Get inputs

The Cara preamplifier is prefect for audiophiles looking for a quiet, fast pre-amplifier with multiple inputs and 4 channel outputs. This allows a biamped system or a speaker/sub combination to be control by the Cara Pre-amplifier. With a balance input and balanced output line drivers, the noise rejection on the inputs and outputs are very high and perfect for low noise systems. Built in a steel chassis for EMI/RFI protection, the Cara pre-amplifier will bring music details out, to deliver a greater musical experience. Pre-amplification is sometimes necessary when there is more than one source and when more than 1 output is necessary. Analog volume controls are much nicer than digital attenuation, with analog giving more details and longer decay. High attenuation capability allows the handling of high output devices like DAC and low output devices phono pre-amplifiers with moving coil cartridge. A low noise floor helps provide great music insight and better presentation. The Cara Pre-amplifier has dual outputs with independent relative volume setting, 4 inputs to select from, an analog volume control that goes from -99db to +15db in 0.5 db steps with a 10V operating headroom with a very low noise floor. This makes Cara an exceptional pre-amplifier with wide operational capability. Play your music with any source component and still get the best out of your whole stereo system. Features of the Cara preamplifier: - 2 pairs of outputs (4 channels) - Each output channel can be set to independent relative volume levels - Remote Control with mute, on/off for remote trigger (12V, 20mA), - Cardas XLR inputs, gold-plated chassis with rhodium plate metal body, teflon insulation and silver pins - External power supply with double fused inlet - Large LED display with -99 to +15db control in 0.5 db steps - Optional Isoacoustics GAIA III footers - Optional Synergistic fuses (2 required) Specifications of the Cara preamplifier - Input Voltage: +/- 10V - Output Voltage: +/- 12V - Frequency Response: 8Hz to 200kHz 0.1dB - S/N: 110dB - THD: 0.002% - Inputs: 4 inputs with individual gain presets - Outputs: 2 outputs with individual level presets - Volume range: -99db to + 15dB (0 to +115) - Input Preset Range: +/- 12dB - Output Preset Range: 0 to 115dB - Preset Max volume level: 0 to 115dB - Preset Min Volume level: 0 to 115 dB - Display Brightness settings: 1 to 9, and off - Display delay dim time range: 5 sec to 25 sec - Permanently saved settings - External Power Supply with 110V/240V - Remote Control - Display Size: 1.25" high x 6" wide, blue LED dot matrix - Remote Trigger: 12V

DAC 100 SE Atoll USB 24 bits/192 kHz PCM 1796. Audiophile design, Made in France. The construction of the case is solid, the connections and switches/selectors are of quality. The experience with this device is summed up in precision, naturalness and striking sound realism (and yet my sources are already references). If you want to move from your listening room to the concert hall: this is the device you need. And in more detail:. a beauty of timbres with perfect neutrality. a broad sound image, with depth, we position the musicians very well in space. well-defined treble up to the extreme treble. deep, accurate bass, without superfluous roundness. breathtaking dynamism These qualities will particularly make the difference on classical music and jazz. To be combined with good quality connection cables to get all the benefits. In excellent working and aesthetical condition, comes with power cord and original box, extremely well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. The Atoll DAC 100 SE DAC is a digital/analog converter with three coaxial inputs, three optical inputs and one USB input. Coaxial and optical inputs support resolutions up to 24-bit/192kHz. For the USB input, it accepts resolutions up to 24 bit/96 kHz. For connection to an integrated amplifier, a stereo RCA output is located on the left of the rear panel. On the front a series of LEDs indicates the input used. This front is in brushed anodized aluminum, either natural or black. The converters are Burr Brown PCM 1796. Two power supplies, one of which is reserved exclusively for the analog audio part, equip this DAC. The output stages are provided by discrete components without feedback. The brand Atoll has designed a very well-built DAC. The DAC 100 SE occupies a relatively small space while still being able to enhance up to seven digital sources. Digital inputs: 3 x optical, 3 x coaxial and 1x USB Analog outputs: 1 x stereo RCA USB: Type B Resolutions and sampling rates: optical and coaxial: 16-24 bits (44.1 kHz, 48 kHz, 96 kHz and 192 kHz) USB: 24-bit (32kHz, 44.1 kHz, 48 kHz, 96 kHz) Dual power supply Converters: Burr Brown PCM 1796 Output stages with discrete components and no feedback Dimensions: 320 x 210 x 60 mm Weight: 2kg Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis, sony, eversolo, wiim, topping, aune, gustard, smsl, volumio, matrix En savoir plus

