He man

he man musclor card game vintage de 1985. complet avec boite, notice. taille des cartes: 14,5 cm de haut bon état

MASTERS OF THE UNIVERSE MOTUC HE MAN BATTLE ARMOR !! EXCELLENT ÉTAT COMPLET !!

Musclor He Man Jouet Vintage Mantenna Complet Cassé.. État: "Occasion" Service de livraison: Colissimo

Zodac  mint on euro unilogo card.  Very rare. It's the first edition  sold in Europe. Picture back. King of Castle Grayskull  minicomic. Bubble was opened, but resealed with adhesive. It is a little yellowed. Card is in good condition, with few creases on the top left. I combine shipping for multiple auctions. Shipping by colissimo: France: 7,50 euros Europe: 14,85 euros Worldwide: 26,30 euros

Bonjour, je vends le bouclier de Musclor dans la série animée: " les maitres de l'univers " de chez Mattel en très bon etat (voir photos). Bonnes enchères a tous!!

Lot de 5 mini comics vendus à l'époque avec les figurines vintage dans le blister 3 en langue française uniquement (La vengeance de Skeletor, Le don du Dragon et Les masques du pouvoir) 2 en double langue Français/Anglais  Tous complets, pas de pages manquantes ALL COMPLETE, FRENCH VERSION  PAS DE PAYPAL EUROPEAN BIDDERS ARE WELCOME, IBAN BANK TRANSFER ONLY

nom inscrit sur la pochette et arêtes légèrement frottées disque tres bon état

Figura France 1983 Todo original Master del universo Fisto nota cola rota, para delantera con 2 rajitas y asiento le falta una pestaña y apolla sobre dos taquitos.

Maxi CD Tony Braxton - He wasn't Man enough Etat neuf, jamais utilisé (emballage plastique de protection) Envoi possible Pour plus de

Vinyle 33 Tours Vinyles Code EAN: 0075679641311 Genre musical: Pop Titre: (That Man) He's All Rubrique principale Vinyle: 33 Tours

Maxi CD Tony Braxton - He wasn't Man enough Etat neuf, jamais utilisé (emballage plastique de protection) Envoi possible Pour plus de renseignement par mail ou par téléphone au 09.50.86.32.92 aux heures de repas SVP Pour voir toutes mes annonces, il suffit d'aller dans l'onglet qui est en haut BONS PLANS, puis de taper 09.50.86.32.92 dans la case du moteur de recherche Possibilité de faire des lots Vinyle à vendre à Aubin (12110): cd et vinyles à acheter dans l'Aveyron (12)

Hello, You are buying a Lando's Not A System, He's A Man - Reflections III - Star Wars CCG The pictures I use are the real pictures of the card. All cards are sent professionally packed using penny sleeves and toploaders to avoid damage in transit. Cards you buy will be shipped the next day (excpet on Sunday for obvious reasons). Happy to shiper worldwide and combine shipping. I have a ton of cards for sell, do not hesitate to send send me your search list, I will then add them on. En savoir plus

ATTENTION - Les frais de port sont variables car nous utilisons différents services d'affranchissement de la poste. Nous faisons cela afin de vous apporter un maximum de confort et de garantie, quant à la livraison du colis, tout en restant dans des prix convenables. Pour en savoir plus ou savoir à quel service correspond les frais de port que vous payez: Consultez l'ensemble de nos tarifs de livraison. ATTENTION - Pour toute commande supérieure à 100€, les frais de port sont offert (France métropolitaine uniquement). Caractéristique produit (?) : Année d'édition 1978Année de pressage :1978 Label :DIALPays de pressage :USAN° de pressage :6100Etat général de la pochette :BON, traces d'usures sur les tranchesPochette ouvrante - gatefold :NONEcritures sur la pochette :NONTranche latérale lisible :              OUIDéchirures  sur la pochette:NONEtat général du disque face A :TRES BONEtat général du disque face B :TRES BONEcritures sur le label du disque:NONInsert spécifique :NONBonus : NON TRACKLIST COMPLETE (face A, B, C, D, etc...)  A/ Loose caboose - How do you spell relief - If you don't want the man - Finger popped myself into  the poor house  B/ Who gave birth to the funk - Hold what you've got - He who is without funk - Music ain't got no color Pour restez informé de toute l'actualité de SeventieS StreetS, rejoignez les SevenS sur  : FACEBOOK Référence SeventieS StreetS: 01

