High enough and other

CD Album CD Code EAN: 0081227839826 Rubrique principale CD: CD Album Titre: High Enough and Other Hits Genre musical: Rock Classification CDMail: Rock Classification Cd Primaire: Rock, Rap, variétés internationales

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

Je vends une partie de ma collection (doublon ou non écouté). Chaque vinyle a été réécouté pour valider son état. Des extraits vidéos d'écoute sont disponibles dans la majorité de mes annonces. Des envois groupés permettront de limiter les frais d'envoi donc n'hésitez pas à regarder mes autres annonces et à me contacter au besoin. I am selling part of my collection (duplicate or not listened to). Each vinyl has been listened to validate its condition. Listening video clips are available in the majority of my announcements. Grouped shipments will limit the shipping costs so do not hesitate to look at my other announcements and to contact me if necessary. Frais d’envoi France : 5€ + 1,5€ par vinyle en plus (via Mondial Relay) Frais d’envoi Europe : 12,90€ + 2,5€ par vinyle en plus The Rolling Stones- Big hits high tide and green grass - VG+ (cover and LP) - 1966 - FRANCE Great sound!!!

Various ‎– Groove And Dance Volume 1 (The Sound Of New York) Label: Versailles ‎– 474305 2, Versailles ‎– VER 474305 2 Series: Groove And Dance – 1 Format: CD, Compilation Pays: France Sortie: 1993 Genre: Electronic Style: House, Disco Tracklist 1 –Loleatta Holloway Love Sensation (House Remix) Remix – Freddy Bastone 3:51 2 –Skyy Call Me Producer [Uncredited] – Randy Muller, Solomon Roberts Jr. 6:22 3 –Salsoul Orchestra* Ooh I Love It Mixed By [Uncredited] – Shep Pettibone 7:47 4 –Instant Funk I Got My Mind Up (Original Mix) Mixed By [Uncredited] – Larry Levan 9:47 5 –Surface Falling In Love Mixed By [Uncredited] – Shep Pettibone 6:32 6 –Skyy Show Me The Way 5:07 7 –Funk Deluxe This Time Producer [Uncredited], Arranged By [Uncredited] – Randy Muller 6:11 8 –First Choice Featuring Rochelle Fleming Let No Man Put Asunder Featuring – Rochelle FlemingMixed By [Uncredited] – Shep Pettibone 7:59 9 –Leroy Burgess Heartbreaker Mixed By [Uncredited] – Shep Pettibone 6:13 10 –Aurra Such A Feeling Mixed By [Uncredited] – Shep Pettibone 6:28 11 –Instant Funk (Just Because) You'll Be Mine Mixed By [Uncredited] – Shep Pettibone 5:54 12 –Joe Bataan The Bottle Producer [Uncredited] – Joe Bataan 3:31 Various ‎– Groove And Dance Volume 2 (The Sound Of New York) Label: Versailles ‎– VER 474306 2, Versailles ‎– 474306 2 Series:  Groove And Dance – 2 Format: CD, Compilation Pays: France Sortie: 1993 Genre: Electronic Style: House, Disco Tracklist 1 –Instant Funk I Got My Mind Up (Techno Mix) Remix – Charley Casanova 5:18 2 –Skyy Let's Celebrate 5:32 3 –Joe Bataan Rap-O Clap-O 5:48 4 –Inner Life Feat. Jocelyn Brown Ain't No Mountain High Enough 8:18 5 –Candido Jingo 8:07 6 –Weeks & Co. If You're Looking For Fun Mixed By [Uncredited] – Shep Pettibone 6:39 7 –Inner Life Feat. Jocelyn Brown I Like It Like That 4:28 8 –Loleatta Holloway Love Sensation (Original Mix) 6:31 9 –Aurra Baby Love 5:25 10 –Skyy Here's To You 5:19 11 –Double Exposure Ten Percent 7:39 12 –First Choice Featuring Rochelle Fleming Dr. Love 7:36