INFORMATION PRODUIT Capturez un son de haute qualité pour vos vidéos avec le Tascam DR-60D. Cet enregistreur audio est conçu pour être utilisé avec des appareils photo reflex numériques et dispose de plusieurs entrées pour les microphones professionnels. Deux entrées XLR de haute qualité sont disponibles pour tous les types de microphones montés sur le dessus de la caméra. Les écrans LCD numériques offrent un accès aux commandes de volume et aux réglages pour chaque niveau audio. Cet enregistreur audio peut être monté au bas d'un appareil photo reflex numérique ou fixé sur le côté à l'aide d'un support. L'audio haute définition est enregistré directement sur une carte SD et peut également être transmis directement à la caméra. Cet enregistreur audio fonctionne avec un adaptateur secteur ou quatre piles AA. Les ports USB sont proposés pour le transport de fichiers et le chargement numérique. Enregistreur numérique Tascam DR-60D comme neuf. Je l'ai acheté il y a un an, j'ai arrêté de faire de la vidéo DSLR, donc je ne l'ai jamais utilisé. Je viens de le tester une fois. Il est dans une boîte depuis. Il est temps de s'en débarrasser. Je ne sais pas où se trouve ce manuel, mais il devrait être facile de trouver un pdf.  PRODUCT INFORMATION Capture high-quality sound for videos with the Tascam DR-60D. This audio recorder is made for use with DSLR cameras and features multiple inputs for professional microphones. Two high-quality XLR inputs are available for all types of microphones that are mounted on top of the camera. Digital LCD screens offer access to volume controls and adjustments for each audio level. This audio recorder can be mounted to the bottom of a DSLR camera or attached on the side using a bracket. High-definition audio is recorded directly to an SD card and can also be output to the camera directly. This audio recorder works with a power adapter or four AA batteries. USB ports are featured for file transports and digital charging. Tascam DR-60D Digital Recorder Like New. Bought it a year ago, stopped doing dslr video, so never used it. Just tested it once. It’s been in a box since. Time to get rid of it. Not sure where that manual is, but it should be easy to find a pdf.

