He man power of

Azur-Books La qualité au meilleur coût Consultez ma BOUTIQUE, vous y trouverez votre bonheur: https://.fr/str/azurbooks                            --------------------------- * N’oubliez pas de grouper vos achats pour limiter les frais d’expédition * To limit your expenses of postage you’d better to group your purchases * Non French cheque aren't accepted * Don't hesitate to contact me further informations. State your questions in basic English, please * IMPORTANT : Tous les livres et objets sont vendus sous la formule PRIX FIXE, en ACHAT IMMEDIAT (sans enchères)     Collection ROCK & POP Emotion   CD + livret   Volume avec livret d'explications sur les morceaux, le contexte, l'inspiration du moment et la biographie des artistes SUPERBE   The Power of Love:  14 titres inoubliables sur un CD   * The power of love: Jennifer Rush * I want to know what love is: Foreigner * Up where we belong: Joe Cocker & Jennifer Warnes * Glory of love: Peter Cetera * Get here: Oleta Adams * True: Spandau Ballet * The air that i breathe: The Hollies * When a man loves a women: Percy Sledge * Total eclipse of the heart: Bonnie Taylor * Keep on loving you: Reo Speedwagon * The sun ain't gona shine anymore: The Walker Brothers * (You're muy) Soul and inspiration: The Righteous Brothers * Stay with me till dawn: Judie Tzuke * The power of love: Huey Lewis and The News www.stores.fr/azurbooks Livraison dans le monde entier * Important: N'oubliez pas de consulter nos conditions générales de vente située en présentation de la Boutique * Groupez vos achats pour bénéficier de la réduction sur les frais d'expédition (à partir du 2 ème livre acheté) @:   azur-books@cegetel.net

Powersword He Man pour Masters of the universe. L'épée et sa boite sont en excellent état. En revanche je n'ai pas réussi à la faire fonctionner. Attention, je ne fais pas de remises en mains-propres.

45T Vinyl, 7", Single Power House Omega Studio ‎– OM 683 France 1981 Ensemble VG+ légères traces voir photos 3 titres : Hé Mec J’existe / Mort D'Un Ami / Poor Little Boy (une dédicace AR) L'envoi en simple est proposé pour réduire le coût pour les acheteurs cependant, en cas de perte ou vol du colis, je ne peux en aucun cas être tenu responsable. !C'est pourquoi, l'envoi en recommandé suivi est fortement conseillé ! Sending simple is proposed to reduce the cost for buyers, however, in case of loss or theft of the package, I can in no way be held responsible. ! This is why sending by registered mail is strongly recommended!

SP 2 titres IKE & TINA TURNER  " DELILAH'S POWER / THAT'S MY PURPOSE "  DISQUE:  VG++;  POCHETTE: VG++ PAIEMENT CHEQUE OU PAYPAL UNIQUEMENT, PAS DE VIREMENT BANCAIRE Je décline toute responsabilité en cas de perte ou de dégradation lors de l'acheminement, l'acheteur a la possibilité de demander un envoi lettre recommandée ou collissimo si il le souhaite, une tarification différente sera alors proposée L'envoi des objets se fait dès réception du paiement N'enchérissez que si vous avez l'intention d'acheter SVP, le paiement devra se faire dans un délai de moins de 10 jours, au -delà de ce délai l'enchère sera annulée avec les conséquences qui s'imposent (évaluation et  litige) Discount on shipping with 2 purchases CHECK OR PAYPAL PAYMENT ONLY, NO BANK TRANSFER I accept no responsibility for any loss or damage during shipment, the buyer has the option of requesting a letter or sending collissimo if he wants, charging different prices will be proposed Sending objects only upon receipt of payment Bid only if you intend to buy please, payment must be done within less than 10 days, beyond which time the bid will be canceled with the necessary consequences (evaluation and dispute) POCHETTE:  M: comme neuf / EX-MINT: excellent état / VG++: très bon état,petits défauts / VG+: bon état,tranche et coin peu abimées /  VG: état moyen mais correct,petite déchirure et écriture / VG-: pochette abimée,déchirures,taches / VINYL  M: comme neuf /EX / MINT: excellent état / VG++: trés bon état quelques micro-grésillements /  VG+: bon état,légers grésillements genant peu l'écoute /  VG: état moyen grésillements et craquements mais ne saute  pas / VG-; etat moyen forts grésillements et craquements peut éventuellement sauter

