Have been

NIN Nine Inch Nails And All That Could Have Been HALO 17 VHS LIVE 2002 Nothing Interscope. EU Edition donc surement PAL mais je ne suis pas 100% sure. TBE, rangée à l'abri du soleil et de l'humidité, mais je n'ai plus de lecteur VHS pour la tester. Colissimo 6.35 euros. ***  NIN Nine Inch Nails And All That Could Have Been HALO 17 VHS LIVE 2002 Nothing Interscope. EU Edition so probably PAL though I'm not 100%  sure. VGC, stored away from light and humidity, however please note I no longer have a player to test VHS. *** WARNING! My items are now shipped from France via colissimo international, hence higher UK domestic shipping cost.  International Postage: France: 6.35. EU / EEA / UK (till 31/12/20)  except France and Norway: 12.55 euros Norway, non EU Eastern Europe except Russia: 18.65 euros Rest of the World: 27.50 euros International postage quoted by default by is higest rate. If you live in Europe, please do not pay until I have sent you an adjusted invoice with shipping cost to your country. Many thanks! I combine shipping based on weight, which makes colissimo more affordable. Please wait for an invoice with combined shipping *****

NIN Nine Inch Nails And All That Could Have Been HALO 17 VHS LIVE 2002 Nothing Interscope. EU Edition donc surement PAL mais je ne suis pas 100% sure. TBE, rangée à l'abri du soleil et de l'humidité, mais je n'ai plus de lecteur VHS pour la tester. Colissimo 6.50 euros. ***  NIN Nine Inch Nails And All That Could Have Been HALO 17 VHS LIVE 2002 Nothing Interscope. EU Edition so probably PAL though I'm not 100%  sure. VGC, stored away from light and humidity, however please note I no longer have a player to test VHS. *** International Postage: Colissimo international 500g EU / EEA except France and Norway: 12.90 euros UK: 15.90 euros (EU cost above + 3 euros)   Norway, non EU Eastern Europe except Russia: 19.20 euros Rest of the World: 28.10 euros I know this is expensive, however these are the actual prices charged by La Poste, so nothing I can do about it: https://www.laposte.fr/tarifs-postaux-colis International postage quoted by default by is higest rate. If you live in Europe, please do not pay until I have sent you an adjusted invoice with shipping cost to your country. Many thanks! I combine shipping based on weight, which makes colissimo more affordable. Please wait for an invoice with combined shipping *****

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&.Michael George  You have been loved Promo 1 track card sleeve  CDS Virgin VSCDJX 1663   UK EX/EX. &&&&&&&&&&&&&&&&&&&&&&&&&&&&& Merci de votre visite !  Les règlements peuvent se faire par Paypal, virements bancaires, cheque français exclusivement. Les reglements devront etre effectués sous 7 jours. Je n’hesiterai pas à laisser des evaluations negatives aux mauvais ers (au risque d’en recevoir...) Les paquets sont generalement envoyes le jour de la reception du reglement. Sinon j ’avertis toujours en cas de retard. ATTENTION ! Seuls les paquets recommandés pourront faire l’objet de remboursement en cas de perte ou dégradation.  Aucune reclamation possible si vous choisissez un envoi standard ou suivi.  En choisissant l'envoi standard ou suivi l'acheteur assume le risque de la perte ou de la degradation. Je conseille de choisir l'option recommandé (Assurance) Pour les achats superieurs à 15 eur le recommandé est obligatoire. Le port est un forfait non negociable. PORT GRATUIT POUR ARTICLES SUPPLEMENTAIRES !  (Vous ne payez le port que pour le premier article acheté) BONNE CHANCE !!! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- Thank you for visiting this page ! Payments should be done within 7 days via Paypal, bank transfer or (NO CASH in letter Too many problems). I won’t hesitate to give true feedbacks to bad ers ! (Even if I risk negative feedbacks...) I usually send the goods the day I receive the payment and give notice in case of delay. WARNING ! Only registered parcels can be refunded in case of loss or damage by the post. No claim possible for Standard mail. The buyer takes the risk in case of loss or damage. I strongly advise to use registered (Insurance) mail. For any order over 15 eur registered mail is required. BEST WISHES FROM FRANCE TO ALL AND GOOD LUCK !! -------------------------------------------------------------------- FREE POSTAGE FOR ADDITIONAL ITEMS ! (You will pay postage only for the first item !!) ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the sur