L'enregistreur trybide fonctionnant dans les standards: HD-CVI - High Definition Composite Video Interface, PAL, TCP/IP.   L'interface HD-CVI permet la transmission du signal analogique vidéo via le câble coaxial. Cela permet la transmission des images avec une résolution HD à une distance de 500 m tout en gardant le faible coût de l'installation. Pendant la transmission il n'y a pas de retards et l'image est de haute qualité. ------ Designed as a low-cost, easy installation product, this HCVR Dahua HCVR7116H-4M is ideal for a wide range of applications such as public safety, retail store, transportation, home protection and education. It is compatible with numerous third-party devices making it the perfect solution for surveillance systems with or without a video management system (VMS).  - Support HDCVI/CVBS video inputs - Max 24 channels IP camera inputs, each channel up to 5MP - Max 96 Incoming Bandwidth - HDMI output up to 4K(3840x2160) resolution - Smart Search and Intelligent Video System Smart H.264+ Smart Codec, H.264+ can reduce up to 70% bit rate and storage requirements without having to invest in new cameras. HDCVI/CVBS Auto-detect The HCVR can auto recognize the signal of front-camera without any setting. It makes operation more friendly and convenient. 5MP Resolution The HCVR supports 5MP HD resolution (2560 x 1920) IPC input for recording, live viewing.  Intelligent Video System (IVS) With built-in intelligent video analytics, the XVR has the ability to detect and analyze moving objects for improved video surveillance. IVS also supports Tripwire analytics, allowing the camera to detect when a predetermined line has been crossed. Face Detection It is a type technology being used in a variety of applications that search or identify individuals which show front cameras. Smart Search This function helps you get more motion detect video during a short time through drawing a region when playback. It is very useful when an emergency occurs. Rechercher les produits similaires Standard:HD-CVI, PAL, TCP/IPVitesse totale maximale d'enregistrement: - HD-CVI, PAL : 240 images/sec. @ 2560 x 1440 px, 400 images/sec. @ 1920 x 1080 px, 400 images/sec. @ 1280 x 720 px, 400 images/sec. @ 960 x 576 px, 400 images/sec. @ 720 x 576 px, 400 images/sec. @ 352 x 288 px,  - IP: 600 images/sec. @ max. 2592 x 1944 pxRéglage de la vitesse d'enregistrement: - HD-CVI, PAL 1... 15 images/sec. @ 2560 x 1440  1... 25 images/sec. @ 1920 x 1080  1... 25 images/sec. @ 1280 x 720  1... 25 images/sec. @ 960 x 576  1... 25 images/sec. @ 720 x 576  1... 25 images/sec. @ 352 x 288  à attribuer sur chaque canal  - IP 1... 25 images/sec. @ max. 2592 x 1944  à attribuer sur chaque canalMode de travail: - 16 x HD-CVI / PAL - 15 x HD-CVI / PAL + 1 x IP max. 5 Mpx - 14 x HD-CVI / PAL + 2 x IP max. 5 Mpx - 13 x HD-CVI / PAL + 3 x IP max. 5 Mpx - 12 x HD-CVI / PAL + 4 x IP max. 5 Mpx - 11 x HD-CVI / PAL + 5 x IP max. 5 Mpx - 10 x HD-CVI / PAL + 6 x IP max. 5 Mpx - 9 x HD-CVI / PAL + 7 x IP max. 5 Mpx - 8 x HD-CVI / PAL + 8 x IP max. 5 Mpx - 7 x HD-CVI / PAL + 9 x IP max. 5 Mpx - 6 x HD-CVI / PAL + 10 x IP max. 5 Mpx - 5 x HD-CVI / PAL + 11 x IP max. 5 Mpx - 4 x HD-CVI / PAL + 12 x IP max. 5 Mpx - 3 x HD-CVI / PAL + 13 x IP max. 5 Mpx - 2 x HD-CVI / PAL + 14 x IP max. 5 Mpx - 1 x HD-CVI / PAL + 15 x IP max. 5 Mpx - 16 x HD-CVI / IP / PAL + 8 x IP max. 5 MpxEntrées vidéo:16 pcs BNC, HD-CVI / PALSorties vidéo:1 pcs HDMI 1 pcs VGA Possibilité de configurer l'une des sorties vidéo en tant qu'une sortie SPOTEntrées audio:1 pcs CINCHSorties audio:1 pcs CINCHMéthode de compression d'images:H.264Nombre de niveaux de la compression:4 La résolution de l'image enregistrée:2592 x 1944  @ IP 2048 x 1536  @ IP 2560 x 1440  1920 x 1080  1280 x 720  960 x 576  720 x 576  352 x 288 Mode d'enregistrement:Manuel, détection de mouvement, plan