Public Enemy - Fear Of A Black Planet - CD       REF:B241-016       Label:Def Jam Recordings ‎– 466281 2, CBS ‎– 466281 2, Columbia ‎– CK45413 Format:CD, Album Country:Europe Sortie:1990 1 Contract On The World Love Jam (Instrumental) 2 Brothers Gonna Work It Out 3 911 Is A Joke 4 Incident At 66.6 FM (Instrumental) 5 Welcome To The Terrordome 6 Meet The G That Killed Me 7 Pollywanacraka 8 Anti-Nigger Machine 9 Burn Hollywood Burn 10 Power To The People 11 Who Stole The Soul ? 12 Fear Of A Black Planet 13 Revolutionary Generation 14 Can't Do Nuttin' For Ya Man 15 Reggie Jax 16 Leave This Off Your Fu*kin Charts (Instrumental) 17 B Side Wins Again 18 War At 33 1/3 19 Final Count Of The Collision Between Us And The Damned (Instrumental) 20 Fight The Power

Sam Tanenhaus’s essay “ Conservatism Is Dead ” prompted intense discussion and debate when it was published in The New Republic in the first days of Barack Obama’s presidency. Now Tanenhaus, a leading authority on modern politics, has expanded his argument into a sweeping history of the American conservative movement. For seventy-five years, he argues, the Right has been split between two factions: consensus-driven “realists” who believe in the virtue of government and its power to adjust to changing conditions, and movement “revanchists” who distrust government and society–and often find themselves at war with America itself. Eventually, Tanenhaus writes, the revanchists prevailed, and the result is the decadent “movement conservatism” of today, a defunct ideology that is “profoundly and defiantly unconservative–in its arguments and ideas, its tactics and strategies, above all in its vision.” But there is hope for conservatism. It resides in the examples of pragmatic leaders like Dwight Eisenhower and Ronald Reagan and thinkers like Whittaker Chambers and William F. Buckley, Jr. Each came to understand that the true role of conservatism is not to advance a narrow ideological agenda but to engage in a serious dialogue with liberalism and join with it in upholding “the politics of stability.” Conservatives today need to rediscover the roots of this honorable tradition. It is their only route back to the center of American politics. At once succinct and detailed, penetrating and nuanced, The Death of Conservatism is a must-read for Americans of any political persuasion.