CD Album CD Code EAN: 0065660592982 Rubrique principale CD: CD Album Genre musical: Pop Titre: We Haven't Just Been Told, We Have Been Loved

CD Single CD Code EAN: 5099913638023 Rubrique principale CD: CD Single Titre: IT MUST HAVE BEEN LOVE Genre musical: Pop Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales

CD Album CD Code EAN: 0606949318529 Rubrique principale CD: CD Album Titre: And all that could have been - Live Genre musical: New wave Référence fabricant CD: 4931852

45 Tours Vinyles Code EAN: 5099913638078 Artiste: Roxette Rubrique principale Vinyle: 45 Tours Titre: it must have been love Genre musical: Pop Classification Vinyles Primaire: Rock Pop

Tracklist AYou Must Have Been A Beautiful BabyWritten-By – Warren, MercerBI Must See Annie TonightWritten-By – Friend, Franklin Crédits - Alto Saxophone – Benny Carter - Bass – John Kirby - Clarinet – Buster Bailey - Drums – Jack Maisel - Guitar – Roger Fleagle - Piano – Billy Kyle Notes Fox-trot avec refrain chanté. Enregistré en Amérique - New York, January 20, 1939. - Matrix / Runout (A side label): CE 64.909 - Matrix / Runout (B side label): CE 64.912 Etat général: occasion / Format: 33T / Etat pochette / disque: NA  / VG /  VINYLE AVEC DE NOMBREUSES RAYURES ET UNE PETITE ENCOCHE (pas écouté). Label: ODEON CE 64909 / 279.585 / Pressage: FRANCE / Année: 1939 /   VOIR IMAGES POUR L'ETAT DE LA POCHETTE   A LIRE AVANT D'ENCHERIR OU D'ACHETER: READ BEFORE BIDDING OR BUYING: SI TOUTEFOIS VOUS CONSTATEZ UN PROBLEME AVEC MES OBJETS, NE METTEZ PAS DES EVALUATIONS FANTAISISTES : CONTACTEZ MOI !!!! IL Y A DES SOLUTIONS (REMBOURSSEMENT, ECHANGE...) HOWEVER IF YOU SEE ANY PROBLEM WITH MY ITEMS, DON'T PUT A BAD FEEDBACK: CONTACT ME !!!! THERE IS MANY SOLUTIONS (REFUND, CHANGE...)   LP:   EX    :   Pas de rayure et brillance d'origine du vinyle VG+ :  Rayures visibles mais peu audibles (rayure d'usage) VG   :    Rayures perceptibles à l'écoute G   :     Disque rayé (il peut sauté, avec des craquements importants)   POCHETTE / COVER :   EX    :   Excellent (ou bien "comme neuf") VG+ :  état d'usage (bien pour l'age), usure des tranches VG :    Marque du disque ou / et petites écritures voire petites déchirures sur pochette G :   grosse écriture visible sur pochette ou / et pochette très abîmées ATTENTION ! Seuls les paquets recommandés ou colissimo ou suivi pourront faire l'objet de remboursement en cas de perte ou dégradation. Le prix de la livraison comprend:  tarif lettre + enveloppe à bulles renforcée avec du carton. Livraison lettre non garantie par La Poste. Pour un achat au-delà de 10 euros, envoi systématique en Envoi Suivi garanti. GROUPEZ VOS ACHATS POUR BAISSER LES FRAIS DE PORT LIVRAISON MONDIAL RELAY EGALEMENT GARANTIE JOINDRE N° TEL. POSSIBILITE DE REMISE EN MAIN PROPRE BANLIEUE EST ET MARNE LA VALLEE. Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

33 Tours Vinyles Code EAN: 5024545701319 Genre musical: Pop Titre: All That Might Have Been... Rubrique principale Vinyle: 33 Tours

