Had to

This IS A RARE 12" from Holland. FEATURES "THIS HAD TO BE", WRITTEN BY MICHAEL JACKSON with BACKGROUND VOCALS by MICHAEL JACKSON. EXCELLENT CONDITION. Check my other MJ auctions regularly. New items listed every week. TO SAVE MONEY, shipping cost are combined if you order more than one item. Frais de port combinés si vous achetez plus d'un article. Vous ne payez QUE les frais de port réels.

LES DISQUES VENDUS SONT DANS UN BON ETAT EN GENERAL Soul, Funk - Millie Jackson ‎– I Had To Say It - Maxi 80 Année d'édition: 80 Année de pressage: 80 Label: Polydor records Pays de pressage: UK Etat général de la pochette: bon etat  Ecritures sur la pochette: non Etat général du disque face A: bon etat Etat général du disque face B: bon etat Ecritures sur le centre du disque: non N HESITEZ PAS A ME POSER TOUTES VOS QUESTIONS  LE REGLEMENT SE FAIT EN PAYPAL ET EN CHEQUE UNIQUEMENT, MERCI.  FRAIS D ENVOI AVEC MONDIAL RELAY DE 1 A 10 DISQUES / 6.00 EURO DE 10 A 20 DISQUES / 10.00 EURO Please take a moment to look at our other items.  Combined postage is possible for multiple purchases. Thank you.

Original français sorti en 1960 sur le label Atlantic (Ref.212.048) Matrice du label / BIEM Pochette VG+: bel état, tranches en bon état, pochette propre Disque VG: bon état, quelques légers grésillements Tracklist: A1     It Had To Be You     2:41 A2     Deed I Do     2:23 B1     You Won't Let Me Go     3:16 B2     Tell Me You'll Wait For Me     3:21 Toutes autres infos ou photos me contacter Emballage soigné et pochette de protection   FRAIS DE PORT: France:              * Lettre Prioritaire: 4,20 euros              * Colissimo: 6 euros Europe:              * Prioritaire: 5,50 euros              * Suivi: 9 euros Worldwilde:              * Prioritaire: 7,20 euros              * Suivi: 10 euros FRAIS DE PORT OFFERT POUR LA FRANCE METROPOLITAINE POUR TOUTE COMMANDE SUPERIEURE OU EGALE A 100EUROS. Délai d’expédition Mes disques sont expédiés dans les 2 jours ouvrables après réception de votre règlement. Retours Les retours sont acceptés dans un délai de 10 jours après réception, les frais restent à la charge de l’acheteur. Si le disque ne correspondait pas à vos attentes, merci de privilégier la communication afin de trouver, ensemble, une solution. BAREME D'EVALUATION: S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. De très légères marques lumineuses peuvent être constatées sur la surface du disque, mais cela doit être vraiment minime. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-. EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG++ Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). VG- Très bon - La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque. B Mauvais La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout. Des éléments de la pochette peuvent être également manquants. Le vinyle n'est plus jouable correctement à cause des trop nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare. NA Non applicable La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising,...). Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising,...).

VINYLE 45 T REF: 61554 ANNEE: LITTLE SAMMY GAHA  FACE A:   HAD TO RUN  2'55 FACE B: OUT OF MY BRAIN  2'22   L'objet correspond exactement à la photo . N'ATTENDEZ PAS, TOUT EST EN ACHAT IMMEDIAT ! Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

CD CD Code EAN: 0081227021429 Genre musical: Rock Titre: All They Had To Do Was Dream

Mario rare vg+ Hip Hop gangsta G-Funk. État: Très bon état Service de livraison: Lettre Suivie