REF38119 - Masters of the Universe - Superman (carte USA) - Barbarossa Art Type: figurine articulée Matière: plastique Taille: 14cm Origine: USA Année: 2012 Condition: neuve sous blister (voir photos du produit) SUPERMAN, le Dernier Fils de KryptonRegardez! C'est un oiseau? C'est un avion? Non, c'est une authentique figurine articulée de Superman dans le style des Maitres de l'Univers!Capturant la quintessence de l'Homme d'Acier version années 80, cette figurine représente Superman tel qu'il aurait pu apparaitre au sein de la gamme vintage des Maitres de l'Univers, suite à son apparition dans le cross-over de 1983 chez l'éditeur DC Comics. Non contents d'introduire enfin le Dernier Fils de Krypton dans la gamme MOTU, nous avons laissé libre cours à notre imagination en posant la question suivante: Quel évènement aurait pu découler de la présence de Superman dans un cross-over avec les Maîtres de l'Univers? Une réponse nous a semblé évidente: une guerre entre les Forces d'Eternia et les New Gods! L'illustration au dos du blister revèle donc les bases de cette histoire imaginaire, typique d'une gamme de jouets du milieu des années 80. Superman est livré avec une vrai cape en tissus, de vraies chaines en métal qu'on peut enrouler autour de son torse et fermer grâce à une petite attache. il suffit ensuite de déclencher son "Power-Punch" pour qu'il se libère de ses chaines!A propos du "Big Bang Project" de Barbarossa Art: "Le "Big Bang Project" est notre tentative de continuer la gamme originale des Maitres de l'Univers, au travers de créations artistiques (des figurines customs) s'intégrant dans un scénario imaginaire qui aurait pu exister si la série de Mattel avait continué. L'authenticité est notre préoccupation principale. Alors à chaque étape de design et de la fabrication, nous tâchons de garder à l'esprit cette question: "comment cela aurait-il été fait à l'époque?" Nous voulons produire des figurines s'intégrant parfaitement à la gamme originale et créer les personnages que nous aurions voulu avoir étant enfants. C'est à la fois un véritable plaisir artistique et nostalgique que de créer ces figurines et de retrouver les sensations d'antan, celle procurées par la découverte d'un nouveau personnage au magasin de jouet du coin..." TOUS NOS ENVOIS SE FONT EN COLISSIMO EXPERT (suivi, recommande, assurance en option. Cependant, pour les petits objets (inférieurs à 2cm d'épaisseur et 12cm de longueur) et uniquement pour la France, possibilité d'envoi en Lettre Max (3.50€). Les envois de documents et catalogues peuvent être effectuer en Courrier Prioritaire (sans recommandé et sans suivi). Pour ces envois spéciaux, merci de nous contacter avant l'achat pour confirmer que les objets choisis sont éligibles à ces modes d'expédition.   REF38119 - Masters of the Universe - Superman (USA card) - Barbarossa Art Type: action-figure  Material: plastic resin Size: 5 inches Year: 2012 Origin: USACondition: mint on card (see pictures)  SUPERMAN, Last Son of KryptonIts' a bird, it's a plane, no, it's an authentically-detailed vintage-styled MOTU Superman! Crafted to capture the quintessential 1980's version of the Man of Steel, this custom figure depicts Superman as he may have appeared as an action figure in the vintage line. But not satisfied with just inserting the Last Son of Krypton into MOTU, the imagination was allowed to go into overdrive a bit and ask the question, "how else might have Superman found himself in a cross-over with MOTU?" And the obvious answer arose: a war between the Forces of Eternia and The New Gods! Check out the artwork on the card for the storyline of this imaginary piece of mid-1980's toy history.Superman comes with a cloth cape, power-punch action and real metal chains accessory that you wrap around his chest and secure by way of a small plug. When you use his power-punch, watch him "break free" from the chains! Barbarossa Art Customs: The Big Bang Project: The Big Bang Project is my