CD Album CD Code EAN: 4013429116043 Rubrique principale CD: CD Album Genre musical: Jazz Titre: Places We Have Been

Vendu avec boitier neuf Sold with new jewel case Envoi le lendemain du paiement (sauf Dimanche et jours fériés) Sending the day after payment (except Sunday & Public holidays) Label: Island Def Jam Music Group Code: MONCD1 Year: 2001 Format: CD single promo Nombre de pistes / Tracks: 2 Pour d’autres informations, voir photo / for more informations, see picture. Etat / Condition  CD : VG++: Très bon état + / Very good condition +.  Très légère et superficielle  micro-rayure, quasi invisible à la lumière naturelle, qui n’affecte pas la qualité de l’écoute qui reste parfaite. / Very minor, light and superficial scratch, almost invisible to natural light, that do not affect listening that remains perfect. La qualité des CD est évaluée uniquement sur la partie enregistrée laquelle, partant du centre vers l’extérieur, ne concerne qu’une petite partie de la surface totale du CD. Les parties non enregistrées, d’un intérêt mineur, ne sont donc pas prises en compte dans cette évaluation. / The CD's condition is evaluated only on the recorded center part, from the inside to the outside and which concerns a small part of the CD’s total area. Unregistered parties which present minor interest are therefore not considered in this evaluation. Micro-rayures sur la partie non enregistrée / Micro-scratches on unrecorded part. Boîtier/Jewel case : M:  Neuf / New. Après votre achat, le boitier sera changé et remplacé par un neuf avant son expédition. Celui figurant sur la photo est le boitier d’origine. Merci de ne pas  tenir compte de la photo pour l’état du boitier / After your purchase, the jewel case will be changed and replaced with a new one before its shipment. The one shown on the photo is the original jewel case. Thanks consider this remark compared to the jewel case’s condition. Jaquette / Cover : VG+: Très bon état / Very good condition. Très bon état, pas de signes d'écriture, présente quelques marques d'utilisation.  / Very good condition, no signs of writing, may have few minor signs of use.  Correspondance et Goldmine Grading System M (Mint): Neuf / New / Neu / Nuovo / Nuevo NM (Near mint) : Comme neuf /  Like new / Neuwertig / Come nuovo / Come nuevo VG + (Very good +) : Très bon état / Very good / Sehr gut / Ottime condizioni / En muy ben estado VG (Very good) : Bon état / Good / Gut / Buone condizioni / En buen estado G (good), G+ (good+) : Etat correct / Acceptable / Akzeptabel / Accetabile / Aceptable Envoi / Sending Le jour suivant le paiement / Day following the payment: - Par La Poste: du Lundi au Samedi / Monday to Saturday - Par Mondial Relay: du Mardi au Samedi / Tuesday to Saturday. Paiement par chèque ou virement, le lendemain de sa réception / If paying by bank transfer, the next day after receipt. Emballage / Packaging Emballage carton spécifiquement adapté au format CD ou boite carton avec calage papier et film bulle. L'emballage carton est plus protecteur qu'une enveloppe bulle. Pour certains envois en France, l'objet pourra être expédié sous enveloppe bulle renforcée pour faire bénéficier l'acheteur d'un tarif postal plus avantageux, notamment ceux d'un poids inférieur à 100 g, emballage compris, et ne présentant aucun risque de dégradation (digipack, boitier carton). Packaging carton specifically adapted to CD or carton box with paper wedging and bubble film. The cardboard packaging is more protective than a bubble envelope. Mode d'expédition / Shipping costs France, Monaco: – 3 cm d’épaisseur: Ecopli, lettre verte, prioritaire ou suivie +3 cm d’épaisseur: Colissimo, Point Relais (Mondial Relay). Belgique, Luxembourg: - 250 g: Lettre prioritaire internationale / International prioritary Letter + 250 g: Lettre prioritaire international

Une petite tâche sur le recto du coffret, sinon état quasi comme neuf. CD Album CD Auteur: Nine Inch Nails Rubrique principale CD: CD Album Date: 2002-09-13 00 Genre musical: Rock Artistes Similaires: Stabbing Westward