SP 2 titres THE ROLLING STONES  " STREET FIGHTING MAN " Decca 79.030 (sept. 68) DISQUE:  VG++;  POCHETTE: VG++ (un nom au verso) PAIEMENT CHEQUE OU PAYPAL UNIQUEMENT, PAS DE VIREMENT BANCAIRE Je décline toute responsabilité en cas de perte ou de dégradation lors de l'acheminement, l'acheteur a la possibilité de demander un envoi lettre recommandée ou collissimo si il le souhaite, une tarification différente sera alors proposée L'envoi des objets se fait dès réception du paiement N'enchérissez que si vous avez l'intention d'acheter SVP, le paiement devra se faire dans un délai de moins de 10 jours, au -delà de ce délai l'enchère sera annulée avec les conséquences qui s'imposent (évaluation et  litige) Discount on shipping with 2 purchases CHECK OR PAYPAL PAYMENT ONLY, NO BANK TRANSFER I accept no responsibility for any loss or damage during shipment, the buyer has the option of requesting a letter or sending collissimo if he wants, charging different prices will be proposed Sending objects only upon receipt of payment Bid only if you intend to buy please, payment must be done within less than 10 days, beyond which time the bid will be canceled with the necessary consequences (evaluation and dispute) POCHETTE:  M: comme neuf / EX-MINT: excellent état / VG++: très bon état,petits défauts / VG+: bon état,tranche et coin peu abimées /  VG: état moyen mais correct,petite déchirure et écriture / VG-: pochette abimée,déchirures,taches / VINYL  M: comme neuf /EX / MINT: excellent état / VG++: trés bon état quelques micro-grésillements /  VG+: bon état,légers grésillements genant peu l'écoute /  VG: état moyen grésillements et craquements mais ne saute  pas / VG-; etat moyen forts grésillements et craquements peut éventuellement sauter

Mer Man loose, vintage,  from masters of the universe toy line. Rare estrela Brazil version with orange armor. Sword is missing. Good condition,  mechanism is  working. I combine shipping for multiple auctions. Shipping by colissimo: France: 6,45 euros Europe: 12,90 euros Worldwide: 28,10 euros

I'm The Slime (Bean Remix) / Let's Move To Holland (Original Demo) SCENE OF THE CRIME ‎crime 002 (UK) 1992 Tourne en 33 1/3 RPM.

I'm The Slime (Bean Remix) / Let's Move To Holland (Original Demo) SCENE OF THE CRIME ‎crime 002 (UK) 1992 Tourne en 33 1/3 RPM. Frais de port pour achats multiples. Faire un panier et demander une nouvelle facture

NO SE SEPARAN. Mosquitor, Merman LOP, Beast man LOP, Scareglow,He man, Skeletor, Trap Jaw mini comic,Anti Eternia, Principe Adam. Todos completos en perfecto estado,con cartones (falta el de mer man) y los accesorios aunque no salgan en las fotos. #masters#del#universo#mattel#mastersoftheuniverse

A TRIBUTE TO THE REGGAE BOYZ - CD (1998) 1–Mickey Melody*Jamaica Land We Love (Hymne National Jamaicain Chanté À Capella)2–Tony RebelJah Is On My Side3–Bob MarleySmall Axe4–Errol BlackwoodReggae Boys5–Reggie StepperJump For Joy6–Jimmy RileyBlack Gold And Green7–YellowmanMoving Up8–Paul Elliott*Win Or Lose9–Mega BantonJamaica Inna France10–General TreesJamdown Football11–Iya Shanti*Girls Dem Scream12–He Man*Here Come The Reggae Boyz13–Jimmy CliffI Am A Winner

Powersword He Man pour Masters of the universe. L'épée et sa boite sont en excellent état. En revanche je n'ai pas réussi à la faire fonctionner. Attention, je ne fais pas de remises en mains-propres.

Rarísima figura Másters del Universo, en perfecto estado de conservación y con todos sus complementos. Es de la segunda generación de He man. skeletor ojos de fuego, he-man.