- Boutique - Contact - Favoris - Evaluations - Page perso Categories de la Boutique - Variete Francaise & Quebecoise - Classique Baroque Romantique - CD Enfants Berceuses Comptines - Musiques du Monde Afrique Nova - Relaxation Humour Karaoke Easy - Humour & Textes lus, Parodies - Film Serie TV Comedie Musicale - Gospel & Spiritual Gospel Song - Jazz Latin Manouche Cool Swing - Rock Chretien Pop Louange Fete - Pop Rock Variete Disco Britpop - Country Blues Folk Songwriter - Soul R&B Stax Funk Blues - Hard Rock Metal Progressif - Inde Alternatif Punck Gothique - Techno Electro House Trance - Rap Hip-Hop Gangsta Rap Coast - Nouveautes - Autres Musiques - Import Musique - Promotion du Jour en Musique - A Offrir Idees Cadeaux - A Offrir Edition Coffret - A Offrir Edition Compilation Infos Contact Contactez-nous Description Soul Music Hits the Charts 1955-1962 History of Soul Disque 1 Lookin' For A Love - The Valentinos Way Over There - Miracles, The I'm Movin' On - Charles, Ray Hurt - Yuro, Timi Two Lovers - Wells, Mary Soothe Me - The Sims Twins Mama Said - Shirelles, The Let's Go, Let's Go, Let's Go - Ballard, Hank Let Me Go The Right Way - Supremes, The A Lover's Question - Mcphatter, Clyde Baby (You've Got What It Takes) - Brook Benton & Dinah Washington Let Them Talk - John, Little Willie Nothing Can Change This Love - Cooke, Sam Save The Last Dance For Me - Drifters, The You Got What It Takes - Johnson, Marv Trust In Me - James, Etta Am I The Man - Wilson, Jackie Nobody But You - Dee Clark Baby It's You - Shirelles, The You'll Lose A Good Thing - Lynn, Barbara Mother - In - Law - K-Doe, Ernie Lead Me On - Bland, Bobby Blue You've Got The Power - Brown, James Come Tomorrow - Knight, Marie Stagger Lee - Price, Lloyd Raindrops - Dee Clark Letter Full Of Tears - Gladys Knight & The Pips All Around The World - John, Little Willie Funny - Brown, Maxine Reet Petite - Wilson, Jackie Disque 2 Untie Me - Tams, The At Last - James, Etta Tra La La - Turner, Ike & Tina There Goes My Baby - Drifters, The I Don't Want To Cry - Jackson, Chuck All In My Mind - Brown, Maxine Every Beat Of My Heart - Gladys Knight & The Pips Duke Of Earl - Chandler, Gene I Love The Way You Love - Johnson, Marv Gee Whiz - Thomas, Carla Them That Got - Charles, Ray Dedicated To The One I Love - The 5 Royales Just For Your Love - Falcons, The Just Because - Lioyd Price Lost Someone - Brown, James It's Raining - Thomas, Irma Twistin' The Night Away - Cooke, Sam For Your Love - Townsend, Ed Will You Love Me Tomorrow - Shirelles, The Pretty Girls Everywhere - Eugene Church Human - Hunt, Tommy A Little Bit Of Soap - The Jarmels Lover Please - Mcphatter, Clyde A Hundred Pounds Of Clay - Mcdaniels, Gene Please Stay - Drifters, The Jamie - Eddie Holland Beechwood 4 - 5789 - Marvelettes, The You Can Have Her - Hamilton, Roy You Send Me - Cooke, Sam Stand By Me - Ben E King Faire une rechercher sur ce titre Soul Music Hits the Charts 1955-1962 Faire une rechercher sur cet auteur History of Soul         Visiter notre boutique Rajoutez-nous a votre liste de favoris vous serez avertis en priorite de nos promotions et nouveaux articles Livraison internationale We ship to Worldwide Contactez-nous Titre: Soul Music Hits the Charts 1955-1962 Createur: Multi-Artistes Editeur: History of Soul Reliure: CD Date de réédition: 10/03/2014 Marque: History of Soul Dimensions: 555,00 x 497,00 x 54,00 Poids: 18 grammes Nombre de disque: 2 disques Etat: Neuf Disponibilité courrante: Expedier sous 48 heures AazMusic toute la Musique. AazMusic vous propose plus de 25 000 titre expédiés rapidement dans des emballages soignés. Passez des commandes groupées pour économiser les frais de port. Garantie satisfait ou remboursé. Livraison international. Conseil Faites des achats groupes et obtenez le port gratuit pour la France. Sur cha