Cyndi Lauper ‎– Girls Just Want To Have Fun Label: Portrait ‎– A 3943, Epic ‎– A 3943 Format: Vinyl, 7", 45 RPM, Single, Paper Labels Country: UK Sortie: 1983 Genre: Electronic, Pop Style: Synth-pop TracklistMasquer Crédits AGirls Just Want To Have FunWritten-By – R. Hazard*3:55BRight Track Wrong TrainWritten-By – C. Lauper*, E. Greenwich*, J. Kent*4:40 Record condition: SLEEVE (pochette) EX / RECORD (disque) EX ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisibles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière. Attention !!! Si paiement par chèque, envoi après encaissement définitif sur le compte. Les frais d'expédition comprennent: Le tarif de la poste et les frais d'emballages (Shipping costs include: Postage and packing costs) Pour la France: 1-2 EP = 3.99€ / 3-4 EP = 6.99€ / 5-10 EP = 8.99€ Rest of the wolrd: 1-2 EP = 19€ / 3-4 EP = 21€ / 5-10 EP

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° BACKSTREET BOYS All I have to give 4 tracks jewel case MAXI CD Jive 1998 EU EX/EX 1. All I Have to Give 2. Quit Playing Games (With My Heart) 3. All I Have to Give 4. As Long as You Love Me   °°°°°°°°°°°°°°°°°°°°°°  Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! °°°°°°°°°°°°°°°°°°°  Bryan ADAMS Have you ever really loved a woman 2-track CARD SLEEVE CDSINGLE A&M 731458102823 1995 France   1) Have you ever really loved a woman 2) Low life °°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°     Paula COLE Where have all the cowboys gone ? 3-Track CARD SLEEVE CDSINGLE Wea 093624388692 1997 Germany VG/EX 1) Where have all the cowboys gone ? Album version edit 2) Hush hush hush Album version 3) Where have all the cowboys gone ? E-Team Drugstore radio edit °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°° CARD SLEEVE = Poch ette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound qua)

.Gary MOORE I have found my love in you SPAIN Promo 1-Track card sleeve CDS Virgin GMESP971 1997 Spain EX/EX  1-track promotional CD features the 4:55 version. Issued in a unique custom card picture sleeve, printed in Spanish and mentioning the release of Dark Days In Paradise May 1997 GMESP971.  CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WILLIAM SHATNER (CD ALBUM 11 TITRES TRACKS)                          William Shatner ‎– Has Been Label: Shout! Factory ‎– SHO 518535 2 Format: CD, Album  Pays: Europe Date: 2004 Genre: Rock Style: Alternative Rock, Lounge, Soft Rock, Punk Tracklisting 1Common PeopleBacking Vocals – Louisville Common People's ChoirBass, Synthesizer – Ben FoldsDrums – Lindsay JamiesonGuitar – John Mark PainterVocals – Joe Jackson4:382It Hasn't Happened YetBass – John Mark PainterDrums – Matt ChamberlainGuitar – Jon AuerPiano – Ben FoldsVocals [Goddess Of Yosemite] – Fleming McWilliams3:463You'll Have TimeBass – Sebastian SteinbergChoir [Gospel] – Carmella Ramsey, Jared Reynolds, John Davis (3), Kim Richey, Webb WilderDrums – Matt ChamberlainGuitar – John Mark PainterOrgan [Wurlitzer Granny] – Ben FoldsPiano – Joe Jackson5:154That's Me TryingBass, Backing Vocals – John Mark PainterDrums – Matt ChamberlainGuitar, Backing Vocals – Jon AuerPiano, Vocals, Backing Vocals – Ben FoldsVocals – Aimee Mann3:455What Have You DoneDouble Bass – Sebastian Steinberg1:436TogetherInstruments, Programmed By – Lemon Jelly5:367Familiar LoveChoir – Benita Hill, Curt Bol, Laurie Wheeler, Rick WheelerDouble Bass – Sebastian SteinbergDrums – Matt ChamberlainElectric Guitar – Jon AuerGuitar – John Mark PainterPiano – Ben Folds3:578Ideal WomanBass – John Mark PainterDrums – Matt ChamberlainGuitar – Jon AuerOrgan [Wurlitzer], Electric Piano – Ben Folds2:229Has BeenGuitar [Baritone], Trumpet, Vocals [Cowboy] – John Mark PainterGuitar, Vocals [Cowboy] – Jon AuerPercussion – Matt ChamberlainPiano [Tack] – Ben FoldsVocals [Cowboy] – Joe Jackson, Sebastian Steinberg2:1610I Can't Get Behind ThatDouble Bass – Sebastian SteinbergDrums, Percussion – Matt ChamberlainGuitar – Adrian BelewVocals – Henry Rollins3:0011RealBass – John Mark PainterDrums, Electric Piano – Ben FoldsVocals, Guitar – Brad Paisley3:08                                                 - ÉTAT DU BOITIER : Bon état VG++  Quelques traces d'usures mineures du genre petites rayures de surfaces sans conséquence ou traces de frottements voir la photo disponible en zoom  - ÉTAT DU CD: Bon état MINT  (tous mes produits sont de ma collection personnel et tous testés avant d'être mis sur ) SS SEALED Scellé MINT The record itself is in brand new condition. The cover is in perfect condition. Disque comme neuf.  VG++ The record and the cover are in good condition. Le disque et la pochette sont en bon état. VG+ Not trashed!...just good.  Le disque est dans un état moyen ainsi que la pochette. VG Still not trashed but getting close. Won't skip,  plays acceptably (noise not overwhelming music). Le son du disque comporte des grésillements quasi partout mais se joue, pochette abîmée G The record is dead. The cover also. Le disque et la pochette sont dans un état catastrophique. Attention: Pour les colis Poste nationaux et internationaux pas d'envoi en économique Attention: Tous les colis Poste partent en SUIVIE (Only registered shipping) - livraison protégée lettre bulle, carton, avec suivi, port groupé en cas d'achats multiples (me demander le total après achats) me contacter pour plus de renseignements ou de photos merci de votre visite et bonne journée:)