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Dionne WARWICK - Burt Bacharach Anyone Who Had A Heart - Mini LP 12-TRACK CARD SLEEVE CD Rhino 081227983741 EU   NEW NOT SEALED - NEUF NON SCELLE 1. "Anyone Who Had a Heart" 2. "Shall I Tell Her" 3. "Don't Make Me Over" 4. "I Cry Alone" 5. "Getting Ready for the Heartbreak" 6. "Oh Lord, What Are You Doing to Me 7. "Any Old Time of Day" 8. "Mr. Heartbreak 9. "Put Yourself in My Place" 10. "I Could Make You Mine" 11. "This Empty Place" 12. "Please Make Him Love me °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Balls to the Wall Accept Pid Un monument "Balls to the wall" est pour moi le meilleur album d'Accept, faisant de ce dernier le point d'orgue de leur discographie avant la la baisse en qualite malgre le plus grand succes du suivant, "Metal heart". La production est parfaite et pas du tout datee a mon sens, les solos sont au summum de l'inspiration ("Turn me on", "Head over heels", "Guardians of the night") par exemple, et enfin Udo livre ici de loin sa meilleure prestation car il pose plus souvent sa voix et hurle moins systematiquement ("Head over heels" toujours, "Guardians of the night" encore ou "Losing more than you ever had" pour ne citer qu'eux). "Balls to the wall" est le plus travaille, plus riche en melodie et forcement moins brut (toute proportion gardee bien entendu). Pourtant il me semble que ce ne soit pas l'album du groupe allemand le plus reconnu, peut-etre est ce a un moins grand nombre de futurs classiques genre "Metal heart" ou "Princess of the dawn". Car excepte le hit "Balls to the wall" et son riff immediat, le reste de l'album est plus homogene et aucun titre ne ressort donc en particulier, ce qui est aussi gage de qualite a un tel niveau car cela vaut dire qu'aucun morceau n'est faible. Mes titres preferes "Love child", "Losers and winners", "Guardians of the night", "Head over heels", "Losing more than you ever had", "Balls to the wall"... et les autres.... Note Bang your Head ! Restless And Wild, sorti un an avant est le genre d'album auquel il est difficile de donner une suite. Avec ce "Balls to the wall", Accept reussit le tour de force de ne pas decevoir et d'elargir son public. L'album debute par le morceau-phare, "Balls to the wall", hymne parmi les hymnes du Metal. Rien que pour ce titre, cet album vaut le detour. Mais evidemment, le bonheur ne s'arrete pas la. "London Leatherboys" au riff ultra efficace, la petite speederie qu'est "Fight it back" et le mid-tempo "Head over heels" achevent de planter le decor. Accept sort avec ce "Balls to the wall" un nouvel album qui fera date dans le petit monde du Metal. Tout est carre et millimetre. Ah, la rigueur allemande, c'est quelque chose ! Le guitariste Wolf Hoffmann nous sort des solos fantastiques. Des que le tempo s'alourdit ("Head over heels", "Balls", "Turn me on"), la basse est en avant et elle vrombit. Un vrai plaisir ! Comme toujours, des refrains tailles pour la scene ("Losers and winners", "Guardian of the night", "Balls",...) Enfin, la ballade est de retour avec "Winterdreams" et son atmosphere de chant de Noel. Cet album est aussi celui par lequel Deaffy (en fait, la manageuse du groupe et compagne de Wolf Hoffmann) devient paroliere a part entiere du groupe et compose les titres avec Udo. Les paroles deviennent plus serieuses, plus engagees, abordant maintenant des themes politiques et sociaux. La pochette marque aussi ce changement avec un peu de provocation. Cela vaudra au groupe d'etre accuse de faire l'apologie de l'homosexualite (d'autant que l'une des chansons de l'album, "Love child", traite du probleme.) Il faut dire aussi que la photo interieure

