pochette: Bon ++           Disques 33T: Excellent Expédition pour la France: 7,50 €

COUNT BASIE The Complete Count Basie Vol. 11 To 20 1941-1951 Box 10 Vinyles: Tracklist - XI-A1 Feedin' The Bean - XI-A2 Fiesta In Blue - XI-A3 Fiesta In Blue - XI-A4 Fiesta In Blue - XI-A5 Fiesta In Blue - XI-A6 Fiesta In Blue - XI-A7 Tom Thumb - XI-A8 Take Me Back Baby - XI-B1 King Joe (Part1) - XI-B2 King Joe (Part2) - XI-B3 King Joe (Part1) - XI-B4 King Joe (Part2) - XI-B5 Moon Nocturne - XI-B6 Something New - XI-B7 Something New - XII-A1 I Struck A Match In The Dark - XII-A2 Platterbrains - XII-A3 Platterbrains - XII-A4 Platterbrains - XII-A5 All Of Me - XII-A6 All Of Me - XII-A7 All Of Me - XII-B1 Feather Merchant - XII-B2 Feather Merchant - XII-B3 Feather Merchant - XII-B4 Down For Double - XII-B5 Down For Double - XII-B6 More Than You Know - XII-B7 More Than You Know - XII-B8 Harvard Blues - XII-9 Harvard Blues - XIII-A1 Coming-Out Party - XIII-A2 Coming-Out Party - XIII-A3 One O'clock Jump - XIII-A4 One O'clock Jump - XIII-A5 Blue Shadows And White Gardenians - XIII-A6 'Ay Now - XIII-A7 'Ay Now - XIII-A8 'Ay Now - XIII-B1 For The Good Of Your Country - XIII-B2 For The Good Of Your Country - XIII-B3 Basie Blues - XIII-B4 Basie Blues - XIII-B5 I'm Gonna Move To The Outskirts Of Town - XIII-B6 Time On My Hands - XIII-B7 How Long Blues - XIV-A1 Royal Garden Blues - XIV-A2 Bugle Blues - XIV-A3 Sugar Blues - XIV-A4 Farewell Blues - XIV-A5 Cafe Society Blues - XIV-A6 Way Back Blues - XIV-A7 St. Louis Blues - XIV-B1 Rusty Dusty Blues - XIV-B2 Ride On - XIV-B3 Lost In The Blackout Blues - XIV-B4 Time On My Hands - XIV-B5 It's Sand Man! - XIV-B6 Ain't It The Truth? - XIV-B7 Ain't It The Truth? - XIV-B8 Ain't It The Truth? - XV-A1 For The Good Of Your Country - XV-A2 Taps Miller - XV-A3 Jimmy's Blues - XV-A4 Jimmy's Blues - XV-A5 I Don't Know About You - XV-A6 Red Bank Boogie - XV-A7 Red Bank Boogie - XV-A8 Avenue C - XV-B1 Avenue C - XV-B2 Avenue C - XV-B3 Avenue C - XV-B4 This Heart Of Mine - XV-B5 That Old Feeling - XV-B6 That Old Feeling - XV-B7 Blue Skies - XV-B8 Jivin' Joe Jackson - XVI-A1 High Tide - XVI-A2 High Tide - XVI-A3 High Tide - XVI-A4 Queer Street - XVI-A5 Queer Street - XVI-A6 Queer Street - XVI-A7 Patience And Fortitude - XVI-B1 Patience And Fortitude - XVI-B2 Patience And Fortitude - XVI-B3 The Mad Boogie - XVI-B4 The Mad Boogie - XVI-B5 The Mad Boogie - XVI-B6 The Mad Boogie - XVI-B7 Lazy Lady Blues - XVII-A1 Lazy Lady Blues - XVII-A2 Lazy Lady Blues - XVII-A3 Rambo - XVII-A4 Rambo - XVII-A5 Rambo - XVII-A6 Rambo - XVII-A7 Stay Cool - XVII-B1 Stay Cool - XVII-B2 Stay Cool - XVII-B3 The King - XVII-B4 The King - XVII-B5 The King - XVII-B6 Hob Nail Boogie - XVII-B7 Hob Nail Boogie - XVIII-A1 Hob Nail Boogie - XVIII-A2 Danny Boy - XVIII-A3 Mutton Leg - XVIII-A4 Mutton Leg - XVIII-A5 Mutton Leg - XVIII-A6 Mutton Leg - XVIII-A7 Stay On It - XVIII-B1 Wild Bill's Boogie - XVIII-B2 Wild Bill's Boogie - XVIII-B3 Wild Bill's Boogie - XVIII-B4 Wild Bill's Boogie - XVIII-B5 Wild Bill's Boogie - XVIII-B6 Wild Bill's Boogie - XVIII-B7 Fla-Ga-La-Pa - XIX-A1 Don't Ever Let Me Be Yours - XIX-A2 Goodbye Baby - XIX-A3 Goodbye Baby - XIX-A4 Goodbye Baby - XIX-A5 Neal's Deal - XIX-A6 Neal's Deal - XIX-A7 Neal's Deal - XIX-B1 Neal's Deal - XIX-B2 Bluebeard Blues - XIX-B3 Bluebeard Blues - XIX-B4 Golden Bullet - XIX-B5 Golden Bullet - XIX-B6 Golden Bullet - XIX-B7 You're My Baby, You - XX-A1 You're My Baby, You - XX-A2 Song Of The Islands - XX-A3 These Foolish Things - XX-A4 I'm Confessin' - XX-A5 One O'clock Jump - XX-A6 I Ain't Got Nobody - XX-A7 Little White Lies - XX-B1 Little White Lies - XX-B2 I'll Remember April - XX-B3 Tootsie - XX-B4 Howzit - XX-B5 Nails - XX-B6 Little Pony - XX-B7 Beaver Junction