A-HA " I've been losing you " (Vinyl 45t/SP) 1986 Edited by: WEA / Speed: 45t ************************************************************ 2nd HAND EP RECORD / DISQUE VINYLE D’OCCASION 45 tours ************************************************************ Condition / Etat: Sleeve / Pochette: VG+ Vinyl / Disque: VG+ INTERNATIONAL SHIPPING/HANDLING COST (by priority airmail postage / in strong envelope protected) I accept PAYPAL for all countries. (et pour la FRANCE: Chèque) USA & rest of the world Economic (slow delivery): 3.95 € USA & rest of the world Standard: 5.95 € EUROPE Economic (slow delivery): 3.95 € EUROPE Standard: 4.95 € FRANCE Lettre Max (suivi et assurance): 2.95 € Multiple purchases may be combined under a single shipping charge. Shipping within 48 hours ! Don't forget to look at my other items, thanks ! Interested in movies ? Have a look on our partner-shop Movie Planet Collector ! Les frais d'envoi sont regroupés si vous remportez plusieurs articles. Envoi sous 48 heures ! Pensez à regarder nos autres ventes, merci ! Passionné de cinéma ? Alors faites un tour sur notre boutique -partenaire Movie Planet Collector ! Please only bid if you want to buy item. The buying contract must be honored in 8 days delay, otherwise a complain will be deposed to Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

From the author of When Bad Things Happen to Good People comes an inspiring new bestseller that puts human feelings of guilt and inadequacy in perspective - and teaches us how we can learn to accept ourselves and others even when we and they are less than perfect. How Good Do We Have to Be? is for everyone who experiences that sense of guilt and disappointment. This copy slightly used as been signed by the author.