Boutique * Contact * Favoris * Evaluations * Page perso Categories de la Boutique * Variete Francaise & Quebecoise * Classique Baroque Romantique * CD Enfants Berceuses Comptines * Musiques du Monde Afrique Nova * Relaxation Humour Karaoke Easy * Humour & Textes lus, Parodies * Film Serie TV Comedie Musicale * Gospel & Spiritual Gospel Song * Jazz Latin Manouche Cool Swing * Rock Chretien Pop Louange Fete * Pop Rock Variete Disco Britpop * Country Blues Folk Songwriter * Soul R&B Stax Funk Blues * Hard Rock Metal Progressif * Inde Alternatif Punck Gothique * Techno Electro House Trance * Rap Hip-Hop Gangsta Rap Coast * Nouveautes * Autres Musiques * Import Musique * Promotion du Jour en Musique * A Offrir Idees Cadeaux * A Offrir Edition Coffret * A Offrir Edition Compilation Infos Contact Contactez-nous Description Balls to the Wall Accept CBS Un monument "Balls to the wall" est pour moi le meilleur album d'Accept, faisant de ce dernier le point d'orgue de leur discographie avant la la baisse en qualite malgre le plus grand succes du suivant, "Metal heart". La production est parfaite et pas du tout datee a mon sens, les solos sont au summum de l'inspiration ("Turn me on", "Head over heels", "Guardians of the night") par exemple, et enfin Udo livre ici de loin sa meilleure prestation car il pose plus souvent sa voix et hurle moins systematiquement ("Head over heels" toujours, "Guardians of the night" encore ou "Losing more than you ever had" pour ne citer qu'eux). "Balls to the wall" est le plus travaille, plus riche en melodie et forcement moins brut (toute proportion gardee bien entendu). Pourtant il me semble que ce ne soit pas l'album du groupe allemand le plus reconnu, peut-etre est ce a un moins grand nombre de futurs classiques genre "Metal heart" ou "Princess of the dawn". Car excepte le hit "Balls to the wall" et son riff immediat, le reste de l'album est plus homogene et aucun titre ne ressort donc en particulier, ce qui est aussi gage de qualite a un tel niveau car cela vaut dire qu'aucun morceau n'est faible. Mes titres preferes "Love child", "Losers and winners", "Guardians of the night", "Head over heels", "Losing more than you ever had", "Balls to the wall"... et les autres.... Note Bang your Head ! Restless And Wild, sorti un an avant est le genre d'album auquel il est difficile de donner une suite. Avec ce "Balls to the wall", Accept reussit le tour de force de ne pas decevoir et d'elargir son public. L'album debute par le morceau-phare, "Balls to the wall", hymne parmi les hymnes du Metal. Rien que pour ce titre, cet album vaut le detour. Mais evidemment, le bonheur ne s'arrete pas la. "London Leatherboys" au riff ultra efficace, la petite speederie qu'est "Fight it back" et le mid-tempo "Head over heels" achevent de planter le decor. Accept sort avec ce "Balls to the wall" un nouvel album qui fera date dans le petit monde du Metal. Tout est carre et millimetre. Ah, la rigueur allemande, c'est quelque chose ! Le guitariste Wolf Hoffmann nous sort des solos fantastiques. Des que le tempo s'alourdit ("Head over heels", "Balls", "Turn me on"), la basse est en avant et elle vrombit. Un vrai plaisir ! Comme toujours, des refrains tailles pour la scene ("Losers and winners", "Guardian of the night", "Balls",...) Enfin, la ballade est de retour avec "Winterdreams" et son atmosphere de chant de Noel. Cet album est aussi celui par lequel Deaffy (en fait, la manageuse du groupe et compagne de Wolf Hoffmann) devient paroliere a part entiere du groupe et compose les titres avec Udo. Les paroles deviennent plus serieuses, plus engagees, abordant maintenant des themes politiques et sociaux. La pochette marque aussi ce changement avec un peu de provocation. Cela vaudra au groupe d'etre accuse de faire l'apologie de l'homosexualite (d'autant que l'une des chansons de l'album, "Love child", traite du probleme.) Il faut dire aussi que la photo interieure

Dionne Warwick ‎– Anyone Who Had A Heart Label: Fontana ‎– 466 803 TE Format: Vinyl, 7", 45 RPM, EP, Country: Spain Released: 1964 Genre: Funk / Soul, Pop Style: Soul Tracklist A1 Anyone Who Had A Heart A2 Shall I Tell Her B1 Any Old Time Of Day B2 Getting Ready For The Heartbreak pochette (cover): VG++ (a residue of sticker on the back but with the tongue) (un résidu d'etiquette au dos mais avec la languette Disque (record): VG+ (quelques rayures,rares petits craquements) (few airlines,rare little pops) FRAIS DE PORT (shipping price) 3 EUROS POUR LA FRANCE, FOR EUROPE 4.70 EUROS IN PRIORITY OR 2 EUROS IN ECONOMIC, FOR REST OF THE WORLD  9 DOLLARS IN PRIORITY OR 3 DOLLARS IN ECONOMIC // LAISSER MOI UN MESSAGE SI VOUS ETES INTERESSE PAR PLUSIEURS DE MES DISQUES AFIN DE CALCULER AU PLUS JUSTE LES FRAIS DE PORT // LOOK AT MY OTHERS LPS TO REDUCE SHIPPING PRICE -

