Guitar and other machines

CD Album CD Auteur: The Durutti Column Code EAN: 0708527170861 Rubrique principale CD: CD Album

BioShock and Philosophy: Irrational Game, Rational Book LIVRAISON EN 48H GRATUITE Caractéristiques du produit: Description du produit: Considered a sign of the coming of age of video games as an artistic medium, the award–winning BioShock franchise covers vast philosophical ground. BioShock and Philosophy: Irrational Game, Rational Book presents expert reflections by philosophers (and Bioshock connoisseurs) on this critically acclaimed and immersive fan–favorite. Reveals the philosophical questions raised through the artistic complexity, compelling characters and absorbing plots of this ground–breaking first–person shooter (FPS) Explores what BioShock teaches the gamer about gaming, and the aesthetics of video game storytelling Addresses a wide array of topics including Marxism, propaganda, human enhancement technologies, political decision–making, free will, morality, feminism, transworld individuality, and vending machines in the dystopian society of Rapture Considers visionary game developer Ken Levine s depiction of Ayn Rand s philosophy, as well as the theories of Aristotle, de Beauvoir, Dewey, Leibniz, Marx, Plato, and others from the Hall of Philosophical Heroes What does BioShock teach the gamer about gaming? Should we be able to buy beauty and morality from a vending machine? Is BioShock a legitimate critique of Ayn Rand s philosophy? Did Booker ever have free will? Will humans ever be able to shoot lightning out of their hands? BioShock is a critically acclaimed first–person shooter video game first released in 2007. While gamers still thrill at taking down a rivet wielding Big Daddy, what truly impresses BioShock aficionados is its incredibly immersive environment from the atmospheric retro music and chilling audio diaries to a compelling storyline inspired by the controversial philosophy of Ayn Rand. Setting aside the eye–popping visuals of the game s nightmarish underwater dystopia, players must confront a remarkable series of philosophical choices based on morality, free will, and human nature. BioShock and Philosophy features a collection of serious philosophical reflections on questions raised during the course of BioShock game play. Various philosophers consider a wide range of thought–provoking topics and ideas, including the accuracy of game developer Ken Levine s depiction of Rand s philosophy. As well as some of humanity s deepest mysteries, other topics include: The ethical concerns raised by the technologically advanced society portrayed in BioShock Marxist philosophy in relation to the underground insurgency of Vox Populi Questions of identity in relation to body and soul raised by Elizabeth s ability to manipulate tears that exist in the fabric of time And what about the possibility of a future dystopian nightmare created by a real–life Andrew Ryan? If that ever happens, the intriguing philosophical musings of BioShock and Philosophy may just help prepare us for such a truly frightening scenario. Considered a sign of the coming of age of video games as an artistic medium, the awardwinning BioShock franchise covers vast philosophical ground. BioShock and Philosophy presents expert reflections by philosophers (and Bioshock connoisseurs) on this critically acclaimed and immersive fan favorite.                                                                                         NOUS NE LIVRONS PAS LES DOM-TOM CAR LES FRAIS D’EXPÉDITION SONT BEAUCOUP PLUS ÉLEVÉS

isnw_ecp JOHNNY HALLYDAY Excuse-moi partenaire / Tu n’as rien de tout ça / Quand je l’ai vue devant moi / j'abandonne mes amours (Philips B 434.830 BE) Original french pressing issued in 1964. King of the french rockers. Great EP with a Beatles cover (I saw her standing there), Elvis Presley (You’re the devil in disguise) and above all Cuttin’ in (Johnny Guitar Watson) which I find better than the original, really.  Pressage original français sorti en 1964. Suberbe EP, rien à jeter. Reprises des Beatles (I saw her standing there), Elvis Presley (You’re the devil in disguise) et Johnny Guitar Watson (Cuttin’ in) superbe version mieux que l’original).  Record condition: SLEEVE (pochette) VG+ / RECORD (disque) VG J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.

