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CD NEUF SOUS BLISTER. Petite fêlure sur le boitier cristal. Expédié depuis la région parisienne. CD Album CD Distributeur: Epic Auteur: Jack Dejohnette Editeur: Sony Music Japon Support / Quantité fournie: 1 Rubrique principale CD: CD Album Date: 2015-01-01 00 Genre musical: Jazz

CD NEUF SOUS BLISTER. Petite fêlure sur le boitier cristal. Expédié depuis la région parisienne. CD Album CD Distributeur: Epic Auteur: Jack Dejohnette Editeur: Sony Music Japon Rubrique principale CD: CD Album Genre musical: Jazz Support / Quantité fournie: 1 Date: 2015-01-01 00

Vinyle 33t  consacré à Noël interprété par le célèbre crooner américain BING CROSBY Album  « CHRISTMAS IS A-COMIN’ WITH BING CROSBY »  Avec la participation du groupe  The ANDREWS SISTERS Pressage anglais - Made in England     Réf.:  MFP - 50314 -  Stéréo - 33 1/3 RPM Music For Pleasure LTD. 80 Blyth Road - HAYES - MIDDLESEX / EMI Pressage : Made in Engla            nd Photograph  : CAMERA PRESS Sleeve Design : David WHARIN Printed and made in Great Britain by Garrod & Lofthouse International Ltd.         13 titres: A1)   THAT CHRISTMAS FEELING A2)   CHRISTMAS IS A-COMIN’ (May God Bless You) A3)   THE CHRISTMAS SONG (Merry Christmas To You) A4)   RUDOLPH THE RED-NOSED REINDEER A5)   IS CHRISTMAS ONLY A TREE A6)   YOU’RE ALL I WANT FOR CHRISTMAS A7)   HERE COMES SANTA CLAUS+     B1)   CHRISTMAS CAROLS: Deck The Hall - Away In A Manger - I Saw Three Ships B2)   THE FIRST NOWELL B3)   TWELVE DAYS OF CHRISTMAS B4)   O FIR TREE DARK B5)   CHRISTMAS CAROLS: Good King Wenceslas - We Three Kings Of Orient Are - Angels We Have Heard On high B6)   I HEARD THE BELLS ON CHRISTMAS DAY           Pochette en très bon état - ni écriture, ni déchirure, aucune tranche ouverte - légères pliures vers les arêtes et côté ouvrant - léger marquage à l’emplacement du vinyle - une étiquette haut du recto « SPECIAL MFP IMPORT »   Disque en très bon état - légères griffures de surface apparentes : Face A : craquements de fonds assez nombreux en début de face - ils s’estompent au fur et à mesure pour laisser place à une écoute évoluant alors de très bonne à excellente qualité Face B : écoute de l’ensemble de la face d’excellente qualité - quelques craquements ponctuels tout au plus         Paiement par chèque ou Paypal   Livraison en Relais Mondial Relais - envoi suivi:   Tarif France + Belgique + Luxembourg : - De 1 à 5 disques :  4,70 € - 6 disques et plus : 5,30 € ---------------------------------------------------------------------------- Par la Poste :   Tarif Lettre Suivie : Tarif France : - 1 disque: 6,50 € - De 2 à 5 disques: 8,10 €   à partir de 6 disques, envoi en Colissimo ou Mondial Relay   Livraison Colissimo suivi : Tarifs France : - 1 disque: 7,40 € - 2 disques ou double Album: 8.40 € - 3 disques: 9,10 € - 4 ou 5 disques: 10,20 € - 6 disques et plus: 15,00 € ----------------------------------------------------------------------------- Possibilité de retirer à Tourcoing sans frais