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Prince Ultimate mixes  2xLP Near Mint  Beautiful copy!!!  Rare original NPG Records 1995!!! Great condition!! First hand from my own collection !!! Any questions feel free to contact me!!! A1Prince–Little Red Corvette (Dance Remix)A2Prince And The Revolution–Raspberry Beret (12" Version)B1Prince–Let's Work (Dance Remix)B2Prince–U Got The Look (Long Look Version)C1Prince And The Revolution–Pop Life (Fresh Dance Mix)C2Prince And The Revolution–She's Always In My Hair (12" Version)D1Prince–Thieves In The Temple (Remix)D2Prince And The New Power Generation–Cream (NPG Remix) Prince Rogers Nelson (June 7, 1958 – April 21, 2016) was an American singer-songwriter, multi-instrumentalist, record producer, actor, and director. Regarded as one of the greatest musicians of his generation, and guitar virtuoso, he worked across multiple genres performing in a flamboyant and androgynous persona, with a wide vocal range which included a far-reaching falsetto and high-pitched screams.[Prince's music integrated a wide variety of styles, including funk, R&B, Latin, rock, new wave, classical, soul, synth-pop, psychedelia, pop, jazz, and hip hop. He pioneered the Minneapolis sound, a funk rock subgenre that emerged in the late 1970s. He was also known for his prolific output, releasing 39 albums during his life, with a vast array of unreleased projects left in a vault at his home after his death; it is believed that the vault contains dozens of fully produced albums and over 50 music videos that have never been released, along with various other media.[He released hundreds of songs both under his own name and multiple pseudonyms during his life, as well as writing songs that were made famous by other musicians, such as "Nothing Compares 2 U" and "Manic Monday". Estimates of the complete number of songs written by Prince range anywhere from 500 to well over 1,000. Born and raised in Minneapolis, Minnesota, Prince signed a recording contract with Warner Bros. Records at the age of 19. Prince went on to achieve critical success with the innovative albums Dirty Mind (1980), Controversy (1981), and 1999 (1982). His sixth album, Purple Rain (1984), was recorded with his backup band the Revolution, and was the soundtrack to his film acting debut of the same name. Purple Rain spent six consecutive months atop the Billboard 200. Prince won the Academy Award for Best Original Song Score. After disbanding the Revolution, Prince went on to achieve continued critical success with Sign o' the Times (1987). In the midst of a contractual dispute with Warner Bros in 1993, he changed his stage name to the unpronounceable symbol  (known to fans as the "Love Symbol"), and was sometimes referred to as The Artist Formerly Known as Prince or TAFKAP, or simply the Artist. He signed with Arista Records in 1998 and began referring to himself by his own name again in 2000. After returning to mainstream prominence following a performance at the Grammy Awards ceremony in 2004, he scored six US top ten albums over the following decade. Joni Mitchell said of Prince, "He's driven like an artist. His motivations are growth and experimentation as opposed to formula and hits." In mid-life, Prince reportedly experienced considerable pain from injuries to his body (mainly hips) sustained through his dynamic stage performances (which included leaping off speaker stacks in high heels), and was sometimes seen using a cane. In April 2016, at the age of 57, Prince died of an accidental fentanyl overdose at his Paisley Park home and recording studio in Chanhassen, Minnesota. Prince sold over 150 million records worldwide, ranking him among the best-selling music artists of all time. His awards included the Grammy President's Merit Award, the American Music Awards for Achievement and of Merit, the Billboard Icon Award, an Academy Award, and a Golden Globe Award. He was inducted into the Rock and Roll Hall of F

CD Elvis Presley - Suspicious Minds: The Memphis 1969 Anthology  CD 1                        1. Wearin' That Loved On Look                        2. Only The Strong Survive                        3. I'll Hold You In My Heart                        4. Long Black Limousine                        5. It Keeps Right On A-Hurtin'                        6. I'm Movin' On                        7. Power Of My Love                        8. Gentle On My Mind                        9. After Loving You                      10. True Love Travels On A Gravel Road                      11. Any Day Now                      12. In The Ghetto                      13. Mama Liked The Roses                      14. Suspicious Minds                      15. You'll Think Of Me                      16. Don't Cry Daddy                      17. The Fair Is Moving On                      18. Kentucky Rain                      19. Stranger In My Own Home Town                      20. Without Love (There is Nothing) CD2                        1. This Time / I Can't Stop Loving You                        2. After Loving You** (Alternate Take)                        3. Without Love** (Alternate Take)                        4. I'm Moving' On** (Alternate Mix/Vocal)                        5. From A Jack To A King                        6. It Keeps Right On A-Hurtin' ** (Alternate Take)                        7. True Love Travels On A Gravel Road** (Alternate Take)                        8. Power Of My Love** (Alternate Take)                        9. You'll Think Of Me** (Alternate Take)                      10. If I'm A Fool (For Loving You)                      11. Do You Know Who I Am                      12. A Little Bit Of Green                      13. And The Grass Won't Pay No Mind                      14. This Is The Story                      15. I'll Be There                      16. Hey Jude                      17. Rubberneckin'                      18. Poor Man's Gold** (Incomplete)                      19. Inherit The Wind                      20. My Little Friend                      21. Who Am I                      22. Kentucky Rain** (Alternate Take)                      23. Suspicious Minds (Alternate Take)                      24. In The Ghetto (Alternate Take)