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

CD état COMME NEUF:juste 6/7 fines petites traces de surface (certaines quasi invisibles)! Livret & Pochette en excellent état. Edition originale made in France. 1 Bird Dog 2 Take A Message To Mary 3 Till I Kissed You 4 Luv Of My Life 5 Claudette 6 Like Strangers 7 Problems 8 All I Have To Do Is Dream 9 This Little Girl Of Mine 10 I'm Here To Get My Baby Out Of Jail 11 Bye Bye Luv 12 Let It Be Me 13 Poor Jenny 14 When Will I Be Loved 15 Wake Up Little Susie 16 I Wonder If I Care As Much +4tracks CD Album CD Distributeur: Antelope Records Auteur: The Everly Brothers Code EAN: 8711539520175 Genre musical: Rock & Roll Rubrique principale CD: CD Album Support / Quantité fournie: 1)

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

THE KINKS The Kink Kontroversy 1st US 1965 STEREO tricolor RS6197 EX+ LP ! THE KINKS - THE KINK KONTROVERSY REPRISE RS-6197 STEREO 1st US STEREO RELEASE (1965) 1st US STEREO RELEASE WITH TRICOLOR STEAMBOAT LABELS, COMPLETE WITH ORIGINAL REPRISE RECORDS INNER. A VERY NICE COPY WITH A SUPERB AUDIO, DON’T MISS IT ! PLEASE READ CAREFULLY DESCRIPTION AND WATCH PICS:  SLEEVE: VG+ BACK COVER HAS THE « ELT » MENTION AT THE BOTTOM LIGHT WEAR ON EDGES; LIGHT CREASES & LIGHT DISCOLORATION AT PLACES. WIDE SPINE FULLY READABLE LITTLE PUNCH HOLE ON TOP LEFT OF FRONT COVER  NO WRITINGS & STRAIGHT ASPECT OF THE SLEEVE INNER SLEEVE: VG ORIGINAL REPRISE RECORDS INNER SLEEVE KEEPS A VERY ACCEPTABLE ASPECT: LIGHT CREASES/MARKS & NO WRITINGS. VINYL: VG++ LABELS ARE IN NEAR MINT CONDITION. VINYL LOOKS BARELY PLAYED, IN EXCELLENT+ CONDITION & WITH A FANTASTIC AUDIO ! NO « POPS » , NO JUMPS, NO SKIPS…. MATRIX/STAMPERS  SIDE 1: 30511-RS-6197A-2A     A  (All handwritten except A/other inscriptions difficult to identify) SIDE 2: 30512-RS-6197B-1A      I   (All handwrittten except I/other inscription difficult to identify) A1Milk Cow Blues Written-By – Kokomo Arnold3:40A2Ring The Bells Written-By – Ray Davies2:15A3Gotta Get The First Plane HomeWritten-By – Ray Davies1:43A4When I See That Girl Of Mine Written-By – Ray Davies2:08A5I Am FreeWritten-By –Ray Davies2:26A6Till The End Of The Day Written-By –Ray Davies2:18B1The World Keeps Going Round Written-By – Ray Davies2:30B2I’m On A IslandWritten-By –Ray Davies2:13B3Where Have All The Good Times Gone Written-By – Ray Davies2:48B4It’s Too Late Written-By – Ray Davies2:30B5What’s In Store For Me Written-By – Ray Davies2:04B6You Can’t Win Written-By – Ray Davies2:38 POLICY/SHIPPING  If you're not satisfied by the item, I offer a full refund (except for return postal cost).  So please be indulgent if you're not happy with this item, whatever the reason.  Please pay within 5 days or the purchase will be cancelled. Payment by paypal prefered.   I would be happy to combine delivery price if multiple purchases. The LP will be packed carefully.