Bonjour, je vends mon interface audio je m’en suis peu servi (cela se voit) car je travaille « à l’ancienne » sur des enregistreurs multipistes... Tout fonctionne, par contre il vous appartient de vérifier la bonne compatibilité avec votre matériel logiciel et informatique, pas de retour pour une non compatibilité. Ceci dit en USB elle est en général reconnue sans difficulté. Il y a évidemment des traces d’utilisations, puisque occasion, voir photos. Vous achetez ce qu’il y a en photo: la FCA1616 + l’alimentation EU plug + câble USB + 2 oreilles pour rack 1U Les 2 oreilles pour rack 1U deviennent rares... car spécifiques. Pas de logiciel. Le colisage en colissimo sera soigné avec COMME TOUJOURS en ce qui me concerne / une protection optimum de l’appareil. Voir mes évaluations en tant que vendeur. Numéro de suivi fourni. Merci. DESCRIPTION TECHNIQUE: Fabricant: Behringer Modèle: Firepower FCA1616 Catégorie: Interfaces audionumériques FireWire + USB Audiophile audio interface with 24-Bit/96 kHz resolution for virtually any digital recording/mixing environment 4 state-of-the-art MIDAS designed mic preamplifiers, with phantom power, individual Pad, Low Cut and Hi-Z Multi-channel audio and MIDI operation via FireWire or USB2.0 Streams 16 inputs / 16 outputs plus 1x MIDI I/O with ultra-low latency to your computer, supporting Mac OS X and Windows XP or higher All standard I/O formats supported – analog, S/PDIF (coaxial and optical), ADAT, S/MUX Direct Monitoring and Main Volume control with “near-zero” latency 2 powerful Headphone outputs with individual Volume control, Mono and Source signal select Level control of your stereo or 7.1 active speaker system with a single knob turn 8 analog Inserts for use of external effects such as compressors, etc. Get 8 additional MIDAS designed microphone inputs and line outputs Status and signal presence indication for all analog and digital I/O Powered via external power supply (included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany

En excellent état avec son alimentation. YAMAHA SU200 Sampling Unit The aim of the SU200 is Groove Sampling and Remixing. Variable sampling rates from 5 to 44.1 kHz offer a range of 333 to 21 seconds in stereo or mono. Samples are assigned to the pads. Looping, loop muting, slicing, filtering, distortion, effects and more are available on the fly. A ribbon controller will 'scratch' the samples like a record on a turntable. There are two real time control knobs assignable to the Loop Remix, Slice, Tech Mod (LFO), Distortion/Lo-Fi, Delay, and Filter effects. Loop Remix is a function that slices up a loop and allows you to effect the slices to create a whole new variation of that loop. A nice feature is a Resampling function which allows you to re-sample your loops or performances with any effects you may have applied. Sampled loops are also beat-matched to the tempo automatically using the Loop-Track Play feature, so you can be sure your loops will play in time with each other. Sync the SU200 to a tempo via MIDI or use the Tap Tempo key (essential for live DJ use). The SU200 also features Line and Mic inputs, MIDI IN (supports bulk dump of SU10 samples) and SmartMedia Memory Card storage. It can be battery powered and it ships with a CD to get you started sampling drum loops and synth loops. More professional features can be found in the SU700. But for DJs, the SU200 provides an affordable loop and groove performance tool to liven' up your sets! En excellent état avec son alimentation.

TV SAMSUNG LE37M86BD Brand: Samsung HD Ready: Yes Screen Size: 37" Picture Television Type: LCD Pixel Resolution: 1920 x 1080p Full HD 1080p: Yes Contrast Ratio: 8,000:1 Tuner Get Digital: Digital Tuner with all Freeview channels Connectivity 3 HDMI HDMI Connection: 3 Scart Sockets: 2 Use As PC Monitor: Yes S- Video Connection: Yes Headphone Socket: Yes Sound System SRS Speaker System SRS Trusurround Audio Power Output (RMS): 2 x 10W Other Wall Mountable Auto Set Up Super Clear Panel Wide 178 Degree Viewing DNIe Pro On Screen Display Game Mode Wide Colour Enhancer Movie Plus Picture Enhancement Viewing Angle: 178/178 Degrees Response Time: 8ms Brightness: 550 cd/m2 Dimensions 916x654x300mm (HxWxD with base) DNIe Yes Incredible Surround SRS Trusurround XT Inputs