Christmas Hits 50 Original Classics-Inclus here comes santa claus Cd neuf sous blister ! 2 Cd des plus grands classiques de Noël interprétés par les plus grands de la chanson. - CD (12 août 2008) - Nombre de disques: 2 - Label: Fat Cat - ASIN: B000VXRCCU Disque: 1   1. White Christmas - Crosby, Bing   2. Have Yourself A Merry Little Christmas - Garland, Judy   3. The Christmas Song (Merry Christmas To You) - Cole, Nat King   4. Santa Baby - Kitt, Eartha   5. Santa Claus Is Comin' To Town - Sinatra, Frank   6. Sleigh Ride - Anderson, Leroy & His Orchestra   7. Here Comes Santa Claus - Day, Doris   8. Winter Wonderland - Como, Perry   9. Let It Snow! Let It Snow! Let It Snow! - Herman, Woody   10. Jingle Bells - Sinatra, Frank   11. Rudolph, The Red-Nosed Reindeer - Crosby, Bing   12. Frosty The Snowman - Autry, Gene   13. (All I Want For Christmas Is) My Two Front Teeth - Jones, Spike & His City Slickers   14. It's Beginning To Look A Lot Like Christmas - Como, Perry   15. Silver Bells - Whiting, Margaret / Wakely, Jimmy   16. The Little Boy That Santa Claus Forgot - Cole, Nat King   17. Christmas Island - Andrews Sisters, The   18. Christmas Alphabet - Valentine, Dickie   19. Blue Christmas - Tubb, Ernest   20. The Night Before Christmas Song - Morgan, Russ & His Orchestra   21. I'll Be Home For Christmas - Crosby, Bing   22. Christmas Dreaming (A Little Early This Year) - Sinatra, Frank   23. The Little Christmas Tree - Cole, Nat King   24. Santo Natale (Merry Christmas) - Whitfield, David   25. I'm Walking Backwards For Christmas - Goons, The Disque: 2   1. That Christmas Feeling - Como, Perry   2. Santa Claus Got Stuck In My Chimney - Fitzgerald, Ella   3. Mrs. Santa Claus - Cole, Nat King   4. Snow - Crosby, Bing / Kaye, Danny / Lee, Peggy / Stevens, Trudy   5. Christmas In Killarney - Crosby, Bing   6. Christmas And You - King, Dave & His Orchestra   7. St. Nicholas Waltz - Roza, Lita   8. C-H-R-I-S-T-M-A-S - Arnold, Eddy   9. Mele Kalikimaka (Hawaiian Christmas Song) - Crosby, Bing   10. There's A Train Out For Dreamland - Cole, Nat King   11. That's What Christmas Means To Me - Fisher, Eddie   12. The Merry Christmas Polka - Andrews Sisters, The   13. Little Jack Frost Get Lost - Crosby, Bing / Lee, Peggy   14. I Saw Mummy Kissing Santa Claus - Beverley Sisters, The   15. O Come All Ye Faithful (Adeste Fideles) - Sinatra, Frank   16. God Rest Ye Merry Gentlemen - Crosby, Bing   17. The First Nowell - Haymes, Dick   18. The Birthday Of A King - Garland, Judy   19. Cradle Song - Miller, Glenn & His Orchestra   20. O Little Town Of Bethlehem - Haymes, Dick   21. Angels We Have Heard On High - Crosby, Bing   22. I Saw Three Ships - Crosby, Bing   23. Star Of The East - Garland, Judy   24. Silent Night, Holy Night - Durbin, Deanna   25. O Holy Night (Cantique De Noël) - Lanza, Mario

ZoomThe Brian Setzer Orchestra: Christmas Rocks Format: CD Packaging: Boitier Cristal Label: Surfdog Date d'édition: 12 février 2009 Tracklist: 1. Jingle Bells    2:21         2. Gettin' In The Mood [For Christmas]    3:32         3. Boogie Woogie Santa Clause    3:02         4. The Nutcracker Suite    7:11         5. You're A Mean One, Mr. Grinch    2:36         6. Dig That Crazy Santa Claus    2:13         7. Winter Wonderland    2:39         8. (Everybody's Waitin' For) The Man With The Bag    2:48         9. Angels We Have Heard On High    4:19         10. White Christmas    5:21         11. Santa Claus Is Coming To Town    2:46     12. Baby It's Cold Outside [Duet w/ Ann-Margret]    3:42         13. Let It Snow! Let It Snow! Let It Snow!    2:07         14. My Favorite Things    3:58         15. Jingle Bell Rock     2:34     16. Sleigh Ride     2:39     17. Santa Drives A Hot Rod     4:03         18. Christmas Island    2:23         19. Bach's Bounce de Brian Setzer    3:19     20. Take A Break Guys    4:30     All the articles which we put on sale are original products under license (no copy). Invoice on simple request. Payment conditions: Paypal : Immediate payment by paypal International bank transfer: IBAN: FR7619406370138191815100192 - BIC: AGRIFRPP894 (When you pay by transfer, thank you for sending us an e-mail indicating the name of the contractor of the transfer, its amount, as well as the name and the number of the concerned item). French bank transfer: Code établissement: 19406 - Code guichet: 37013 - Numéro compte: 81918151001 - Clé RIB: 92 (Lorsque vous payez par virement, merci de nous envoyer un e-mail indiquant le nom du donneur d'ordre du virement, son montant, ainsi que le nom et le numéro de l'article concerné). Bank or mail check: We accept only the french checks. Shipment: We send our products all over the world. Objects are sent 24 to 48 hours after the reception of their payment. Terms of sale: By placing a bid or by making an immediate purchase, you make a commitment to make the payment complete for a period of 10 days, after this period (except preliminary agreement), you will receive an automatic relaunching of and the article will be put back on sale. You benefit from a right to withdraw during a period of 7 days as from the reception of your article. The expenses of return are chargeable to the buyer and products must have returned to their original packing (not déblistéré). We pay off the complete amount of the corresponding purchases excluding charges shipping. For any further information contact we by e-mail leslicornes@laposte.net