IRON MAIDEN  – ACES HIGH / KING OF TWILIGHT / THE NUMBER OF THE BEAST EMI Odeon 052 20 0385 6 pressage ESpagne / Spain press  CONDITION (see photo) The item on the picture is the item you will receive - VINYL / RECORD : VG- - POCHETTE / COVER : G- (lot of marks / ringwear / used edge) NOTES / ADDITIONAL INFOS Rare Maxi single de 1984 FRAIS DE PORT / SHIPPING RATES Avant d'enchérir tenez compte des frais de port ci dessous et attendez ma facture Read listing details below for actual shipping cost and wait my invoice - 1-2 LP or 12" France Métropolitaine / 7,00 € Lettre suivie - 1-2 LP or 12" France Métropolitaine  / 8,00 € Colissimo (recommandé +2,50 €) - 1-2 LP or 12" U. Européenne et Suisse / 15,50 € collisimo int. with tracking number (recommandé +3,00 €) - 1-2 LP or 12" Monde / 22,00 € Lettre suivie int., 1 double LP = 2LPs; 1 triple LP = 3LPs - Les envois sont obligatoirement en recommandé au-dessus de 50€ - Expenses of delivery: from 50 euros recommends obligatory - The delivery time for international small packet, outside Europe, can take from 3 to 5 weeks. - Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsability. PAIEMENT PAR PAYPAL OU ESPECE SI REMISE EN MAINS PROPRES PAYMENT VIA PAYPAL FOR EUROPE AND OTHER COUNTRY. - Payment must be made within 5 days from the end of the auction. - Si vous avez des questions ou si vous voulez plus d'infos/photos, contactez moi svp. J'essaie d'être le plus précis possible dans ma description, quand j'entend ou je vois un défaut je le mentionne mais je ne suis pas un professionnel. Je fais de mon mieux pour vous décrire l'objet. - If you have any questions, if you want more infos/photos, please feel free to contact me. I'm trying to be as accurate as possible, when I hear or see a defect I mention it but I'm not a professionnal, I will do my best to describe you the item. Voir mes autres ventes. Check my others Metal auctions