HELLO, Welcome to La Face Cachée's Shop We re selling new and second hand items, any question ?  just ask Bonjour, nous vendons des disques neufs et d'occasions Warning: Pictures are generic and are not from the actual item we re selling, just to show an exemple of the item   ask for a detailled picture if you need Attention important: Les images sont génériques (à titre d'exemple) Vous pouvez nous demander une photo plus précise si vous le souhaitez. WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) Article : Tom Petty And The Heartbreakers - Let Me Up (I've Had Enough) (CD) Format: CD, Album More infos about this item here (condition and description MEDIA / SLEEVE): Near Mint (NM or M-) / Near Mint (NM or M-) 1987 UK MCA Records MCA Records, Inc., MCA Records, Inc. DMCL 1905 Rock Folk Rock ************************ SHIPPING: We ship from France, Shipping in France: 5.85 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. 5.85 € quelquesoit la quantité. Si le calculateur n'ajuste pas le port correctement, merci de nous contacter nous le ferons manuellement Shipping in Europe: 9.5 € (as mush item as you want, from 1 to 100 and more, it's the same price), if the automatic price calculation don't work, please contact us. Shipping outside Europe: 12 € (+ around 3 € per extra item, should be fixed automaticly by system), if the automatic price calculation don't work, please contact us. ATTENTION: WE DON'T SHIP TO CHILE ANYMORE (TOO MANY LOST PACKAGES) *********************** Others online catalogues here: Discogs's shop here CDANDLP here You Want to see A VIDEO FROM THE shop? Click here *********************** ******************** **************** Thx for looking About us: La Face Cachée is a record store located in the east of France (Metz) We sell second hand and new records If condition is stated as M/M, that means neuf / new otherwise it's a second hand item ************************ Website: www.la-face-cachee.com 's SHOP here Labels from the shop: Prestalia e-commerce solutions.

Vinyle 33 Tours Vinyles Code EAN: 3473355010012 Genre musical: Pop rock Titre: I Had Too Much To Dream Last Night (180 g.) Rubrique principale Vinyle: 33 Tours

French Ep Electric Prunes (garage group américain) I had too much to dream. État : "Occasion" Vinyl EX/Cover EX avec languette

ELTON JOHN   Easier to walk away   French tape   CASSETTE 2 titres K7 – TAPE   1991   France   PHONOGRAM 868 524-4   Etat carton: très bel état – pas de marque  ni de trace d’usure (regardez mes 7 photos sous toutes les coutures). Cardboard condition: very good condition - no mark or trace of wear (look at my 7 photos from every angle). Etat cassette: très bon état -  testée et écoutée sur lecteur cassette– excellente écoute. Cassette condition: very good condition - tested and listened to on cassette player - excellent listening.     Commentaire perso : rarissime cassette (n’est pas référencée sur Discogs) – pressage français. Il faut savoir que les cassettes single (ou K7 2 titres) sont apparues sur le marché français fin 1991 et ont cessé je crois dans le courant de l’année 1994. Format qui a peu intéressé les acheteurs potentiels de musique. La cassette 2 titres prise en sandwich entre le CD 2 titres apparues au même moment (plus pratique à écouter) et le CD album, qui avait tué à l’époque le vinyl (45 tours et 33 tours). Donc les artistes qui ont pu bénéficié de ce support, pour certains titres, ces formats étaient également peu pratiques à la mise en rayon, donc peu de visibilité chez les disquaires et grandes surfaces.   D’autre part le cartonnage et donc l’emboitage de la K7 à l’intérieur, peu pratique à rentrer et à sortir ont souvent massacré la pochette.   Le petit plus : chaque K7 sera protégée par un emballage « maison » : un film plastique aux dimensions de la K7 que l’on peut enlevé et retiré   D’autres K7 2 titres dans mes annonces.     DES RECEPTION DE VOTRE PAIEMENT (DANS UN DELAI MAXIMUM DE 2 JOURS, SAUF WEEK END OU JOUR FERIE) ENVOI DE VOTRE COMMANDE.   SACHEZ QUE MES EMBALLAGES SONT ROBUSTES (sauf si l’on s’assoie dessus) ET PARFAITEMENT PROTEGES. J’Y PASSE BEAUCOUP DE TEMPS AFIN QU’IL N’Y AIT PAS DE SOUCIS A L’ARRIVEE.   JE SUIS COLLECTIONNEUR ET DONC METICULEUX. MES ARTICLES SONT DETAILLES, LES PHOTOS EN NOMBRE. N’HESITEZ PAS A ME CONTACTER SI VOUS AVEZ DES QUESTIONS. JE REPONDS RAPIDEMENT   Regardez mes évaluations, mes descriptions et mes photos : tout est détaillé la plupart du temps.  Personal comment: extremely rare cassette  - French pressing. You should know that single cassettes (or K7 2 titles) appeared on the French market at the end of 1991 and stopped, I believe, during the course of 1994. Format which did not really interest potential music buyers. The 2-track cassette sandwiched between the 2-track CD that appeared at the same time (more convenient to listen to)  and the CD album, which had killed vinyl at the time (45 and 33). So the artists who were able to benefit from this support, for certain titles, these formats were also impractical for shelving, therefore little visibility among record stores and supermarkets.On the other hand the cardboard and therefore the case of the K7 inside, impractical to enter and exit have often massacred the cover.The little extra: each K7 will be protected by a "house" packaging: a plastic film with the dimensions of the K7 that can be removed and removedOther K7 2 titles in my ads. RECEIPT OF YOUR PAYMENT (WITHIN A MAXIMUM DELAY OF 2 DAYS, EXCEPT WEEKEND OR HOLIDAY) SENDING YOUR ORDER.BE AWARE THAT MY PACKAGES ARE ROBUST (unless you sit on them) AND PERFECTLY PROTECTED. I SPEND A LOT OF TIME SO THERE IS NO CONCERN ON ARRIVAL. I AM A COLLECTOR AND THEREFORE METICULOUS. MY ARTICLES ARE DETAILED, THE PHOTOS IN NUMBER. DON'T HESITATE TO CONTACT ME IF YOU HAVE QUESTIONS. I QUICKLY REPLY Look at my evaluations, my descriptions and my photos: everything is detailed most of the time. FAST SHIPPING AND CAREFUL OF RECEIPT OF YOUR PAYMENT (WITHIN A MAXIMUM PERIOD OF 2 DAYS)   Shipping over Europe, Canada, US & other countries