Charlie McCoy ****************************************************** Album 1974 sur Monument records. Édition originale américaine. *********************************        Jingle Bells4:09White Christmas2:32Christmas Is A-Comin' (May God Bless You)2:02Blue Christmas2:40Christmas Cheer2:34The Christmas Song (Chestnuts Roasting On An Open Fire)3:04Silent Night3:19Angels We Have Heard On High3:10Away In A Manger3:10Oh Holy Night2:42The First Noel4:51 État: Very good. Très bon. Frais postaux: France: 6,50 € .                                           Christmas

THE ORNETTE COLEMAN DOUBLE QUARTET FREE JAZZ - Atlantic SD 1364  MONO 1961 VG++. État : Occasion  - Used Avec GATEFOLD ETAT / CONDITION Pour le vinyl, VG++ soit très bon état du disque qui joue parfaitement, très dynamique avec puissance, relief, etc... avec très peu de bruits de fond, tels que crépitements qui peuvent etre cependant faiblement perceptibles dans les plages calmes. Présence de deux fines griffures assez longues, (trace du saphir) face 1 et 2, qui sont sans consequence sur la qualité audio et imperceptibles à l'écoute. Le disque est nettoyé. La pochette est G - VG avec décollement de la pellicule sur l'arrière et au bord de l'ouverture. Elle a été recollée mais taches de colle visibles (voir photo). Ttace d'ancien adhesif sur le devant et la tranche. Le texte sur tranche est encore bien lisible.  Diverses petites taches interieures (roussures)  dans le gatefold. Traces d'humidité ancienne (seches maintenant) dans les deux coins inferieurs droits. En résumé la pochette présente des traces d'usures importantes, ce qui semble en partie logique vue son âge (ce n'est pas une copie quasi neuve) Pochette intérieure Atlantic, vrai original en état moyen. (usure au bord de l'ouverture) A noter et c'est important que la pochette est celle prévue pour le stereo. Cependant deux stickers ou est inscrit " MONO" sont collés sur l'arrière de la pochette (voir photo). Egalement gros sticker " barclay en direct des USA distribution exclusive". On peut en deduire que Barclays et Atlantic ont pu etre à cours de pochette mono pour l'export du mono et qu'ils ont utilisés des pochettes stereo en dépannage...Quoiqu'il en soit le disque est bien mono avec les bons numeros sur le runout(voir paragraphe du dessous) Vinyl Record: VG ++, plays excellent, great audio with a few light crackling at some point, in the quiet passage The sleeve is G, VG with  wear large enough, small stains inside the gotefold, wear at the corners...glue stain marks on the back, etc (see pictures) Original Atlantic inner sleeve in about VG conditions(wear on the opening of the inner sleeve) Please, note an official Special stickers " mono" glued on the back. The sleeve is a stereo sleeve, however the record is well a mono..(numbers on runout) imported from US by Barclay (see sticker inside gatefold) may be the correct sleeve (mono) wasn't available at this time and Barclays - Atlantixc have furnished a stereo sleeve. That's interesting, indeed this freejazz record has knew a great succes at the departure and mono sleeve could be missing....  -------------------------------------------------------------- Notes FREE JAZZ was recorded in one uninterrupted "take" of 36 minutes 23 seconds. This performance by Ornette Coleman's Double Quartet is heard exactly as it was performed in the studio, without any splicing or editing. Side One ends with a quick fade-out, and the music resumes with a minimum of interruption on Side Two. On stereo Ornette Coleman, Don Cherry, Scott LaFaro and Billy Higgins are heard on the left channel, Eric Dolphy, Freddie Hubbard, Charlie Haden and Ed Blackwell are heard right. Mono version with orange and purple vinyl label that features a "white fan logo" on a black background. Packaged in a heavy cardboard gatefold sleeve. Code-Barres et Autres Identifiants - Matrix / Runout (Label Side A): 11807 - Matrix / Runout (Label Side B): 11808 - Matrix / Runout (Runout Side A): 11807-A AT. W J - Matrix / Runout (Runout Side B): 11808-A AT. W J - Rights Society: BMI Tracklist: A -  Free jazz part 1  19: 55 written by Ornette Coleman B -  Free jazz part 2   16: 28 Written by Ornette Coleman ------------------------------------------------- TRANSPORT/ SHIPPING France: Lettre suivi recommandée La Poste, emballage spécial renforcé