Johnny Guitar Watson ‎– Funk Beyond The Call Of Duty Label: DJM Records (2) ‎– DJF 20525 Format: Vinyl, LP, Album Country: UK Sortie: 1977 Genre: Funk / Soul Style: Funk, Disco Tracklist A1 Funk Beyond The Call Of Duty A2 It's About The Dollar Bill A3 Give Me My Love B1 It's A Damn Shame B2 I'm Gonna Get You Baby B3 Barn Door B4 Love That Will Not Die Entreprises, etc. Recorded At – Paramount Recording Studios Published By – Dick James Music Ltd. Phonographic Copyright (p) – Dick James Music, Inc. Copyright (c) – This Record Co. Ltd. Printed By – Robor Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Crédits Art Direction – David Krieger, DFK* Co-producer [Production Assistant], Drums, Bell Tree, Cabasa, Whistle, Siren – Emry Thomas Engineer – Kerry McNabb Lacquer Cut By – Porky (5) Management – Kessler-Grass Photography By [Photo Credit] – Jim McCrary Producer, Arranged By, Written-By, Electric Piano [Fender Rhodes], Synthesizer, Guitar, Organ [Hammond], Bass [Moog], Congas, Percussion [Aguido], Vocals – Johnny Guitar Watson Saxophone – Billy Haley* Sleeve Notes – JGW* Trombone – Tommy Roberson Trumpet – Walt Fowler Notes Recorded At: Paramount Recording Studios, Hollywood, California Also available on Cassette DJH 40525 DJM Records Limited, James House, 71/75 New Oxford Street, London WC1A 1DP © 1977 This Record Co. Ltd Kessler-Grass Management · Direction [logo] Printed in England by Robor Limited ℗ 1977 Dick James Music Inc. Made in England Dick James Music Ltd Code-Barres et Autres Identifiants Matrix / Runout (Label side A): †2SUTB 7132-A† Matrix / Runout (Label side B): †2SUTB 7132-B† Matrix / Runout (Runout side A): 2-SUT-B-7132-A-1 1 5 A PORKY PRIME CUT Λ Matrix / Runout (Runout side B): 2-SUT-B-7132-B-1 A PORKY PRIME CUT 2 B Other (Price indication): FULL PRICE Expédition avec suivi Mondial Relay, parfaitement fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur). Puis j’ajoute 3 couches de protection : 1.    pochette en plastique comme celle que vous trouvez chez un disquaire. 2.    enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3.    carton cannelé haute qualité, très rigide, avec la mention « fragile »   Shipping with Mondial Relay tracking, perfectly reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Arthur Smith And His Cracker-Jacks ‎– Guitar Boogie Sello: MGM Records ‎– 662 003 Formato: Vinyl, LP País: France Fecha:   Género: Rock Estilo: Folk Rock, Acoustic Pistas Ocultar Créditos A1     Guitar Boogie     3:20 A2     Boomerang     2:37 A3     Mandolin Boogie     3:02 A4     12th Street Rag     Written-By – Euday L. Bowman     2:45 A5     Hard Boiled Boogie     2:00 B1     Banjo Boogie     2:41 B2     I. H. Boogie     2:15 B3     Mountain Be Bop     2:41 B4     Banjo Rag     2:22 B5     Hi Lo Boogie     2:00 Compañías, etc.     Printed By – C.I.D.I.S. Louviers     Published By – Polydor, S.A. Créditos     Written-By – Arthur Smith (2) (tracks: A1 to A3, A5, B1 to B5) Notas Original american recording licensed and trademark registered by Metro-Goldwyn-Mayer, Inc., USA Código de Barras y Otros Identificadores     Matrix / Runout (Side 1 Runout): MGM POL 662 003 LPL 2045 1Y D1 380 CIDIS     Matrix / Runout (Side 2 Runout): POL LPL 2045 2Y DU1 662 003 380 CIDIS     Other (Price code): T