Bon etat Numark Mixtrack Pro DJ Contrôleur avec interface USB audio intégrée  -  Digital DJ controller with large, touch-sensitive control wheels and integrated audio interface - Mix, scratch and perform with the music on your computer via dual-deck layout complete with mixer section - Communicates with your computer via a single USB connection - Illuminated controls provide 1:1 feedback with software parameters - Supports MIDI over USB for compatibility with virtually all digital DJ software - Class compliant- no drivers to install and thus no headaches - Includes Serato DJ Intro, fully upgradable to Serato DJ   MIXTRACK PRO is a complete DJ system that works with the music on your Mac or PC. MIXTRACK PRO's classic two-turntables-and-a-mixer setup connects to your computer so you can scratch, mix, loop, and much more. MIXTRACK PRO has all the inputs and outputs you’ll need for your headphones, speakers, and a mic. Plus, MIXTRACK PRO is portable, so you'll always be ready to DJ anywhere. MIXTRACK PRO has two decks, each with a large, touch-sensitive turntable for accurate scratching, beat-juggling and locating precise points within your tracks. It’s just like working with a record. In addition to the two decks, MIXTRACK PRO has an easy to use audio mixer so veteran DJs and beginners alike will be able to step right up and get the party going. If you’re DJing for the first time, MIXTRACK PRO is a great place to learn because your skills will transfer to any other DJ system. MIXTRACK PRO comes with Serato DJ Intro, powerful software which makes it easy to mix your favorite music. MIXTRACK PRO lets you create professional sounding mixes at home or at live performances at parties, functions and clubs. MIXTRACK PRO is also a MIDI-over-USB controller, so it's compatible with virtually all DJ software.

Air Tight ATC-3 HQ Tube preamplifier. État : Occasion Service de livraison : Colissimo Recommandé Because I was looking for a more polyvalent solution (preamp and network player) I stopped to use this preamp 2 years ago. I actually not used it a lot (around 200 hours top). This pre-amp is in excellent state. Coupled to an Air Tight Atm1s, it gives a kick to the amp and delivers a more lively sound and deep. Equipped with tubes, signature sound can tweaked by changing tubes. This preamp comes with original tubes selected by air Tight. The build quality is excellent (made in Japan by A&M limited also known as Air Tight). Below few specs: - Hand made in Japan - SRPP circuit with buffer stage to reduce noise, lower impedance and get a wide linearity - Upgraded potentiometer with Alps RK-501 - 2 main outputs, 1 monitor output and 1 rec ouput - 4 main inputs - 1 ground output - input sensitivity: 110mV - Tubes: 1 x 12AX7 (ECC83), 2x12AU7(ECC82) - Dimensions: 90 x 430 x 325 (mm) - Weight: 8kg. Bought 6600€ (with Alps RK-501 included) Shipping cost includes insurances

Hi, this an EL500 perfectly functionnal, just some scratch under the rack. I don't use it for 3 years now, so it's better someone else use it. From the manufacter's website: " As far as value, it’s hard to beat 500 Series compatible modules.  Their smaller physical size let you get a lot of performance out of a smaller space, they tend to cost less than their larger counterparts, and – the best part – you can customize your own combinations of them. When ELI started making our own 500 series products, we looked at the power supplies on the market and couldn’t help but notice a need for a better single height dual module rack unit.  On other single height rack units, the modules protrude from the front panel, and don’t look sturdy or attractive. Power supplies were often noisy, frequently reducing the performance of any module mounted in them.  Also, only XLR ins and outs were provided to the user, limiting the device’s applications. The Empirical Labs EL500 rack eliminates these obstacles.  At the heart of the unit is a super quiet power supply – over 30 dB quieter than some supplies we’ve seen – that will ensure optimal performance from any compatible device. All 500 series modules will flush mount cleanly in the EL500, providing a much more professional look and feel. The EL500 offers both XLR and phone rear panel inputs and outputs to allow it to interface perfectly with any system. In addition, a ¼” instrument preamp/direct box input is provided on the front panel, which will automatically switch the left 500 module’s input to this front phone jack once something is plugged into it – a feature we’re sure will prove to be extremely useful. In fact, it has become the first call bass DI for many engineers.  Switches to link compressors and engage a 48V phantom supply are also provided. Whether you’re already invested in 500 series modules or they’re something you’re thinking about adding to your arsenal, the EL500 rack will make any 500 series compatible module perform ideally and interface effortlessly into just about any audio application." Please ask me before for shipping price to your country. Feel free to ask me for further informations. Regards.