WELCOME TO WE BUY ELVIS FRANCE-THE LARGEST INDEPENDENT ELVIS DEALER ON WORLDWIDE E BAY.LOTS OF NEW ITEMS BEING ADDED ALL THE TIME.PLEASE ADD US TO YOUR FAVOURITE SELLERS,LOTS MORE ELVIS TREASURES STILL TO COME. HARD TO FIND LEGENDARY PERFORMER VOLUME TWO WITH NO FALSE STARTS TO SUCH A NIGHT AND HIGH STARCHED COLLAR ON SIDE TWO.  THE CORRECT ALBUM HAD STUDIO FALSE STARTS. USA.  WITH THE BOOKLET WITH NO CUT OUTS ETC.  SLEEVE, NICE CONDITION AS PHOTOS,NO SEAM SPLITS VINYL,EX/EX PLUS.  LABELS,AS PHOTOS.  ALL  OUR ITEMS ARE SENT OUT VERY SECURELY PACKED,FULLY TRACKED AND SIGNED FOR.WE ARE HAPPY TO COMBINE POSTAGE. WE POST OUT EVERY TUESDAY AND THURSDAY.

45 TOURS MITCH RYDER Sock it to me, baby/Never had it better NEW VOICE 820 USA ORIGINAL NEUF

Original 45RPM on Epic 9492, of 1962 in VG+ condition Great 2 sider Records will be send tracking mail Postage to France                 6 euros Postage to Europe and UK  12 euros Postage Rest of the world    15 euros I will combine shipping, just ask me.

