Have heard

Charlie McCoy ****************************************************** Album 1974 sur Monument records. Édition originale américaine. *********************************        Jingle Bells4:09White Christmas2:32Christmas Is A-Comin' (May God Bless You)2:02Blue Christmas2:40Christmas Cheer2:34The Christmas Song (Chestnuts Roasting On An Open Fire)3:04Silent Night3:19Angels We Have Heard On High3:10Away In A Manger3:10Oh Holy Night2:42The First Noel4:51 État: Very good. Très bon. Frais postaux: France: 6,50 € .                                           Christmas

THE ORNETTE COLEMAN DOUBLE QUARTET FREE JAZZ - Atlantic SD 1364  MONO 1961 VG++. État : Occasion  - Used Avec GATEFOLD ETAT / CONDITION Pour le vinyl, VG++ soit très bon état du disque qui joue parfaitement, très dynamique avec puissance, relief, etc... avec très peu de bruits de fond, tels que crépitements qui peuvent etre cependant faiblement perceptibles dans les plages calmes. Présence de deux fines griffures assez longues, (trace du saphir) face 1 et 2, qui sont sans consequence sur la qualité audio et imperceptibles à l'écoute. Le disque est nettoyé. La pochette est G - VG avec décollement de la pellicule sur l'arrière et au bord de l'ouverture. Elle a été recollée mais taches de colle visibles (voir photo). Ttace d'ancien adhesif sur le devant et la tranche. Le texte sur tranche est encore bien lisible.  Diverses petites taches interieures (roussures)  dans le gatefold. Traces d'humidité ancienne (seches maintenant) dans les deux coins inferieurs droits. En résumé la pochette présente des traces d'usures importantes, ce qui semble en partie logique vue son âge (ce n'est pas une copie quasi neuve) Pochette intérieure Atlantic, vrai original en état moyen. (usure au bord de l'ouverture) A noter et c'est important que la pochette est celle prévue pour le stereo. Cependant deux stickers ou est inscrit " MONO" sont collés sur l'arrière de la pochette (voir photo). Egalement gros sticker " barclay en direct des USA distribution exclusive". On peut en deduire que Barclays et Atlantic ont pu etre à cours de pochette mono pour l'export du mono et qu'ils ont utilisés des pochettes stereo en dépannage...Quoiqu'il en soit le disque est bien mono avec les bons numeros sur le runout(voir paragraphe du dessous) Vinyl Record: VG ++, plays excellent, great audio with a few light crackling at some point, in the quiet passage The sleeve is G, VG with  wear large enough, small stains inside the gotefold, wear at the corners...glue stain marks on the back, etc (see pictures) Original Atlantic inner sleeve in about VG conditions(wear on the opening of the inner sleeve) Please, note an official Special stickers " mono" glued on the back. The sleeve is a stereo sleeve, however the record is well a mono..(numbers on runout) imported from US by Barclay (see sticker inside gatefold) may be the correct sleeve (mono) wasn't available at this time and Barclays - Atlantixc have furnished a stereo sleeve. That's interesting, indeed this freejazz record has knew a great succes at the departure and mono sleeve could be missing....  -------------------------------------------------------------- Notes FREE JAZZ was recorded in one uninterrupted "take" of 36 minutes 23 seconds. This performance by Ornette Coleman's Double Quartet is heard exactly as it was performed in the studio, without any splicing or editing. Side One ends with a quick fade-out, and the music resumes with a minimum of interruption on Side Two. On stereo Ornette Coleman, Don Cherry, Scott LaFaro and Billy Higgins are heard on the left channel, Eric Dolphy, Freddie Hubbard, Charlie Haden and Ed Blackwell are heard right. Mono version with orange and purple vinyl label that features a "white fan logo" on a black background. Packaged in a heavy cardboard gatefold sleeve. Code-Barres et Autres Identifiants - Matrix / Runout (Label Side A): 11807 - Matrix / Runout (Label Side B): 11808 - Matrix / Runout (Runout Side A): 11807-A AT. W J - Matrix / Runout (Runout Side B): 11808-A AT. W J - Rights Society: BMI Tracklist: A -  Free jazz part 1  19: 55 written by Ornette Coleman B -  Free jazz part 2   16: 28 Written by Ornette Coleman ------------------------------------------------- TRANSPORT/ SHIPPING France: Lettre suivi recommandée La Poste, emballage spécial renforcé