Pas de vente si vous avez moins de 10 évaluations / No sale if you have less than 10 evaluations DUAL C820 + Câble d'alimentation intégré / Power cable TRES BONNE CONDITION / VERY GOOD CONDITION Des traces d'usage peuvent apparaître, mais peu, voir mes photos et video: Traces of use may appear, but few, please see my photos and my video: https://www.youtube.com/watch?v=zoMCFqAUKFM REVISÉE / SERVICED Fonctionnement complet / Fully working 5 COURROIES NEUVES / 5 NEW BELTS Vitesse régulée à 1000 Hz / Speed calibration 1000 Hz Passage de bande nettoyé / Tape path cleaned (Heads, Capstans, …) Démagnétisée / Demagnetized LIVRAISON / DELIVERY En emballage protégé / in a safe package WORLWIDE DELIVERY Italie's and Spain's islands, please ask for shipping cost before buying Pas de vente si vous avez moins de 10 évaluations / No sale if you have less than 10 evaluations Description With the C 820, you step right into the metal tape age, ready to take advantage of that advanced formulation's greater dynamic range and resistance to high-frequency saturation. You're also assured of getting the most out of all regular tapes, thanks to the 820's six-way bias/equalization selector, which accommodates two ferric types, two chrome types plus ferrichrome, in addition to metal. The 820's record level meters are actually bright LED arrays. Since they have no inertia, they can react instantaneously. They're bright enough to read from across the room. And because they are equalized, you get a true reading of the actual record signal which includes the high-frequency boost going onto the tape. Another way the 820 helps avoid distorted recordings is with the switchable overload limiter. You'd probably want to switch it in whenever recording music of unknown dynamic range. Unlike ordinary limiters, Dual's doesn't compress dynamic range, but goes into action only when there's a sudden overload. Its action is also coordinated with the record-level settings - the higher they are, the more the amount of limiting that takes place. Important as such features are, the drive system is even more fundamental to cassette deck performance. The Dual drive system begins with a high-torque DC servo-motor with precision-ground flat belts and dynamically-balanced flywheel. An integral frequency generator provides instantaneous corrections of any deviation from accurate speed. Perfect tape-to-head alignment is assured by the four-point guidance system. And the electronic tape motion sensor constantly monitors the tape tension so that any deviation instantaneously stops the transport. For extra convenience in tape movement, the 820's memory stop functions in both directions. And, of course, all the basics are included: headphone output, microphone inputs and Dolby noise reduction system. ADC - AKG -AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICROSEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS 3A - AUDAX -Bb'&'W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON - ELIPSON -FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF -KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE - MISSION-ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE 3M - AGFA -AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY -TANDBERG - TDK Ab'&'R CAMBRIDGE - ACCUPHASE- AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX(TOSHIBA) - BANG b'&' OLUFSEN (Bb'&'O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE- BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON- CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET -EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON- HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE - LUXMAN - MARK LEVINSON – MARANTZ - Mc INTOSH - MERIDIAN - MICROMEGA -MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO -OPTONICA (En savoir plus Collaboration commerciale.