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

PROMO /  GROUPEZ VOS ACHATS  FRAIS DE PORT OFFERT EN FRANCE POUR 6 VINYLS ACHETES OU POUR 50 EUROS D'ACHAT rare maxi 45 t de YES  " ANDERSON BRUFORD WAKEMAN HOWE " sur label ARISTA pressage ALLEMAGNE 1989                                   brother of mine - themes - vultures in the city                                      VOIR PHOTO                  DISQUE      EX  tres bon son                 POCHETTE      VG+    propre et saine (legere usure coins)                                                                                            LE PLUS DE VINYLUS             les disques sont livrés dans de super colis specialement adaptés aux vinyls et sont donc tres bien protegés............... §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§            EXPEDITION MONDE ENTIER AU TARIF POSTE FRANCAISE                      §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                                         EVALUATION DE L' ETAT DU DISQUE NM         DISQUE OU POCHETTE NEUVE EX   le vinyl     est parfait avec peut etre une fine marque qui n'a aucune influence sur le son. le son est parfait d'un bout a l'autre du vinyl. impossible de detecter un craquement avec une chaine hifi classique   la pochette n'a aucune marque de quelque sorte et il n'y a pas de "ring wear" c'est a dire que le disque a l'interieur ne se devine pas en surface.                                                                               VG+   le vinyl  jouera avec tres peu de craquements ou gresillements. parfois il sonnera beaucoup mieux que son apparence (petites marques, aspect opaque , notament pour les disques des annees 60, 70) pourrait le faire penser.dans tous les cas ces tres rares petites nuisances sonores genent peu l'ecoute du disque. la pochette  pourra avoir un petit plissement (mauvais rangement, legere usure sur les bords/cotés, coins legerement deformés.... ) ou un petit defaut inesthetique (pochette arrachee souvent lors du decollage de l'etiquette du prix !) mais quasiment invisible . le carton de la pochette ne sera cependant ni usé ni marqué (  ici pas de carton ramolli par l'age,signature, ecriture, autocollant......). VG     le vinyl:  jouera avec des gresillements frequents pouvant parfois un peu gener  l'ecoute du disque (craquement en debut et fin de morceaux et/ou sur les passages les plus calmes, claquement sec provoqué par une mini rayure plus profonde mais pendant moins de 10 secondes).  la pochette sera propre mais presentera des signes visibles d'usures (carton ramolli par l'age ou l'humidité/ pochette pouvant etre froissée ou legerement dechirée ou coupée sur les tranches / usures des coins ). des petites marques ou inscriptions au stylo ou feutre peuvent apparaitre (signature pour repérer les disques dans les boums !  repérages de DJ.....) . G+/G/G-  le vinyl   a eté beaucoup ecouté et presente des gresillements reguliers, il peut aussi avoir un claquement provoqué par une marque plus profonde. Cependant cette appreciation depend beaucoup du proprietaire et du type de musique. souvent les bruits de surface dependent du volume sonore.un bon vieux rock ou hard sonnera "bon" a fort volume alors qu'un melomane adorant le jazz ou le classique trouvera l'ecoute "horrible". L'ENCHERE NE SERA PAS CONSEILLEE AUX AUDIOPHILES ET PERFECTIONNISTES  la pochette: elle aura connu des problemes nuisant fortement a son esthetique (bande en ruban adhesif, marques au stylo ou feutre, dechirure, bordures tres usees, rongee par les rats...).   en fonction de la gravite de l'etat du disque et de la pochette les majorant ou minorant +  /  -   seront appliqués a G  .  P pauvre:   P NE REPRESENTE PAS UN NIVEAU ENCORE PLUS BAS QUE G . le disque est en vente uniquement s'il est digne d'interet c'est a dire tres rare et de collection.  l'acquereur aura alors une pochette tres correcte avec un disque quasiment inecoutable ou l'inverse . charge a lui d'attendre de trouver plus tard la méme piece en meilleur etat. j'ai constaté que  de nombreux collectionneurs a la recherche de pieces pas courantes aiment les posseder méme tres abimees juste pour le plaisir fetichiste de les posseder ! pour le contenu ils ecoutent les versions remasterisees et remplies de bonus (merci a rhino usa ou a juke box france) dans tous les cas le prix de depart sera 1,99 euros sans prix de reserve et vous serez prevenus par une description tres precise de l'objet. §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                                GRADING INFORMATION NM   NEW EX   vinyl   is virtually perfect. at most,perhaps a light scuff appears on the record.it play without any noise or skips of any kind whatsover.  record sleeve: should look perfect with only minor signs of wear. the artwork should have no marks of any kind; there should be no "ring wear". VG+: vinyl  should play with no skips of any kind. it should sound better than it looks. perhaps some very surface scuffs;but not a lot effect on sound quality. but still plays well. surface noise will probably be present including pops and clicks. noise should only be heard between tracks or  or during very calm passage  record sleeve: might have some "ring wear" but the artwork should be unaffect   VG: vinyl doesn't necessarily look good, but still plays well. surface noise will  be present including pops and clicks.   record sleeve will look warn and used. there may be seam splitting.  there will be noticeable ring wear on the cover,but most of the cover should still be in good condition.  G+/G/G-:    vinyl looks well played,dull, and possibly not well taken care of. however, the record should still play without skipping. it will have substantial surface noise, pops and clicks.loss of various parts of the dynamic range will occur due to worn grooves. this grading depends a lot on the owner and the type of music. a rock or hard record may will sound "good" with high volume but a  jazz or classical  record will sound"horrible".  please  audiophile or perfectionist don't bid   . record sleeve : may have many problems including seam splits,writing taped repairs, however some of the artwork will still be visible. there can't be large tears and gouges in the cover. depending of the gravity the grade +/- will be add to G. P POOR : doesn't meet the lowest standards for"good". at this point the vinyl is difficult to listen to  . the only reason to keep it would be due to extreme rarity or to fill a good sleeve until a better copy of the vinyl comes along. the same thing for the sleeve, the vinyl is not so bad but the sleeve is very poor and you have to wait for a future better one !  but the price begin at 1,99 euros and no reserve. AND I TRY TO GIVE YOU A REEL GOOD DESCRIBE.    §§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§§                                   CONDITIONS DE REMBOURSEMENT  le remboursement integral de votre achat s'effectuera uniquement si vous avez utilisés PAYPAL.  le renvoi du colis reste a votre charge;  a reception et apres controle de l'etat je vous rembourse sans discuter   §§§§§§§§§§§§ BONNES ENCHERES A TOUS      §§§§§§§§§§§§ Le 21-juil.-06 à 23:19:36 Paris, le vendeur a ajouté les informations suivantes: Le 02-nov.-08 à 21:46:48 Paris, le vendeur a ajouté les informations suivantes: Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours. DESCRIPTION PRECISE DANS L'ANNONCE vous trouverez une description détaillée de ce vinyl en cliquant sur l'annonce vinyl d'occasion, Etat décrit dans l'annonce vinyl d'occasion voir details dans l ' annonce   vinyl d'occasion, lire l'annonce pour les details de l'etat