SPINBALLS "Hell And High Water"  Black Sky Rcds | 12 titres | 2002 | Heavy-Psycho Critique: Avec les SPINBALLS, attendez-vous à prendre une grande claque ! Leur heavy-psycho, parfois à la limite du Punk ou du Trash est agressif, percutant et réellement puissant. Malgré des titres parfois très rapides, la section rythmique (batterie - contrebasse) reste très carrée et la voix toujours impeccable rappelle par moment BAD DOOLEYS. Mais les SPINBALLS s'en tirent également très bien sur des morceaux plus calmes, comme "THIS COFFIN AINT BIG ENOUGH", plutôt country. Bref, peu de défauts sur cet album, si vous aimez le style: écoutez l'excellente "MAN ON A MISSION" qui ouvre l'album et est très représentative de ce qu'ils font, et tombez sous leur envoûtement... 1 Man On A Mission 2 Alone In My Cell 3 Crügers Ball 4 My Sweet Baby 5 Living Dead 6 Down In My Cave 7 Adopted By The Devil 8 Devil Inside Your Mind 9 I Want My Baby Back 10 This Coffin Ain't Big Enough 11 Hell And High Water 12 Hellhounds - Tarifs France, Belgique, Luxembourg, Espagne en Point Relais® Mondial Relais: Tarifs France, Belgique, Luxembourg, Espagne en Point Relais® Poids Max Prix public Prix depuis le 15/05/2017 HT TTC HT TTC 0,5 Kg 3,79 € 4,55 € 3,21 € 3,85 € 1 Kg 4,37 € 5,25 € 3,21 € 3,85 € 2 Kg 4,96 € 5,95 € 3,21 € 3,85 € 3 Kg 5,66 € 6,80 € 3,63 € 4,35 € 5 Kg 6,66 € 8,00 € 4,13 € 4,95 € 7 Kg 8,75 € 10,50 € 5,42 € 6,50 € 10 Kg 10,63 € 12,75 € 6,33 € 7,60 € 15 Kg 12,80 € 15,35 € 8,08 € 9,70 € 30 Kg 15,92 € 19,10 € 10,54 € 12,65 € la livraison à domicile MONDIAL RELAY International est possible pour les pays suivants: le Royaume-Uni, l’Allemagne, l’Autriche, le Portugal, l’Italie, les Pays-Bas. TARIFS TTC 2019 Offre de livraison en point relais® (1) Offre de livraison Domicile à l'international (2) France Belgique Luxembourg Espagne Allemagne Belgique Luxembourg Pays-Bas Royaume-Uni Espagne Italie Portugal Autriche Délais Moyens 3j ouvrés 5j ouvrés 3j ouvrés 5j ouvrés 6j ouvrés Poids Max 0,5 KG 4,55€ 8,40€ 9,50€ 10,20€ 11,20€ 1 KG 5,30€ 9,00€ 9,50€ 10,20€ 11,20€ 2 KG 6,00€ 9,80€ 10,30€ 11,40€ 12,40€ 3 KG 6,90€ 10,50€ 11,00€ 12,50€ 13,60€ 5 KG 8,10€ 12,80€ 12,40€ 14,70€ 15,70€ 7 KG 10,65€ 15,20€ 13,85€ 16,90€ 17,90€ 10 KG 12,90€ 17,40€ 16,00€ 20,30€ 22,30€ 15 KG 15,55€ 22,80€ 19,50€ 25,80€ 26,90€ 30 KG 19,50€ 27,50€ 30,10€ 36,90€ 37,90€ TVA incluse Applicable à 20% (1) Tarifs au départ de la France incluant la remise du colis contre signature et notification par e-mail, SMS ou message vocal dès la mise à disposition du colis dans le Point Relais®. (2) Tarifs au départ de la France, date de validité à partir de 2019 Ou Tarif Colissimo France suivi sans signature: Colissimo France - dépôt en bureau de poste Poids Tarifs 0-0,25 kg 4,90 € 0,25-0,50 kg 6,10 € 0,50-0,75 kg 6,90 € 0,75-1 kg 7,50 € 1-2 kg 8,50 € 2-5 kg 12,90 € 5-10 kg 18,90 € 10-30 kg 26,90 €  Tarifs International: Zone 1: Union Européenne et Suisse Zone 2: Reste du Monde Par lettre simple international sans suivi ni garantie:                    Poids              Zone 1Zone 21 à 2 CD = - 250 g 6,00 € 6,50 € - Colissimo International - dépôt en bureau de poste Autres détails Union Européenne: - Allemagne - Autriche - Belgique - Bulgarie - Chypre - Croatie - Danemark - Espagne - Estonie - Finlande - Grèce - Hongrie - Irlande - Italie - Lituanie - Lettonie - Luxembourg - Malte - Pays-Bas - Pologne - Portugal - République Tchèque - Roumanie - Royaume-Uni - Slovaquie - Slovénie - Suède  - Poids Tarifs 1 à 4 CD = 0-0,5 kg 12,15 € 5 à 8 CD = 0,5-1 kg 14,85 € 9 à 18 CD = 1-2 kg 16,50 € 19 à 45 CD = 2-5 kg 21,20 € 46 à 90 CD = 5-10 kg 35,00 € 10-30 kg 58,00 €

Bruce Springsteen - High Hopes CD 2014 DIGIPACK  Columbia, Sony Music 8884301546 Media Condition: Near Mint (NM or M-)  Sleeve Condition: Very Good Plus (VG+)  (digipak near mint except  1 slight  bent  (pict 3)) *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund.   shipping worlwide:  2.8e     PORT FRANCE:       2.4 €  lettre suivie