Le IBP Junior élimine facilement les sons indésirables produits par la combinaison de signaux sonores déphasés ou partiellement déphasés; un outil solutionneur de problème de phase mais aussi comme un outil créatif contrôlant la phase pour modifier la couleur tonale. Permet aux micros d’être placés là oû ils sonnent le mieux individuellement; Ajustement de variable de phase naturelle continue entre 0 degré et 180 degrés; Construction et son audiophile (Class A, headroom énorme, alim surdimensionnée) En parfait état, avec sa boite et doc d'origine. * Real time all analog phase sweep between zero and one hundred and eighty degrees… and everything in-between. * Allows mics to be placed where they sound best individually, compromising mic placement due to phase problems is not necessary when using the ibp. * +4dB XLR balanced input and outputs. * Extremely high quality construction. Made in the U.S.A. The IBP Junior easily eliminate the undesirable hollow sound when combining out-of-phase and partially out-of-phase audio signals. Designed as a phase problem solving device, the IBP Analog Phase Alignment Tool has quickly become popular among audio engineers as not only a «»fix it»» tool but as a controlling audio phase creative, tonal color tool. Whether combining direct and miked signals, acoustic guitar and vocal mics, drum kit tom-tom mics, or multiple split-guitar amps, audio signals phase can be quickly and easily controlled with the Little Labs IBP Junior Analog Phase Alignment Tool. IBP functional Description: Phase adjust bypass does just that, bypassing all phase adjust circuitry. Phase invert is a simple polarity reversal as you would find on a mixing console out is 0 degrees, in is 180 degrees. Phase adjust 90 degrees /180 degrees selects between two stages (button out) or one stage of phase adjust. This allows a more extreme phase adjustment with a full swing of as much as 180 degrees or a less extreme 90 degrees of phase adjustment. Phase center lo/hi selects between a higher bandwidth phase adjust (button out) and a primarily lower frequency phase adjust (button in). This and the phase adjust button create the phase curve. It is important to note phase is frequency dependent and is different than time. For example depending on the two sources you are combining, and whether one source is direct and one is miked- between room reflections distance from the cabinet etc. determines what the curve would need to be. (e.g. you need to get the G note in phase as well the A note). Phase adjust knob determines the degree of phase adjust. The xlr balanced input is designed for balanced line level sources, the xlr output is impedance balanced and should feed line level pin 2 hot balanced or single ended line level inputs with pin 1 earth and pin 2 hot. » En savoir plus Collaboration commerciale.

DUAL C820 + Câble d'alimentation intégré / Power cable TRES BONNE CONDITION / VERY GOOD CONDITION Des traces d'usage peuvent apparaître, mais peu, voir mes photos et video: Traces of use may appear, but few, please see my photos and my video: https://www.youtube.com/watch?v=zoMCFqAUKFM REVISÉE / SERVICED Fonctionnement complet / Fully working 5 COURROIES NEUVES / 5 NEW BELTS Vitesse régulée à 1000 Hz / Speed calibration 1000 Hz Passage de bande nettoyé / Tape path cleaned (Heads, Capstans, …) Démagnétisée / Demagnetized LIVRAISON / DELIVERY En emballage protégé / in a safe package WORLWIDE DELIVERY Italie's and Spain's islands, please ask for shipping cost before buying Description With the C 820, you step right into the metal tape age, ready to take advantage of that advanced formulation's greater dynamic range and resistance to high-frequency saturation. You're also assured of getting the most out of all regular tapes, thanks to the 820's six-way bias/equalization selector, which accommodates two ferric types, two chrome types plus ferrichrome, in addition to metal. The 820's record level meters are actually bright LED arrays. Since they have no inertia, they can react instantaneously. They're bright enough to read from across the room. And because they are equalized, you get a true reading of the actual record signal which includes the high-frequency boost going onto the tape. Another way the 820 helps avoid distorted recordings is with the switchable overload limiter. You'd probably want to switch it in whenever recording music of unknown dynamic range. Unlike ordinary limiters, Dual's doesn't compress dynamic range, but goes into action only when there's a sudden overload. Its action is also coordinated with the record-level settings - the higher they are, the more the amount of limiting that takes place. Important as such features are, the drive system is even more fundamental to cassette deck performance. The Dual drive system begins with a high-torque DC servo-motor with precision-ground flat belts and dynamically-balanced flywheel. An integral frequency generator provides instantaneous corrections of any deviation from accurate speed. Perfect tape-to-head alignment is assured by the four-point guidance system. And the electronic tape motion sensor constantly monitors the tape tension so that any deviation instantaneously stops the transport. For extra convenience in tape movement, the 820's memory stop functions in both directions. And, of course, all the basics are included: headphone output, microphone inputs and Dolby noise reduction system. ADC - AKG -AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICROSEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS 3A - AUDAX -Bb'&'W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON - ELIPSON -FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF -KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE - MISSION-ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE 3M - AGFA -AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY -TANDBERG - TDK Ab'&'R CAMBRIDGE - ACCUPHASE- AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX(TOSHIBA) - BANG b'&' OLUFSEN (Bb'&'O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE- BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON- CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET -EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON- HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE - LUXMAN - MARK LEVINSON – MARANTZ - Mc INTOSH - MERIDIAN - MICROMEGA -MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO -OPTONICA (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR -PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD - RADIOLA - REVOX- ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LO En savoir plus Collaboration commerciale.