King CURTIS "Jazz Groove": Da-duh-dah - Have you heard ? - Willow weep for me - Little brother soul - In a funky groove / Soul meeting - Lazy soul - All the way - Jeep's blues - What is this thing called love ? - Do you have soul now (2 sesions 1960 (21 avril & 18 sptembre) / Nat Adderley, ct / Wynton Kelly, p / Paul Chambers, b / Olivier Jackson, d / Sam Jones, b / Belron Evans, d) LPx2 / PRESTIGE (2) PR 24 033 (1973) Pochette double EX / Disques EX Envoi soigné et sécurisé en lettre suivie POUR UN ENVOI EN FRANCE, LES FRAIS DE PORT SERONT RAMENÉS À 6€30 (ATTENDRE LA FACTURE AVANT DE FINALISER) /// Pochette ou Disque EX ne veut pas dire NEUF, mais proche du neuf // Pochette VG ++ marques discrètes d’usure ou trace étiquette ou petite écriture // Pochette VG + cumul ou accentuation usure, écritures, étiquettes // Disque VG ++ signale qq imperfections peu génantes // Disque VG + imperfections plus audibles et/ou plus nombreuses // voir précisions pour chaque disque // Tous mes disques sont vérifiés à l’écoute Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

CREEDENCE CLEARWATER REVIVAL "Chronicle": Who'll stop the rain - Up around the bend - Run through the jungle - Looking out my back door - Long as I can see the light - I heard it through the grapevine - Have you ever seen the rain - Hey tonight - Sweet hitch-hiker - Someday never comes LPx2 / FESTIVAL - 235 (1976) Pochette EX / Disques EX (Envoi soigné et sécurisé en lettre suivie) /// POUR UN ENVOI EN FRANCE, LES FRAIS DE PORT SERONT RAMENÉS À 6€30 (ATTENDRE LA FACTURE AVANT DE FINALISER) Pochette ou Disque EX ne veut pas dire NEUF, mais proche du neuf // Pochette VG ++ marques discrètes d’usure ou trace étiquette ou petite écriture // Pochette VG + cumul ou accentuation usure, écritures, étiquettes // Disque VG ++ signale qq imperfections peu génantes // Disque VG + imperfections plus audibles et/ou plus nombreuses // voir précisions pour chaque disque // Tous mes disques sont vérifiés à l’écoute Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

GOSPEL GREATS - Jesus Is a Rock - The Original Blind Boys of Mississippi   - CD 20Titres 1995 - CHARLY RECORDS - COMPILATION - MUSIQUE RELIGIEUSE 1. Let's Have A Church - 2. I'm Willing To Run - 3. Leave You In The Hands Of The Lord - 4. Where There's A Will - 5. You Dont Know - Original 6. I'm A Soldier - Original 7. Jesus Loves Me - Original 8. I'm A Rolling - 9. My Robe Will Fit Me - 10. All Over Me - 11. Somebodys Mother - 12.No need to cry 13. I Never Heard A Man - Original 14. Oh Why - Original 15. Dont Forget The Bridge - Original 16. Waiting at the river 17. Jesus is a rock in a weary land 18.I've been weeping gor a mighty long time 19. One talk with Jesus 20. I haven't been hom in a mighty long time CD  TRES BON ETAT - tous mes cds sont écoutés avant l'envoi -  Envoi rapide et soigné - confirmation de l'envoi par mail