TAKRL 1952 Le son est très correct, voire très bon, ce qui est rare pour un bootlegg, surtout de 1963. Le disque est en tbe, vg+ d'aspect mais Ex à l'écoute. Envoi via mondial relay. Livraison en Relais Mondial Relay

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

  A Grammar of the Russian Language (Classic Reprint) William Richard Morfill Total waste The OCR ourput has not been revised and edited. The Russian cyrillic characters are almost always seen as latin characters. Completely useless. 99% was automatically scanned as roman, not cyrillac. Completely useless. 99% was automatically scanned as roman, not cyrillac, and not corrected manually. Do Not Buy!!! save you 99c and buy another book. My object bas been to give a concise and clear analysis of the word-forms and syntax of tbe Eussian language. In the paradigms of the nouns and verbs I have chiefly followed the arrangement of Miklosich (V ergleichende Grammatik derS lavischen Sprachen, second edition, Vienna, 1879). I have treated the grammatical forms in such a way as to shew their relation to theO ld Slavonic1, known to us by the monuments of its literature which have been preserved. It is only in this way that they can be explained. I have allowed myself occasional references to other I ndoE uropean languages for purposes of illustration. Great pains have been taken with the aspects of the verbs, perhaps the most interesting feature in theS lavonic forms, and it is hoped that they are made as clear as is possible in a rudimentary work of the present kind. The prepositions, both in and out of composition, which in Eussian and, indeed, in all theS lavonic languagesexhibit a luxuriance of development, reminding us of ancient Greek, have also been carefully treated. I have used for illustration a series of extracts from modernE ussian authors. 1S ee remarks in the preface to myS erbian Grammar (T riibner, 1887). (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at   Auteur: William Richard Morfill Editeur: Forgotten Books Broché: 194 pages paperback Publication: 18/05/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? D'autre objet de William Richard Morfill A Short Grammar of the Bulgarian Language: With Reading Lessons (Classic Reprint) Mot Clef: Reference Foreign Languages

Synopsis A grieving father receives a suspicious note, apparently from God, inviting him to meet in the Oregon wilderness where his daughter had been abducted and murdered. "The Shack" wrestles with the timeless question, "Where is God in a world so filled with unspeakable pain?" A grieving father receives a suspicious note, apparently from God, inviting him to meet in the Oregon wilderness where his daughter has been abducted and murdered. In a world where religion seems to grow increasingly irrelevant, "The Shack" wrestles with the timeless question, "Where is God in a world so filled with unspeakable pain?" Windblown Media Mackenzie Allen Philips' youngest daughter, Missy, has been abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later in the midst of his Great Sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on a wintry afternoon and walks back into his darkest nightmare. What he finds there will change Mack's world forever. In a world where religion seems to grow increasingly irrelevant The Shack wrestles with the timeless question, Where is God in a world so filled with unspeakable pain? The answers Mack gets will astound you and perhaps transform you as much as it did him. You'll want everyone you know to read this book Mackenzie Allen Philips' youngest daughter, Missy, has been abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later, still trapped in his great sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack. Against his better judgement he arrives at the shack on a wintery afternoon and faces up to his darkest nightmare. What he finds there will change Mack's world forever. In a world where religion seems to grow increasingly irrelevant, THE SHACK wrestles with the timeless question, 'Where is God in a world so filled with unspeakable pain?' The answers Mack gets will astound you and perhaps transform you as much as it did him. You'll want everyone you know to read this book! Mackenzie Allen Phillips's youngest daughter, Missy, has been abducted during a family vacation, and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later, in this midst of his great sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack for a weekend. Against his better judgment he arrives at the shack on wintry afternoon and walks back into his darkest nightmare. What he finds there will change his life forever. With 18 million copies sold worldwide, THE SHACK is an international bestseller that explores life's toughest questions through the gripping story of one man's struggle to find answers to his suffering. Mack's youngest daughter, Missy, was abducted during a family vacation and evidence that she may have been brutally murdered is found in an abandoned shack deep in the Oregon wilderness. Four years later, still trapped in his great sadness, Mack receives a suspicious note, apparently from God, inviting him back to that shack. Against his better judgement Mack arrives at the shack on a wintry afternoon. What he finds there will change his life forever. THE SHACK wrestles with the timeless question, 'Where is God in a world so filled with unspeakable pain?' Mack's experiences when he faces up to his darkest nightmares will astound you, and perhaps transform you as much as it did him. This is the kind of book you'll want to tell everyone about. Millions have discovered it already - now it's your turn.