Vinyle 33t du célèbre duo américain (lui guitariste et inventeur, elle chanteuse) LES PAUL and MARY FORD rendu célèbre notamment par ses titres "How High the Moon" ou "Vaya Con Dios » Album  « TIME TO DREAM »  édité chez CAPITOL en 1957  ici dans son pressage anglais “Les and Mary spin smooth, silky dream-dust... soft lights music for a moonlight mood” (Les and Mary produisent une musique de rêve douce et soyeuse... une musique douce et lumineuse pour une ambiance au clair de lune)   Réf.:  CAPITOL - T. 802 Distributing organisation for Great Britain : ELECTRIC & MUSICAL INDUSTRIES L.T.D. - Record Division 8-11 Great Castle Street, LONDON, W.1 Distributing organisation for Exports from Great Britain : E.M.I. INTERNATIONAL LIMITED Hayes - Middlesex - England Made and Printed in Great Btitain Pressage : Great Britain - UK Edité en 1957         12 titres: A1)   THAT OLD FEELING - (Lew Brown - Sammy Fain) A2)   BEWITCHED - (Richard Rodgers - Lorenz Hart) A3)   MY SILENT LOVE - (Dana Suesse - Edward Heyman) A4)   I SURRENDER DEAR - (Harry Barris - Gordon Clifford) A5)   YOU CALL IT MADNESS (But I Call It Love) - (Conrad - Du Bois - Columbo - Gregory) A6)   JUNE IN JANUARY - (Leo Robin - Ralph Rainger)     B1)   MOONLIGHT AND SHADOWS - (Frederick Hollander - Leo Robin) B2)   I CAN’T GET STARTED - (Vernon Duke - Ira Gershwin) B3)   HOW DEEP IS THE OCEAN - (Irving Berlin) B4)   SWEET AND LOVELY - (Arnheim - Tobias - Lemare) B5)   PRISONER OF LOVE - (Columbo - Robin - Gaskill) B6)   IF I HAD YOU - (Shapiro - Campbell - Connelly)           Pochette (glacée recto/verso) en très bon état général de conservation compte tenu de son ancienneté - pas d’écriture par contre voici les défauts à noter : 2 déchirures au recto côté ouvrant, l’une dans sa partie médiane sur 6 cm env. partiellement « camouflée » par une étiquette magasin, l’autre un peu plus bas sur 2,5 cm env. - chacune de ces 2 déchirures a été réparée de l’intérieur par de l’adhésif - les arêtes supérieure et centrale sont en excellent état, tranche non ouverte - l’arête inférieure est usée dans sa partie médiane sur 3 cm env. avec tranche ouverte - mini-pliures vers les arêtes - usure au recto tout le long du côté ouvrant - léger marquage à l’emplacement du vinyle estompant légèrement l’aspect glacé des recto/verso - à noter enfin de légères ondulations au verso  - malgré l’ensemble de ces défauts, le tout conserve un aspect très présentable   Disque en très bon (voire excellent) état de conservation compte-tenu de son époque - une écriture sur le label en face 2 (reste discrète) - légères griffures de surface apparentes - légers craquements de fonds passagers et quelques craquements ponctuels tout au plus - l’écoute de l’ensemble des 2 faces varie de très bonne à excellente qualité, assez rare pour un disque de cette période Malgré tout, un défaut est à signaler : le disque est légèrement gondolé sur son bord extérieur (sur un endroit restreint) - Cela peut faire sauter votre tête de lecture à l’écoute du 1er titre de la face B - si cela se produit, il suffit d’augmenter très légèrement le poids appliqué à votre tête de lecture et l’écoute se fera alors sans problème et sera d’excellente qualité (sans même un « pok » à son passage)       Paiement par chèque ou Paypal   Livraison en Relais Mondial Relais - envoi suivi:   Tarif France + Belgique + Luxembourg : - De 1 à 5 disques :  4,70 € - 6 disques et plus : 5,30 € ---------------------------------------------------------------------------- Par la Poste :   Tarif Lettre Suivie : Tarif France : - 1 disque: 7,70 € - De 2 à 5 disques: 9,50 €   à partir de 6 disques, envoi en Colissimo ou Mondial Relay   Livraison Colissimo suivi : Tarifs France : - 1 disque: 7,60 € - 2 disques ou double Album: 8.50 € - 3 disques: 9,30 € - 4 ou 5 disques: 10,40 € - 6