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

SIBELIUS VIOLIN CONCERTO IN D MINOR, OP. 47 MANUEL PONCE CONCERTO FOR VIOLIN & ORCHESTRA HENRYK SZERYNG, Violin ERNEST BOUR CONDUCTS L'ASSOCIATION ARTISTIQUE DES CONCERTS COLONNE ODEON ODX 159 (FRANCE) ORIGINAL FIRST Press RECORD IS IN NEAR MINT CONDITION INCLUDES ORIGINAL INNER SLEEVE JACKET IS VG+ cf photo STUNNING MAGICAL VIRTUOSO PERFORMANCES BY A YOUNG SZERYNG! ONE OF THE FINEST RECORDINGS OF THE SIBELIUS I HAVE EVER HEARD! HIGHLY RECOMMENDED!!! VERY SCARCE FRENCH RECORDING, DON'T MISS IT!

Item Title Sub title ITEM DESCRIPTION TITLE: RECITAL ORGUE TROMPETTE ARTIST: PAUl et YVES COUEFFE LABEL: CECE REFERENCE: // COVER LANGUAGE: FRENCH YEAR: // MANUFACTURING: FRENCH DESCRIPTION: rare Réciral Coueffé, never seen on or other parts. 200 copies There is no sale before the end of the auction. I never cancel a sale after the auction  Thank you for looking in general conditons, for the state of the record and the cover.   See Other Items   PAYMENT GENERAL CONDITION                   COVER  VG:The cover shows signs of  obvious manipulation: slightly horny end, price tag, folds. But no major flaws.  It may also be in perfect condition but has a punch or a beveled end.  RECORD  VG +: This is  the most common condition of second-hand discs. The discs have some  scratches that do not affect the sound quality. Some cracklings can be  heard on very sensitive turntables.   EXPEDITION Follow up to distribution for 36 countries: Allemagne - Australie - Autriche - Brésil - Belgique -  Canada - Croatie - Corée du Sud - Chypre - Chine- Danemark - Espagne - Estonie -  USA - Finlande - UK - Hong Kong - Irlande - Islande - Italie - Japan- Liban -  Lituanie - Luxembourg - Malaisie - Malte - Nouvelle Zélande - Pays Bas -  Pologne - Portugal -Singapour - Slovaquie - Slovénie - Serbie - Suisse  -Suède -Arabie Saoudite. What I propose for each purchase : A shipping in the box with bubble protection, a wooden  protection to avoid folding the package (if buying a record, from 2 records  the package is solid) Parcel tracking, 4 flash: at the depot, departure France, on arrival in your  country, on delivery (be careful they can sometimes forget a step). For  countries so the list is above. For others 1 date of deposit, 1 date of  receipt. A picture of your package before shipping Receipt of the package between 7 and 10 days on  average. Starting from 500 $, the shipping is done with UPS or FEDEX without  supplement (2 or 3 days) Thanks for looking Thank You for your purchase Copyright 2018 All Rights Reserved Classik-Records

MOZART CONCERTOS 25 -19 SERKIN ABBADO ITEM DESCRIPTION TITLE: KLAVIERKONZERTE PIANO CONCERTOS N 25 - 19 ARTIST: RUDOLF SERKIN CLAUDIO ABBADO LABEL: DEUTSCHE GRAMMOPHON DIGITAL REFERENCE: 410 989 1 COVER LANGUAGE: UK - GERMANY - FRENCH YEAR:1984 MANUFACTURING: WEST GERMANY DESCRIPTION: There is no sale before the end of the auction. I never cancel a sale after the auction  Thank you for looking in general conditons, for the state of the record and the cover.   See Other Items   PAYMENT GENERAL CONDITION                   COVER  VG:The cover shows signs of  obvious manipulation: slightly horny end, price tag, folds. But no major flaws.  It may also be in perfect condition but has a punch or a beveled end.  RECORD  VG +: This is  the most common condition of second-hand discs. The discs have some  scratches that do not affect the sound quality. Some cracklings can be  heard on very sensitive turntables.   EXPEDITION Follow up to distribution for 36 countries: Allemagne - Australie - Autriche - Brésil - Belgique -  Canada - Croatie - Corée du Sud - Chypre - Chine- Danemark - Espagne - Estonie -  USA - Finlande - UK - Hong Kong - Irlande - Islande - Italie - Japan- Liban -  Lituanie - Luxembourg - Malaisie - Malte - Nouvelle Zélande - Pays Bas -  Pologne - Portugal -Singapour - Slovaquie - Slovénie - Serbie - Suisse  -Suède -Arabie Saoudite. What I propose for each purchase : A shipping in the box with bubble protection, a wooden  protection to avoid folding the package (if buying a record, from 2 records  the package is solid) Parcel tracking, 4 flash: at the depot, departure France, on arrival in your  country, on delivery (be careful they can sometimes forget a step). For  countries so the list is above. For others 1 date of deposit, 1 date of  receipt. A picture of your package before shipping Receipt of the package between 7 and 10 days on  average. Starting from 500 $, the shipping is done with UPS or FEDEX without  supplement (2 or 3 days) Thanks for looking Thank You for your purchase Copyright 2018 All Rights Reserved Classik-Records