La chanson remporta l'Eurovision 1968 mais c"est MASSIEL qui interpréta et non Juan Manuel SERRAT comme l'indique le verso du disque  L'Espagne gagna d'une courte tête devant Cliff Richard avec Congratulations qui aurait dû gagner mais apparemment il y eut des pays achetés !    The song was performed by Spanish woman MASSIEL not By Serrat  as indicated on the back of the record ! and won the contest one point ahead of Cliff Richard's Congratulations...  COVER/POCHETTE: VG+ Ringwear/quelques petites déchirures côté ouvert un nombre écrit au verso. Attention des bandes orange apparaissent sur la photo mais elles sont dues au scanner !!  Ringwear/some little tears at opening edge/Writings at the back  RECORD: VG++ LABEL: RTB YEAR/ANNée: 1968 The RECORDS  Listed here are sometimes  30 years  to  50 years old.Some of them may crack, even skip when they turn on your  turn table wich could be different of mine (Technics CL 170).I try to listen carefully to all the records before putting them on bid. I try to describe them as carefuly as possible and the quotations I use are as accurate as possible, but the subjectivity remains !if you have any doubt, don't bid I will not in any case accept any returns ! .Vous bidez sur un disque qui est parfois vieux de 30 à 50 ans.Certains peuvent parfois grésiller à l'écoute ou même sauter si vous n'utilisez pas une platine de bonne qualité avec un diamant changé régulièrement (La mienne TECHNICS CL 170). J'essaye dans la mesure du possible d'écouter préalablement chaque disque que je met en vente? et ça prends du temps ! J'utilise une cote classique qui décrit le mieux que je peux l'Etat du disque et de la pochette mais ceci reste cependant subjectif ! si vous bidez faites le en connaissance de cause ! vous pouvez toujours aussi acheter votre disque dans une convention ! j'en fait certaines !  en tout cas je n'accepte aucuns retour !!Pour achats groupés (3 disques 45t) port identique. Up to three records (EP:SP) same postal price.

12 ‘’ RHYTHM & BLUES FORMIDABLE VOL 9 ATLANTIC MONO – STEREO BIEM / CHAPPELL N° 0921075 XBLY 0921075-1 14 TRACKS LETTRE T NOTE AU DOS DE LA POCHETTE MADE IN FRANCE       LES TITRES DU VINYL SONT : FACE 1 : A1 –Wilson Pickett Sit Down And Talk This Over 2:05 A2 –Benny Latimore Love Don't Love Me 1:50 A3 –Chris Harris (3) Dr. Funky 2:30 A4 –Sam & Dave Don't Turn Your Heater On 2:29 A5 –Lou Johnson Rock Me Baby 2:05 A6 –Clarence Carter The Road Of Love 2:31 A7 –The Sweet Inspirations Watch The One Who Brings The News 2:21 A8 –The Dynamics Ain't No Sun (Since You've Been Gone) 2:29       FACE 2: B1 –Solomon Burke Meet Me In Church 3:30 B2 –Sam & Dave These Arms Of Mine 3:01 B3 –Clarence Carter I'd Rather Go Blind 2:49 B4 –Wilson Pickett Search Your Heart 2:38 B5 –Aretha Franklin Pitiful 2:50 B6 –Joe Tex Sweet Sweet Woman 2:59     ETAT VINYL: FACE 1: Légères rayures qui vont donner des petits grésillements a l’écoute. FACE 2: Légères rayures qui vont donner des petits grésillements a l’écoute.     ETAT POCHETTE : Un peu usé avec le temps mais l’ensemble reste correct.(grosses écritures au feutre en haut a droite sur le devant et au dos de celle-ci). A little used over time but the whole remains correct (big writings in the felt at the top right on the front and back of it).