FRENCH EP COLUMBIA N°ESDF 1437 FROM 1961 WITH ATTACHED TAG A RECORD SHOP STICKER ON THE LABEL  Side 1: Guitar tango - Some are lonely Side 2: Perfidia - Tales of a raggy tramline I SHIP WORLDWIDE OVER 50 EUROS, REGISTERED PACKAGE ONLY + DE 50 EUROS, ENVOI EN RECOMMANDE MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS  REDUCTION DU PORT SI ACHAT DE PLUSIEURS DISQUES SAVE POSTAGE IF BUYING SEVERAL RECORDS   POCHETTE/SLEEVE: VG++      VINYL/RECORD: VG++ Mon systeme d'evaluation/My grading system POCHETTE / SLEEVE: EX: excellent état,neuf ou proche du neuf./ new or near mint VG++: très bon état, marque du disque très légère au dos. Eventuellement une petite écriture (initiale ou un nom très discret) au dos mais discrète. Parfois plusieurs de ces défauts mais toujours peu accentués./very good, small ringwear or small writing on the back sleeve.  VG+: bon état, les défauts cités en dessus sont plus accentués, marque du disque est bien visible, des plis légers, des écritures bien visibles. Cumule plusieurs de ces défauts qui restent cependant tout à fait acceptable/very good but more ringwear or writing or lightly turned up corners.  VG: état correct, une petite déchirure ou un accroc du genre etiquette mal enlevée. Les plis sont plus importants. Plusieurs défauts cités plus hauts. Eventuellement salie. Reste encore convenable./very good but more deffects than VG+, may be dirt. VG- état moyen: pochette assez abîmée, un gros défaut abîme la pochette, très usée, salie, une déchirure importante, une écriture qui défigure la pochette/good, many deffects or a very big one.  G mauvais état: gros défaut, très sale, grosse déchirure./bad. VINYLE / RECORD:  EX: excellent état,neuf ou proche du neuf./new or near mint  VG++ très bon etat, quelques légers grésillements possibles ne gênants pas l'écoute./very good, somes possible very light scratches that don't affect the sound    VG+ bon état: des grésillements légers et éventuellement de petits craquements. Peu gênant pour l'écoute et passe sans problemes./very good. somes scratches and may be somes clicks, no jumps  VG état correct: des grésillements audibles et permanents et des craquements assez nombreux. Passe mais l'écoute est tout de même dégradée./very good, more scratches, more clicks.  VG- état moyen: des grésillements et craquements conséquents./many scratches and many clicks, bad listening.  G mauvais état/very bad Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

The Blues - Father Of The Modern Blues Guitar 1929-1950 T-Bone Walker Label: Fremeaux & Associés FA 267 Format CD - Compact Disc Note: Coffret 2 CDs (Box set of 2 CDs) Etat - Condition CDs (Discs): Comme neuf (Near MINT) Livret, insert (Booklet, insert): Très bon état (Very Good+) très légère usure very slight wears Details Pressage français French pressing Contenu - Content - Trinity River Blues (1929) - 03:11 - Wichita Falls Blues (1929) - 03:09 - T Bone Blues (1940) - 03:18 - I Got A Break Baby (1942) - 03:18 - Sail On Boogie (1945) - 02:40 - Come Back To Me Baby (1945) - 03:08 - No Worry Blues (1946) - 02:44 - Don't Leave Me Baby (1946) - 02:49 - Bobby Sox Blues (1946) - 02:41 - Don't Give Me The Runaround (1946) - 03:05 - T Bone Jumps Again (1947) - 02:44 - Call It Stormy Monday (1947) - 03:02 - Midnight Blues (1947) - 02:45 - Triflin Woman Blues (1947) - 03:05 - Long Skirt Baby (1947) - 02:52 - Too Much Trouble Blues (1947) - 02:45 - The Natural Blues (1947) - 03:06 - That's Better For Me (1947) - 02:38 - Lonesome Woman Blues (1947) - 02:41 - Description Blues (1947) - 03:08 - T Bone Shuffle (1947) - 02:37 - Prison Blues (1947) - 02:51 - I Wish You Were Mine (1947) - 02:55 - She's The No Sleepinest Woman (1947) - 03:06 - Plain Old Down Home Blues (1947) - 03:06 - Go Back To The One You Love (1947) - 03:04 - You're My Best Pokerhand (2001) - 02:56 - West Side Baby (1947) - 02:48 - Glamour Girl (1950) - 02:44 - Strollin With Bone (1950) - 02:30 - The Sun Went Down (1950) - 02:20 - You Don't Love Me (1950) - 02:56 - Travelin Blues (1950) - 02:22 - The Hustle Is On (1950) - 02:34 - Baby Broke My Heart (1950) - 02:44 - I Walked Away (1950) - 02:18 Informations Les CDs sont envoyés en Colissimo ou Lettre suivie pour la France et en Prioritaire Recommandé pour les autres pays. Economisez sur les frais de port: Je combine les achats dans le même envoi, contactez-moi si vous souhaitez une estimation des frais de port pour plusieurs CDs. - Les CDs sont envoyés dès réception du paiement. - Pour toute question, utiliser la messagerie. The CDs are shipped to France as Colissimo or as Tracked mail and shipped as Priority Registered Mail (signed for, delivered against signature) for all other countries. Save on shipping: I combine purchased items in the same parcel, send me a message if you wish to get a shipping quote for more than one CD. - The CDs are shipped as soon as the payment is received. - Use message system for any question. Visitez la Boutique Netvinyls Visit the Netvinyls Store

Jamais lu: pages non massicotées Environ 552 pages Format page environ 14 x 22,5 cm Petites salissures ou poussière tranche des pages (que tranche!!) Photos prises au flash donc reflets possibles Voir mes autres ventes pour grouper vos achats et réduire les frais de port. Mes envois se font UNIQUEMENT par LA POSTE et éventuellement remise en mains propres Un doute n'hésitez pas à poser une question. Book in good condition of use: the (possible) defects (color, folds, wears, tears, redness...) are visible on photos. L ook at my other sales to group your purchases and reduce the expenses of delivery. A doubt do not hesitate to ask a question.

FRENCH SINGLE MGM N° 61 622 FROM 1968   Side 1: Hard boiled boogie Side 2: Hi lo boogie I SHIP WORLDWIDE OVER 50 EUROS, REGISTERED PACKAGE ONLY + DE 50 EUROS, ENVOI EN RECOMMANDE MERCI DE REGARDER MES AUTRES DISQUES EN VENTE/ THANKS TO LOOK MY OTHER RECORDS  REDUCTION DU PORT SI ACHAT DE PLUSIEURS DISQUES SAVE POSTAGE IF BUYING SEVERAL RECORDS   POCHETTE/SLEEVE: VG++      VINYL/RECORD: EX Mon systeme d'evaluation/My grading system POCHETTE / SLEEVE: EX: excellent état,neuf ou proche du neuf./ new or near mint VG++: très bon état, marque du disque très légère au dos. Eventuellement une petite écriture (initiale ou un nom très discret) au dos mais discrète. Parfois plusieurs de ces défauts mais toujours peu accentués./very good, small ringwear or small writing on the back sleeve.  VG+: bon état, les défauts cités en dessus sont plus accentués, marque du disque est bien visible, des plis légers, des écritures bien visibles. Cumule plusieurs de ces défauts qui restent cependant tout à fait acceptable/very good but more ringwear or writing or lightly turned up corners.  VG: état correct, une petite déchirure ou un accroc du genre etiquette mal enlevée. Les plis sont plus importants. Plusieurs défauts cités plus hauts. Eventuellement salie. Reste encore convenable./very good but more deffects than VG+, may be dirt. VG- état moyen: pochette assez abîmée, un gros défaut abîme la pochette, très usée, salie, une déchirure importante, une écriture qui défigure la pochette/good, many deffects or a very big one.  G mauvais état: gros défaut, très sale, grosse déchirure./bad. VINYLE / RECORD:  EX: excellent état,neuf ou proche du neuf./new or near mint  VG++ très bon etat, quelques légers grésillements possibles ne gênants pas l'écoute./very good, somes possible very light scratches that don't affect the sound    VG+ bon état: des grésillements légers et éventuellement de petits craquements. Peu gênant pour l'écoute et passe sans problemes./very good. somes scratches and may be somes clicks, no jumps  VG état correct: des grésillements audibles et permanents et des craquements assez nombreux. Passe mais l'écoute est tout de même dégradée./very good, more scratches, more clicks.  VG- état moyen: des grésillements et craquements conséquents./many scratches and many clicks, bad listening.  G mauvais état/very bad Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