Vinyle 33t du célèbre duo américain (lui guitariste et inventeur, elle chanteuse) LES PAUL and MARY FORD rendu célèbre notamment par ses titres "How High the Moon" ou "Vaya Con Dios » Album  « TIME TO DREAM »  édité chez CAPITOL en 1957  ici dans son pressage anglais “Les and Mary spin smooth, silky dream-dust... soft lights music for a moonlight mood” (Les and Mary produisent une musique de rêve douce et soyeuse... une musique douce et lumineuse pour une ambiance au clair de lune)   Réf.:  CAPITOL - T. 802 Distributing organisation for Great Britain : ELECTRIC & MUSICAL INDUSTRIES L.T.D. - Record Division 8-11 Great Castle Street, LONDON, W.1 Distributing organisation for Exports from Great Britain : E.M.I. INTERNATIONAL LIMITED Hayes - Middlesex - England Made and Printed in Great Btitain Pressage : Great Britain - UK Edité en 1957         12 titres: A1)   THAT OLD FEELING - (Lew Brown - Sammy Fain) A2)   BEWITCHED - (Richard Rodgers - Lorenz Hart) A3)   MY SILENT LOVE - (Dana Suesse - Edward Heyman) A4)   I SURRENDER DEAR - (Harry Barris - Gordon Clifford) A5)   YOU CALL IT MADNESS (But I Call It Love) - (Conrad - Du Bois - Columbo - Gregory) A6)   JUNE IN JANUARY - (Leo Robin - Ralph Rainger)     B1)   MOONLIGHT AND SHADOWS - (Frederick Hollander - Leo Robin) B2)   I CAN’T GET STARTED - (Vernon Duke - Ira Gershwin) B3)   HOW DEEP IS THE OCEAN - (Irving Berlin) B4)   SWEET AND LOVELY - (Arnheim - Tobias - Lemare) B5)   PRISONER OF LOVE - (Columbo - Robin - Gaskill) B6)   IF I HAD YOU - (Shapiro - Campbell - Connelly)           Pochette (glacée recto/verso) en très bon état général de conservation compte tenu de son ancienneté - pas d’écriture par contre voici les défauts à noter : 2 déchirures au recto côté ouvrant, l’une dans sa partie médiane sur 6 cm env. partiellement « camouflée » par une étiquette magasin, l’autre un peu plus bas sur 2,5 cm env. - chacune de ces 2 déchirures a été réparée de l’intérieur par de l’adhésif - les arêtes supérieure et centrale sont en excellent état, tranche non ouverte - l’arête inférieure est usée dans sa partie médiane sur 3 cm env. avec tranche ouverte - mini-pliures vers les arêtes - usure au recto tout le long du côté ouvrant - léger marquage à l’emplacement du vinyle estompant légèrement l’aspect glacé des recto/verso - à noter enfin de légères ondulations au verso  - malgré l’ensemble de ces défauts, le tout conserve un aspect très présentable   Disque en très bon (voire excellent) état de conservation compte-tenu de son époque - une écriture sur le label en face 2 (reste discrète) - légères griffures de surface apparentes - légers craquements de fonds passagers et quelques craquements ponctuels tout au plus - l’écoute de l’ensemble des 2 faces varie de très bonne à excellente qualité, assez rare pour un disque de cette période Malgré tout, un défaut est à signaler : le disque est légèrement gondolé sur son bord extérieur (sur un endroit restreint) - Cela peut faire sauter votre tête de lecture à l’écoute du 1er titre de la face B - si cela se produit, il suffit d’augmenter très légèrement le poids appliqué à votre tête de lecture et l’écoute se fera alors sans problème et sera d’excellente qualité (sans même un « pok » à son passage)        Paiement par chèque ou virement (Paypal...)     Livraison en Relais Mondial Relay - envoi suivi:   Tarif France + Belgique + Luxembourg : - De 1 à 5 disques :  4,70 € - 6 disques et plus : 5,30 € ---------------------------------------------------------------------------- Par la Poste : Livraison en relais Shop2Shop - envoi suivi: Tarifs France : - De 1 à 3 disques: 5,60 € - De 4 à 10 disques: 8,40 €   au-delà : me consulter Livraison Colissimo suivi : Tarifs France : - 1 disque: 7,60 € - 2 disques ou double Album: 8.50 € - 3 disques: 9,30 € - 4 ou 5 disques: 10,40 €

Lot de quatre 45 tours: The Beatles: EP russe, "Can't buy me love" + "Maxwell's silver hammer" + "Lady Madonna" + "I should have known better". Paul McCartney: "Give Ireland back to the irish" + "Instrumental"  (pressage français) et "Mary had a little lamb" + "Little woman love" (pressage japonais). George Harrison: "Dark horse" + "Hari's on tour" (^pressage français). Bon état. Envoi gratuit pour la France. Envoi rapide et protégé.

45 TOURS EP 4 TITRES   Face A :  Sock it to me baby !  -  I never had it better Face B :  In the midnight hour  -  I like it like that POCHETTE :  BON ÉTAT VG+ (marque du disque, écriture au verso) voir scans DISQUE : TRÈS BON ÉTAT     JE RECALCULE LES FRAIS DE PORT POUR PLUSIEURS VINYLES ENVOI RAPIDE DÈS RÉCEPTION PAIEMENT, COLIS BIEN PROTÉGÉ PAIEMENT: pour la FRANCE: CHÈQUE, VIREMENT BANCAIRE OU PAYPAL                     pour l'ÉTRANGER: VIREMENT BANCAIRE ou  PAYPAL Je réponds à vos questions rapidement, n'hésitez pas à me contacter