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

33 tours Creedence Clearwater Revival ‎– Hey Tonight Metronome ‎– 31 957 4 Germany 1981 Pochette Très bon VG+ Disque Très bon VG+ Autres renseignements et photos sur demande (n'hésitez pas à me contacter) Other information and photos on request (do not hesitate to contact me) International shipping please ask A1 Hey Tonight Written-By – J. C. Fogerty A2 Bad Moon Rising Written-By – J. C. Fogerty A3 Travelin' Band Written-By – J. C. Fogerty A4 Up Around The Bend Written-By – J. C. Fogerty A5 Susie - Q Written-By – Hawkins, Broadwater, Lewis A6 Fortunate Son Written-By – J. C. Fogerty A7 Run Through The Jungle Written-By – J. C. Fogerty A8 Some Day Never Comes Written-By – J. C. Fogerty B1 Proud Mary Written-By – J. C. Fogerty B2 Down On The Corner Written-By – J. C. Fogerty B3 Green River Written-By – J. C. Fogerty B4 Have You Ever Seen The Rain Written-By – J. C. Fogerty B5 Sweet Hitch-Hiker Written-By – J. C. Fogerty B6 Lookin' Out My Back Door Written-By – J. C. Fogerty B7 I Heard It Through The Grapevine Written-By – Strong*, Whitfield B8 I Put A Spell On You Written-By – Jay Hawkins

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

De La Soul ‎– Me Myself And I Label: Tommy Boy ‎– TB 926, Tommy Boy ‎– TB 926 B Format: Vinyl, 12", 33 ⅓ RPM, 3 Sided, Barcode Country: US Sortie: 1989 Genre: Hip Hop Style:   Tracklist Plug 1A1Me Myself And I (Radio)Co-producer – De La SoulMastered By – Tom CoyneMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:43A2Ain't Hip To Be Labeled A Hippie (Vocal)Mastered By – Tom CoyneProducer – P. Huston*, V. Mason*Written-By – K. Mercer*, P. Huston*, V. Mason*1:53A3Me Myself And I (Instrumental)Co-producer – De La SoulMastered By – Tom CoyneMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:34A4What's More (Vocal)Mastered By – Tom CoyneProducer, Mixed By – K. Mercer*Written-By – D. Jolicoeur*, K. Mercer*, P. Huston*, V. Mason*2:09Plug 2B1Me Myself And I (Oblapos Mode)Co-producer – De La SoulMastered By – Tom SteeleMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:37B2Me Myself And I (Oblapos Instrumental)Co-producer – De La SoulMastered By – Tom SteeleMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:23Plug 3CBrain Washed Follower (Vocal)Featuring [Uncredited] – Jeff (32)Mastered By – Tom SteeleProducer, Mixed By – K. Mercer*Written-By – D. Jolicoeur*, K. Mercer*3:01 Sociétés, etc. - Published By – Tee Girl Music - Published By – Bridgeport Music, Inc. - Phonographic Copyright (p) – Tommy Boy Music, Inc. - Copyright (c) – Tommy Boy Music, Inc. - Distributed By – Tommy Boy Music - Mastered At – Hit Factory Mastering - Mastered At – Frankford/Wayne Mastering Labs - Pressed By – Specialty Records Corporation Crédits - Engineer – Al Watts Notes Pub Tee Girl Music Bridgeport Music (BMI) ℗ © 1989 Tommy Boy Music, Inc. 3-sided release issued with free sticker. The B-Side has been cut using 2 parallel cutting heads, hence 2 completely different tracks can be heard with a 50% chance, depending on where the needle hits the record. B1 and B2 are cut like any regular record on groove 1. The third track 'Brain Washed Follower' is on the parallel groove 2. Track A4 "What's More" is from the movie soundtrack "Hell on 1st Ave". This version of the U.S. release bears a printed barcode on the A side center label, the other U.S. version does not. Phillippe Wynne is incorrectly credited as P Wynn. Durations for tracks A1 to B2 are slightly different to those stated on release and have been entered correctly above. The incorrect durations as shown on the release are as follows: A1 - 3:45 A2 - 1:54 A3 - 3:35 A4 - 2:10 B1 - 3:38 B2 - 3:24 The apparant '81' etching in the B side runout is actually a '2' which has been crossed out with an 'X'. Code-barres et autres identifiants - Barcode (Text, centre label side A): 0 16998-0926-0 - Matrix / Runout (Full inscription side A): TB 926 A DMS ₵ SRC - Matrix / Runout (Full inscription side B): TB 926 B-2̶ 1 ED F/W SRC TOMMY BOY - Matrix / Runout (Etchings side A): TB 926 A DMS ₵ - Matrix / Runout (Etchings side B): TB 926 B-2̶ 1 ED F/W TOMMY BOY - Matrix / Runout (Machine stamp both sides): SRC - Rights Society: BMI

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.