US DOUBLE ALBUM CD 19T de DUANE ALLMAN intitulé AN ANTHOLOGY      Howard Duane Allman (né le 20 novembre 1946) est considéré comme un grand guitariste américain remarqué pour sa maîtrise de la technique du slide à la guitare. Il était, avec Dickey Betts, un des créateurs du groupe The Allman Brothers Band, et a également joué un grand rôle dans l'album de Derek and the Dominos : Layla and Other Assorted Love Songs.  Tracklist   1-1–The Hourglass*B.B. King Medley - A. Sweet Little Angel B. It's My Own Fault C. How Blue Can You Get?Bass – Pete CarrDrums – Johnny SandlinEngineer – Jimmy Johnson (4)Lead Guitar – Duane AllmanOrgan – Paul HornsbyVocals, Electric Piano – Gregg AllmanWritten-By [A] – R. King*, J. Taub*Written-By [B] – John Lee HookerWritten-By [C] – Mel London7:051-2–Wilson PickettHey JudeBaritone Saxophone – James MitchellBass – Jerry Jermott*Drums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar – Duane AllmanOrgan – Marvell ThomasPiano – Barry BeckettRhythm Guitar – Jimmy Johnson (4)Saxophone – Floyd NewmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerVocals – Wilson PickettWritten-By – J. Lennon, P. McCartney*4:011-3–Clarence CarterThe Road Of LoveBaritone Saxophone – Floyd Newman, James MitchellDrums – Roger HawkinsEngineer, Producer, Arranged By – Rick HallLead Guitar – Albert Lowe*Organ – Marvell ThomasPiano – Barry BeckettRhythm Guitar – Jimmy Johnson (4)Slide Guitar – Duane AllmanTenor Saxophone – Aaron Varnell, Joe ArnoldTrumpet – Gene MillerWritten-By, Vocals, Guitar – Clarence Carter2:541-4–Duane AllmanGoin' Down SlowBass – Berry OakleyDrums – Johnny SandlinEngineer, Producer – Rick HallPiano – Paul HornsbyVocals, Guitar – Duane AllmanWritten-By – Jack Dupree*8:441-5–Aretha FranklinThe WeightBass – Jerry Jermott*Drums – Roger HawkinsEngineer – Jerome Gapper*, Lew HahnEngineer, Producer – Tom DowdHorns – King CurtisOrgan – Spooner OldhamProducer – Arif Mardin, Jerry WexlerRhythm Guitar – Jimmy Johnson (4)Slide Guitar – Duane AllmanVocals, Piano – Aretha FranklinWritten-By – Jamie Robertson*2:571-6–King CurtisGames People PlayBass – David HoodDrums – Roger HawkinsPiano – Barry BeckettProducer – Arif MardinProducer, Saxophone – King CurtisRhythm Guitar – Jimmy Johnson (4)Slide Guitar, Sitar [Electric] – Duane AllmanWritten-By – Joe South2:451-7–John Hammond*Shake For MeBass – David HoodDrums – Roger HawkinsEngineer – Jimmy Johnson (4)Engineer, Producer – Marlin GreenePiano – Barry BeckettProducer, Vocals, Rhythm Guitar – John Hammond*Rhythm Guitar – Jimmy Johnson (4)Slide Guitar – Duane AllmanWritten-By – Willie Dixon2:401-8–Boz ScaggsLoan Me A DimeBass – David HoodDrums – Roger HawkinsEngineer, Producer – Marlin GreeneHorns – Memphis Horns*Lead Guitar – Duane AllmanPiano – Barry BeckettProducer – Jann WennerProducer, Vocals, Rhythm Guitar – Boz ScaggsRhythm Guitar – Jimmy Johnson (4)Written-By – Fenton Robinson, Jesse Anderson, Mike Middlebrook13:001-9–Johnny JenkinsRollin' StoneBass – Berry OakleyEngineer, Producer – Johnny SandlinSlide Guitar – Duane AllmanVocals, Acoustic Guitar – Johnny JenkinsWritten-By – McKinley Morganfield 