Fela: From West Africa to West Broadway Combine elements of Bob Marley, Malcolm X and Patrice Lumumba you get a sense of the power of the world's wildest rockstar. Fela created Afrobeat, an infectious mix of American funk and jazz with traditional Yoruba and highlife music, and used it to rail against the corrupt, hypocritical Nigerian government. Repeatedly targeted by police and military for his rebellious, counter-culture lifestyle, he created a political party and seceded from the Nigerian state, renaming his commune the independent "Kalakuta Republic." Cultural icon and beloved hero of the pan-African world, Fela loomed large: captivating enormous crowds with electric performances (in Speedos or superfly suits), cherished by musicians from Paul McCartney to Mos Def, mourned by millions after his death from AIDS in 1997. These essays explore his fiery life and ever-growing legacy.

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

Slow Energy Label: CBS Référence : SAMP 92 Date de sortie: 1984 État:Pochette: VG (Very Good) => Bon Etat*2 petits autocollants sur l'avant + tranches légèrement usés + légère écriture stylo au dos (voir photos) Disques: VG+ (Very Good +) => Bon Etat +*Léger craquement lors de l'écoute Disque 1 :Face A:A1 - George Michael - Careless Whisper (Extended Mix) (6:30)A2 - Jim Diamond - I Should Have Known Better (4:10)A3 - Cyndi Lauper - Time After Time (3:59)A4 - Alison Moyet - All Cried Out (Extended Version) (6:53)  Face B: B1 - Barbra Streisand - Left In The Dark (Extended Version) (6:12)B2 - Eric Carmen - I´m Through With Love (4:00)B3 - Julio Iglesias - Moonlight Lady (4:10)B4 - Sade - Smooth Operator (4:57) Disque 2 :Face A:C1 - Mtume - You, Me And He (Polygamy Mix) (5:56)C2 - The S.O.S. Band - No One´s Gonna Love You (Special Long Version) (9:39)C3 - Herbie Hancock - People Are Changing (Extended Version) (6:03)C4 - Champaign - Off And On Love (4:09) Face B: D1 - Shakin' Stevens - Teardrops (3:55)D2 - Leonard Cohen - Dance Me To The End Of Love (4:40)D3 - Jennifer Rush - The Power Of Love (Extended Version) (6:00)D4 - Jimmy Cliff - Reggae Movement (3:34) > Possible de cumuler plusieurs articles afin de réduire le coup des frais de port Paiement / Payment: Seulement par PayPal / Only by PayPal Frais d'envoi (pour la France) : 6,00 € en Relais Mondial Relay Frais d'envoi (pour la France) : 9,00 € en Colissimo Frais d'envoi (pour la France) : 16,00 € en Colissimo Recommandé Shipping cost (European Union) : 20,00 € International Colissimo + Tracking number. Shipping cost (Rest of the World) : 26,00 € Prioritary sending + Tracking number. Expédition / Shipping :  - Tous mes articles sont envoyé dans un colis en carton rigide afin d'éviter toutes casses pendant le transport. Pour éviter toutes pertes et pour un suivi rigoureux, tous mes envoies sont affranchies avec un numéro de suivi que je transmettrais a l'acheteur lors de l'envoi afin qu'il puisse suivre sont colis via Internet.  - All my items are sent in a cardboard package in order to avoid any breakage during. To avoid losses and close monitoring, are all my send franked with a tracking number that I transmettrais the buyer when sending so they can monitor packages are via the Internet.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Lou REED Growing up in public - MINI LP REPLICA 11-track CARD SLEEVE CD Sony   NEW NOT SEALED - NEUF NON SCELLE    1 How Do You Speak To An Angel 4:08 2 My Old Man 3:15 3 Keep Away 3:31 4 Growing Up In Public 3:00 5 Standing On Ceremony 3:32 6 So Alone 4:05 7 Love Is Here To Stay 3:10 8 The Power Of Positive Drinking 2:13 9 Smiles 2:44 10 Think It Over 3:25 11 Teach The Gifted Children 3:20 °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

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