La pédale elle-même suit le format Boss habituel, avec deux commutateurs au pied qui contrôlent l'essentiel de l'action en direct. Deux autres pédales (dont l'une peut être une double pédale haut/bas) peuvent être connectées via les jacks du panneau arrière pour contrôler Phrase Shift, dont je parlerai un peu plus loin, et Reverse, qui fait exactement ce qu'il dit - jouer la boucle enregistrée à l'envers. Bien que cet appareil soit conçu pour être utilisé principalement avec la guitare, il dispose également d'une entrée micro jack asymétrique, que je ne recommanderais pas pour un travail d'enregistrement sérieux. Cependant, elle est utile pour les sessions de busking dans les rues avec un digeridoo (ou autre) et vous pouvez même utiliser les entrées micro et instrument en même temps si nécessaire. La sortie de l'appareil est strictement mono et l'alimentation peut provenir d'un bloc d'alimentation optionnel ou de six piles AA. Les appareils numériques de ce type ont tendance à être assez gourmands en piles, c'est pourquoi l'adaptateur secteur est une bonne idée - à moins que vous ne fassiez la manche dans la rue en utilisant un amplificateur à piles ! Travailler avec des boucles peut être un problème, car si vous vous trompez lors d'un overdub, vous devez généralement revenir à la case départ. Cependant, ce n'est pas un problème ici, car il y a un bouton Undo/Redo très apprécié. Pour faciliter le chronométrage, vous disposez également d'un métronome utile et d'une fonction permettant de terminer l'enregistrement de la boucle précisément sur un rythme plutôt qu'à l'endroit exact où vous avez appuyé sur la pédale. Cette fonction est très utile pour créer des sons serrés........The pedal itself follows a familiar Boss format with two footswitches controlling most of the live action. Two further footswitches (one of which can be a dual up/down pedal) can be connected via rear-panel jacks to control Phrase Shift, which I'll talk about a little later, and Reverse, which does just what it says — plays the recorded loop backwards. Although this unit is designed for use mainly with guitar, there's also an unbalanced jack mic input, though I wouldn't recommend this for serious recording work. However, it is useful for those high-street busking sessions with a digeridoo (or whatever) and you can even use the mic and instrument inputs at the same time if need be. The output of the unit is strictly mono and power can come from an optional PSU or from six AA batteries. Digital units like this tend to be fairly hungry on batteries, so the mains adaptor is a good idea — unless you're busking in the high street using a battery amplifier! Working with loops can be a problem, because if you get an overdub wrong, you generally have to go back to square one. However, that's no problem here, as there's a very welcome Undo/Redo button. To help timing, there's also a useful metronome and a facility for having the loop recording end precisely on a beat rather than exactly where you hit the pedal. This is really helpful in creating tight-sounding loops. Once a loop has been recorded, its tempo can be changed without altering its pitch, though as with most time/pitch manipulation there's only so far you can go before the processing artefacts start to show. Other live performance niceties include the ability to store multiple Phrases, then decide whether each should play back as a 'one shot' performance or loop continuously. Because this pedal can store multiple Phrases, and store them after power down, you could load up a few backing tracks into it (from CD, your computer or any other suitable audio source) ready to perform. There's no way to back up loops other than to record the audio output, though, and from my own perspective the ability to dump and load audio files via USB would have made a lot of sense. En savoir plus Collaboration commerciale.

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.