4:582-1–Delaney & Bonnie & FriendsLivin' On The Open RoadAlto Saxophone – Jerry JumonvilleBass – Kenny Graderly*Drums – Chuck MorganEngineer – Don CasaleLead Guitar – Ben BenayPiano, Organ – Jim Gordon (2)Producer – Jerry Wexler, Tom DowdSlide Guitar – Duane AllmanTenor Saxophone – Frank MayesTrumpet, Trombone – Darrell LeonardVocals – Delaney & BonnieWritten-By, Producer, Rhythm Guitar – Delaney Bramlett3:022-2–Johnny JenkinsDown Along The CoveAcoustic Guitar – Pete CarrBass – Berry OakleyEngineer – Rick HallEngineer, Producer, Drums – Johnny SandlinProducer, Slide Guitar – Duane AllmanRhythm Guitar, Electric Piano – Paul HornsbyVocals, Harmonica – Johnny JenkinsWritten-By – Bob Dylan3:032-3–Cowboy (6)Please Be With MeBacking Vocals – Pete Kowalke, Tommy TaltonBass – George Clark (2)Dobro [Slide Dobro] – Duane AllmanEngine

F.U.2 - Punk Rock - Les Tréteaux - LP6389 - France - 1977 Vinyl have a few light airlines,light marks,but don't affect playing!!!.No pop or noisy!!! Cover have a small damage on a corners,little folds,wears or stains front/back. Original French Pressing!!!!...Rare!! *VINYL: VG+ *COVER: VG(VG+) From the liner notes of F.U.2 - Punk Rock, 2012 Reissue of the Album originally release in 1977.  F.U.2 - The Myth and the Legend by Terry Clemson aka Terry Gibson  "F.U.2, the album, has for many years been the subject of much speculation. Some refer to it as the "Secret Downliners Sect Album". It really never was........  Many theories and stories of how it came about have circulated over the years...  How it actually came about was thanks to a record producer friend of mine, Eddie Bourne. Eddie was asked to produce a Punk album, by a band called The Vacants. At the time Eddie felt the band needed augmenting for recording purposes, so he asked me to play guitar on the session...  Following on the back of the relative success of The Vacants album, I pursuaded Eddie to allow me to record a Punk album under the name F.U.2.  It all started out as a bit of a joke really. It was late 1970's that me and Keith Grant (2), of the Downliners Sect, set about to write the songs. Some of these we already had in the can that we thought would fit the bill, like "Out Of School", "Playin' My Guitar" which incidentally were later to appear on the Sects 'Showbiz' album. It wasn't long before ten other songs had been assembled and were ready to take into the studio.  As a band F.U.2 obviously never existed, so Keith and I enlisted musician friends to play on the session. Paul Holm was on drums, Robin Langridge on keyboards. Don Craine on rhythm guitar and Paul Tiller on blues harp were also co-opted to play on a couple of tracks. The only reason we co-opted Don and Paul Tiller into the session wasn't to make it a "secret Sect album" but merely to give them a few pounds in session money. ...The whole album was recorded and mixed in a day".  Art Less (Arthur Keith Evans / Keith Grant) - bass, lead vocals  Terry Deville (Terry Clemson / Terry Gibson) - lead guitar, vocals  Rob Groan (Robin Langridge) - keyboards  Clay Stone (Paul Holm) - drums  Special Guests  Mad Mick (Michael O'Donnell / Don Craine) - rhythm guitar  Paul Tone (Paul Tiller) - harmonica