DEAD KENNEDYS Bedtime For Democracy 1st UK 1986 VIRUS50●ONE LABEL ONLY●PUNK LP DEAD KENNEDYS - BEDTIME FOR DEMOCRACY ALTERNATIVE TENTACLES - VIRUS 50 1st UK RELEASE (1986)  1st UK RELEASE WITH INCREDIBLE MISPRINT, ONE LABEL ONLY. FOR UNKNOWN REASON, SIDE A LABEL IS MISSING !  VINYL PLAYS VERY WELL SIDE ON BOTH SIDES (ONLY A FEW RARE « POPS »)  DON’T MISS IT ! PLEASE READ CAREFULLY THE DESCRIPTION AND WATCH PICS:  SLEEVE: EX STRAIGHT SHAPE, LIGHT WEAR AT PLACES, LIGHT MARKS. WIDE SPINE WITH A LITTLE BROWN MARK. INSIDE COVER VERY CLEAN. NO WRITINGS.   INNER SLEEVE:  COMES WITH AN OLD WHITE INNER IN ACCEPTABLE CONDITION (A LOT OF BROWN MARKS). COMES ALSO WITH A NEW BLACK INNER. VINYL: VG+ LABEL SIDE A IS MISSING. LABEL SIDE B CLEAN OF WRITINGS/CLEAN OF BAD MARKS. MATRICES WELL PRESERVED & EASILY READABLE. VINYL WITH HAIRLINES/LIGHT SCUFFS VISIBLE UNDER STRONG LIGHT.  IT PLAYS VERY WELL ON BOTH SIDES, ONLY A FEW RARE « POPS ».  NO LOUD BACKGROUND NOISE, NO BAD CRACKLES, NO JUMPS, NO REPEATS…. MATRICES/STAMPERS  SIDE 1:   VIRUS 50 A2      ORLAKE      (All handwritten) SIDE 2:   VIRUS 50 B2      ORLAKE      (All handwritten) A1Take This Job And Shove ItWritten-By –David Allan Coe  1:24A2Hop With The Jet Set     Written By- Biafra2:06A3Dear Abby Written By- Biafra1:10A4Rambozo The Clown Written By – Biafra2:23A5Fleshdunce Written By – Biafra1:29A6The Great Wall    Written By-Biafra1:31A7Shrink   Written By-Biafra1:42A8Triumph Of The Swill   Written By-Biafra2:03A9Macho Insecurity   Written By-Biafra1:26A10I Spy Written By –D.H. Peligro2:31A11Cesspools In Eden     Written By – Dead Kennedys, Biafra 5:20B1One-Way Ticket To Pluto Written By – Biafra1:36B2Do The Slag Written By –East Bay Ray 1:36B3A Commercial    Written By- BiafraB4Gone With My Wind   Written By-Biafra1:42B5Anarchy For Sale    Written By-Biafra1:15B6Chickenshit Conformist   Written By –Biafra5:59B7Where Do Ya Draw The Line Written By – Biafra2:38B8Potshot Heard Around The World Written By –Biafra, Ray 2:09B9D.M.S.O. Written By –Dead Kennedys, Biafra 2:07B10Lie Detector Written By –Biafra, East Bay Ray  3:41 POLICY/SHIPPING If you are not happy with this item, I offer a full refund (except return postal cost). So please be indulgent if you're not happy with this item, whatever the reason.  Please pay within 5 days or the purchase will be cancelled. Payment by paypal prefered.   I would be happy to combine delivery price if multiple purchases. Shipping with tracking number or Mondial Relay (ask Mondial Relay rates for cheaper delivery price). The LP will be packed carefully. RECORD/SLEEVE GRADING SYSTEM:  MINT (M) Never been played or item still sealed. NEAR MINT (NM) In brand new condition with no surface marks or deterioration in sound quality. Cover and contents nearly perfect. EXCELLENT (EX) Shows some signs of being played but very little lessening in sound quality. Cover and contents might have slight wear and/or creasing. VERY GOOD + (VG+) Better than Very Good: Obviously been played but no significant deterioration in sound quality despite light surface marks. Very little wear and tear on cover and contents, no major defects. VERY GOOD (VG) Obviously been played many times but no major deterioration in sound quality despite noticeable surface marks and occasional light scratch. Normal wear and tear on cover or contents, no major defects. Good + (G+) Better than Good: Sound quality has deteriorated but with no distortion. Light scratches and occasional mild scratch. Cover and contents suffer from folding, scuffing of edges but not spine splits or discoloration. Good (G) Sound