7’’- (NM) Chris de Burgh ‎– High On Emotion – (1984) Description Vinyl : Near Mint Sleeve : Very Good (price tagand name written on the back see pics) Label: A&M Records ‎–AMS 9768 Format: Vinyl,7", 45 RPM, Single, Stereo Country: Europe Sortie: 1984 Genre: Rock Style: Soft Rock Tracklist                                                                A High On Emotion 3:59                                                         B Much More Than This 2:56 Sociétés, etc. - Record Company – A&M Records, Inc. - Phonographic Copyright (p) – A&M Records Ltd. - Copyright (c) – A&M Records Ltd. - Published By – Rondor Music Ltd. - Distributed By – CBS Records - Distributed By – CBS Disques S.A. - Pressed By – CBS, Haarlem – 19-9768 Crédits - Producer – Rupert Hine - Written-By – Chris de Burgh Notes Labels: Rondor Music Ltd. ℗ 1984 A&M Records Ltd. Taken From The A&M Lp "Man On The Line" AMLX 65002 Made in Holland Sleeve: ℗ 1984 A&M Records, Ltd. / © 1984 A&M Records, Ltd. Made in Holland. Distribution CBS Records / CBS Disques S.A. Shipping Information Sent in a well protected package with bubble wrap and tracking number Check out my other listings for more musical items Terms of Sale You buy what you see Buy with confience Paypal Only No return

GOODMANS HIGH FIDELITY LOUDSPEAKER SYSTELMS AND ELECTRONIC EQUIPMENT 19 PAGES CONTENTS LOUDSPEAKER SYSTEMS RECEIVERS AND COMPACTS CASSETTE TAPE DECK INTEGRATED STEREO AMPLIFIER HOME CONSTRUCTOR RANGE OTHER GOODMANS ¨PRODUCTS

