Independent stage

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES AMPEG - BA-210V2 Référence: BA-210V2 599,00 € Disponibilité:  Disponible sur commande Livraison:  Nous contacter pour vérifier la disponibilité et de délai Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus AMPEG - BA-210V2 - BAFFLE BASSE Les combos de la série BASSAMP vous permettent d’accéder à la large palette sonore offerte par les amplis Ampeg. Offrant Le son Ampeg à un niveau sonore idéal pour l’étude et les petites scènes, les amplis combos de la série BA ont été entièrement revus. Ils bénéficient du tout nouveau circuit de saturation « Bass Scrambler » qui vous permet très facilement d’obtenir des sons aussi étoffés qu’un ampli à lampe. Le Baffle offre la possibilité d’une installation à 60°, angle parfait pour une utilisation en retour dans des espaces restreints, tout en procurant une clarté sonore accrue. Tous les contrôles sont maintenant situés en face avant. Plus besoin de faire le tour de l’ampli pour peaufiner vos réglages alors que vous êtes sur scène. Ils sont extrêmement robustes, avec un châssis métal, une finition noire, et une façade avant rétro-éclairée qui sera du plus bel effet sur scène. Le Baffle offre la possibilité d’une installation à 60°, angle parfait pour une utilisation en retour dans des espaces restreints, tout en procurant une clarté sonore accrue. Tous les contrôles sont maintenant situés en face avant. Plus besoin de faire le tour de l’ampli pour peaufiner vos réglages alors que vous êtes sur scène. Ils sont extrêmement robustes, avec un châssis métal, une finition noire, et une façade avant rétro-éclairée qui sera du plus bel effet sur scène. Caractéristiques: * Puissance RMS: 450 W * Haut-parleur: 2 x 10", compression 1" * Préampli "Bass Scrambler" avec contrôles Blend, Drive et On/Off (contrôlable par pédale optionnelle) * Interrupteurs ultra-Hi, ultra-Low et Eq. 3 bandes * Entrée jack 6,35 mm avec Pad -15dB * Entrée Aux. pour connexion d'un smartphone ou d'un baladeur * Sortie Aux XLR et sortie casque 6,35 mm pour une pratique silencieuse * Sortie pour haut parleur externe * Boucle d'effets * Pan incliné à 60° pour utilisation en retour * Poids & dim.: 28,2 kg, 534 x 534 x 394 mm AMPEG - BA-210V2 Reference: BA-210V2 599,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer More info AMPEG - BA-210V2 - BASS BOX Ampeg’s BA-210 2x10″ Bass Combo delivers classic Ampeg tone and performance-driven features in a powerful 450W design perfect for keeping up with a full band. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle for added clarity on stage. The BA-210 features Bass Scrambler™ overdrive plus flexible tone-shaping and stage-ready features in a powerful 2x10″ combo. Specifications: Classic Ampeg tone * 450 watts RMS power * 2x10″ Ampeg Custom10™ speakers * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * Extension speaker output for powering additional cabs * -15dB input pad for active basses or additional level control * Aux input for playing along with smartphone or iPod * Headphone out for silent solo practice Rugged portability * Road-worthy 15mm poplar ply construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 48.0 lbs / 21.8 kg AMPEG - BA-210V2 Referencia: BA-210V2 599,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Más AMPEG - BA-210V2 - BASS BOX Ampeg’s BA-210 2x10″ Bass Combo delivers classic Ampeg tone and performance-driven features in a powerful 450W design perfect for keeping up with a full band. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle for added clarity on stage. The BA-210 features Bass Scrambler™ overdrive plus flexible tone-shaping and stage-ready features in a powerful 2x10″ combo. Specifications: Classic Ampeg tone * 450 watts RMS power * 2x10″ Ampeg Custom10™ speakers * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * Extension speaker output for powering additional cabs * -15dB input pad for active basses or additional level control * Aux input for playing along with smartphone or iPod * Headphone out for silent solo practice Rugged portability * Road-worthy 15mm poplar ply construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 48.0 lbs / 21.8 kg AMPEG - BA-210V2 Artikel-Nr: BA-210V2 599,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Produktinfos AMPEG - BA-210V2 - BASS BOX Ampeg’s BA-210 2x10″ Bass Combo delivers classic Ampeg tone and performance-driven features in a powerful 450W design perfect for keeping up with a full band. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle for added clarity on stage. The BA-210 features Bass Scrambler™ overdrive plus flexible tone-shaping and stage-ready features in a powerful 2x10″ combo. Specifications: Classic Ampeg tone * 450 watts RMS power * 2x10″ Ampeg Custom10™ speakers * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * Extension speaker output for powering additional cabs * -15dB input pad for active basses or additional level control * Aux input for playing along with smartphone or iPod * Headphone out for silent solo practice Rugged portability * Road-worthy 15mm poplar ply construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 48.0 lbs / 21.8 kg AMPEG - BA-210V2 Riferimento: BA-210V2 599,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Dettagli AMPEG - BA-210V2 - BASS BOX Ampeg’s BA-210 2x10″ Bass Combo delivers classic Ampeg tone and performance-driven features in a powerful 450W design perfect for keeping up with a full band. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle for added clarity on stage. The BA-210 features Bass Scrambler™ overdrive plus flexible tone-shaping and stage-ready features in a powerful 2x10″ combo. Specifications: Classic Ampeg tone * 450 watts RMS power * 2x10″ Ampeg Custom10™ speakers * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * Extension speaker output for powering additional cabs * -15dB input pad for active basses or additional level control * Aux input for playing along with smartphone or iPod * Headphone out for silent solo practice Rugged portability * Road-worthy 15mm poplar ply construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 48.0 lbs / 21.8 kg Global Audio Store, Revendeur Ampeg agréé Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES AMPEG - BA-115V2 Référence: BA-115V2 499,00 € Disponibilité:  Disponible en stock fournisseur Livraison:  Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus AMPEG - BA-115V2 - baffle basse Les combos de la série BASSAMP vous permettent d’accéder à la large palette sonore offerte par les amplis Ampeg. Offrant Le son Ampeg à un niveau sonore idéal pour l’étude et les petites scènes, les amplis combos de la série BA ont été entièrement revus. Ils bénéficient du tout nouveau circuit de saturation « Bass Scrambler » qui vous permet très facilement d’obtenir des sons aussi étoffés qu’un ampli à lampe. Le Baffle offre la possibilité d’une installation à 60°, angle parfait pour une utilisation en retour dans des espaces restreints, tout en procurant une clarté sonore accrue. Tous les contrôles sont maintenant situés en face avant. Plus besoin de faire le tour de l’ampli pour peaufiner vos réglages alors que vous êtes sur scène. Ils sont extrêmement robustes, avec un châssis métal, une finition noire, et une façade avant rétro-éclairée qui sera du plus bel effet sur scène. Caractéristiques: * Puissance RMS: 150 W * Haut-parleur: 1 x 15", compression 1" * Préampli "Bass Scrambler" avec contrôles Blend, Drive et On/Off (contrôlable par pédale optionnelle) * Interrupteurs ultra-Hi, ultra-Low et Eq. 3 bandes * Entrée jack 6,35 mm avec Pad -15dB * Entrée Aux. pour connexion d'un smartphone ou d'un baladeur * Sortie Aux XLR et sortie casque pour une pratique silencieuse * Boucle d'effets * Pan incliné à 60° pour utilisation en retour * Poids & dim.: 28,2 kg, 534 x 534 x 394 mm AMPEG - BA-115V2 Reference: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer More info AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Referencia: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Más AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Artikel-Nr: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Produktinfos AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg AMPEG - BA-115V2 Riferimento: BA-115V2 499,00 € Availability:  Available in supplier stock Processing time:  Under 2 working days Guaranty: 2 years by manufacturer Dettagli AMPEG - BA-115V2 - bass box Ampeg’s BA-115 15″ Bass Combo delivers classic Ampeg tone in a 150W design with performance-driven features perfect for the stage. The ruggedly portable design provides a true 60-degree sound reinforcement monitor angle that adds clarity in any situation. The BA-115 features Bass Scrambler™ overdrive plus flexible tone-shaping and professional performance features in a portable, powerful 15″ combo. Specifications: Classic Ampeg tone * 150 watts RMS power * 15″ Ampeg Custom15™ speaker * 1″ HF tweeter * Ampeg Ultra Hi/Lo tone shaping * Legacy Ampeg preamp with 3-band EQ * Bass Scrambler™ overdrive delivers SVT grind (footswitch optional) Modern flexibility * True 60° sound reinforcement monitor angle * Dedicated XLR balanced line out * Independent effects send and return * HF mute defeats horn for a rounder, more vintage tone * -15dB input pad for active basses or additional level control * Headphone out for silent solo practice Rugged portability * Roadworthy braced cabinet construction * Protective all-steel amp chassis * Impact-resistant black metal corners * Durable double-thick Ampeg Classic black Tolex® * Lightweight, portable design * 45.0 lbs / 20.4 kg Global Audio Store, Revendeur Ampeg agréé Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer Global Audio Store, Authorized Ampeg Dealer