Heman made in france, y caballo made in Spain a he Man el mecanismo funciona pero en la tercera vuelta se queda a mitad. piernas torcidas y el caballo aparentemente está bien con todo. jitsu y hordak con las piernas sueltas. todo original de la época. se aceptan ofertas.

Lote dos antiguos muñecos en buen estado general, ver fotos para mayor descripción. realizo envíos wallapay bizum masters del universo, he man, heman, skeletor, dragstor, rotar, motu, peonza, mattel,

MOTU Masters Universo He-man vs Skeletor Pack 40 Aniversario Pack Exclusivo Mattel Creations PRECINTADO Y LISTO PARA ENVÍO Mattel Creations Masters Universo Masters Universe Origins Masterverse He-Man He Man HeMan Skeletor Grizzlor Wun-Dar WunDar Wun Dar Kol-Darr Kol Darr Koldarr

Man-E-FACES Taiwan MASTERS OF THE UNIVERSE Personaggio He Man MOTU.

Pareja de figuras de los Masters del Universo, de Mattel Origins. Nuevas. He Man y Skeletor en su versión Battle Armor. Entrego en mano o envío.

Spada di He-Man. Masters of the universe Sword He Man Mattel spada. Perfettamente funzionante con suoni e luci

Figura mattel Inc 1981 congost Spain Latigo marca France Pechera sin marca ni país Cabeza blanda Piernas firmes con gomas originales Giro de cintura bien Ojo izquierdo retocado, sin punto blanco Hombre bestia He man skeletor masters del universo

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Vinyle Soul, Funk, Blues en très bon état sorti en 2013. Geater Davis ‎– Lost Soul Format: Vinyle, 2xLP, Compilation Label: Luv N' Haight ‎– LHLP 069 Année: 2013 Pays: US Style: Soul, Funk, Blues Condition disque: VG+ (Excellent, vinyle n°2 COMME NEUF) Condition pochette: VG+ (Excellent hormis une marque sur une tranche, voir photo n°3) Envoi rapide et soigné via Mondial relay ou Colissimo. Tracklist A1 My Love Is So Strong For You A2 For Your Precious Love A3 I Love You B1 I Can Hold My Own B2 Cry, Cry, Cry B3 Don't Marry A Fool B4 St. James Infirmary C1 Wrapped Up In You C2 Sweet Woman's Love C3 I Know (My Baby Loves Me) C4 I'll Play The Blues For You C5 I'll Play The Blues For You [2nd Version] D1 Cold Love [Long Version] D2 Breath Taking Girl D3 I'll Get By D4 Best Of Luck To You Notes Geater Davis was a singer from Texas who had the chops to be one of the great men of the soul era, but bad luck and bad timing kept him from enjoying the success he deserved. Davis would have been a perfect fit at Stax or Atlantic in the mid- to late '60s, but his recording career didn't get rolling until the early '70s, when his brand of gruff but passionate blues-based R&B was losing ground in favor of funkier sounds. And while producer Allen Orange consistently drew fine performances from Davis in the studio and gave him powerful and sympathetic backing, Orange's record labels (House of Orange and Seventy-Seven Records) didn't have much muscle in the marketplace. Davis recorded for other labels over the course of his career, including Ace and Luna, but they didn't fare much better with him than Orange's imprints, and Davis was little more than a cult figure when he died in 1984 at the age of 38. The Lost Soul Man collects 25 tracks Davis recorded during his tenure with Orange, and while the presence of repeated alternate takes and unreleased tracks that didn't get the studio polish they need dull the impact of this set just a bit, it's still a potent testament to his talents. At his best, Davis' singing suggests the cool passion of Bobby "Blue" Bland blended with the gritty fire of Wilson Pickett, and he's good enough to merit both comparisons; the slow slink of "I'm Gonna Change," the lover's regret of "I've Got to Pay the Price," the potent groove of "Ain't Worrying About Jody," and the primal shouter "Hot Buttered Love" are all stellar performances and leave no doubt this man could and should have had some hits under more favorable circumstances. While Charly's Sad Shades of Blue offers a broader portrait of Geater Davis' career, The Lost Soul Man does restore some of the man's best moments in the studio to circulation, and fans of great Southern soul will want to give this a thorough listen. ~ Mark Deming