IRON MAIDEN 2 MINUTES TO MIDNIGHT / ACES HIGH EMI CDIRN6 1990 MADE IN UK 7 TRACKS ETAT OCCASION. TESTE OK. USED STATE. TESTED OK. PLUS DE DETAILS: DEMANDEZ-MOI / ASK ME FOR MORE DETAILS. FOREIGN BUYERS: PAYPAL PAYMENT ONLY SEE MY OTHER VINYL/CASSETTE/CD                  REGARDEZ MES AUTRES VINYLS/CASSETTES/CD CONDITIONS D'ENVOI : MES CONDITIONS SONT UN PEU LONGUES MAIS IL EST NECESSAIRE DE BIEN EXPOSER LES DIFFERENTES OPTIONS, LES OFFRES, LES EVENTUELS PROBLEMES, CAR IL Y   A DE PLUS EN PLUS DE LITIGES LIES A DES PROBLEMES POSTAUX FREQUENTS (PLEASE READ MY CONDITIONS AND TRANSLATE IN YOUR LANGUAGE THESE WORDS. THE MOST IMPORTANT : PLEASE WAIT MY INVOICE BEFORE PAY BECAUSE POSTAL COST A MORE COMPLICATED AND I CAN USE MORE OPTIONS) LES PRODUITS SONT ENVOYES LE PLUS RAPIDEMENT POSSIBLE EN FONCTION DU JOUR DE REGLEMENT ET DE MES DISPONIBILITES POUR ME RENDRE A LA POSTE. MAIS GENERALENT ILS SONT POSTES DANS UN DELAI DE 3 JOURS MAXIMUM APRES REGLEMENT (PAYPAL) OU UNE SEMAINE SI CHEQUE. A NOTER QUE JE N'ACCEPTE QUE LES REGLEMENTS PAR PAYPAL OU CHEQUE. POSSIBILITE D'ESPECE SEULEMENT SI REMISE EN MAIN PROPRE. LE COUT POSTAL DEPEND DU POIDS DE L'OBJET, DU POIDS DE L'EMBALLAGE, DU PAYS DE DESTINATION. SUITE A PLUSIEURS PROBLEMES DE PERTES DE COLIS, A COMPTER DU 1 ER NOVEMBRE 2016 JE N'ENVOIE QUE PAR LETTRE SUIVIE MINIMUM. PAS D'ENVOI NON SUIVI. AUCUNE EXCEPTION. JE PREFERE PERDRE UNE ENCHERE QUE DE DEVOIR REMBOURSER. DUE TO MORE PROBLEMS WITH FRENCH POSTAL SERVICE I SEND ONLY WITH TRACKING NUMER (LETTRE SUIVIE INTERNATIONALE). NO SENDING WITHOUT IT. I'AM OK TO LOOSE SELLS BECAUSE I DON'T WANT REFUND AFTER A DISPUTE. LES PRIX CI-DESSOUS ONT ETE OBTENUS EN ADDITIONNANT LES PRIX OFFICIELS DE LA POSTE ADDITIONNES DE 1 EURO POUR LES FRAIS D'EMBALLAGE. JE N'UTILISE QUE DES EMBALLAGES DE QUALITE (ENVELOPPE BULLE, CARTON, ENVELOPPE CARTON POUR VINYLS, POCHETTE PLASTIQUE POUR VINYL, ETC) QUE J'ACHETE. CECI EXPLIQUE LES 1 EURO CAR JE NE PEUX SERIEUSEMENT ENVOYER UN VINYL OU UN CD DANS UNE SIMPLE ENVELOPPE KRAFT. LE POIDS MOYEN DES PRODUITS EST : CASSETTE AUDIO : 65 GRAMMES CASSETTES AUDIO DOUBLE : 120 GRAMMES ( ! + 3 CM HAUT) 45 TOURS : 50 GRAMMES MAXI 45 ET 33 TOURS SIMPLE : 200 GRAMMES 33 TOURS DOUBLE : 450 GRAMMES LASER DISC SIMPLE : 350 GRAMMES LASER DISC DOUBLE : 600 GRAMMES CD SINGLE : 25 GRAMMES CD ALBUM SIMPLE : 100 GRAMMES CD ALBUM DOUBLE : 120 GRAMMES COFFRE 2 CD : 180 GRAMMES ( ! + 3 CM HAUT) A CE POIDS IL FAUT DONC AJOUTER LE POIDS DE PROTECTION ET EMBALLAGE POUR OBTENIR LE POIDS REEL. L'ENVOI SE FAIT EN EN LETTRE SUIVIE POUR TOUS LES OBJETS ENVOYER DANS UN COLIS DE MOINS DE 3 CM DE HAUT ET EN COLISSIMO SIMPLE POUR LES PAQUETS MESURANTS PLUS DE 3CM DE HAUT. SELON LE REGLEMENT TOUT OBJET D'UNE VALEUR DE 150 EUROS ET PLUS DOIT ETRE ENVOYE AVEC ACCUSE DE RECEPTION. CE SERA LE CAS. LES PRIX (D'ENVOI) INDIQUES DANS LA MISE EN VENTE ET FIGURANT DANS LE LOGICIEL NE SONT QU'INDICATIFS. DES LORS ATTENDRE MA FACTURE AVANT DE REGLER JE SOUHAITE AJUSTER AU MIEUX LE TARIF POSTAL POUR NE PAS FAIRE PAYER PLUS A L'ACHETEUR MAIS AUSSI NE PAS PERDRE DE L'ARGENT SUITE A UNE MAUVAISE ESTIMATION DU PORT. DANS TOUS LES CAS NE PAS HESITER A ME POSER DES QUESTIONS VIA LA MESSAGERIE. IN ALL CASE DON?T HESITATE TO ASK QUESTIONS WITH MESSAGE. TARIF AU 1ER JANVIER 2017 DESTINATION: France (sauf DOM TOM, me demander le prix) LETTRE SUIVIE (Service d'envoi suivi de lettres et petits objets jusqu'à 3 cm d'épaisseur) Pour les envois vers: La France métropolitaine, Guyane, Guadeloupe, Martinique, La Réunion, St Pierre et Miquelon, St Barthélémy, St-Martin, Mayotte et Monaco. POIDS / TARIFS (TIMBRE + EMBALLAGE) 0,1 à 20 g 2,15 EUROS 21 à 100 g 2,85