Jacques Higelin  ‎– Illicite Label: EMI France  ‎– 7982772 Format: CD, Album  Country: France Released: 1991 Genre: Rock, Pop Style: Chanson Tracklist 1 We Are The Show-Men Arranged By – Jon Handelsman *Backing Vocals – Debbie Davis, Luc Bertin, Slim Batteux, Yvonne Jones Electric Guitar – Paul Personne Saxophone, Flute – Claudio De Queidoz *Trombone – Damien Verherve Trumpet – David Lewis (3) 4:39 2 Ce Qui Est Dit Doit Être Fait Accordion – Thierry Gaboriau Banjo – Nicolas Fiszman 4:23 3 Illicite Arranged By – Sébastien Cortella 9:20 4 Ballade Pour Izia 7:26 5 L'Homme Oiseau Piano – Nicolas Fiszman Saxophone – Jon Handelsman *Voice – Le Soliste Des Petits Chanteurs D'Aix 6:14 6 Il N'Y A Pas De Nom (Pour Le Repos De Son Âme) Acoustic Guitar – Nicolas Fiszman Electric Guitar, Guitar – Paul Personne 9:06 7 Criez Priez Arranged By – Sébastien Cortella Choir – Julien Jouga Guitar – Oscar Lopez Percussion – Doudou N'Diaye Rose 4:05 8 Les Ailes Du Silence 6:44 Companies, etc. * Made By – MPO Credits * Bass – Nicolas Fiszman * Co-producer – S. Cortella * * Co-producer, Mixed By – J. Higelin * * Design – Nuit De Chine * Drums – David Salkin * Harmonica – Chikara Tsuzuki * Keyboards, Synthesizer – Sébastien Cortella * Mixed By – Paul Personne * Percussion – Dominique Mahut * Photography By – Robert Doisneau * Piano – J. Higelin * (tracks: 2, 4, 8) * Producer, Engineer, Mixed By – Serge Devesvre * Written-By – Jacques Higelin Notes Total running time: 0h 52mn Barcode and Other Identifiers * Barcode: 077779827725 * Other (Distribution Code): PM 518 * Rights Society (Rights Society): SACEM/SACD/SDRM/SGDL

Jacques Higelin   ‎–  Illicite Label: EMI France  ‎– 7982772 Format: CD, Album  Country: France Released: 1991 Genre: Rock,  Pop Style: Chanson Tracklist 1 We Are The Show-Men Arranged By [Horns] –  Jon Handelsman * Backing Vocals –  Debbie Davis,  Luc Bertin,  Slim Batteux,  Yvonne Jones Electric Guitar –  Paul Personne Saxophone [Baryton], Flute –  Claudio De Queidoz * Trombone –  Damien Verherve Trumpet –  David Lewis (3) 4:39 2 Ce Qui Est Dit Doit Être Fait Accordion [Ad-lib] –  Thierry Gaboriau Banjo –  Nicolas Fiszman 4:23 3 Illicite Arranged By –  Sébastien Cortella 9:20 4 Ballade Pour Izia 7:26 5 L'Homme Oiseau Piano –  Nicolas Fiszman Saxophone [Tenor, Alto] –  Jon Handelsman * Voice –  Le Soliste Des Petits Chanteurs D'Aix 6:14 6 Il N'Y A Pas De Nom (Pour Le Repos De Son Âme) Acoustic Guitar –  Nicolas Fiszman Electric Guitar, Guitar [Slide] –  Paul Personne 9:06 7 Criez Priez Arranged By –  Sébastien Cortella Choir –  Julien Jouga Guitar [Guitarron] –  Oscar Lopez Percussion –  Doudou N'Diaye Rose 4:05 8 Les Ailes Du Silence 6:44 Companies, etc. Made By  –  MPO Credits Bass  –  Nicolas Fiszman Co-producer  –  S. Cortella * Co-producer, Mixed By  –  J. Higelin * Design  –  Nuit De Chine Drums  –  David Salkin Harmonica  –  Chikara Tsuzuki Keyboards, Synthesizer  –  Sébastien Cortella Mixed By  –  Paul Personne Percussion  –  Dominique Mahut Photography By  –  Robert Doisneau Piano  –  J. Higelin * (tracks: 2, 4, 8) Producer, Engineer, Mixed By  –  Serge Devesvre Written-By  –  Jacques Higelin Notes Total running time: 0h 52mn Barcode and Other Identifiers Barcode: 077779827725 Other (Distribution Code): PM 518 Rights Society (Rights Society): SACEM/SACD/SDRM/SGDL)

RECORDS: EX COVERS: EX Electronic ‎– Get The Message Label: Virgin ‎– 613 849, Virgin ‎– 613 849-213 Format: Vinyl, 12", 45 RPM, Single  Country: Europe Released: 1991 Genre: Electronic Style: Synth-pop Tracklist Hide Credits A1Get The Message (12" Mix)Guitar, Keyboards, Programmed By – Johnny MarrVocals – Denise JohnsonVocals, Synthesizer – Bernard Sumner5:20B1Get The Message (7" Mix)Guitar, Keyboards, Programmed By – Johnny MarrVocals – Denise JohnsonVocals, Synthesizer – Bernard Sumner4:05B2Free Will (12" Mix)Guitar, Synthesizer – Johnny MarrProgrammed By [Additional] – Andy RobinsonVocals, Synthesizer, Programmed By – Bernard Sumner5:52 Companies, etc. - Phonographic Copyright (p) – Virgin Schallplatten GmbH - Copyright (c) – Virgin Schallplatten GmbH - Licensed From – Clear Productions Ltd. - Licensed To – Virgin Schallplatten GmbH - Printed By – Topac - Recorded At – Clear, Manchester - Mixed At – Clear, Manchester - Pressed By – Sonopress Credits - Artwork – Johnson/Panas*  - Engineer – Owen Morris - Written-By, Producer – Bernard Sumner, Johnny Marr Notes Recorded and mixed at Clear Recordings  Licensed to Virgin Schallplatten GmbH by Clear Productions Ltd. Printed in Germany by TOPAC, Gütersloh.  © 1991 Virgin Schallplatten GmbH.  ℗ 1991 Virgin Schallplatten GmbH. Barcode and Other Identifiers - Barcode: 5 012980 849062 - Matrix / Runout (Runout side A): 103 DM 613849 A-1 - Matrix / Runout (Runout side B): 103 DM 613849 B-1 - Label Code: LC 3098 - Rights Society: GEMA/STEMRA/BIEM Records Codes Definitions des codes Grading definitions S Le disque est neuf et scellé. The record still sealed. NM Le disque est comme neuf, une seconde-main qui a été joué très peu de fois. The record is in beautiful shape but is 2nd hand and is in new condition  EX Le disque est en excellent etat, il peut présenter une ou deux légères marques qui n?altèrent pas l?écoute. The record is in excellent condition, the record shows some signs of having been played, but there is very little lessening in sound quality VG+ Le disque est en bon etat, quelques légères rayures (cheveux) peuvent entrainer des légers grésillements. The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratches. VG Le disque a été ecouté de nombreuses fois, L?ecoute est altérée mais le disque ne saute pas.  Des rayures d?usages entrainent des grésillements et craquements. The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches   Covers Codes Definitions des codes Grading definitions S La pochette est neuve et scellée. The cover still sealed. NM La pochette est comme neuve, une seconde main qui peut présenter un défaut minime. The cover is near mint. the cover is in beautiful shape but is 2nd hand and might have minor cut, very   light cover wear or very small signs of use. EX La pochette est en excellent état, mais présente des petits défauts : légère pliure, petit frottement sur une tranche. The cover and packaging might have slight wear and/or creasing. VG+ La pochette est en bon état générale, elle comporte quelques pliures, petits frottements ou écritures.  Les défauts sont détaillés dans les annonces. The cover have normal wear and tear on the cover, without any major defects, is acceptable. VG La pochette est en état correcte,  elle peut être fendue sur les tranches, scotchées, nombreuses pliures où petites déchirures. Les défauts sont détaillés dans les annonces. The cover and the contents suffer from folding, scuffing of edges, spine sp

FRIDGE - Happiness Item - CD album Condition Sleeve / record : EX (Excellent) / EX (Excellent) Label - Labels Issue - Europe Year - 2001 Cat. # - 72438110762 - Jewel case Tracklisting Melodica and Trombone Drum Machines and Glockenspiel Cut Up Piano and Xylophone Tone Guitar and Drum Noise Five Four Child Voice Sample and Clicks Drums Bass Sonics and Edit Harmonics Long Singing   READ CAREFULLY   PAYMENTS MUST BE RECEIVED WITHIN 2 WEEKS (bank transfer - Paypal) We combine shipping for multi items ps: pour les enchérisseurs Français: Chèques acceptés en Euros Remise en main propres possible sous conditions en fonction des disponibilités (nous ne nous déplaçons pas) Pour toute question relative à l'annonce, au port, au paiement, à la livraison...CLIQUEZ ICI       Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.