  A practical Malay grammar W. G. Shellabear Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a colour PDF version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.   Auteur: W. G. Shellabear Editeur: Leopold Classic Library Broché: 100 pages paperback Publication: 19/02/2014 Réédition: 19/02/2014 Dimensions: 27,94 x 21,59 x 2,79 Publier en: Anglais Languages d'origine: Anglais Help ? Mot Clef: Reference Foreign Languages

A practical Malay grammar W. G. Shellabear Auteur: W. G. Shellabear Editeur: Leopold Classic Library Broché: 100 pages paperback Publication: 19/02/2014 Réédition: 19/02/2014 Dimensions: 27,94 x 21,59 x 2,79 Publier en: Anglais Languages d'origine: Anglais Help ? Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a colour PDF version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience. Mot Clef: Reference Foreign Languages

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Franck Amsallem Out A Day Gary Peacock Bill Stewart CD 1992 Cover M Disc M scellé sealed look at the photos (for more info read the details of my grading criteria at the bottom) Informations additionelle sur la livraison / Información de envío adicional / Informazioni aggiuntive sulla spedizione / Additional shipping informations: Expédition pour plusieurs articles / Envío de varios artículos / Spedizione di più oggetti / shipping of multiple items: (FR) Selon le type d'objets, il peut être possible d'en regrouper plusieurs dans un seul envoi et d'économiser sur les frais d'expédition. Si vous souhaitez acheter plusieurs articles, demandez-moi le total exact avant de faire l'achat. (ES) Dependiendo del tipo de artículos, puede ser posible agregar más de uno en un solo envío y ahorrar en costos de envío. Si está interesado en comprar varios artículos, pregúntame el total exacto antes de realizar la compra. (IT) A seconda del tipo di oggetti, potrebbe essere possibile aggregarne di più in una sola spedizione e risparmiare sulle spese di spedizione. Se sei interessato ad acquistare più oggetti, chiedimi il totale esatto prima di effettuare l'acquisto. (EN) Depending on the type of items, it may be possible to aggregate more than one in a single shipment and save on shipping costs. If you are interested in purchasing multiple items, ask me for the exact total before buying. My grading criteria: MINT (M)* Perfect. No scuffs/scratches, unplayed - possibly still sealed. Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed CDs. I could occasionally use a conservative grade of [M-] (MINT-) to describe perfect CDs not new sealed. NEAR MINT (NM)** Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe CDs just under [NM] or b'"'almost [NM] perfect with a few minor flawsb'"'. VERY GOOD PLUS (VG+) / EXCELLENT A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar). VERY GOOD (VG) Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing. GOOD (G), GOOD PLUS (G+) or VERY GOOD MINUS (VG-) There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip. POOR (P) and FAIR (F) The CD may or m En savoir plus

It is with a very heavy heart that I am placing the we buy Elvis website up for sale. Unfortunately for health and personal reasons I can no longer give it the attention it deserves.  This would be superb for a serious collector looking to generate items or a dealer looking to generate more stock leads. Everything that I have ever bought or dealt in over the last eight years have been generated via enquiries through the website.Regular customers will know that I have sold many many thousands of Elvis items.  If you google our website we come first. If you google who buys Elvis collections we always come up on the first page in google. This has taken along time and a lot of hard work to get the web address to this stage.  I have owned the web address for around eight years. The address in its present format was re designed around three years ago. The website is a bespoke site built with PHP. It has a content management system that enables you to add pages, edit text and images and edit search engine fields. It is mobile responsive so that it adjusts to different size screens The web site was designed and built by the highly regarded Blue line media in Cheltenham,Gloucestershire.U.K.   Hosting has been paid for the next year and the SSL security certificate has been paid for.  I also have around 14,000 (retail value) worth of Elvis items that I might include in some sort of sale.I will only do anything through e bay to conform with their rules.  I am asking 4000 euros for the web site which is pretty much what it cost to have built so somebody is getting an absolute bargain. I am open to offers as I do need to sell.  I will also close down the Facebook page and rename my two e bay sites once a sale is concluded.  I welcome any questions you may have.