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

uPhono+ General Features Moving Magnet (MM) stage gain: 38dB @ 1kHz Moving Coil (MC) stage gain 58dB or 69dB @ 1kHz selectable with dip-switches MM cartridge input with 4 loading capacitor values (100/200/320/420pF) selectable with dip-switches MC cartridge input with 7 loading resistor values (5/10/25/100/250/500/1kOhm) selectable with dipswitches Fixed level analogue output Variable level analogue output: level varied with front panel volume control High-current headphone stage: can be used with headphones from 16 to 600 ohms impedance Subsonic IEC anti-rumble filter with override dip-switch Optimized PCB layout and widespread use of SMD componentry to minimize the length of the signal path Alps® «Blue Velvet» potentiometer that simultaneously adjusts the volume of the headphone stage and  the level of the variable output Low noise internal mains power supply with totally independent analogue and digital power supplies uPhono+ Digital Features USB 24bit/96kHz max. sample rate to record your vinyl discs on PC and save them in  high-resolution formats Toslink (96kHz) digital optical output S/PDIF (96kHz) digital coaxial output A/D conversion carried out using the Cirrus Logic CS5341 IC USB asynchronous trasmission using the Bravo SA9137 IC Digital optical and coaxial transmission using the TI DIT4096 IC

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Item was a gift, installed to test and check it was in perfect working order. The sound is better with it, but this is way too much for my humble set up, and space available, sadly. it will be sent in the special double box original packaging it came in so no worries. Parasound HALO A-52 + A52+ 5 VOIES 180 watts RMS x 5 8 Ω.     180 watts RMS x 5 @ 8 Ω     255 watts RMS x 5 @ 4 Ω     225 watts RMS x 2 @ 8 Ω     350 watts RMS x 2 @ 4 Ω     Class A/AB circuitry designed by legendary John Curl     Direct coupled - no capacitors or inductors in audio path ensures the cleanest signal     Balanced XLR inputs with discrete circuits     Full power is rated all the way down to 5Hz for unrestricted low-end bass     Custom 1.5 kVA encapsulated toroid power transformer with independent secondary windings for each channel     Hand-matched JFETs for input stage     Hand-matched MOSFETs for driver stage     Beta-matched 15 amp, 60 MHz bipolar output transistors (3 pairs per channel)     100,000 µF power supply filter capacitance     DC Servo and relay protection circuits     Auto turn on by audio signal or 12V trigger     Heavy-duty 24k gold-plated, 5-way speaker terminals     3U chassis with updated cosmetics, rack mountable with HRA3 (sold separately) Veuillez n'enchérir que si vous acceptez qu'il s'agit d'une vente privée, sans les garanties habituelles de l'UE et le droit de retour ! En soumettant une offre, vous acceptez cette condition. Power outpout 5 Channels Driven 180 watts x 5, 8 Ω 255 watts x 5, 4 Ω Power Output - 2 Channels Driven 225 watts x 2, 8 Ω 350 watts x 2, 4 Ω Power measurements parameters with 120VAC 0.05% THD, RMS continuous power, full audio band (20 Hz - 20 kHz) Current Capacity: 45 amperes peak, per channel Dynamic Headroom: >1.5dB Slew Rate > 130 volts per microsecond Frequency Response 5 Hz - 100 kHz, +0/-3 dB 20 Hz - 20 kHz, +0/-0.3 dB Total Harmonic Distortion (THD) IM Distortion TIM Unmeasurable Interchannel Crosstalk > 78 dB at 1 kHz > 63 dB at 20 kHz Input Impedance Unbalanced: 47 kΩ Balanced: 94 kΩ, 47 kΩ per leg Input Sensitivity for 28.28 V Output into 8 Ω Unbalanced: 1 V Balanced: 1 V per leg Total Gain: 29 dB S/N Ratio > 112 dB, input shorted, IHF A-weighted > 102 dB, input shorted, unweighted Damping Factor > 1100 at 20 Hz DC Trigger Requirements +9 Vdc to +12 Vdc, 5 mA Audio Trigger Requirements 2 mV - 10 mV XLR Pin Identification 1 = Ground (Shield) 2 = Positive 3 = Negative (Return) Dimensions Width: 17-1/4" (437 mm) Height without feet: 5-1/4" (133 mm) Height with feet: 5-7/8" (149 mm) Depth: 20" (508 mm) Depth with cables: 21-1/4" (540 mm) Net Weight 55 lb. (25 kg) Shipping Weight 69 lb. (31.3 kg) Power Requirement Standby: 1 Watt Idle: 125 Watts Maximum: 1500 Watts

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con