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

33 tours Creedence Clearwater Revival ‎– Hey Tonight Metronome ‎– 31 957 4 Germany 1981 Pochette Très bon VG+ Disque Très bon VG+ Autres renseignements et photos sur demande (n'hésitez pas à me contacter) Other information and photos on request (do not hesitate to contact me) International shipping please ask A1 Hey Tonight Written-By – J. C. Fogerty A2 Bad Moon Rising Written-By – J. C. Fogerty A3 Travelin' Band Written-By – J. C. Fogerty A4 Up Around The Bend Written-By – J. C. Fogerty A5 Susie - Q Written-By – Hawkins, Broadwater, Lewis A6 Fortunate Son Written-By – J. C. Fogerty A7 Run Through The Jungle Written-By – J. C. Fogerty A8 Some Day Never Comes Written-By – J. C. Fogerty B1 Proud Mary Written-By – J. C. Fogerty B2 Down On The Corner Written-By – J. C. Fogerty B3 Green River Written-By – J. C. Fogerty B4 Have You Ever Seen The Rain Written-By – J. C. Fogerty B5 Sweet Hitch-Hiker Written-By – J. C. Fogerty B6 Lookin' Out My Back Door Written-By – J. C. Fogerty B7 I Heard It Through The Grapevine Written-By – Strong*, Whitfield B8 I Put A Spell On You Written-By – Jay Hawkins

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

De La Soul ‎– Me Myself And I Label: Tommy Boy ‎– TB 926, Tommy Boy ‎– TB 926 B Format: Vinyl, 12", 33 ⅓ RPM, 3 Sided, Barcode Country: US Sortie: 1989 Genre: Hip Hop Style:   Tracklist Plug 1A1Me Myself And I (Radio)Co-producer – De La SoulMastered By – Tom CoyneMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:43A2Ain't Hip To Be Labeled A Hippie (Vocal)Mastered By – Tom CoyneProducer – P. Huston*, V. Mason*Written-By – K. Mercer*, P. Huston*, V. Mason*1:53A3Me Myself And I (Instrumental)Co-producer – De La SoulMastered By – Tom CoyneMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:34A4What's More (Vocal)Mastered By – Tom CoyneProducer, Mixed By – K. Mercer*Written-By – D. Jolicoeur*, K. Mercer*, P. Huston*, V. Mason*2:09Plug 2B1Me Myself And I (Oblapos Mode)Co-producer – De La SoulMastered By – Tom SteeleMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:37B2Me Myself And I (Oblapos Instrumental)Co-producer – De La SoulMastered By – Tom SteeleMixed By – K. Mercer*, P. Huston*Producer – Paul HustonWritten-By – D. Jolicoeur*, G. Clinton*, K. Mercer*, P. Huston*, P. Wynn*, V. Mason*3:23Plug 3CBrain Washed Follower (Vocal)Featuring [Uncredited] – Jeff (32)Mastered By – Tom SteeleProducer, Mixed By – K. Mercer*Written-By – D. Jolicoeur*, K. Mercer*3:01 Sociétés, etc. - Published By – Tee Girl Music - Published By – Bridgeport Music, Inc. - Phonographic Copyright (p) – Tommy Boy Music, Inc. - Copyright (c) – Tommy Boy Music, Inc. - Distributed By – Tommy Boy Music - Mastered At – Hit Factory Mastering - Mastered At – Frankford/Wayne Mastering Labs - Pressed By – Specialty Records Corporation Crédits - Engineer – Al Watts Notes Pub Tee Girl Music Bridgeport Music (BMI) ℗ © 1989 Tommy Boy Music, Inc. 3-sided release issued with free sticker. The B-Side has been cut using 2 parallel cutting heads, hence 2 completely different tracks can be heard with a 50% chance, depending on where the needle hits the record. B1 and B2 are cut like any regular record on groove 1. The third track 'Brain Washed Follower' is on the parallel groove 2. Track A4 "What's More" is from the movie soundtrack "Hell on 1st Ave". This version of the U.S. release bears a printed barcode on the A side center label, the other U.S. version does not. Phillippe Wynne is incorrectly credited as P Wynn. Durations for tracks A1 to B2 are slightly different to those stated on release and have been entered correctly above. The incorrect durations as shown on the release are as follows: A1 - 3:45 A2 - 1:54 A3 - 3:35 A4 - 2:10 B1 - 3:38 B2 - 3:24 The apparant '81' etching in the B side runout is actually a '2' which has been crossed out with an 'X'. Code-barres et autres identifiants - Barcode (Text, centre label side A): 0 16998-0926-0 - Matrix / Runout (Full inscription side A): TB 926 A DMS ₵ SRC - Matrix / Runout (Full inscription side B): TB 926 B-2̶ 1 ED F/W SRC TOMMY BOY - Matrix / Runout (Etchings side A): TB 926 A DMS ₵ - Matrix / Runout (Etchings side B): TB 926 B-2̶ 1 ED F/W TOMMY BOY - Matrix / Runout (Machine stamp both sides): SRC - Rights Society: BMI