Contatti: info@only10.it Colossus: The Rise and Fall of the American Empire Niall Ferguson Dettagli Editore: Penguin (2 giugno 2005) Lingua: Inglese ISBN-10: 0141017007 ISBN-13: 9780141017006 Peso: 299 gr. Descrizione Recensione Colossus confirms Niall Ferguson's standing as one of the most incisive writers of history, politics and economics today (Sunday Telegraph)One of the timeliest and most topical books to have appeared in recent years (Literary Review)Yet another tour de force from a writer who displays all his usual gifts of forceful polemic, unconventional intelligence and elegant prose... guaranteed to spark fierce debate (Irish Times)A bravura exploration of why Americans are not cut out to be imperialists but nonetheless have an empire. Vigorous, substantive, and worrying (Timothy Garton Ash) L'autore Niall Ferguson is one of Britain's most renowned historians. He is the Laurence A. Tisch Professor of History at Harvard University, a Senior Research Fellow of the Hoover Institution, Stanford University, and a Visiting Professor at Tsinghua University in Beijing. He is the author of Paper and Iron, The House of Rothschild, The Pity of War, The Cash Nexus, Empire, Colossus, The War of the World, The Ascent of Money, High Financier, Civilization and The Great Degeneration. His Kissinger, a feature-length film based on his interviews with Henry Kissinger, won the 2011 New York Film Festival prize for best documentary. His many other prizes and awards include the Benjamin Franklin Prize for Public Service (2010), the Hayek Prize for Lifetime Achievement (2012) and the Ludwig Erhard Prize for Economic Journalism (2013). Pagamenti

- Les achats groupés d'un minimum de 4 LPS (ou CDS) peuvent accorder un escompte maximum de 10 %. Toute autre offre sera refusée. (Un LP ou CD  Double compte pour 2 pièces) Toutes nos expéditions sont faites par LA POSTE  avec suivi et porte à porte,  avec garantie PAYPAL.Bulk purchases of a minimum of 4 LPS (or CDS) may grant a maximum discount of 10%. Any other offer will be refused.(One LP or CD Double count for 2 pieces) All our shipments are made by LA POSTE with tracking and door to door, with PAYPAL guarantee.Media Condition: Very Good Plus (VG +)Sleeve Condition: Very Good Plus (VG +) - Tracklist A1Raging WatersArranged By – Jay Graydon, Robbie BuchananBass – Bob BeatsDrums – Skinsoh UmorGuitar – Jay GraydonSynthesizer – Robbie BuchananWritten-By – Al Jarreau, Jay Graydon, Robbie Buchanan4:26A2ImaginationBass – Nathan EastDrums – Chip McSticksGuitar, Synthesizer – Jay GraydonHorns – Bill Reichenbach (2), Charles Loper, Chuck Findley, Gary Grant, Jerry HeySynthesizer – Robbie BuchananWritten-By – Al Jarreau, Clif Magness, Glen Ballard, Jay Graydon4:45A3Murphy's LawArranged By – Jay Graydon, Paul Bliss, Steve KipnerBacking Vocals – Al Jarreau, Richard PageFlugelhorn – Gary Grant, Jerry HeySynthesizer, Guitar – Jay GraydonWritten-By – Paul Bliss, Steve Kipner4:06A4Tell MeArranged By – Jay GraydonBass – Jake JugsCymbal – Mike BairdDrums – Tyrone B. FeedbackSynthesizer – Greg Phillinganes, Jay Graydon, Robbie BuchananWritten-By – Al Jarreau, Greg Phillinganes, Jay Graydon4:33A5After AllArranged By – Al Jarreau, David Foster, Jay Graydon, Jeremy Lubbock, Robbie BuchananDrums – Mike BairdGuitar – Jay GraydonPiano, Synthesizer – David FosterSynthesizer – Robbie BuchananWritten-By – Al Jarreau, David Foster, Jay Graydon4:18B1High CrimeArranged By – Bobby Lyle, Jay GraydonBacking Vocals – Al Jarreau, Bill Champlin, Carmen TwillieGuitar – Paul Jackson Jr.Guitar, Synthesizer – Jay GraydonPiano – Robbie BuchananWritten-By – Al Jarreau, Bobby Lyle, Jay Graydon4:29B2Let's PretendArranged By – Richard PageArranged By, Synthesizer – Steve GeorgeDrums – O. Rapage, Rug ToupéWritten-By – John Lang (2), Richard Page, Steve GeorgeWritten-By, Arranged By – Jay Graydon3:59B3Sticky WicketArranged By – Greg PhillinganesBacking Vocals – Bill Champlin, Carmen Twillie, Siedah GarrettDrums – U. L. BlowbyGuitar – Paul Jackson Jr.Horns – Bill Reichenbach (2), Charles Loper, Chuck Findley, Gary Grant, Jerry HeyWritten-By – Al JarreauWritten-By, Arranged By, Guitar – Jay GraydonWritten-By, Synthesizer – Greg Phillinganes4:16B4Love Speaks Louder Than WordsArranged By – Richard FeldmanArranged By, Guitar – Jay GraydonBacking Vocals – Al Jarreau, Bill Champlin, Carmen TwillieDrums – Champ TimeSynthesizer – Robbie BuchananWritten-By – Glenn Friedman, Richard FeldmanWritten-By, Arranged By, Backing Vocals – Bill Champlin3:57B5Fallin'Backing Vocals – Al JarreauBass – Nathan EastDrums – Tubs MargranateGuitar – Jay GraydonSynthesizer – Greg Phillinganes, Jay GraydonWritten-By – Al JarreauWritten-By, Arranged By – Jay Graydon, Marcel East, Nathan East4:56 Recorded at Garden Rake Studios, Sherman Oaks, California. Les achats groupés d'un minimum de 4 LPS (ou CDS) peuvent accorder un escompte maximum de 10 %. Toute autre offre sera refusée. (Un LP ou CD  Double compte pour 2 pièces) Toutes nos expéditions sont faites par LA POSTE  avec suivi et porte à porte,  avec garantie PAYPAL.Bulk purchases of a minimum of 4 LPS (or CDS) may grant a maximum discount of 10%. Any other offer will be refused.(One LP or CD Double count for 2 pieces) All our shipments are made by LA POSTE with tracking and door to door, with PAYPAL guarantee.Media Condition: Very Good Plus (VG +) Sleeve Condition: Very Good Plus (VG +)