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY PAULA COLE Harbinger (14 titres) Track Listing 1. Happy Home 2. I Am So Ordinary 3. Saturn Girl 4. Watch the Woman's Hands 5. Bethlehem 6. Chiaroscuro 7. Black Boots 8. Oh John 9. Our Revenge 10. Dear Gertrude 11. Hitler's Brothers 12. She Can't Feel Anything Anymore 13. Garden of Eden 14. Ladder, The DetailsProducer:Kevin KillenDistributor:WEA (Distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:n/a Album Notes Personnel: Paula Cole (vocals, piano, keyboards, percussion, whistle); Kevin Barry, Gerry Leonard (acoustic & electric guitars); Eileen Ivers, Laura Seaton, Mary Rowell (violin); Juliette Hafner (viola); Erik Friedlander (cello); Jon Dryden (piano); Paul Bushnell (bass); Jay Bellerose (drums, percussion); Mark Hutchins (tambourine, percussion, programming).Recorded at Bearsville Studios, Bearsville, New York.The first thing you feel is the voice: dark, earthy, ethereal. Paula Cole brings a lifetime of training and ambition to her first set of songs, HARBINGER, and from the haunted alienation of "Black Boots" to the incense-scented imagery of "Chiaroscuro," the singer transcends mere technical gifts to craft some of the most singular, deeply felt confessionals in all of pop.With her dusky contralto, and ringing upper register ellisions, she had all the formal tools to be a jazz diva, but by and by Cole realized that her true source of expression lay in the arty, progressive rock stylings of Kate Bush and Peter Gabriel--she had to be the singer and the song to discover her own true voice.An offspring of '60s baby boomers, Cole feels something of her parents' desperation and ambivalence in the troubling memories of "Happy Home," as children begat children and struggle to maintain a family edifice in the teeth of poverty and backwards glances of resignation. Producer Kevin Killen couches her moody tales of guilt ("She Can't Feel Anything Anymore"), isolation ("The Ladder") and sensuality ("Oh John") in spare, ambient textures that shade Cole's voice like dancing shadows. When he does allow the rhythm and other voices to rise and joust with her voice ("Garden Of Eden," "Revenge") it is with the understated ethnicity of Gabriel and U2 or a taut chamber-like verve, allowing Cole's complex emotions to bubble to the surface and stand naked in the light of revelation. Warner Bros records / 1994 / Printed in Germany Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Sidney Bechet And His Feetwarmers* ‎– It Had To Be You / Please Don't Talk About Me When I'm Gone Label: Blue Star ‎– 140 Format: Shellac, 10", 78 RPM Pays: France Date:1945 Genre: Jazz Style: Dixieland Tracklisting Masquer Crédits A It Had To Be You Written-By – Kahn*, Jones* B Please Don't Talk About Me When I'm Gone Written-By – Stept* Sociétés, etc. Published By – Francis Day Crédits Bass – Pierre Michelot Drums – Kenny Clarke Piano – Eddy Bernard* Soprano Saxophone – Sidney Bechet Code barre et autres identifiants Matrix / Runout (Label side A): P. 7808 Matrix / Runout (Label side B): P. 7810 Avis

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

Frais d'envoi groupés en cas d'achats multiples / I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying, the overcost should be between 3 to 8 euros. Coffret / Box: EX+ Disque / Record: NMINT Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch by colissimo International. Don't hesitate to email me if you have any question.

Cette semaine, je mets en vente des dizaines de EP et SP français, anglais, norvégiens, danois, italiens, iraniens, etc...des BEATLES ! Frais d'envoi groupés en cas d'achats multiples / This week, I am selling dozens of BEATLES EP's and SP's from France, UK, Norway, Denmark, Iran, Italy...I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying, the overcost should be between 3 to 8 euros. Pochette / PS: VG++ Traces dues à l'age et au stockage, nom au dos. Traces due to age and storage, name on back cover. Disque / Record: VG++ Traces de surface Surface marks Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch

Cette semaine, je mets en vente des dizaines de EP et SP français, anglais, norvégiens, danois, italiens, iraniens, etc...des BEATLES ! Frais d'envoi groupés en cas d'achats multiples / This week, I am selling dozens of BEATLES EP's and SP's from France, UK, Norway, Denmark, Iran, Italy...I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying, the overcost should be between 3 to 8 euros. Pochette / PS: VG++ Traces dues à l'age et au stockage, signature discrète au dos. Traces due to age, discreet signature on back. Disque / Record: VG++ Traces de surface Surface marks Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a

Frais d'envoi groupés en cas d'achats multiples / I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying, the overcost should be between 3 to 8 euros. Boitier / Box: NMINT Livret / Booklet: MINT Disques / Records: NMINT Très rarement joués pour certains, jamais pour la grande majorité / Barely played for some, never for most of them. Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For overseas shipping costs in the priority letter only works up to 2 kg, beyond 2 kgs French Post requires a dispatch by colissimo International. Don't hesitate to email me if you have any question.