Que Sera, Sera The High Keys Label: Atco 45-6268 Format Disque vinyl (Vinyl record) Taille (Size) : 17 cm (7") Durée (Duration) : Single Vitesse (Speed) : 45 tours (45 rpm) Etat - Condition Disque (Record): VG+ marques légères, traces de pochette, légers craquements, cercle dessiné au stylo sur le label face 2 slight marks, cover scuffs, slight crackle noises, pen circle on label side 2 Pochette (Sleeve): VG+ pochette générique Atco, légère usure Atco company generic cover, slight wears Details Pressage US, 1963 US pressing, 1963 Contenu - Content - Que Sera, Sera - 2:50 - Daddy Ooh, Long Legs - 2:21 Informations Les disques sont envoyés en Colissimo pour la France et en Prioritaire Recommandé pour les autres pays. Economisez sur les frais de port: Je combine les achats dans le même envoi, contactez-moi si vous souhaitez une estimation des frais de port pour plusieurs disques. - Les disques sont envoyés dès réception du paiement. - Pour toute question, utiliser la messagerie. The records are shipped to France as Colissimo and for all other countries, the records are shipped as Priority Registered Mail (signed for, delivered against signature). Save on shipping: I combine purchased items in the same parcel, send me a message if you wish to get a shipping quote for more than one record. - The records are shipped as soon as the payment is received. - Use message system for any question. Visitez la Boutique Netvinyls Visit the Netvinyls Store

Interprète    :      Elbow Bones and The Raketeers Album         :   New York at down Type            : 33T     LP    Année         : 1983 Référence   : 7171031 Label           : EMI Distribution: Pathé Marconi Pressage    : France Qualité Pochette     : Ex Qualité Disque        : NM Genre Musical Rock Tracklist A1 A Night In New York A2 Other Guys A3 Happy Times A4 OUr Love Will Always Stand A5 Happy Birthday, Baby B1 Mama's In Love Again B2 I Got You B3 I Call It Like I See It B4 I Belong To You B5 You Got Me High   ---------------------------------------------------------------------------------------------------- Envoi sous pochette bulle  Virement banquaire préféré à Paypal si possible Compléments d'information sur simple demande Regarder mes autres ventes Réduction du port pour envois groupés   Trouvez ci-dessous la codification "Etat des pochettes et disques" Code  Traduction Etat Pochette  S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... B Mauvais L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Code  Traduction Etat Disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. M Comme neuf Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG- Très bon - Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore avec des craquements et sautements. G Pauvre La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. NA Non applicable Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).       Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory